Just back home from a 5-week European tour in support of their new album Torture and on the jump again for another five weeks of touring through North America, CANNIBAL CORPSE have now confirmed their return to Europe for February 2013!
CANNIBAL CORPSE will be co-headlining with DEVILDRIVER with CANNIBAL CORPSE finishing all mainland European shows while DEVILDRIVER will finish the UK dates. Support acts will be announced shortly.
CANNIBAL CORPSE + DEVILDRIVER + t.b.a.
09/02/13 ˆ FI ˆ Oulu ˆ Teatrie Oulu
10/02/13 ˆ FI ˆ Tampere ˆ Pakkahuone
11/02/13 ˆ FI ˆ Helsinki ˆ Nosturi
13/02/13 ˆ SE ˆ Stockholm ˆ Göta Källare
14/02/13 ˆ SE ˆ Gothenburg ˆ Brewhouse
15/02/13 ˆ DK ˆ Copenhagen ˆ Amager bio
16/02/13 ˆ DK ˆ Aarhus ˆ Train
17/02/13 ˆ DE ˆ Hamburg ˆ Grünspan
19/02/13 ˆ NL ˆ Tilburg ˆ 013
20/02/13 ˆ DE ˆ Köln ˆ Essigfabrik
21/02/13 ˆ DE ˆ Karlsruhe ˆ Substage
22/02/13 ˆ DE ˆ Geiselwind ˆ Music Hall
23/02/13 ˆ BE ˆ Antwerp ˆ Trix
24/02/13 ˆ FR ˆ Paris ˆ Le Bataclan
26/02/13 ˆ IT ˆ Milan ˆ Alcatraz
27/02/13 ˆ CH ˆ Lausanne ˆ Les Docks
28/02/13 ˆ CH ˆ Zurich ˆ Komplex 457
01/03/13 ˆ DE ˆ Chemnitz – Südbahnhof
02/03/13 ˆ CZ ˆ Ostrava ˆ Garage Club
03/03/13 ˆ DE ˆ Berlin ˆ Columbia Club
05/03/13 ˆ DE ˆ München ˆ Backstage
06/03/13 ˆ DE ˆ Saarbrücken ˆ Garage
07/03/13 ˆ UK ˆ London ˆ The Forum
08/03/13 ˆ UK ˆ Nottingham ˆ Rock City
09/03/13 ˆ UK ˆ Manchester ˆ HMV Ritz
10/03/13 ˆ UK ˆ Glasgow – ABC
The latest studio album from American death metal icons, CANNIBAL CORPSE sold approximately 9,594 copies in the United States in its first week landing the band at #38 on the Billboard Top 200 Chart, making it the highest debut inCANNIBAL CORPSE history! Torture landed at #7 on the Billboard Top Independent Album Chart, #4 on the Billboard Top Hard Music Albums chart and #32 Billboard Top Current Albums Chart.
In Canada, Torture ranked in at #29 on the Top 200 Current chart, #2 on the Hard Music chart and #90 on the Digital Album chart.
The record also slayed all in its path overseas, entering the German and Austrian Top 100 charts at #40, the German MSH charts (Media Markt and Saturn stores) at #33, Switzerland’s Top 100 chart at #72, Sweden’s Top 100 chart at #37, and Denmark’s Top 100 chart at #84. The album also entered the national album charts in Finland at # 35 and the independent record store charts at # 7.
Torture sold 1,215 units in its first week in the UK and ranked an astounding #5 on the UK Metal chart, #18 on the UK Indie chart and #126 on the UK Top 200 chart. Torture pummeled Benelux and France as well entering their Top 200 charts at #157 and #129 respectively.
Produced by Hate Eternal’s Erik Rutan, Torture continues to reap critical accolades from critics and fans around the globe and is yet another testament to CANNIBAL CORPSE‘s permanent allegiance to shrewdly arranged, pile-driving death metal madness.
CANNIBAL CORPSE:
Alex Webster – Bass
Paul Mazurkiewicz – Drums
Rob Barrett – Guitar
Patrick O’Brien – Guitar
George “Corpsegrinder” Fisher ˆ Vocals
CANNIBAL CORPSE, are pleased to unveil the official new video for Encased In Concrete. The video was directed by David Brodsky of MyGoodEye (Black Dahlia Murder, Goatwhore, Municipal Waste, Suffocation etc.) and is available below.
The Finns are in for an extra-special metal treat as CANNIBAL CORPSE and DEVILDRIVER team up for 3 shows in Finland. The tour starts at Teatria in Oulu on February 9th, rolling to Pakkahuone at Tampere the next day, before terminating at Nosturi in Helsinki on the 11th.
CANNIBAL CORPSE, DEVILDRIVER + SPECIAL GUESTS -SHOWS:
Sat 9.2.2013, Teatria, Oulu
Tickets: 29 e / 35 e, K-15/18
Advance: http://www.lippupalvelu.fi
A five-minute video clip in which members of CANNIBAL CORPSE, KREATOR, LAMB OF GOD, ABORTED, VOIVOD, MAYHEM, KRISIUN, KEEP OF KALLESIN, CRYPTOPSY, DANKO JONES and EQUILIBRIUM congratulate Canadian extreme metallers KATAKLYSM on their 20th anniversary can be seen below.
KATAKLYSM released a multidisc DVD entitled “The Iron Will: 20 Years Determined” on July 3 via Nuclear Blast. The set, which features a documentary and bonus CD materials, depicts the ups and downs of the band’s long, turbulent career, as well as footage of KATAKLYSM‘s performance at last year’s Summer Breeze festival, which took place August 18-20, 2011 in Dinkelsbühl, Germany. The cover art for the release was created by artist Colin Marks (ORIGIN, EXODUS, NEVERMORE) and can be viewed below.
Quality fan-filmed video footage of CANNIBAL CORPSE‘s June 13 performance at LVC in Leiden, Holland can be seen below (courtesy of “letthedeathmetalflow”). Source: Blabbermouth.net
Fan-filmed video footage of CANNIBAL CORPSE‘s June 9 performance at the Sweden Rock Festival in Sölvesborg, Sweden can be seen below.
CANNIBAL CORPSE‘s twelfth studio album, “Torture”, sold 9,600 copies in the United States in its first week of release to debut at position No. 38 on The Billboard 200 chart. The band’s previous CD, “Evisceration Plague”, also opened with 9,600 units to land at No. 66. That was more than 50 percent higher than the opening tally of CANNIBAL CORPSE‘s 2006 CD, “Kill”, which entered the chart at No. 170 after shifting more than 6,000 copies.
“Torture” was again produced by HATE ETERNAL‘s Erik Rutan at his own Mana Recording Studio in St. Petersburg, Florida as well as Sonic Ranch in Tornillo, Texas, and features the maniacal cover art by longtime CANNIBAL CORPSE artist Vincent Locke.
While “Torture” marks the latest progression in the band’s sound, it also witnesses a return to what drummer Paul Mazurkiewicz accurately terms “the frenzied attack of ‘Butchered At Birth’ (1991) or ‘Tomb Of The Mutilated’ (1992),” infusing the band’s advanced musicianship with the raw savagery that haunted their earlier releases, and in the process conceiving the definitive CANNIBAL CORPSE record.
On May 16, Montreal, Quebec, Canada metal radio show “Metal Attack MTL”, which airs on MetalMessiahRadio.com, conducted an interview with drummer Paul Mazurkiewicz of Florida death metallers CANNIBAL CORPSE when Paul was in Montreal to serve as a special guest judge for Round 5 of Heavy MTL‘s “Battle Of The Bands”. You can now watch the chat in two parts below.
CANNIBAL CORPSE‘s twelfth studio album, “Torture”, sold 9,600 copies in the United States in its first week of release to debut at position No. 38 on The Billboard 200 chart. The band’s previous CD, “Evisceration Plague”, also opened with 9,600 units to land at No. 66. That was more than 50 percent higher than the opening tally of CANNIBAL CORPSE‘s 2006 CD, “Kill”, which entered the chart at No. 170 after shifting more than 6,000 copies.
“Torture” was again produced by HATE ETERNAL‘s Erik Rutan at his own Mana Recording Studio in St. Petersburg, Florida as well as Sonic Ranch in Tornillo, Texas, and features the maniacal cover art by longtime CANNIBAL CORPSE artist Vincent Locke.
While “Torture” marks the latest progression in the band’s sound, it also witnesses a return to what drummer Paul Mazurkiewicz accurately terms “the frenzied attack of ‘Butchered At Birth’ (1991) or ‘Tomb Of The Mutilated’ (1992),” infusing the band’s advanced musicianship with the raw savagery that haunted their earlier releases, and in the process conceiving the definitive CANNIBAL CORPSE record.
After three long torturous years, death metals titanic kings, CANNIBAL CORPSE, return to Australia for a sarcophagic frenzy of sordid and demented proportions! Initial sales have been huge for this tour, so make sure you get yours from the below outlets as soon as possible:
Soundworks Touring is excited to announce the following national supports for the forthcoming torture!
DISENTOMB – www.facebook.com/disentomb
Having just signed a worldwide multi-album with US record label Brutal Bands, Brisbane’s Disentomb are a crushing force on the rise and are poised to prove to Australian audiences they are the most devastating and heaviest band in the country.
ENTRAILS ERADICATED – www.facebook.com/entrailseradicated
Not to be out done, Perth’s Entrails Eradicated will set the bar high right from the first note with their amazing technical death metal twin guitar virtuosity and unrelenting pace.
CANNIBAL CORPSE with DISENTOMB & ENTRAILS ERADICATED performing at:
Oct 4th Adelaide – Fowler’s Live, ALL AGES
Oct 5th Melbourne – Billboard The Venue, 18+
Oct 6th Sydney – The Metro Theatre, 18+
Oct 8th Brisbane – The Hifi, 18+
Oct 9th Perth – Capitol, 18+
On April 20, “Superskum” (web site) conducted an interview with vocalist George “Corpsegrinder” Fisher of Florida death metallers CANNIBAL CORPSE at the Black Sheep in Colorado Springs, Colorado. You can now watch the chat in four parts below.
CANNIBAL CORPSE‘s twelfth studio album, “Torture”, sold 9,600 copies in the United States in its first week of release to debut at position No. 38 on The Billboard 200 chart. The band’s previous CD, “Evisceration Plague”, also opened with 9,600 units to land at No. 66. That was more than 50 percent higher than the opening tally of CANNIBAL CORPSE‘s 2006 CD, “Kill”, which entered the chart at No. 170 after shifting more than 6,000 copies.
“Torture” was again produced by HATE ETERNAL‘s Erik Rutan at his own Mana Recording Studio in St. Petersburg, Florida as well as Sonic Ranch in Tornillo, Texas, and features the maniacal cover art by longtime CANNIBAL CORPSE artist Vincent Locke.
While “Torture” marks the latest progression in the band’s sound, it also witnesses a return to what drummer Paul Mazurkiewicz accurately terms “the frenzied attack of ‘Butchered At Birth’ (1991) or ‘Tomb Of The Mutilated’ (1992),” infusing the band’s advanced musicianship with the raw savagery that haunted their earlier releases, and in the process conceiving the definitive CANNIBAL CORPSE record.
Mark Morton of the Heavy Metal Examiner recently conducted an interview with drummer Paul Mazurkiewicz of Florida death metal veterans CANNIBAL CORPSE. A couple of excerpts from the chat follow below.
Heavy Metal Examiner: When I first listened to “Torture”, I was floored by how youthful and energized the band sounds. Can you explain to me how CANNIBAL CORPSE is retaining its freshness after all these years?
Paul: It’s a tough one to figure out, man. I think it has something to do that we’ve always loved what we do; the music is always aggressive, of course. But I know exactly what you mean. When we started writing these songs, they just came together so well. And these old-school tempos, which we haven’t really used much lately, we also started to bring back. I don’t know if it was a conscious effort beyond our desire to write some really great songs. First and foremost, it’s about having a catchy, brutal song. But the more I think about it, I think that Rob [Barrett, guitar] and Pat [O'Brien, guitar] really contributed moreso than they have in a while; especially Rob, who wrote three songs for this new record (every record he’s been on prior to this, he’d only written one per album). I think he really came into his own as a CANNIBAL songwriter with these three songs. And with Pat, who has contributed and collaborated a lot over the years, the four songs he wrote for “Torture” I think are arguably the best songs he’s ever written. The things these guys came up with really helped us create a more diverse record. I’m just glad it’s happening, and I think CANNIBAL fans will be really happy with it.
Heavy Metal Examiner: At what point did you notice that the game had changed for you? What I mean is, CANNIBAL CORPSE was on the vanguard of the whole gore/death metal genre, but there came a point where the infatuation with gore became almost comical and less menacing. And somewhere along the line, you recognized that and seemed to mature musically.
Paul: I know exactly what you’re talking about. I think really, ever since “The Bleeding”, we’ve began to evolve into what is now the “modern CANNIBAL sound.” Even though all our CDs are CANNIBAL CDs and you can tell them all apart, I don’t think it was until “The Bleeding” that we began to refine our songwriting and our musicianship. And we decided to keep moving up from that point on. There have been bands that have come and gone, and trends and fads, and certain styles that have come and gone, and we actually really try to stay true to where we started — as a brutal death metal band. We’ve been lucky that the older we got, the more attention we paid to what we were doing, and even more luckily, we are still writing records that the fans continue to love.