Roadrunner Records

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Members of MEGADETH, SHINEDOWN, KILLSWITCH ENGAGE, TRIVIUM, LAMB OF GOD and DEVILDRIVER spoke at this year’s Download festival about the recent Roadrunner Records “restructuring” under parent label Warner Music Group, which resulted in roughly 36 staff members worldwide being let go and several regional offices being closed (including the office in the U.K.). Check out what they had to say below. Also available is footage of the U.K. staff of Roadrunner Records being presented with the Inspiration award at this year’s Metal Hammer Golden Gods awards on June 11 at Indigo2 in London, England.

In the U.S., Roadrunner is continuing to operate as a standalone frontline label, although 16 staffers in the States have lost their jobs, according to Billboard.biz. In addition, Roadrunner Records founder/CEO Cees Wessels left the label 17 months after the completion of its sale to the Warner Music Group.

Initially founded in the Netherlands in 1980, Roadrunner Records earned its place as one of the most prominent international independent record labels. The Roadrunner catalog boasts early releases from such seminal artists as KING DIAMOND, TYPE O NEGATIVE, SEPULTURA and ANNIHILATOR. More recently, the label has experienced unprecedented success with multi-platinum artists NICKELBACK and SLIPKNOT, gold-certified STONE SOUR and KILLSWITCH ENGAGE, as well as modern heavy hitters TRIVIUM and MACHINE HEAD.

Bands on U.K. office of Roadrunner closing down:

 

 

Roadrunner Records receiving Inspiration award at Metal Hammer Golden Gods awards:

 

 

 

 

 

Source: Blabbermouth.net

 

In honor of Father’s Day, which is this Sunday, June 17, Roadrunner Records decided to reach out to some of the label’s artists who are themselves parents, and ask them how they balance family life with the sacrifices necessary to be in a rock band —long stretches of time spent apart from wives and kids, the need for isolation to let creativity flow, and more. Here are the answers Roadrunner got back.

Robb Flynn (MACHINE HEAD): “Being a dad is the greatest gift that has come into my life, and something I try every day to get better at. It’s the single hardest job I’ve ever had, and it’s twice as hard for my wife Genevra, who for months at a time is basically a single mom with financial support from me who raises our two sons, Zander and Wyatt. Yes, being in a touring metal band and balancing fatherhood is a challenge in so many ways that I wouldn’t have expected. It can be amazing, inspiring, depressing, heartbreaking, hilarious, life-afffirming, and at its best, makes me a kid again.

“For over 23 years straight now, I’ve been on tour. I’ve never retired, gone on hiatus, took five years off to recharge. Nope, since I was a teenager I’ve been on tour, and MACHINE HEAD is a band that tours hard, harder than 90% of the metal, rock, or pop acts/bands out there. James Brown, eat your heart out. The shortest tour we’ve done? 16 months. The longest? 3 years and 1 month. Granted, there were breaks in between tours, some as long as 2 1/2 months, others as short as a week. The flip side is that when I’m home writing a record, I can be home for a year, straight spending a lot of undivided time with them. But when I’m touring a record, another tour is always on the horizon, and for both Zander and Wyatt, that looming feeling that Daddy is going away soon is tough.

“There’s the depressing parts: Often times, the week before a tour is the hardest because the boys begin to shut down emotionally, or act out. It’s a coping mechanism, it allows them to deal with the situation they are about to face. They don’t understand that and certainly don’t rationalize that. I’ve had my five-year-old, Wyatt, tell me he hates my job, he hates my band, and he hates how it takes me away from him. My eight-year-old, Zander, didn’t speak to me via Skype for eight weeks on a 10-week SLIPKNOT tour, because he was mad at me for being gone. It was brutally hard. They miss me, and I miss them.

“I’ve missed many things, too: I’ve missed both of their first steps, both their first teeth, both their first words, plays, recitals, school functions, soccer games, baseball games, wrestling classes, Tae Kwon Do classes, basketball camps, camping trips. I’ve missed big chunks of their lives.

“And then there’s the hilarious and absurd parts of being a heavy metal dad: We played the Download festival in England in 2007 when Zander was three, and Wyatt was six months old. I flew home the day after, and when I walked in the door at three in the afternoon, my wife handed the kids over and said, ‘Your turn,’ and walked out the door. Zander proceeded to make seven poopy diapers that day. SEVEN POOPY DIAPERS!!! 24 hours ago, I was a Metal God commanding 65,000 people into a frenzy that Kerrang! magazine said ‘blew SLAYER away,’ and now I’m changing seven poopy diapers! Ah, fatherhood, it has a good way of humbling you.

“And then there are the life-affirming parts, the parts of fatherhood that remind you why you’re alive: As a self-professed ‘Star Wars’ nerd, being a dad has truly been one of the most enjoyable things in life. We’re probably a bit more conservative than most parents when it comes to TV and movies. And until a month ago, hadn’t shown ‘Star Wars’ to either kid, and even now, only Zander has seen it. But since most of the kids at both boys’ school had watched that movie, plus they had a ton of the toys, I wanted to devise a way for them to know the story. So what I did was, I told them the story of ‘Star Wars’. I broke every movie down into about 10 to 12 different ‘stories.’ I’d read the script and then every three or four nights we’d all lay down in their bed, turn out the lights and I’d have them stare at the ceiling and listen to the story of ‘Star Wars’. I’d do all the voices, make it all dramatic, leave every story on a cliff-hanger, it was awesome! They could stop me to ask me about characters or details, which they often did, and later as we found out, the best part of it, was that it allowed them to dream, to use their imagination about what ‘Star Wars’ could be, or look like. The first time I had a light saber battle with the boys, I was practically in tears. So fuckin’ cool. We’ve gone through all six ‘Star Wars’ movies now, all four ‘Indiana Jones’, and are about to start ‘Pirates Of The Caribbean’.

“Being a heavy metal dad is a life less ordinary. It is a choice the wife and I made, and a life we chose to bring our kids into. And while it is Father’s Day, I’d like to give some huge props to Genevra for the enormous, nearly inhuman amount of effort she puts into raising our kids, the damn good job she does, the extraordinary patience she has in dealing with a barnacle-ly son-of-a-bitch like myself, and for being tough as nails and making me a better father.

“To my own Dad, Conrad Flynn, for being one heck of an awesome Dad.
And for all the heavy metal dads out there who work their asses off to balance this life we’ve chosen.”

Max Cavalera (SOULFLY, CAVALERA CONSPIRACY): “My kids and my music have crossed paths from the beginning. I always involved my kids with music any chance I had. Richie played guitar at the NAILBOMB show in Holland in front of 120,000 people. Zyon‘s heartbeat opened SEPULTURA‘s ‘Chaos A.D.’ record. Igor‘s hands and mine are together in the photo shoot I did for ‘Soulfly’. Our hands hold the CD in the CD case and on ‘Primitive’, Igor says ‘Tchoo Tchoo’ before the song ‘Mulambo’. All that connection somehow inspired them to create their own music. Richie sings for INCITE, and Zyon and Igor are together in LODY KONG. We were on tour in America and will be back for another Maximum Cavalera Tour.”

M. Shawn “Clown” Crahan (SLIPKNOT): “I will be married 20 years this month. I have four children: my oldest, a girl, Alexandria, 21 years of age; oldest boy, Gage, age 18; Gabrielle, 15; Simon, eight years old. I was married before I started the band with Paul [Gray, late SLIPKNOT bassist], so I am blessed. I have yin and yang, the best of both worlds. I have my dream — I get to perform music, I get to take photos, I create art pieces, I direct, I produce, I do it all ’cause I’m a Renaissance guy, and I do it to the fullest. Before my dad died, he said, ‘You’re the only person in my entire life that I’ve heard say wanted to do something’ — ’cause I’m his son, he remembered the first time I told him what I wanted to do, and then he came to a show with 30,000 people and looking out, said, ‘You did it.’ I’m an only child, so I always wanted a family, and I have two girls and two boys, the best of both worlds two times over, and I have my soulmate Chantel. We’ve been happily married for 20 years coming up June 26, and the way I balance it is easy. One is not the other. You treat one with ultimate respect, and you treat the other with ultimate respect. There’s that fine line between, where they can mingle, so the family can come out on the road, whatever. But in this business, even though it’s my dream, my family comes first. I wanted my dream so I could put a roof over my family’s head. So I could have insurance. I work hard at my dream and give it everything I have so I can have my family world, which is what I wanted more than anything. and my SLIPKNOT family is family, too, but they would even tell you it can’t be equal, because you’re talking about my wife and my children. I give them everything I am first and foremost, and because I do that, I’m allowed to continue to be the best I can be in SLIPKNOT.”

Phil Demmel (MACHINE HEAD): “Adding the complexities of a family member being a touring musician to a split-custody situation is one that my six-year-old son has known all his life. Bridging this gap and maintaining our unique relationship not only takes patience, but a lot of understanding. We have created an amazing kinship based on the fact that no matter how far apart or how long we go without seeing each other, he knows his Daddy will call and he will be seeing him again. With our limited time together, we’ve learned to not take anything for granted and to enjoy our family time (with Martarino too!) to the fullest. Our situation has strengthened our relationship and thank all that is good for what we have.”

Ray Luzier (KORN): “This is my second Father’s Day as a dad. I want to raise my son like my Dad raised me — he was always 110% behind me in everything I did. Being a new dad, I want to learn from my father and encourage my boy to follow his passions in life, no matter what they are — because that’s what my Dad did for me. When a lot of people said to get a real job and quit trying to be a musician, my Dad always stood behind me and encouraged me to really go for it.

“It’s hard to be on the road away from my son, but Skype is a huge help being able to see his face and communicate with him and his mom. And it makes me really appreciate the time I have with him when I’m not on the road.”

John Petrucci (DREAM THEATER): “I have three kids and they are all musical. It’s a funny thing because they have always been surrounded by music, whether it’s at concerts, backstage, on stage, on a tour bus or in the studio. It’s kind of inevitable that they would end up being musical. I always say it’s like being born into a cop family, or a sports family, etc. They are especially exposed to tons of music at home since both my wife and I are guitar players. There are instruments all over the house and someone is always playing! The interesting thing is that my wife and I never pushed music on our children. They are naturally drawn to it and I think as a parent you have to walk a fine line between encouragement and over-involvement when it comes to the arts.

“As a father, the toughest thing that I’ve been faced with over the years is the difficulty in striking a balance between career and family. I really miss out on so much of their lives at times, so it’s so important to value the time we are together and do the best that I can to hopefully share my experiences and knowledge with them enough that it has an impression on who and how they turn out to be as people. Fortunately for me, I married an amazing woman who has been such a positive and loving presence in their lives and incredible role model as their mother, and we work together at filling in all the gaps that may result from this kind of professional lifestyle. At the end of the day, I find that it really doesn’t matter what band you’re in or what anyone may think of you as a guitar player…to them you’re just Dad!”

 

Source: Blabbermouth.net

According to Paul Cashmere from Australia’s Noise11, Roadrunner Records was absorbed into parent company Warner Music worldwide today with many staff around the world either laid-off or moving to Warner.

Staff from the Roadrunner Australia office based in Melbourne were given the news today by Warner Australia CEO Tony Harlow. Noise11 was told that about half the staff were let go and the rest will work for Warner.

Offices in the UK, Germany and Canada were also closed today.

Roadrunner was founded in the Netherlands in 1980 by Cees Wessels. By 1986, the label had an office in the USA and then quickly expanded to the UK, Germany, France, Japan, Australia, Denmark and Canada.

In December, 2006, Warner Music acquired a majority stake in the label and in November 2010 bought the remainder of the business. Cees Wessels stayed on as CEO.

Last week Wessels left the label 17 months after the completion of its sale to the Warner Music Group. Longtime label President Jonas Nachsin, who has served in that role since 1999, will remain on staff.

Roadrunner artists include MEGADETH, QUEENSRŸCHE, RATT, DREAM THEATER, OPETH, SLIPKNOT, MACHINE HEAD, STONE SOUR, TRIVIUM and rock legends LYNYRD SKYNYRD, STEVE MILLER BAND and LENNY KRAVITZ.

Source : Bravewords.com

Further to this afternoon’s report that Roadrunner Records may be closing their European Offices, Ed Christman of Billboard.biz has filed the following update:

“In a changing of the guard at Roadrunner Records, founder/CEO Cees Wessels is leaving the label 17 months after the completion of its sale to the Warner Music Group. Concurrent with his departure, approximately 36 staffers worldwide were let go today (April 26th), sources tell Billboard.biz. The exact number was unclear at press time.

Concurrent with his departure, the label is being realigned so that it will utilize the Warner Music Group for back-office and other support capabilities while retaining frontline label functions like A&R, marketing, promotion and publicity.

In the US, Roadrunner will continue to operate as a standalone frontline label, although 16 staffers in the States are losing their jobs.

Internationally, Roadrunner’s staff will continue to carry out some label functions, such as marketing, promo and publicity. Other responsibilities, principally support functions, will be carried out by Warner Music teams, which means that 20 staffers will lose their jobs.

Roadrunner, which continues to be a strong brand in rock music, will continue to have personnel in every territory it does currently, with the exception of the Netherlands office, which is being shuttered. Wessels founded the label in the Netherlands in 1980.

Longtime label President Jonas Nachsin, who has served in that role since 1999, will remain on staff.”
Source : Bravewords.com

According to Trebuchet Magazine, industry sources say that the metal label Roadrunner Records is to close its Europe Offices.

Speaking to Trebuchet earlier today it was revealed that Roadrunner is to close it’s Europe office. It’s unknown whether staff will be absorbed into parent company Warner Music Group, whether bands will shift representation within the group or be dropped. Stay tuned for more information.

According to Wikipedia, Roadrunner was launched in 1980 as Roadracer Records in the Netherlands by Cees Wessels. Roadrunner’s initial business was importing North American metal-band recordings into Europe. In 1986, Roadrunner opened its US headquarters in New York City and later opened offices in the United Kingdom, Germany, France, Japan, Australia, Denmark and the latest in Canada. Early successes included albums from KING DIAMOND (the first Roadrunner artist to enter the Billboard Top 200 albums chart) and ANNIHILATOR.

On November 11, 2010, Warner Music Group announced they had acquired the remaining of Roadrunner’s stock. Roadrunner will continue to operate as a distinct brand within WMG, according to sources.

A profile of Roadrunner Records, which originally aired in Europe in 1993, can be viewed below. A&R guru Monte Conner is interviewed and bands such as DEATH, SEPULTURA, DEICIDE, Annihilator, OBITUARY, BIOHAZARD and GRUNTRUCK are discussed, as well as bands the label signed only in Europe such as SICK OF IT ALL and CORROSION OF CONFORMITY.

 

Source: Bravewords.com

 

ROADRUNNER has issued the following update:

Roadrunner Records has a long and storied history as one of metal’s longest-running independent labels. Throughout the years, we’ve brought iconic bands like Sepultura, Suffocation, Slipknot, and even some whose names don’t start with S, to the world’s attention. So even as we move forward into the future, with new releases by veteran acts and brand-new ones, we feel it’s worthwhile to look back at some of the albums we released 25 years ago, way back in 1986.

Crimson Glory‘s self-titled debut was a pinnacle of the progressive power metal movement in the mid ’80s. The band had a knack for image-making, performing in silver masks and giving their singer the stage name “Midnight.” Their music was very much in the vein of Queensryche, with powerful guitar leads and screaming upper-register vocals, and song titles like “Queen of the Masquerade,” “Angels of War” and “Heart of Steel.” Their sound got poppier on subsequent releases, but Crimson Glory was a shockingly assured debut, and the band is still revered in prog and power metal circles.
Where Are They Now? Crimson Glory vocalist Midnight passed away in 2009, but the band has reformed with new frontman Todd La Torre and toured Europe in April 2011, celebrating the 25th anniversary of their debut.

Mercyful Fate singer King Diamond made his solo debut that year with Fatal Portrait, an album that mixed the “concept album” approach he’d take on later releases with a collection of stand-alone songs on the disc’s second side. The first four songs, “The Candle,” “The Jonah,” “The Portrait” and “Dressed in White,” all tell a single linked story of the ghost of a girl whose spirit is trapped in a painting…or something like that. The performances, by King and lead guitarists Andy LaRocque and Michael Denner, not the coherence of the story, are what make Fatal Portrait a metal classic, though, and helped it launch a brilliant solo career.
Where Are They Now? King Diamond’s most recent album was 2007′s Give Me Your Soul…Please. In December 2010, he underwent heart surgery, from which he is presently recuperating.

An unjustly forgotten Roadrunner release from ’86 is Brutal Destruction, the debut album by Belgian speed metallers Cyclone. They weren’t as polished as Metallica or Megadeth, but they had all the fury and energy of German thrash acts like Kreator and Sodom, and Brutal Destruction is packed with riffs that’ll make you want to kick a total stranger in the face. And isn’t that what thrash is all about?
Where Are They Now? Cyclone broke up after their second album, 1990′s Inferior to None.

ROADRUNNER has issued the following update:

We’ve got a bunch of major releases coming in the next few months, including albums by Dream TheaterMachine Head, Megadeth, Opeth, and Trivium, and we’re curious which one has you most excited. So we’re opening up a poll for the entire weekend (it closes Monday afternoon), to let you tell us…Which Upcoming Roadrunner Release Are You Most Looking Forward To? So vote! And then tell all your friends to vote! We’ll be watching…

To vote, go HERE!

Roadrunner Records, along with two of its stellar, standout metal bands, OPETH and MACHINE HEAD, will be participating in some cool Record Store Day Initiatives this April 16.

** OPETH – “The Throat of Winter” seven-inch vinyl

Exclusive for Record Store Day 2011, OPETH will release seven-inch vinyl of “The Throat of Winter”. The track, which was originally featured on the “God Of War: Blood & Metal” digital EP, will see its first and only physical incarnation with this special release. Side B of the seven-inch is etched with the band’s logo and jacket artwork was created by longtime OPETH collaborator Travis Smith, with direction from Mikael Åkerfeldt.

** MACHINE HEAD – “The Black Procession” 10-inch vinyl

Exclusive for Record Store Day 2011, MACHINE HEAD will release 10-inch vinyl, aptly titled “The Black Procession”. The set includes three previously unreleased live tracks that were recorded along 2010′s Black Procession Tour, in support of the band’s last studio effort, “The Blackening”.

Side A:
* Beautiful Mourning (live)
* Bite The Bullet (live)

Side B:
* Halo (live)

About Record Store Day: Record Store Day is managed by the Music Monitor Network and is organized in partnership with the Alliance of Independent Media Stores (AIMS), the Coalition of Independent Music Stores (CIMS) and celebrates the culture of independent record stores by playing host to in-store events/performances, signings and special product releases on a global scale.

Record Store Day takes place annually on the third Saturday of April.  For more information on exclusive Record Store Day events, products and participants, visit www.recordstoreday.com.

Source: Blabbermouth.net