JIMI HENDRIX

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Source: Bravewords.com

In the new video footage below, legendary guitarist JOE SATRIANI chooses his three most favourite JIMI HENDRIX moments:

Satriani recently posted Part 2 of his 2012 Europe G3 tour documentary. Check it out below along with Part 1:

Satriani’s new album, Unstoppable Momentum, will be available on May 7th through Epic Records. The album was recorded at Skywalker Sound in the Bay Area and produced by Satriani and Mike Fraser (AC/DC). The album features an amazing array of talented players including Vinnie Colauita (STING, JEFF BECK) on drums, Chris Chaney (JANE’S ADDICTION) on bass and on keyboards, Mike Keneally (DETHKLOK).

Fans are encouraged to pre-order Unstoppable Momentum via Sony Music and Satriani’s own website store. When pre-ordering through the Epic Records store here, fans will be given the chance to bundle new signed copies of the album with exclusive t-shirts and guitar straps. At Satriani.com, fans will receive an exclusive, never before seen art book featuring years of drawings, doodles and sketches that Satriani has done over the years.

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“Some of my drawings have made their way on to guitars, straps and picks, LP and CD booklets, t-shirts, hats, keychains, etc… and even my live stage productions,” explains Satriani. “This book represents my first effort to finally compile my oddly drawn friends into one place, a wildly colorful portfolio of sorts. A collection of drawings meant to inspire and entertain.”

After returning from the South American G3 Tour last October, Satriani got down to writing new music over the next two months. As he recalls, “A very prolific and cathartic two months followed resulting in a bundle of new music I was very excited to get recorded!”

Eleven songs were selected to record, all “heading in different directions and touching on a variety of musical influences.” With that in mind, Satriani decided to assemble a new studio band. “The idea was to crank up the energy level of the sessions, and allow for more individual expression of the material from each player. The chemistry with Mike, Chris and Vinnie was fantastic and we blazed through all of the tracks with everyone laying down amazing performances.”

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Unstoppable Momentum tracklisting:

‘Unstoppable Momentum’
‘Can’t Go Back’
‘Lies And Truths’
‘Three Sheets To The Wind’
‘I’ll Put A Stone On Your Cairn’
‘A Door Into Summer’
‘Shine On American Dreamer’
‘Jumpin’ In’
‘Jumpin’ Out’
‘The Weight Of The World’
‘A Celebration’

Confirmed Joe Satriani tour dates include:

May
18 – KucukCiftlik Park – Istanbul, Turkey
20 – Sala Palatului – Bucharest, Romania
22 – Tvornica Kulture – Zagreb, Hungary
24 – Sava Centar – Belgrade, Serbia
25 – Cvetlicarna – Ljubljana, Slovenia
26 – Velvet Rock Club – Rimini, Italy
28 – Palapartenope – Napoli, Italy
29 – Atlantico Live – Roma, Italy
30 – Live Club – Milano, Italy
31 – Obihall – Firenze, Italy

June
1 – Gran Teatro Geox – Padova, Italy
3 – Grand Rex – Paris, France
4 – Cirque Royal – Brussels, Belgium
5 – O13 – Tilburg, Netherlands
6 – De Ooosterpoort – Groningen, Netherlands
8 – 02 Apollo – Manchester, England
9 – Royal Concert Hall – Glasgow, Scotland
10 – City Hall – Newcastle, England
11 – Philharmonic Hall – Liverpool, England
12 – Colston Hall – Bristol, England
13 – Civic Hall – Wolverhampton, England
15 – City Hall – Sheffield, England
16 – Guildhall – Portsmouth, England
17 – O2 Shepherds Bush Empire – London, England
18 – indogO2 – London, England
20 – Capitol – Hannover, Germany
21 – Jovel Music Hall – Munster, Germany
22 – Fabrik – Hamburg, Germany
23 – Columbiahalle – Berlin, Germany
24 – Haus Auensee – Leipzig, Germany
26 – Serenadenhof – Nurnberg, Germany
27 – E Werk Koln – Cologne, Germany
28 – Phonix-Halle Mainz – Mainz, Germany
29 – Theaterhaus – Stuttgart, Germany
30 – Tonhalle – Munich, Germany

July
2 – Big Box – Kempton, Germany
3 – Gasometer – Vienna, Austria
4 – Loket Amphitheatre – Loket, Czech Republic
6 – Stodola – Warsaw, Poland
9 – A2 – St. Petersburg, Russia
10 – Moscow Arena – Moscow, Russia
12 – KSK Express – Rostov-on-Don, Russia
13 – Arena Hall – Krasnodar, Russia

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Source: Bravewords.com

According to Billboard, JIMI HENDRIX’ new archival album, People, Hell and Angels, is set to debut at No. 2 on next week’s Billboard 200 chart, according to industry sources. The album might sell around 70,000 copies by the end of the tracking week on March 10. The new Billboard 200 chart’s top 10 will be revealed on the morning of March 13. If the title opens at No. 2, it will mark Hendrix’s highest-charting album since 1968, when Electric Ladyland spent two weeks at No. 1. Hendrix most recently visited the top 10 of the chart when another from-the-vaults album, 2010′s Valleys of Neptune, debuted and peaked at No. 4.

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All 12 tracks on People, Hell & Angels were recorded between 1968 and 1970 and were meant for First Days Of The New Rising Sun, the follow up to Electric Ladyland that Hendrix was working on when he passed away in 1970.

NPR is currently each track now at this location.

The full tracklisting for People, Hell & Angels is:
‘Earth Blues’
‘Somewhere’
‘Hear My Train A Comin”
‘Bleeding Heart’
‘Let Me Move You’
‘Izabella’
‘Easy Blues’
‘Crash Landing’
‘Inside Out’
‘Hey Gypsy Boy’
‘Mojo Man’
‘Villanova Junction Blues’

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Source: Bravewords.com

According to Wavenewspapers.com, a judge Thursday finalized her tentative ruling allowing JIMI HENDRIX‘ estate to move forward with its $2 million lawsuit against a producer concerning a proposed film and soundtrack compiled from 1969 concerts by the famed musician in Europe.

Los Angeles Superior Court Judge Amy Hogue affirmed her tentative ruling handed down Tuesday denying a motion by attorneys for Gerald Goldstein to toss out the case filed by the Hendrix estate in May 2011.

In her one-page ruling, Hogue said she had ruled against Goldstein’s lawyers on a previous dismissal motion and that the latest attempt makes “substantially the same arguments.”

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Hogue’s mind was not swayed after hearing a lengthy argument from defense attorney Brent Blakely.

“There’s enough here to get past the pleading stage,” she said.

Both sides are scheduled to meet with Judge Louis Meisinger, a settlement judge, on Friday to see if the case can be resolved. Trial is scheduled to begin Monday, but Hogue said she will delay it if the settlement discussions continue beyond Friday.

The Hendrix concerts were performed in Austria, France and Germany and at the Royal Albert Hall in London. They were recorded by Goldstein and the late producer Steve Gold with the intention of producing and distributing a motion picture about the performances, the suit states.

Read more at Wavenewspapers.com.

Source: Bravewords.com

Experience Hendrix LLC and Legacy Recordings, a division of Sony Music Entertainment, will release JIMI HENDRIXPeople, Hell & Angels, an essential new album premiering twelve previously unreleased studio recordings completed by Hendrix, on Tuesday, March 5th.

As a teaser for the upcoming album, the track ‘Somewhere’ makes it’s official online debut. Check it out now at RollingStone.com.

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People, Hell & Angels showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock’s largest grossing concert act and simultaneously placed two of his albums in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.

These twelve recordings encompass a variety of unique sounds and styles incorporating many of the elements—horns, keyboards, percussion and second guitar—Jimi wanted to incorporate within his new music. People, Hell & Angels presents some of the finest Jimi Hendrix guitar work ever issued and provides a compelling window into his growth as a songwriter, musician and producer.

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As mentioned, People, Hell & Angels will be available Tuesday, March 5th.

With an album title coined by Jimi Hendrix, People, Hell & Angels reveals some of Hendrix’s post-Experience ambitions and directions as he worked with new musicians–including the Buffalo Springfield’s Stephen Stills, drummer Buddy Miles, Billy Cox (with whom Hendrix had served in the 101st US Army Airborne and later played on the famed R & B ‘chitlin circuit’ together) and others–creating fresh and exciting sounds for the next chapter in his extraordinary career.

People, Hell & Angels is co-produced by Janie Hendrix, Eddie Kramer and John McDermott. Kramer first met Hendrix at Olympic Studios in London in January 1967. Hendrix, who would have turned 70 on November 27 this year, developed a unique rapport with Kramer. As a result, Kramer engineered every album issued by the guitarist in his lifetime and recorded such famous Hendrix concerts as the Woodstock festival in August 1969. Since 1997, Kramer has teamed with Janie Hendrix and John McDermott to oversee the release of each Jimi Hendrix album issued by Experience Hendrix.

The dozen previously unreleased Jimi Hendrix performances premiering on People, Hell & Angels include ‘Earth Blues’, ‘Somewhere’, ‘Hear My Train A Comin”, ‘Bleeding Heart’, ‘Baby Let Me Move You’, ‘Izabella’, ‘Easy Blues’, ‘Crash Landing’, ‘Inside Out’, ‘Hey Gypsy Boy’, ‘Mojo Man’ and ‘Villanova Junction Blues’.

JimiHendrixValleyOfNeptune

A musical companion piece and successor to 2010′s Valleys Of Neptune, the critically acclaimed album showcasing the artist’s final recordings with the original Jimi Hendrix Experience, People, Hell & Angels offers tantalizing new clues as to the direction Hendrix was considering for First Rays Of The New Rising Sun, his planned double album sequel to 1968′s groundbreaking Electric Ladyland.

Unlike contemporaries such as THE BEATLES or BOB DYLAN, Jimi Hendrix owned his songs and master recordings. He did not have to record his music at recording studios owned and operated by his record company. Hendrix spent countless hours recording his new music at new, independent music studios such as New York’s Record Plant and the Hit Factory. Hendrix was so focused on recording his music that, concurrent with nearly all of the sessions featured as part of People, Hell & Angels, he was underwriting the construction of his own recording facility–the state of the art Electric Lady Studios in Greenwich Village.

Janie L. Hendrix, President/CEO of Experience Hendrix LLC, commented, “We’re thrilled to be able to release People, Hell & Angels during the celebration of the 70th anniversary of my brother’s birth. The brilliance of the album serves to underscore what we’ve known all along: that there has never been and never will be a musical force equal to his and that we cherish and take inspiration of what he left us both now and for many generations to come…simply eternity.”

“People, Hell & Angels provides us with further insight into the genius of Jimi Hendrix,” said Adam Block, President, Legacy Recordings. “Working with new rhythm sections and instrumentation, Jimi Hendrix was opening up the horizons of his music, creating new sounds filled with endless possibilities.”

Source: Bravewords.com

Before achieving multi platinum success with that “little ol’ band from Texas” ZZ TOP, a young Billy Gibbons lead a hard charging psychedelic blues rock outfit called THE MOVING SIDEWALKS featuring Dan Mitchell (drums), Don Summers (bass), and Tom Moore (keys).

Rooted in Texas soul and rhythm and blues and influenced by Austin’s 13th Floor Elevators, JIMI HENDRIX, and early California psychedelia, The Moving Sidewalks pushed the sonic envelope and hot rodded the 12 bar blues. They forged a sound as down home and expansive as the Lone Star State itself. In 1967 that sound took them to #1 on local radio with the Brit Invasion sensible garage rock classic, ’99th Floor’ and out on the road as support for Jimi Hendrix, THE DOORS, THE JEFF BECK GROUP with ROD STEWART and more. But The Moving Sidewalks came to a stop in the summer of ’69 when Tom Moore and Don Summers were drafted just before the release of their debut LP Flash, a heady brew of muscular and hallucinatory rock. Billy Gibbons and Dan Mitchell enlisted keyboardist Lanier Grieg and started another band, one that would soon be called ZZ Top. But for more than 45 years The Moving Sidewalks music and their friendship have endured. From hippie jam bands to garage bands you can hear their influence. Now Dan, Tom, Don, and Billy are taking the stage again to celebrate their legacy and the newly released Moving Sidewalks – The Complete Collection by reissue specialists Rockbeat Records.

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In support of The Complete Collection, Moving Sidewalks are playing B.B. King’s in New York City on Saturday, March 30th.

Moving Sidewalks – The Complete Collection, just released by reissue specialists Rockbeat Records, chronicles the journey of a young Billy Gibbons through the Houston music scene of the mid-to-late ‘60s on his way to forming the band that would become a rock & roll phenomenon. If you’ve ever yearned to peek beneath the fulsome facial hair of the famous frontman, either literally or figuratively, all you have to do is open up this enticing package. Not only does the photo-laden 54-page booklet offer up images of a clean-shaven, baby-faced Billy in his teens as a member of THE COACHMEN and then the Moving Sidewalks, the two CDs encompass the entirety of both bands’ output.

It becomes obvious pretty quickly that the common thread between this period of Gibbons’ career and his work with ZZ Top is the blues. There’s a distinct blues influence running through the collection, especially when Gibbons is given a bit of extra room to dig into his axe and explore his passion for the licks of Texas legends like LIGHTNIN’ HOPKINS, FREDDIE KING, and T-BONE WALKER, as on ‘Joe Blues’. But the twin psychedelic pillars of inspiration that played a part in Gibbons’ musical evolution were The Jimi Hendrix Experience and fellow Texans The 13th Floor Elevators. The influence of both can be easily discerned in the Moving Sidewalks’ short-but-sweet discography, the latter most obviously on ‘Pluto Sept. 31st’, a close cousin of Hendrix’ ‘Fire’

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Disc 1 of The Complete Collection contains the Sidewalks’ first and only LP, Flash, which was recorded in 1968 but not released until 1969, by which point the band had already broken up. It’s a heady blend of ELEVATORS-esque, fuzztone-soaked, organ-fueled garage rock (‘Flashback’, ‘You Make Me Shake’), Hendrix-flavored, bluesy psychedelia (‘Scoun Da Be’, ‘Crimson Witch’), and off-the-wall sound collages worthy of FRANK ZAPPA’S MOTHERS OF INVENTION (album-closing tandem tracks ‘Eclipse’ and ‘Reclipse’). Gibbons’ searing, soaring guitar heroics tie it all together admirably. It’s just a shame that the band wasn’t around to reap the benefits of their efforts at the time of the album’s unveiling.

Even more impressive, though, is the second disc, consisting of non-LP singles and unreleased material by both The Coachmen and the Moving Sidewalks. The star of this CD (and of the entire package) is ’99th Floor’, the Sidewalks’ 1967 debut single; it’s a stirring, sizzling slice of garage psych that easily stands alongside the likes of the Elevators’ ‘You’re Gonna Miss Me’. The song was something of a regional sensation at the time, kicking off the band’s ultimately ill-starred career with a bang and helping them to nab opening slots for Texas shows by everyone from Mitch Ryder to Hendrix himself. But since the Sidewalks’ career ended up so truncated, the track is an under-appreciated cult-classic item today. And while the other pre-album recordings may not be quite the equal of the aforementioned tune, but they’re certainly in the same ballpark.

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Equally striking in an entirely different way is the band’s deconstruction of THE BEATLES’ ‘I Want To Hold Your Hand’. The Moving Sidewalks slow the song down and turn it into a stomping, storming, psychedelic monster, quite akin to the early output of pioneering New York outfit Vanilla Fudge. Add in a handful of previously unreleased demos by The Coachmen, including a few early attempts at ’99th Floor’ that show the teen Gibbons and company to have been more than a bit precocious, and you’ve got a pretty damn impressive showing for a band whose entire recording career only encompassed about a year and a half.

Source: Bravewords.com

When it comes to JIMI HENDRIX tone, IK Multimedia have got you covered, whether it’s their new AmpliTube Jimi Hendrix apps for iPhone/iPod touch and iPad, or the AmpliTube Jimi Hendrix gear collection for Mac/PC, which can run as a standalone program or a DAW plug in.

JimiHendrixApp

“All our Hendrix products are released in collaboration with Authentic Hendrix, and provide guitarists with stunningly accurate Hendrix tone. We even give you presets in the form of a Hendrix discography, so that you can dial up genuine settings from specific songs. Like all of our AmpliTube products, the various forms of AmplTube Jimi Hendrix offer extras such as recording capabilities, speed trainers, metronomes, and more.”

More information at this location.

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Source: Bravewords.com

Billboard’s Gary Graff reports:

On stage at Detroit’s Joe Louis Arena on Saturday night, THE WHO‘s Roger Daltrey saluted Chris Stamp – one of the two early managers that launched the group’s success – as a man “without whom we wouldn’t be the band we were.”

Stamp – who not only co-managed The Who with the late Kit Lambert but also co-founded the group’s Track Records label and executive produced most of its albums and film projects starting in 1968, died from cancer on Saturday at the age of 70 at Mount Sinai Hospital in New York City.

Daltrey went on to say that Stamp “flew into the universe on a pair of rainbow wings. Chris, we can never thank you enough – well, I can’t, for what you brought to my life” just before he and Pete Townshend performed a duo rendition of ‘Tea & Theatre’ that, while not specifically dedicated to Stamp, certainly had the quiet and dignified air of a tribute.

Read the full report at this location.

 

Source: Bravewords.com

According to The Independent, a valuable guitar that JIMI HENDRIX was seen to douse in lighter fluid, smash to pieces and set fire to on stage in 1967 will go on sale next week in one piece, and without any signs of scorching. It is expected to fetch £125,000.

Unknown to the crowd at the Monterey festival, outside San Francisco, Hendrix had switched his “favourite” black Fender Stratocaster for another instrument just prior to his dramatic display of flames and rage during a rendition of ‘Wild Thing’.

Not wishing to be outdone by THE WHO’s Pete Townshend who had performed first and smashed up his guitar, Hendrix opted to set his axe on fire so as not to be accused of copycat behaviour.

He requested some lighter fluid but couldn’t bring himself to destroy the Strat and so swapped it secretly for a less valuable instrument.

The Fender Stratocaster continued to be used on Hendrix’ US tour (his return to the States after moving to the UK in 1966 to make his fortune). It later fell into the hands of his record company managed by James Wright.

“When Jimi used to smash a guitar up you would try and rebuild it so he could use it again for that purpose. Pete Townshend smashed his guitar up and put the neck into the amp. Jimi was annoyed at this and asked for some lighter fuel. He just wanted to outdo Pete Townshend,” Wright told The Times.

Read more at The Independent.

Source: Bravewords.com

 

According to the UK’s Knutsford Guardian, Gallery 3 on Regent Street Knutsford (in Cheshire) has recently introduced works from the guitarist JIMI HENDRIX.The original watercolours were obtained in 1970 by the former roadie James “Tappy” Wright while in New York.

James said: “Jimi would do two things when he was travelling around.

“He would either write songs or draw and paint.”

Hendrix was also a keen artist in his youth while growing up outside Seattle in the 1950s.

The paintings have an ease which reflect the creative mind of the musical genius, and the soft backgrounds show the landscapes he would have been accustomed to during his childhood. A number of pieces from the debut collection are being displayed in Gallery 3, and the whole collection is available to buy online at this location.

 

 

“Jimi Hendrix: The Ultimate Lyric Book” is a new 304-page hardcover book compiled by Jimi’s sister, Janie Hendrix, president and CEO of the family-run company that oversees the use of his music and image. It is due on November 13 via Backbeat.

The official book description: “Jimi Hendrix was such an extraordinary guitarist, it can be easy to forget that as much passion, soul, and precision went into his lyrics.

“Inspired by Bob Dylan, Hendrix was a fearless lyrical innovator, willing to let his imagination guide him to landscapes hitherto unexplored within the realm of pop music. From the existential euphoria of ‘I Don’t Love Today’ to the elusive beauty of ‘Little Wing’ to the psychedelic blues of ‘My Friend’ to the otherworldly ’1983 (A Merman I Should Turn to Be)’, his lyrics remain among the greatest in the pantheon of rock, infused with the same inventiveness, virtuosity, and courage that informed his guitar playing. Here are all the words to the Hendrix classics you’ve rocked along to for years, as well as unpublished songs from ‘Valley Of Neptune’ and other hitherto undiscovered sources, have been gathered together.

‘Jimi Hendrix: The Ultimate Lyric Book’, compiled by Janie L. Hendrix, is extraordinarily personal. It includes numerous examples of Jimi‘s handwritten lyrics, often scribbled on hotel stationery, as well as photos of Jimi to accompany every song. Much of this material never been seen before.

‘Jimi Hendrix: The Ultimate Lyric Book’ will give you a glimpse of the lyricist behind the songs, a songwriter whose words were just as searing as his solos.”

“When I was a child, I was always fascinated by my brother Jimi‘s handwriting,” says Janie in a statement about the book. “I remember the feeling of being captivated the first time I saw his handwritten lyrics, thinking how beautiful, how complicated both the writing and the words were on paper. Even now they offer such an insight into who my brother was and is.”

“Jimi Hendrix: The Ultimate Lyric Book” is available for pre-order now for $40 at BackbeatBooks.com.

 

Source: Blabbermouth.net