Source: Blabbermouth.net 

Guitarist Silenoz (real name: Sven Atle Kopperud) of Norwegian symphonic black metallers DIMMU BORGIR will take part in a signing session on Saturday, March 5 at the Charitybikers booth at this year’s MC Messa in Lillestrøm, Norway.

For more information, see the flyer below.

DIMMU BORGIR was joined by an orchestra and a choir for an appearance at last year’s edition of the Wacken Open Air festival, which was held August 2-4, 2012 in Wacken, Germany.

DIMMU BORGIR‘s current touring lineup includes Geir Bratland (APOPTYGMA BERZERK, THE KOVENANT) on keyboards and Terje Andersen (a.k.a. Cyrus; SUSPERIA) on bass.

DIMMU BORGIR performed one very exclusive show on May 28, 2011 at the Oslo Spektrum in Norway with a special, never-to-be-repeated setlist with 53 members of KORK (the Norwegian Radio Orchestra) and 30 members of the Schola Cantorum choir, who were musical guests on the band’s ninth studio album, “Abrahadabra”. The concert, dubbed “Forces Of The Northern Night”, was professionally filmed and was broadcast as part of a one-hour documentary in June 2011 on NRK (Norwegian Broadcasting Corporation), the Norwegian government-owned radio and television public broadcasting company and the largest media organization in Norway.

“Abrahadabra”, the ninth album from DIMMU BORGIR, was released in Germany on September 24, 2010, in the rest of Europe on September 27, 2010, and it was made available in North America on October 12, 2010 via Nuclear Blast Records.

Source: Bravewords.com

DIMMU BORGIR guitarist Silenoz is featured in a new interview with Leja Siv Harju at Hails webzine. An excerpt is available below:

On spirituality and religion: “Spirituality is individual while as I see religion as not. It’s man made and there to enslave and control the insecure and those who for whatever reason don’t dare or have given up the fight. To have a religious belief, or a religious conviction to me means you give up that birth given right to be an individual, perhaps on more levels than just the spiritual one. And ‘satan’ or referring to the description ‘satanic’ for me is being that individual as Satan is a modern metaphor for breaking out and away from what’s considered the norm and what’s considered safe and controlling. I adhere to progress, not only in scientific terms but also on a personal level and everything that concerns my own being. We wouldn’t exist without a continuous ongoing evolution and so the ‘Luciferian thought’ is a way of always lighting the torch in the dark. Without being willing to bring in light we would still be stuck in the dark. To me it’s pretty simple if you break it down symbolically.

Being religious to me also means you leave your responsibilities by the door or over to something else, a higher deity. It doesn’t make sense to me. I have never been able to relate to it nor will I ever, it’s against common sense. For me, there’s no higher spiritual deity than myself and I take pride in taking responsibility, whether it’s a physical or a mental one. I don’t rule out anything other than the fact that I’m here now and solely in power of myself and my actions and reactions. That pretty much sums up the general idea, my lifecode, whatever you want to call it. There’s no one that can tell me to fear or worship any other god than myself.”

On black metal: “From my non-judgmental and not so up to date point of view I think black metal has reached its peak in terms of rebellion and shock value, but it hasn’t died out artistically and musically. Far from it. It’s been watered down, sure, and obviously become more available for obvious reasons, but as there are several new genres born under the so called black metal banner the last few years I still see it relevant and as a pivotal addition to the music world. There’s still passion, dedication, honesty and authenticity in this form of art and as long as that is on the forefront it’ll still be life. But as real life is all about contradictions the term black metal is no exception. It has progressed, thank god – pardon the pun!”

Go to this location for the complete interview.

Pro-shot footage of Dimmu Borgir performing at Wacken Open Air 2012 in Wacken, Germany on the weekend of August 2nd – 4th is available below. Originally aired by the country’s ZDF network on the Kultur program, it features live footage of the band performing with an orchestra and an interview with Silenoz.

The “Busted! On the Road” show from the Internet channel “Metal Busted!” conducted an interview with guitarist Silenoz (real name: Sven Atle Kopperud) of Norwegian symphonic black metallers DIMMU BORGIR before the band’s March 6 concert (moved from its original March 4 date) at Carioca Club in São Paulo, Brazil. You can now watch the chat below.

Tablature for three DIMMU BORGIR tracks from 2007′s “In Sorte Diaboli” — “The Chosen Legacy”, “The Sacrilegious Scorn” and “The Serpentine Offering” — is now available to fans on Jammit.com.

This is the first time official DIMMU BORGIR tablature has been made available (online or in print).

Jammit.com‘s software allows musicians to isolate the instrument they want to learn (ex: guitar, bass, drums, keyboards) and also features a variable slow mode plus scrolling notation.

Tracks can be purchased at this location. View a How It Works video here.

DIMMU fans are encouraged to request more songs via this online form.

The band has just completed a South American tour and will make several summer festival appearances in Europe. Source: Blabbermouth.net

A three-minute video clip in which guitarist Silenoz (real name: Sven Atle Kopperud) of Norwegian symphonic black metallers DIMMU BORGIR talks the viewer through his Blackstar Series One 200 amplifier, which he has been using for the band’s live performances as well as for the recording sessions for the group’s most recent studio album, “Abrahadabra”, can be seen below.

According to Thrash Hits, Blackstar is a relatively new U.K.-based company which manufactures high-quality boutique amplifiers and pedals. Within the past few years, they have recruited some high-profile artists as endorsees, including members of OPETH, CANCER BATS and FIREWIND.

The brand was actually created in 2004 by ex-Marshall employees with the mission of creating world-class equipment without the gut-wrenching price tag — which could be construed as “like Marshall but better.” After rave reviews of their first amp range (the vintage-sounding Artisan series), it was now time for them to put out an amp that could really make people’s ears bleed.

“Abrahadabra” was released in Germany on September 24, 2010, in the rest of Europe on September 27, 2010, and it was made available in North America on October 12, 2010 via Nuclear Blast Records. Source: Blabbermouth.net