Monster

All posts tagged Monster

Source: Blabbermouth.net

On June 1, legendary rockers KISS will kick off the European leg of their “Monster” world tour in Stockholm, Sweden and they’ll have a new stage show for the trek. VH1 Radio Network‘s Dave Basner caught up with the band’s frontman, Paul Stanley, when he opened his new restaurant, Rock & Brews, in California on Wednesday and Paul spoke about what to expect from the jaunt.

It’s really great,Stanley said. “You know, for so many years, we’ve talked about a new stage show and basically what we’ve been doing has been an extension of the old stage show. So people would sometimes come and, obviously, the band does a great show and it’s great to be there, but some people would say, ‘Gee, it doesn’t look that different.’ This is a completely different stage, it follows a really great theme, the lights are like nothing you’ve ever seen before.”

When pressed for more details, Paul said, “Um… I hate to give anything away but when you see first photos of this new tour, and we’re headlining festivals all over Europe, I think people will be blown away by what we’re doing onstage.”

KISS recently completed an Australian tour with very special guests MÖTLEY CRÜE.

“Monster”, the 20th studio album from KISS, sold 56,000 copies in the United States in its first week of release to land at position No. 3 on The Billboard 200 chart.

Stanley recently admitted that he’s never surprised by how deep KISS‘ fan devotion continues to run worldwide. “It really for me, resoundingly once again, I guess validates for me why this band exists,” he told The Pulse Of Radio. “It’s not a tepid recreation of the past, it’s really an ageless beast that dominates at will. It’s timeless.”

Source: Blabbermouth.net 

In a brand new interview with Revolver magazine KISS members Paul Stanley and Gene Simmons spoke about the making of the band’s latest album, “Monster”, their second in a row to feature a lineup rounded out by guitarist Tommy Thayer and drummer Eric Singer.

“We’re so comfortable now, this should have been KISS always: Tommy, Eric, Paul and myself,” Simmons said. “We like each other’s company, we like playing onstage with each other. And the creative process is just second skin. We could have just as easily gone into the studio and done another record.”

He added later in the interview, “I want to go on record: Eric and Tommy have revitalized the band made Paul and myself realize what lucky bastards we are to be in KISS and to have each other. And this should have been the lineup of KISS from the beginning.”

Asked if they are bothered when people complain about founding KISS members Ace Frehley and Peter Criss not being in the band anymore, Simmons said, “Almost nobody does. When you have 3-year-old and 5-year-old fans showing up to our concerts — or even 30-year-old fans — they don’t know about Ace and Peter. I mean, next year is going to be our 40th year. We’ve been touring longer than most of the people who come see us live have been alive. Who’s Ace and Peter? By the way, bless ‘em both — what I just said doesn’t mean that Ace and Peter weren’t every bit as important as Paul and myself in the beginning of the band, but not everybody has the same DNA. Some people shouldn’t be in a marathon race. They’re just not designed for it. Some people are good for short runs.”

Eric‘s been in and out of the band for 20-some-odd years. And Tommy, too,” added Stanley. “The only people who would complain, I think, are people who don’t really follow the band at this point. The myth that sometimes surrounds the original lineup is purely myth. Some of it was of our own doing. The whole projecting the idea that it was four guys giving equally. Quite honestly, it was kind of our take on THE BEATLES: four guys that spend all their time together and run down the street jumping up in the air. But it’s not a reality. And maybe part of the problem was that some of the guys in the band really bought into believing it. The band always had two people who were leading it and the idea that anybody is entitled to having songs on an album is crazy.”

On the topic of why they think they felt like they had to project those myths in the early days, Stanley said, “Well, l think there was a certain amount of truth to it. Just in the sense of you have a band and there’s a certain camaraderie, but there’s also a sensitivity factor to people feeling minimized or left out. So to avoid that, we sometimes gave people more than their due. In those days, Gene and I shared our songwriting l with those guys because we didn’t ever want it to be an issue that anybody was making more money than the other and therefore wanting songs on the album. Well. it obviously didn’t work. [laughs] The only thing l did was give money away. [laughs] But all that being said, I’ve said it before. I’ll say it again — we couldn’t be here today without what Ace and Peter did in the beginning, and we couldn’t be here today if they were still in the band.”

Source: Blabbermouth.net

Former KISS guitarist Bruce Kulick has penned a “review” of the band’s new album “Monster”, for his official web site, Kulick.net. He writes, in part, “I can say that I love the ’70s influences on this CD. Anytime a band has a foot in that era I am into it, because so many great bands and songs came from the ’60s and the ’70s. I hear STONES-type things in some songs, aggressive guitars and classic style riffs with all the snot you can put on a guitar.

Tommy [Thayer, guitar] really stands out all across this CD He is a fine player, and I get the sense that the tall shadow of Ace [Frehley] is no longer a concern.

“There are tons of meaty riffs played with a ’70s flair, and that always makes me happy. I also love the fact that Tommy‘s solos are very front and center in the mix, the way they should be!

KISS keeps moving forward with the makeup lineup featuring Tommy and Eric [Singer, drums] in a fashion that makes perfect sense: plenty of crunching guitars, vocal hooks, thundering drums, and big distorted melodic bass lines.”

Read Bruce‘s entire review at Kulick.net.

As previously reported, “Monster” is likely to sell between 60,000 and 65,000 copies in the United States in its first week of release, according to industry web site Hits Daily Double. The estimate was based on one-day sales reports compiled after the record arrived in stores on October 9 via Universal Music Enterprises.

KISS‘ previous CD, “Sonic Boom”, opened with 108,000 units back in October 2009 to land at position No. 2 on The Billboard 200 chart. This marked the band’s highest-charting LP ever.

Source: Bravewords.com

KISSPaul Stanley spoke with Artisan News recently about the importance of the band writing their new album, Monster, without any outside help. Check out the interview below:

Monster is out now in Europe and will see the light of day this week in North America.
Monster tracklisting:
‘Hell Or Hallelujah’
‘Wall Of Sound’
‘Freak’
‘Back To The Stone Age’
‘Shout Mercy’
‘Long Way Down’
‘Eat Your Heart Out’
‘The Devil Is Me’
‘Outta This World’
‘All For The Love Of Rock & Roll’
‘Take Me Down Below’
‘Last Chance’
‘Right Here Right Now’

KISS are streaming the new songs ‘Long Way Down‘ and ‘All For The Love Of Rock & Roll‘ below:

 

 

30-second clips from all songs are now available to sample at iTunes.

Source: Blabbermouth.net

Legendary rockers KISS will release their 20th studio album “Monster”, on October 9 through Universal Music Enterprises. Described in a press release as a “12-track, straight-ahead rock ‘n’ roll album,” the CD features collaborations among all four members — including co-founders Paul Stanley and Gene Simmons and longtime members guitarist Tommy Thayer and drummer Eric Singer — in an album that shows the band at the top of its game.

“Monster” track listing (iTunes version):

01. Hell Or Hallelujah
02. Wall Of Sound
03. Freak
04. Back To The Stone Age
05. Shout Mercy
06. Long Way Down
07. Eat Your Heart Out
08. The Devil Is Me
09. Outta This World
10. All For The Love Of Rock & Roll
11. Take Me Down Below
12. Last Chance
13. Right Here Right Now

The songs “Long Way Down” and “All For The Love Of Rock & Roll” can be streamed below.

“Monster” is the group’s first studio album since the band’s 2009 smash success, “Sonic Boom”, and was also produced by Paul Stanley with Greg Collins at Conway Studios in Hollywood, California, and The Nook in Studio City, California.

“Monster” represents KISS‘ nod to the music that first inspired them to pick up their guitars and flame-throwers and don makeup to entertain millions. The group goes back to their own beginnings with THE WHO-like “Freak”, while Gene lives up to the title track’s declaration on the raucous rock of “Back To The Stone Age” and the bludgeoning “The Devil is Me”. Even guitarist Thayer takes a turn on his own with “Outta This World”. a tribute to his KISS “spaceman” character, while drummer Singer provides the vocals (and the back story) for the arena anthem “All For The Love Of Rock & Roll”.

“There are no symphony orchestras, boy choirs, keyboards, outside producers or songwriters on this album,” promises Gene Simmons. “The best thing we did was to turn inwards to ourselves. Tommy and Eric have revitalized this band, with a work ethic and the talent to back it up. This is a real band effort. KISS has become a behemoth. We’re going where no bands have gone before.”

 

 

Video footage of KISS‘ September 19 performance at Susquehanna Bank Center in Camden, New Jersey can be seen below.

KISS and MÖTLEY CRÜE‘s tour — dubbed simply “The Tour” — kicked off on July 20 in Bristow, Virginia and is currently scheduled to wrap on September 23 in Hartford, Connecticut. Although the bands are officially co-headlining the tour, MÖTLEY CRÜE is opening for KISS each night.

KISS will release its 20th studio album, “Monster”, on October 9 through Universal Music Enterprises. Described in a press release as a “12-track, straight-ahead rock ‘n’ roll album,” the CD features collaborations among all four members — including co-founders Paul Stanley and Gene Simmons and longtime members guitarist Tommy Thayer and drummer Eric Singer — in an album that shows the band at the top of its game.

“Monster” is the group’s first studio album since the band’s 2009 smash success, “Sonic Boom”, and was also produced by Paul Stanley with Greg Collins at Conway Studios in Hollywood, California, and The Nook in Studio City, California.

 

Source: Blabbermouth.net

 

KISS has revealed the final piece of the cover for its 20th studio album, “Monster”.

Using their recently launched “Monster Hunt” Facebook app, the rockers have been exposing portions of the image at various web sites around the Internet since last week.

The complete “Monster” cover can now be seen below.

“Monster” will be released on October 16 through Universal Music Enterprises. Described in a press release as a “12-track, straight-ahead rock ‘n’ roll album,” the CD features collaborations among all four members — including co-founders Paul Stanley and Gene Simmons and longtime members guitarist Tommy Thayer and drummer Eric Singer — in an album that shows the band at the top of its game.

“Monster” is the group’s first studio album since the band’s 2009 smash success, “Sonic Boom”, and was also produced by Paul Stanley with Greg Collins at Conway Studios in Hollywood, California, and The Nook in Studio City, California.

“Monster” represents KISS‘ nod to the music that first inspired them to pick up their guitars and flame-throwers and don makeup to entertain millions. The group goes back to their own beginnings with THE WHO-like “Freak”, while Gene lives up to the title track’s declaration on the raucous rock of “Back To The Stone Age” and the bludgeoning “The Devil is Me”. Even guitarist Thayer takes a turn on his own with “Outta This World”. a tribute to his KISS “spaceman” character, while drummer Singer provides the vocals (and the back story) for the arena anthem “All For The Love Of Rock & Roll”.

“There are no symphony orchestras, boy choirs, keyboards, outside producers or songwriters on this album,” promises Gene Simmons. “The best thing we did was to turn inwards to ourselves. Tommy and Eric have revitalized this band, with a work ethic and the talent to back it up. This is a real band effort. KISS has become a behemoth. We’re going where no bands have gone before.”

 

Source: Blabbermouth.net

 

Absolute Radio‘s Leona Graham conducted an interview with Gene Simmons and Paul Stanley of KISS ahead of their London, England concert on Wednesday, July 4. A three-and-a-half-minute excerpt from the chat can be seen below. The full interview will be posted soon.

KISS‘s 20th studio album, “Monster”, is set for release in October through Universal Music Enterprises. The 12-track, straight-ahead rock ‘n’ roll album features collaborations among all four members — including co-founders Paul Stanley and Gene Simmons and longtime members guitarist Tommy Thayer and drummer Eric Singer — in an album that shows the band at the top of its game. And that’s saying something, considering their illustrious, 40-plus year history — 28 U.S. gold albums, the most gold records for any American rock band, 40 million sales in the U.S., and a total exceeding 100 million worldwide.

 

 

Source: Blabbermouth.net

Rock legends KISS return with Monster, the 20th studio album in their historic career, set for release in October through Universal Music Enterprises. The 12-track, straight-ahead rock ‘n’ roll album features collaborations among all four members-including co-founders Paul Stanley and Gene Simmons and longtime members guitarist Tommy Thayer and drummer Eric Singer-in an album that shows the band at the top of its game. And that’s saying something, considering their illustrious, 40-plus year history-28 US gold albums, the most gold records for any American rock band, 40 million sales in the US, and a total exceeding 100 million worldwide.Monster is the group’s first studio album since the band’s 2009 smash success, Sonic Boom, and was also produced by Paul Stanley with Greg Collinsat Conway Studios in Hollywood, CA, and The Nook in Studio City, CA.The band’s first single, the full-throttle, autobiographical rocker ‘Hell or Hallelujah’, will be available digitally on Monday, July 2, internationally, and on Tuesday, July 3, in North America. Stanley calls the album’s lead track, “a battle cry that encapsulates the entire record…one way or another, we’re going to do it our way.”

Monster represents KISS’ nod to the music that first inspired them to pick up their guitars and flame-throwers and don makeup to entertain millions. The group goes back to their own beginnings with the WHO-like “Freak,” while Gene lives up to the title track’s declaration on the raucous rock of “Back to the Stone Age” and the bludgeoning “The Devil is Me.” Even guitarist Thayer takes a turn on his own with ‘Outta This World’, a tribute to his KISS “spaceman” character, while drummer Singer provides the vocals (and the back story) for the arena anthem ‘All for the Love of Rock & Roll’.

There are no symphony orchestras, boy choirs, keyboards, outside producers or songwriters on this album,” promises Gene Simmons. “The best thing we did was to turn inwards to ourselves. Tommy and Eric have revitalized this band, with a work ethic and the talent to back it up. This is a real band effort. KISS has become a behemoth. We’re going where no bands have gone before.

On July 4, the day after ‘Hell or Hallelujah’ hits digital retail in North America, KISS crosses the ocean for its very own Tea Party, performing an Independence Day show at The Forum in London, a holiday most certainly not celebrated in the UK, though this show might just offer some reparation for that bitter defeat in 1776. The concert will serve as a benefit for the British Help For Heroes organization, which raises money for its wounded, sick and injured troops. The band owes its own debt of gratitude to the English, admitting that Monster is influenced by the country’s great, legendary rock groups who influenced and inspired them to pick up their instruments in the first place.

“We’re all Anglophiles in this band,” says Simmons. “America may have invented rock and roll, but England knew what to do with it. They gave us THE BEATLES, THE STONES, LED ZEPPELIN and the Who.”

Timed to coincide with the release of the Monster album is the deluxe coffee table, limited edition KISS MONSTER, a collection of artworks, 126 photos from the band’s 40-year career, including never-before-seen images from the world’s greatest rock photographers. The three-foot high, two and a half feet wide and two-inch thick Monster will be available in copies signed by all four band members and limited to only 1,000 copies worldwide. More info at Kissmonsterbook.com.

 

The artwork for the new KISS single, “Hell Or Hallelujah”, can be seen below. The track, which is expected to be released next week, was previously described by KISS guitarist/vocalist Paul Stanley as “uptempo” and “very definitive.”

“Hell Or Hallelujah” comes off KISSnew album, “Monster”, which is scheduled for a fall release. The CD was again produced by the Stanley and is, in KISS bassist/vocalist Gene Simmons‘ words, “either the best or one of the top three records we’ve ever done. It’s like ‘Revenge’ meets ‘Destroyer’ — just guitar and drums, nothing else. No keyboards, no little boys’ choir, no strings, no nothing. Band-written; literally we’d get in and strum guitars like the old days.” The album “was written very fast,” according to Simmons and includes one track, “Are You Ready?”, that he describes as, “an old song that was torn apart and re-written.” Other songtitles set to appear on the CD include “It’s A Long Way Down”, “Back To The Stone Age”, “Shout Mercy”, “Out Of This World” and “Wall Of Sound”.

“I wasn’t interested in making an album unless I was in charge and no one agreed to it half-heartedly,” Stanley told Classic Rock magazine. “The band’s all there, all the time, and we cut the tracks all facing each other in the same room. Chemistry and camaraderie, that’s essential. That’s what made [2009's] ‘Sonic Boom’ so great, and this album is thunderously better.”

“Monster” will be accompanied by a “monstrous book” of the same name, an over-sized art book that Simmons told Billboard magazine “should weigh 100 pounds or more” and come with its own stand. “It’s something you can’t put on your coffee table, ’cause it’ll crush it. It IS the coffee table.”

 

Source: Blabbermouth.net