Lars Ulrich

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Source: Blabbermouth.net

METALLICA has posted a photo of the band’s drummer, Lars Ulrich, talking about their upcoming IMAX 3D movie, “Metallica Through The Never”, at the Cannes Film Festival, which kicked off this week in France. The movie will be screened and shopped for prospective buyers at the event by international sales company Exclusive Media.

Ulrich said, “After wading through multiple international distribution options for our film, we are excited to be partnering up with the folks at Exclusive Media, who we feel understand METALLICA and understand our film better than anyone else . . . it feels like we’re off to a pretty rockin’ start.”

Ulrich, who has appeared in a handful of films, told The Pulse Of Radio a while back that he gets a creative charge out of dabbling in the movie business. “I love being around creative processes and being around creative people, and any time you get a chance to be around creative people that are slightly outside of your own niche or whatever, it’s always cool to just see how other people work and try to be inspired by that and bring something back to your day job,” he said.

Exclusive is selling the international rights to the movie, which will be released in the U.S. by Picturehouse on September 27 in IMAX venues exclusively, followed by more theaters on October 4.

The film stars Dane DeHaan as a METALLICA crew member assigned with carrying out a mysterious task for the band as they perform at a local arena.

Producer Charlotte Huggins described the film as “a dramatic movie in which a concert takes place.” The two shows filmed for the movie — which featured an elaborate stage production — were done by METALLICA solely for the film.

METALLICA will next headline the second edition of its Orion Music + More festival, scheduled for June 8-9 in Detroit.

Source: Blabbermouth.net

Revolver magazine recently conducted an interview with METALLICA drummer Lars Ulrich. A couple of excerpts from the chat follow below.

Revolver: When you look back at METALLICA‘s 30-plus years, what are you proudest of?

Lars: I’m probably proudest of the fact that we’re still around and functioning as a band, making the occasional record, doing other projects, and still being somewhat relevant. After 32 years in the business, that’s probably the greatest achievement. Also the fact that we overcame a very well documented meltdown in 2001, 2002, and we not only survived that meltdown but we feel we came back a better band. All the work we put into trying to better ourselves then paid off. As a band, METALLICA is in great shape. We actually talk to each other. We can all be in the same room. We can sit on the same airplane together. We can stay in the same hotel. We can hang out at dinner. And I think that’s probably the greatest achievement of all of them.

Revolver: What keeps you together?

Lars: METALLICA is who we are. It’s our lives. I was 17 when I formed this band. I’ve never really known anything else other than a failed attempt at a tennis career. [laughs] I guess obviously it’s what defines us. Obviously, there’s our families and our children, but in terms of our careers or whatever, it’s what we do. And it’s something we’re fiercely protective of and fiercely proud of. I think the one thing you learn, if you want to be in a band and persevere, is that you have to be able to coexist and you have to find a way to compromise and figure all that stuff out somewhere along the way. Just figure that out. And we realized it was more important for us to be together and survive than for us to not survive. We just worked really hard at that.

Revolver: What do you feel is METALLICA‘s most underappreciated release?

Lars: I think “Load” and “Reload” are great records. They are creatively on par with every other record we’ve made. Obviously, they’re bluesier records, and at that time, we were listening to a lot of LED ZEPPELIN, DEEP PURPLE, and AC/DC, and we had a different kind of foundation than records before or after. And I understand that there are people who couldn’t quite figure out what was going on with the haircuts and the rest of it, and that’s fine. But musically, if you strip all that other stuff away, if you just listen to the 27 songs — “Load” and “Reload” were intended as one double-record — it’s a great collection of songs that is on par with everything else that we’ve done creatively. But, I mean, who needs another person to sit there and argue about, you know, fucking “Carpe Diem Baby”? They are different records, but that was the intention. [laughs] It’s not like we sat there and thought we were remaking “…And Justice For All”. [laughs] We are obviously aware of that. But I think personally there’s great songs on both of those records and I’m very proud of those records.

Revolver: You’re also working on a new METALLICA record. How is it sounding?

Lars: We’re in the early stages of writing, and all I can say is there are some good things lurking. It’s fun. Between doing the film and the Orion [Music + More] festival, we’ve been taking a few days here and there to shift through riffs and get all that shit done. We’ve got to put them into song shape and get our asses in the studio. I hope we can do that by the end of the year, maybe early next year. 2014 is a bit optimistic for the album to come out, so ’15 is more realistic. But listen, there’s no rush. It’s gonna take what it takes. I don’t feel stressed about it, but that doesn’t mean we don’t care. Ten years ago, 20 years ago, we were in this whole cycle where we would write-record-tour, write-record-tour. Now we have a different way of being in the band. We like to play every year, but we don’t want to play 200 shows in a row and then take a year off. We like to play 30 shows, 40 shows. It’s better than playing 200 shows one year, and then no shows the next year. It’s cool to be doing these different types of things and new records are fun and cool, and there will be a new METALLICA record, but I can’t stress myself out over it.

Read the entire interview from Revolver magazine.

Source: Bravewords.com

Compiled from over 400 interviews conducted by respected music journalists Jon Wiederhorn and Katherine Turman, Louder Than Hell: The Definitive Oral History Of Metal – out via It Books on May 14th in hardcover edition) is a chronological history of heavy metal, told through the words of the men and women who created it, played it, re-invented it, and continue to rock it.

Revolver senior editor Wiederhorn and Nights With ALICE COOPER producer Turman dug deep into their extensive list of contacts to uncover never-before-heard stories, eye-opening admissions and the truth behind metal’s most explosive legends. Candid and confessional commentary comes straight from icons of the genre, including: RONNIE JAMES DIO, OZZY OSBOURNE, BRUCE DICKINSON, EDDIE VAN HALEN, VINCE NEIL, TOMMY LEE, LITA FORD, LARS ULRICH, JAMES HETFIELD, AXL ROSE, SLASH, COREY TAYLOR, DAVE MUSTAINE, CHUCK SCHULDINER, LEMMY KILMISTER, KING DIAMOND, DAVE GROHL, TRENT REZNOR, SLAYER’s Kerry King, PHIL ANSELMO, ROB ZOMBIE and more. With an introduction by Scott Ian of ANTHRAX and an afterword by Rob Halford of JUDAS PRIEST, and with two 16-page photo inserts, with some never-before seen candid shots by celebrated rock photographers Stephanie Cabral and Robert Matheu, this is the book metal fans have been waiting for.

LouderThanHellBook

The many musicians interviewed by these veteran journalists offer their take on their influences, touring, the music business, and songwriting, as well as their often-traumatic upbringings, battles with substance abuse, and bizarre sexual exploits. Industry insiders (including managers, record label executives, family members, friends, scenesters, groupies, journalists, and porn stars) provide additional insight.

From the creation of Black Sabbath in the late 1960s, to Judas Priest’s development of the leather-and-studs look, to METALLICA introducing the world to thrash, to the inception of Ozzfest, to FAITH NO MORE accidentally creating the first hybrid of rap and metal, to the provocative exploits of the Sunset Strip scene, to the death and destruction surrounding Norwegian black metal, Louder Than Hell gets to the meat of the metal matter:

* Rob Halford of Judas Priest reveals how he kicked cocaine and alcohol in 1986 after tragically witnessing his boyfriend’s suicide and sought solace in spirituality, which has helped the Metal God stay clean to this day.

* GUNS N’ ROSES’ Axl Rose talks about the early days of Guns N’ Roses, the making of the 36-million-copy-selling debut Appetite for Destruction, and how Robert Willams’ graphic cover art was censored.

* Black Sabbath guitarist Tony Iommi explains how he lost parts of his fingers while working a day job in a factory – and created homemade prosthetics so he could play guitar, which changed the tonality of the instrument and the sound of heavy metal forever.

* Megadeth bassist Dave Ellefson shares how he dug through his own vomit in search of the balloon of heroin he’d swallowed to avoid being arrested by the police, and then used that heroin to celebrate his victory over not getting busted.

* Members of Metallica and Anthrax detail the horrifying events of 1986 when Metallica’s tour bus crashed and tipped over, crushing bassist Cliff Burton beneath it while the rest of the members escaped relatively unscathed.

* Alice Cooper reveals how it was really wheelchair-bound members of his audience who tore the live chicken apart during his fateful concert in Toronto, while Ozzy and Sharon Osbourne give first-person accounts of Ozzy biting the head off a dove while wasted during a high-level record company meeting, and decapitating a bat onstage during his Diary of a Madman tour.

* Hellhammer, drummer of Norway’s pioneering black metal band MAYHEM, talks about ex-vocalist Dead committing suicide and how guitarist Euronymous used a chunk of Dead’s brain to make a Mexican stew.

* BIOHAZARD guitarist Billy Graziadei details how gang bangers stabbed a member of the group’s posse with a hunting knife while shouting, “Payback, Motherfucker!” and how the band vowed to retaliate. Vocalist Evan Seinfeld also recounts his graphic sexual liaisons while on tour, and how they led to his career in porn.

* SLIPKNOT bassist Paul Gray (who died of an overdose at age 38 during the writing of Louder Than Hell) discusses the evolution of the lineup; physical fights between band members, and his own struggles with addiction.

Louder Than Hell explores the transformation of metal culture, with stories and anecdotes straight from the mouths of the most infamous and successful bands. Filled with hundreds of revealing interviews representing every type and era of heavy metal—from metal progenitors such as Blue Cheer, Led Zeppelin, and the MC5 to current day innovators including Slipknot, Mastodon, and Lamb of God—Louder Than Hell is the ultimate look behind the curtain at one of our most dynamic, controversial and enduring musical genres.

Source: Bravewords.com

Esquire.com has compiled a list of the 10 Craziest Drummers Ever which includes METALLICA‘s Lars Ulrich, LED ZEPPELIN‘s John Bonham, BLACK SABBATH‘s Bill Ward, HELLYEAH‘s Vinnie Paul, CREAM‘s Ginger Baker, THE WHO‘s Keith Moon, THE CLASH‘s Topper Headon, MÖTLEY CRÜE‘s Tommy Lee, Terry Bozzio (FRANK ZAPPA, MISSING PERSONS) and Josh Freese (NINE INCH NAILS, A PERFECT CIRCLE, GUNS N’ ROSES).

Read the entertaining article at Esquire.com.

Top10CraziestDrummers

Source: Bravewords.com

According to INFORUM, METALLICA‘s Lars Ulrich was in Fargo on a personal visit this weekend.

According to WDAY-TV’s Assignment Director Stacey Anderson, Ulrich is dating Jessica Miller, the sister of Danielle Miller, one of WDAY’s First News morning anchors.

Ulrich, 48, and Jessica Miller, 28, were in Fargo visiting Danielle Miller, Anderson says.

Jessica Miller is a professional model, and has appeared on the cover of various international editions of Vogue magazine. She has also been a model for Gap, H&M and Chanel, among others.

Ulrich visited the WDAY studios on Saturday, Anderson says, and was also spotted at many other places around town during his weekend visit.

Video footage of drummer Lars Ulrich and the rest of METALLICA hanging out with New Orleans brass ensemble THE SOUL REBELS and playing THE SOUL REBELS trombone during a rehearsal for METALLICA‘s 30th anniversary week of concerts at The Fillmore in San Francisco, California in December 2011 can be seen below.

THE SOUL REBELS opened all four METALLICA 30th-anniversary shows and jammed with METALLICA every night. THE SOUL REBELS also played both days at METALLICA‘s Orion Music + More festival.

“They had never dealt with a brass band,” THE SOUL REBELS snare drummer and co-founder Lumar LeBlanc told The Times-Picayune of his new buddies in METALLICA. “They accepted us as a band. They didn’t want us to come in with ‘When THE Saints Go Marching In’. They saw us as, ‘Ya’ll can actually do this METALLICA music.’”

THE SOUL REBELS released their Rounder Records debut, “Unlock Your Mind”, on January 31.

 

Source: Blabbermouth.net

Rolling Stone magazine conducted separate interviews with the four members of METALLICA — guitarist/vocalist James Hetfield, drummer Lars Ulrich, guitarist Kirk Hammett and bassist Robert Trujillo — during a recent visit to the band’s headquarters in San Rafael, California. The full interviews can be found in Rolling Stone‘s “The Big Issue”, as well as online at RollingStone.com.

Video footage of METALLICA‘s cover shoot for “The Big Issue” of Rolling Stone — featuring snippets from the the magazine’s interview with Ulrich — can be seen below. An excerpt follows below.

Rolling Stone: What parts of the Orion festival can you take credit for?

Ulrich: I came up with the name [laughs]. For me, having the ARCTIC MONKEYS on there is big. I think they’re a heavy-metal band disguised as an indie band. If you listen to a song like “Perhaps Vampires Is a Bit Strong But…”, there’s almost a RUSH element in there. AVENGED SEVENFOLD are near and dear to me. They were on the fence about it. They were taking the summer off. I called one of the guys and said, “It would really mean a lot to us.” THE BLACK ANGELS are just cool. A friend of mine said, “Check them out,” and I was like, “Wow, it’s THE DOORS meets something else in 2011.”

Rolling Stone: Were there any bands you invited who said, “No way, we’ll get killed by your fans.”

Ulrich: The issue isn’t with the bands. It’s more if this type of festival can exist from the fans’ point of view. Because we’re doing it, it gets branded as a particular thing. We have to work harder. If Radiohead does it, it’s cool. If we do it, it’s not. I’m stunned that people are stunned by us doing these things. It’s our DNA.

Rolling Stone: The 3D movie is a weird leap, even for you. It has elements of documentary, fiction and live performance, on this crazy stage.

Ulrich: This has been circling for two years. It’s time to life-size it, get it out of our minds and on the screen. And if it’s done right, it can be sensational. You’re not watching METALLICA onstage. You’re onstage with METALLICA. In IMAX, James Hetfield is 38 feet tall, snotting on you, spitting on you. It’s 2,000 decibels. If there is an earthquake outside, you wouldn’t notice. But you can’t do that for 100 minutes. It loses its appeal. There is another element in there – intimate, small, a story that takes place over the same trajectory as the concert. The question is, “Where do they weave in and out of each other?” But you have to cut away from the concert to enjoy the concert.

Rolling Stone: Even at a METALLICA show, you gotta take a break for a beer or a leak.

Ulrich: This idea goes back to the Nineties, when IMAX movies started coming out. We were in talks with them. That’s when an IMAX camera was the size of a house, and they only had 12 minutes of film. You had to stop to reload. But seeing “Mission: Impossible – Ghost Protocol” in IMAX, which I did the week it came out, and then when we broadcast the “Big Four” show [with ANTHRAX, SLAYER and MEGADETH] from Sofia, Bulgaria, to movie theaters in 2010 — that’s what sealed the deal.
Read the entire article online at RollingStone.com.

 

Source: Blabbermouth.net

In a brand new interview with SPIN magazine, METALLICA drummer Lars Ulrich was asked if he was surprised by the reaction to “Lulu”, the band’s collaborative album with Lou Reed. “It was more spiteful than anyone was prepared for,” Lars replied. “Especially against Lou. He is such a sweet man. But when METALLICA do impulsive riffing and Lou Reed is reciting abstract poetry about German bohemians from 150 years ago, it can be difficult to embrace.”

Lars also said that he never had second thoughts when sweet Lou came in with lyrics like “I swallow your sharpest cutter / Like a colored man’s dick”. “I understand that to some 13-year-old in Cape Girardeau, Missouri, it can all seem a little cringe-worthy, but to someone raised in an art community in Copenhagen in the late ’60s, that was expected,” he said.

On the topic of Orion Music + More — the two-day festival created by METALLICA that will take place on June 23-24 at Bader Field in Atlantic City, New Jersey — and whether it’s necessary for METALLICA to charge $150 for a ticket, Lars said, “We’re not being paid to play Orion. It costs close to $10 million to put it together. That’s gotta come from somewhere other than, ‘METALLICA‘s gonna write a check.’”

Ulrich told Brazil’s Wikimetal last September that he felt good about recording “Lulu”, which came out to poor sales and disastrous reviews last November. Ulrich said, “It’s definitely very unique, and whether it’s unique in a good way or unique in a not-so-good way, I have no idea yet. The people whose opinions I trust say it’s very good. It feels very good; it’s a lot of fun to do. But whether it’s making a new sound, or paving a new way, I have no idea.”

The drummer added that METALLICA‘s success has given them the freedom to try new things, which is essential to the band’s longevity. He explained, “I think that 30 years in, we have to kind of do these things to keep us alive. If we get stuck doing the same thing over and over again, it becomes automatic . . . that’s not the band I’d like METALLICA to be. I know some people would like METALLICA to make the same record every two years, but that’s not what I want METALLICA to do, and I’m not interested in doing that.”

“Lulu” polarized fans around the world and earned METALLICA some of the most scathing reviews of its career. The effort features the former THE VELVET UNDERGROUND frontman’s spoken-word poetry and lyrics combined with METALLICA‘s musical assault for a jarring experience that doesn’t sound like anything METALLICA has ever attempted before. A concept album based on two early 20th century plays by German author Frank Wedekind, the CD was co-produced by Reed, METALLICA, Hal Willner — who has produced albums for Reed, Marianne Faithfull, and Laurie Anderson, among others — and Greg Fidelman. Fidelman also mixed the record.

The collaboration between METALLICA and Reed was sparked by their performance together of Reed‘s “Sweet Jane” and “White Light/White Heat” at the 25th anniversary of the Rock And Roll Hall Of Fame at Madison Square Garden in October of 2009.

The songs were all written by Reed with extensive arrangement contributions by METALLICA.

Only two songs on the album are under five minutes in length, while two are more than 11 minutes long and the closing cut, “Junior Dad, clocks in at 19 minutes.

 

Source : Blabbermouth.net