In an interview with the Toledo Free Press, Zombie stated about “Venomous Rat Regeneration Vendor”: “It seems to happen every couple of years or every 10 years or every five years or whatever, you have a moment when it all comes together. Not that the other records are bad, but not every record can be like the most inspired event in your life. But for some reason, this one feels like it is. The songwriting, the sound of it, the vibe, the production — it’s special.”
According to Zombie, fans can expect an album that touches quite a few musical bases.
“It’s stylistically sort of a little bit of everything,” Zombie said. “Fans of my really old stuff will love it because there’s a certain aspect of it that’s very reminiscent of that. But it also is very looking to the future. It’s hard to describe music to somebody if they haven’t heard it, but I feel like it’s the best of all of the things I’ve done. I’ve finally found a perfect match between the old stuff I did and the new stuff. That’s the way it sounds to me anyway.”
The singer released a collection of remixes of various ZOMBIE tracks on August 7, 2012 called “Mondo Sex Head”. The remixes feature some of the hottest names in the growing electronic dance music scene, along with contributions from Jonathan Davis of KORN and Chino Moreno of DEFTONES.
Gould, who currently heads his own Spectacle Entertainment Group, has managed Rob Zombie since his days in WHITE ZOMBIE. Gould‘s track record includes sales exceeding fifteen million worldwide and seven Grammy nominations with Zombie, including securing deals for Zombie to become one of only a handful of people to have unprecedented success for six feature films as the writer and director.
“We have had a great deal of success in the past with Rob Zombie,” explains Gould about his decision to take the new venture to UMe. “We want to sign rock bands with brand names that do good business on the road, and have been underserved by the major label system. The idea I had arose out of discussions with the other managers of major hard-rock acts who all felt their artists could benefit from an improved label experience. We’re looking to super-serve this niche audience, which is tremendously loyal, and is often even larger internationally than here in the States.”