Source: Bravewords.com
IRON MAIDEN have uploaded an exclusive Maiden England ’88 playlist to Spotify, featuring the following tracks recorded live at Birmingham NEC on November 27th and 28th, 1988:
‘Moonchild’
‘Infinite Dreams’
‘Can I Play With Madness’
‘The Clairvoyant’
‘Seventh Son Of A Seventh Son’
Check it out at this location.
Source: Blabbermouth.net
The studio recording of GHOST‘s cover version of ABBA‘s “I’m A Marionette” has been released on Spotify and is now available for streaming in the YouTube clip below. The track, which reportedly features none other than Dave Grohl (FOO FIGHTERS, NIRVANA) handling production duties and sitting behind the drum kit, serves as the B-side of GHOST‘s strictly limited 10-inch clear vinyl version of its new single, “Secular Haze”. You can now pre-order a copy from the Swedish webshop Bengans.se.
In a recent interview with Decibel magazine, one of the Nameless Ghouls stated about GHOST‘s decision to record an ABBA‘ cover: “We are Swedish, and ABBA has always been a very, very strong part of our modern musical heritage. We all grew up with their music very present. Not only that — ABBA basically took a few hundred years of traditional Swedish music and made it into pop songs. I’m talking about folk music from the 16th, 17th and 18th centuries. Anybody outside Scandinavia probably isn’t familiar with those tones or musical language. But one of the reasons ABBA broke through so enormously first in Sweden was probably because of their folk music influences. I think anyone from Scandinavia is easily infatuated with that sort of music, so ABBA has a deeper meaning to us, I think.”
GHOST will release its sophomore album, “Infestissumam”, in the spring via Loma Vista Recordings, the new record label founded by Tom Whalley in partnership with Republic Records, a division of Universal Music Group. Frontman Papa Emeritus and his Nameless Ghouls summoned Nashville-based Grammy Award-winning Nick Raskulinecz (DEATH ANGEL, DEFTONES, FOO FIGHTERS, RUSH) to produce this offering.
“Infestissumam” track listing:
01. Infestissumam
02. Per Aspera Ad Inferi
03. Secular Haze
04. Jigolo Har Megiddo
05. Ghuleh / Zombie Queen
06. Year Zero
07. Idolatrine
08. Body And Blood
09. Depth Of Satans Eyes
10. Monstrance Clock
The band’s debut album, “Opus Eponymous”, was released in late 2010 in Europe and in early 2011 in North America via Rise Above Records.
“I’m A Marionette” studio version:
“I’m A Marionette” live performance:
Source: Blabbermouth.net
“We’re beyond excited to announce that music from every single METALLICA album is now streaming on Spotify!
“In our never-ending quest for total control of the way our music is presented, we always make it a point to be sure that we are offering you the very best service by partnering with ground-breaking technology companies. So with that said, we are extremely proud to be a part of Spotify, who not only has a proven track record, but is by far the best streaming service.
“Spotify was launched in Sweden in 2008 and has grown into a massive world-wide service with on-demand access to over 20 million songs. You can create and manage all your play-lists, share them with your friends and add to them by importing MP3s you already own. Now you can also take Spotify with you through their new mobile app.
“We’re always looking for more ways to get our music out to you, whether it’s streaming live videos through our tour page on this site or offering downloads of live shows through LiveMetallica.com. Connecting with Spotify was the next logical step and we can’t wait to see what the future brings!”
Back in 2000, METALLICA launched legal action against Napster, claiming that the pioneering music file-sharing service was illegally allowing users to download METALLICA tracks without paying royalties to the band. Although the case was settled out of court, 300,000 users were banned from Napster as a result and METALLICA‘s image took a tremendous beating in the eyes of music fans.
METALLICA drummer Lars Ulrich, who was the main spokesperson for METALLICA in the Napster battle, later admitted that he wished he had dealt with the situation differently.
METALLICA announced on November 30 that it has taken ownership of all the band’s master recordings and long-form videos under a provision of the band’s 1994 joint venture agreement with the Warner Music Group. According to that provision — almost unheard of for acts signed to major label contracts — all the masters reverted back to the band as of Friday. Frontman James Hetfield said in a statement, “We would like to thank everyone at the Warner Music Group for 28 years of a fantastic relationship, particularly since 1994 where we truly felt we had partners in every aspect of our business in North America.”
The band has also revealed that it is launching its own label, called Blackened Recordings, that will be the new home for all of their recordings and videos, as well as anything else that the band may come up with. All marketing and promotion will be handled by Blackened, with distribution through Rhino Entertainment in North America and the Universal Music Group internationally. Drummer Lars Ulrich said, “Forming Blackened Recordings is the ultimate in independence, giving us 100 percent control and putting us in the driver’s seat of our own creative destiny.”
Ulrich told The Pulse Of Radio a while back that METALLICA was long past the point where the band needed a corporate record label to support it. “The great thing about being in a band like us is that we’re in a position to bypass the record company,” he said. “Basically record companies act like banks. And when you don’t need the bank element of a record company, then you can kind of do it yourself.”
METALLICA is also working on a 3D feature film for release next summer, as well as a new studio album that should surface in early 2014.
CENTURY MEDIA has issued the following:
While everyone at the label group believes in the ever changing possibilities of new technology and new ways of bringing music to the fans, Century Media is also of the opinion that Spotify in its present shape and form isn’t the way forward. The income streams to the artists are affected massively and therefore that accelerates the downward spiral, which eventually will lead to artists not being able to record music the way it should be recorded. Ultimately, in some cases, it will completely kill a lot of smaller bands that are already struggling to make ends meet.
At the same time Century Media also believes that Spotify is a great tool to discover new music and is in the process of reintroducing their bands to Spotify by way of putting up samplers of the artists. This way, fans can still discover the great music released by the label.
Physical sales are dropping drastically in all countries where Spotify is active. Artists are depending on their income from selling music and it is our job to support them to do so. Since the artists need to sell their music to continue their creativity, Spotify is a problem for them. This is about survival, nothing less and it is time that fans and consumers realize that for artists it is essential to sell music to keep their heads above water.
Obviously it is ultimately up to the music fan and consumer, how they access their music, whether it is buying, streaming or stealing. There needs to be awareness though, that how you will consume your music has direct consequences for the artists, who we are all trying to support.
