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NWOBHM Legends GIRLSCHOOL to Release “Tokyo Breakdown 1982” Live Album on November 6th

Posted by tarjavirmakari on October 10, 2026
Posted in: Int. News, News. Tagged: GIRLSCHOOL. Leave a comment

On January 21, 1982, New Wave of British Heavy Metal paragons Girlschool played Tokyo – the first all-female British band ever to perform live in Japan, and one of the very first NWOBHM bands to do so as well.

​And on November 6, Cleopatra Records’s on-going roll-out of classic Girlschool live shows commemorates the 45th anniversary of that historic show with a CD and a first ever vinyl release for Tokyo Breakdown, a raw, no-frills, high-voltage recounting of the that so memorable night.

​Vocalist and guitarist Kim McAuliffe recalls, “We had no idea what to expect.  The big thing I remember about the whole Tokyo experience was, we kept getting screamed at, everywhere we went.  We literally… the first day, we got to our hotel, checked in, went out, walked around the corner and there was a MacDonalds, even then.  And then all these little girls came up screaming, and we were,‘What the hell’s going on?’”

​The barrage continued when the band took the stage.  “We went on, and the screaming was so loud, we thought we were the Beatles. It was mad!”

​You can hear the audience’s excitement (and the screaming!) throughout Tokyo Breakdown – in fact, mixed in with the band’s opening tape, with the aircraft sounds and howling sirens, the noise makes it sound as though a full-scale disaster is taking place.  

​But no, it’s Girlschool, launching into one of the most energetic performances of “C’mon Let’s Go” they’ve ever delivered.  From there, 15 more songs roar out, with the band’s two albums to date, Demolition and Hit and Run,​stretching their legs in front of an audience that can barely believe that Girlschool have finally arrived – “Victim,” “Kick It Down,” “Breakdown,” “Race With The Devil” (“this was our single over here,” Kim reminds the crowd) all leading up to a breathless closing salvo that wraps “Yeah Right,” “Hit and Run” and “Tonight” into a relentless stream of adrenalin, before the performance wraps up with “Tush,” the ZZ Top boogie that Girlschool had totally made their own.

​“The Hunter,” the first single from the album, is released today, to capture – and preview, in devastating fashion – all the energy of the night.

SINGLE: https://orcd.co/girschool_thehuntertokyo1982

Formed in 1978, Girlschool were one of the first NWOBHM bands to break into the mainstream, first with their incendiary take on “Race With The Devil,” and then with the St Valentine’s Day Massacre EP, pairing them with long-time supporters Motörhead… Lemmy was a regular sight at their club and pub gigs.

​Those first two albums, too, were hits – the debut nudging the Top 30, Hit’N’Run racing into the Top 5 in spring 1981.  That summer, Girlschool became the first (and, so far, only) all-female rock band to headline the annual Reading Festival – a memorable show captured on another Cleopatra CD, Nothin’ To Lose In Reading – more astonishing performances from this same peak era will be along in 2027, as the spotlight turns to the group’s first US tour in April, 1982.

​For now, though, Tokyo Breakdown sees this year out with one of the most dramatic, dynamic live shows you’ll have heard all year.

CD/VINYL: https://cleorecs.com/search?q=girlschool+tokyo
DIGITAL: https://orcd.co/girslchool_tokyobreakdown1982

Track listing

1. C’mon Let’s Go
2. The Hunter
3. (I’m Your) Victim
4. Midnight Ride [CD ONLY]
5. Race with the Devil
6. Kick It Down
7. Don’t Call It Love
8. Don’t Stop
9. Breakdown [CD ONLY]
10. Nothing to Lose [CD ONLY]
11. Watch Your Step
12. Future Flash
13. Yeah Right
14. Hit ‘N Run
15. Tonight
16. Tush [CD ONLY]

CORDE OBLIQUE Premiere Single/Video ‘Senza Vento’ (Ft. Andrea Chimenti) from Forthcoming Album “All’ombra dei fanciulli in fiore”

Posted by tarjavirmakari on October 10, 2026
Posted in: Int. News, News. Tagged: Corde Oblique. Leave a comment

Italian progressive folk-rock band Corde Oblique premieres new single and video “Senza Vento”, a haunting meditation on lost idealism, generational change and what can still be carried from one generation to the next.

The song is taken from Corde Oblique’s forthcoming studio album, All’ombra dei fanciulli in fiore, due on 27 November 2026 via Dark Vinyl Records. 

Recorded at Splash Studio in Naples, the album was mastered at Abbey Road Studios in London by Alex Wharton (The Beatles, Radiohead, The Chemical Brothers).

Led by composer, guitarist and art historian Riccardo Prencipe, “Senza Vento” began as a genuine exchange between generations. Prencipe invited acclaimed Italian singer songwriter Andrea Chimenti to perform on a song shaped by the contrast between the idealism he associates with earlier decades and the disillusionment he sees among younger people today.

Chimenti was the singer of Italian rock group Moda from 1983 to 1989, before beginning his solo career in 1990. His work has included collaborations with David Sylvian, Mick Ronson, Steve Jansen and David Jackson of Van der Graaf Generator.

Prencipe says:
“Working with Andrea was important to me because it became a genuine exchange between generations. I’ve always tried to learn from artists who came before me, and I hope younger listeners might find something in that exchange that feels different from what surrounds them now.”

The title “Senza Vento”, meaning “Without Wind”, captures a sense of lost momentum, enthusiasm and idealistic drive. “The absence of wind is an absence of push and momentum,” explains Prencipe. “The loss of enthusiasm, idealism and direction that I see affecting some younger people today inspired the song, and pushed me to translate that sense of emptiness into music.”

But the song does not remain in that emptiness. Its lyrics turn towards art, family, memory and love, alongside references to psychology and visual culture. These include Freud’s fort da observation and imagery inspired by the Crypt of Anagni.

The same concerns with memory, family and inheritance run through the forthcoming new album, All’ombra dei fanciulli in fiore. Written and produced by Prencipe, the upcoming LP moves through acoustic neofolk, post rock, post metal and classical guitar, with a family story connecting Prencipe’s father, Prencipe himself and his daughter.

That family history also enters the album visually. Previously unseen analogue photographs taken by Prencipe’s father, Raffaele, around Pozzuoli and the Campi Flegrei during the 1980s form part of the artwork, bringing the landscape of Prencipe’s childhood into the record itself.

All’ombra dei fanciulli in fiore will be released via Dark Vinyl Records on 27 November 2026.
Audioglobe Distribution for Europe – MDV Distribution for USA

TRACKLIST:

Senza vento
Emma
Flag in mid air
Vals per mio padre
Il tempo di mezzo
A New Balance
Senza Ego
Prima di sera
Alternating Bass Horizon
Infinite Waters
The Outburst
Gangi studio n. 3

CREDITS:

Riccardo Prencipe – classical, acoustic and electric guitars, e-bow
Andrea Chimenti – vocals
Maddalena Crippa – vocals
Rita Saviano – vocals
Edo Notarloberti – violin
Alessio Sica – drums and percussion
Umberto Lepore – bass and double bass
Pierfrancesco Speziale – synths and piano

All music and lyrics written and composed by Riccardo Prencipe, except track 12, originally composed by Mario Gangi.
Recorded by Massimo Aluzzi at Splash Studio, Naples
Mixed by Massimo Aluzzi and Andrea Cutillo at Splash Studio, Naples
Editing by Claudio Esposito at Bess Recording Studio, Montesilvano
Mastered by Alex Wharton at Abbey Road Studios, London
Photography: Raffaele Prencipe
Artwork and concept design: Gianni Caldararo

Official Website: www.cordeoblique.com
Instagram: instagram.com/cordeoblique
Facebook: facebook.com/cordeoblique
Bandcamp: cordeoblique.bandcamp.com
YouTube: youtube.com/user/cordeoblique

DOPELORD Announce Reissue of “Magick Rites”, Out December 11th

Posted by tarjavirmakari on October 10, 2026
Posted in: Int. News, News. Tagged: DOPELORD. Leave a comment
Photo by Michał Sobociński

No band believes in the powers of the devil’s lettuce quite like Dopelord. Since budding out of Poland in 2010, the stoner doomers have led children of the haze down the left-hand path. Now, ahead of their European tour with Monolord, the band are dusting off the first entry in their wickedly catchy spell book.

Today, Dopelord are excited to announce that their new label home Season of Mist is reissuing their 2012 debut album, Magick Rites. Now back in print, with this reissue, fuzz worshipers everywhere can once again experience their first communion with the devilish masters of stoner doom.

“For most of us, Magick Rites was our first-ever recording session in a proper studio”, Dopelord bassist and vocalist Piotr Zin remembers. “The studio was located in Bialystok and belonged to some friends of ours, whose band we had previously played gigs with. We recorded these songs mainly for ourselves. We had no expectations whatsoever regarding how they would be received. Well, maybe with one exception – having a CD would make it easier for us to get gigs. But everything that happened afterwards was completely unplanned”.

Season of Mist will reissue Magick Rites on December 11, 2026. Pre-order: https://redirect.season-of-mist.com/DopelordMagickRites

Magick Rites is blessed with all the raw ingredients that make Dopelord so  charming. From the opening rip, the album rises from the ashes like a cloud of smoke. Ungodly heavy riffs bring the masses to their knees in service of “Lucifer’s Son”. More than a decade later, the band’s devout following hasn’t stopped chanting its seductive chorus as a sign of their undying allegiance. “I gave you my soul”.  

“[…] the off-the-bat highlight of Magick Rites”, The Sleeping Shaman wrote in praise of “Lucifer’s Son”. “[…] it nonetheless explores Miodek’s prayer to the gods of another universe as if blasted from some giant volcano-mouthed horn directly into the cosmos”.

On Magick Rites, Dopelord introduced their wickedly catchy twist on stoner doom.  

Tracklist

  1. The Pentagram (5:56)
  2. Ghost Cargo From the Bong (7:37)
  3. Lucifer’s Son (8:16)
  4. Possessed (5:55)
  5. Magick Holocaust (6:19)
  6. Rise! Undying! (11:13)

Catch Dopelord on their 2026 European fall tour with Monolord.

Dopelord 2026 European Tour with Monolord, remaing shows below
Get tickets at https://linktr.ee/monolord

October 10 – Paris, France @ La Maroquinerie
October 11 – Nantes, France @ Le ferrailleur
October 12 – Toulouse, France @ Le Rex
October 13 – Lyon, France @ Jack Jack
October 14 – Aarau, Switzerland @ KIFF
October 15 – Munich, Germany @ Backstage
October 16 – Osnabrück, Germany @ Bastard Club
October 17 – Cologne, Germany @ Gebaude 9
October 18 – Liege, Belgium @ Desertfest

Dopelord’s fourth album, Sign of the Devil, is also available on Season of Mist. Order: https://redirect.season-of-mist.com/DopelordSignoftheDevil

Dopelord is a Polish doom metal band formed in 2010 in Lublin. They’ve released five full-length albums: Magic Rites (2012), Black Arts, Riff Worship & Weed Cult (2014), Children of the Haze (2017), Sign of the Devil (2020) and Songs for Satan(2023). Their music is characterized by a heavy, psychedelic sound with clear stoner metal influences and lyrics that often refer to occultism, drugs and dark fantasy.

The band has gained international recognition for their energetic live shows, catchy riffs and haunting choruses. The band regularly tours in Poland and abroad. They’ve performed at many prestigious festivals, including Desertfest (London, Berlin and Antwerp), Metal Days Slovenia, Rockstadt Extreme, Brutal Assault, SWR Barroselas Metalfest, Tolminator, Helldorado Eindhoven and Mystic Festival. In 2019, they toured with doom legends Saint Vitus.

Dopelord are busy crafting full-length album number 6(66). When they’re not lighting up the studio, the band are out rolling the road with their hazy magick ritual. In 2025, they celebrated their 15th anniversary with a return to London’s Desertfest and five shows across their native Poland. They also joined  legendary tokers Orange Goblin for the English heavies final show in Finland before kicking off 2026 by touring across Europe with Napalm Death. This fall, they are touring Europe once again, this time with Monolord.  

Current Lineup
Paweł Mioduchowski – Guitar, Vocals
Piotr Zin – Bass, Vocals
Grzegorz Pawłowski – Guitars
Piotr Ochociński – Drums

Recording lineup for Magick Rites
Paweł Mioduchowski – Guitar, Vocals
Piotr Zin – Bass, Vocals
Grzegorz Pawłowski – Guitars
Arkadiusz Ziemiński – Drums

Production credits for Magick Rites
Recorded at Studnia Studio, Bialystok in November 2011.
Mixed by Michael Anuszewski

Cover art for Magick Rites
Paweł Mioduchowski

Follow Dopelord
Bandcamp: http://dopelord.bandcamp.com/
Apple Music: https://music.apple.com/artist/dopelord/1069619036
Spotify: https://open.spotify.com/artist/1B1b2jSXksHwmmorhmQ8AF
YouTube: https://www.youtube.com/user/dopelord666
Instagram:  https://www.instagram.com/dopelord_666/
Facebook: https://www.facebook.com/Dopelord666

DESTRUCTION OF ORION Enters New Chapter with “Dimensions Of Chaos” Album, Out November 27th

Posted by tarjavirmakari on October 10, 2026
Posted in: Int. News, News. Tagged: DESTRUCTION OF ORION. Leave a comment

The introspection of grief.

On November 27, 2026, Bulgarian funeral doom project DESTRUCTION OF ORION will return with their third album, “Dimensions Of Chaos”, to be released by Aesthetic Death in both digibook CD and gatefold 2LP formats. Following “Decreasing Brightness” and “States Of Horror”, the new record continues the project’s deeply personal exploration of grief, anguish and emotional collapse, further developing the distinctive language established across its first two chapters.

The first single “Retribution” is now streaming HERE.

Two albums in and it is easy to see that DESTRUCTION OF ORION are one of the most exciting and important new doom bands of recent years. Never straying from the pertinent characteristics of the genre, yet able to bring fresh vision and authentic interpretation of what funeral doom is.

The new album solidifies this. “Dimensions of Chaos” retains the abject misery that was saturated within “Decreasing Brightness” and the mental anguish permeating through “States Of Horror”.

This is an era. Like the rings within a tree, each album forms a snapshot of that moment. “Dimensions Of Chaos” is no different. A monument of personal catharsis. Bringing tracks with a distinctive feel and identity. Yet, working seamlessly as a whole, forming an album that should be endured together as one.

Time only accentuates grief. The whole experience heralds a decimation of emotional will. As the music fades the silence holds a mortuary chill, with a haunting sense of feeling drained and emotionally crushed. You can physically feel the destructive energy and grief that have been poured into this.

DESTRUCTION OF ORION is the solo project of multi-instrumentalist and vocalist Tehina Spasova, whose genius lies in her metaphysical melancholy and a skilled feel for melodies. The production and musicianship on this third album elevate it to new levels, evolving a unique and authentic sound. Like dark matter, “Dimensions Of Chaos” will pervade every fragment of self. Drenched in a beautiful pain, the emotion in these tracks is visceral.

The unique style of “Dimensions Of Chaos” will not appeal solely to fans of funeral and extreme doom. There is a universal portrayal of grief that will resonate with anyone wishing to explore their own pain and anguish.

Tracklist:

01. Intro
02. Retribution
03. Tomorrow
04. Acceptance
05. Entwined
06. Better Days
07. Pulchra Mortis
08. Outro

Line-up:
Tehina Spasova – Everything

https://destructionoforion.bandcamp.com/
https://www.facebook.com/destructionoforion/

MORTEMIA Release New Song & Video ‘It’s a Sin’, Feat. Jane Odintsova (Imperial Age)

Posted by tarjavirmakari on October 10, 2026
Posted in: Int. News, News. Tagged: JANE ODINTSOVA, MORTEMIA, Morten Veland. Leave a comment

Photo credits: Morten by Cécile Delpoio

Morten Veland (SIRENIA, MORTEMIA and founder of TRISTANIA)  released the thirteenth  Mortemia song from  ‘The Cover Collab Sessions’. A collection of cover songs featuring different guest singers for each song. This single is a rendition of ‘It’s a Sin’ originally by Pet Shop Boys, featuring Jane Odintsova on guest vocals. The song is available on all digital platforms as of yesterday the 9th of October 2026.

Morten Veland:

“I’m proud and honoured to welcome Jane Odintsova as my special guest for ‘The Cover Collab Sessions’. I first met Jane in England during Sirenia’s last UK tour 2 years ago, and I’ve had Jane in mind for a possible collab since then. I am very pleased to announce that now the time has come. The song of choice is ‘It’s a Sin’ by Pet Shop Boys. It’s a song that I remember very well from my early years, when the song arrived in 1987. I’m really excited with the rendition that me and Jane have come up with together, and we both really can’t wait to share the song with you all. The song will be available on all digital platforms on Friday the 9th of October 2026”.

Jane Odintsova:

“When I received a word from Morten I was surprised and honoured! Converting a pop song into metal is one of the best things to do. It’s a Sin by Pet Shop Boys is not just “a pop song” – it’s a top hit. Working on it together with the legendary man – priceless! Thank you Morten for having me. I am very excited about it! Stay tuned guys – it’s going to be a blast!”

Song on digital platforms: It’s a Sin (feat. Jane Odintsova) by Mortemia & Imperial Age – DistroKid

During the early stages of the Covid 19 pandemic Norwegian multi-instrumentalist, producer and artist Morten Veland decided to reactivate his solo project Mortemia , this time with a brand new concept consisting of collaborations with multiple guest singers. ‘The Pandemic Pandemonium Sessions’ was a series of singles released on a monthly basis, each song featuring a well known and highly profiled guest singer from the metal scene. Following next was ‘The Covid Aftermath Sessions’, yet another album featuring songs, all with different guest singers. Now Mortemia is ready to endeavor on his third album in the collaboration format entitled ‘The Cover Collab Sessions’, once more the project will feature multiple amazing guest singers. This will be, as the title suggests, an album consisting of cover songs solely. All re-arranged and performed in Mortemia’s signature style.

So far the following singers has contributed for his collaborations:

Madeleine Liljestam (Eleine)
Marcela Bovio (Stream of Passion, Ayreon, MaYaN)
Alessia Scolletti (Temperance, ERA)
Liv Kristine (Liv Kristine, ex-Theatre of Tragedy, ex-Leaves Eyes)
Melissa Bonny (Ad Infinitum, The Dark Side of the Moon)
Brittney Slayes (Unleash the Archers)
Maja Shining (Forever Still)
Erica Ohlsson (Metalite)
Heidi Parviainen (Dark Sarah, ex Amberian Dawn)
Zora Cock (Blackbriar)
Linda Toni Grahn (Anima Veil, ex Follow the Cipher)
Caterina Nix (Chaos Magic)
Federica Lanna (Volturian)
Ulli Perhonen (ex-Snow White Blood)
Ambre Vourvahis (Xandria)
Fabienne Erni (Eluveitie, Illumishade)
Lindy-Fay Hella (Wardruna)
Margarita Monet (Edge of Paradise)
Marina La Torraca (Battle Beast, Exit Eden, Phantom Elite)
Nicoletta Rosellini (Alterium, Walk in Darkness)
Maxi Nil (Jaded Star, ex Visions of Atlantis)
Capri (ex Amberian Dawn)
Emma Zoldan (Sirenia)
Dianne van Giersbergen (DIANNE, Ex Libris)
Chiara Tricarico (Moonlight Haze)
Leah (Leah)
Kristin Starkey (Temperance, Twilight Force)
Kristyn Hope (Daedric)
Diva Satanica (Bloodhunter)
Grace Darkling (Nocturna)
Rehn Stillnight (Nocturna)
Jessica Thierjung (Lyriel)
Minniva (Minniva)
Helle Bohdanova (Ignea)
Karmen Klinc (Venus 5)
Jane Odintsova (Imperial Age)

For more information: Mortemia – Startside | Facebook – Mortemia (@mortemiaofficial) • Instagram-bilder og -videoer – Spotify – Mortemia – ‎Mortemia on Apple Music – Mortemia on Amazon Music – Mortemia (bandcamp.com) – Mortemia – YouTube

GAMMACIDE’s Legendary 1987 Demo Returns on Original-Format Cassette

Posted by tarjavirmakari on October 10, 2026
Posted in: Int. News, News. Tagged: GAMMACIDE. Leave a comment

The underground thrash metal legacy of Texas comes roaring back to life.

On October 6, 2026, Savant Guarde Records, through its heavy metal cassette subsidiary Old Guarde Records, proudly released the official reissue of GAMMACIDE’s legendary 1987 Demo, faithfully reproduced from the original release and now available on cassette.

Originally released in 1987, the five-song demo represents one of the earliest and most important documents of Gammacide’s devastating Texas thrash attack. The band’s original lineup featured Varnam Ponville (vocals), Rick Perry (guitars), Eric Roy (bass) and Jamey Milford (drums).

The demo was recorded at Pantego Sound Studios and recorded/produced by Jerry Abbott, father of Pantera legends Dimebag Darrell and Vinnie Paul Abbott. The recording captures Gammacide at a crucial moment in the development of their sound, years before the band would release their acclaimed 1989 debut album Victims of Science.

The original five-song track listing is preserved in full:

  1. Endangered Species
  2. Shock Treatment
  3. Gutter Rats
  4. Walking Plague
  5. Incubus

The 2026 edition has been digitally mastered from the original tapes, while the physical release has been manufactured in the USA by National Audio Company (NAC), one of the very few remaining cassette manufacturers in the world and the last major cassette manufacturer in the United States.

The release uses NAC’s classic high-performance music-grade ferric tape, maintaining the authentic character and aesthetics of the original format.

The J-card artwork faithfully reproduces the original cassette packaging, including the historic band photograph, credits and lyrics.

This is not a modern reinterpretation of the demo.

It is an attempt to preserve the sound, artwork, atmosphere and physical identity of the original 1987 Gammacide cassette for a new generation of metal fans and collectors.

Gammacide originally established their reputation throughout the worldwide underground with their uncompromising Texas thrash metal attack. The band would go on to share stages with legendary acts including Dark Angel, Exodus, Death, Sacred Reich and Morbid Angel, as well as fellow Texas metal pioneers such as Rigor Mortis and Watchtower.

After decades of cult status, Gammacide returned to action and are once again active on the metal scene, bringing the band’s legacy into a new era.

THE 1987 DEMO IS AVAILABLE NOW

The Gammacide – 1987 Demo cassette is available now through:Savant Guarde Records / Old Guarde Records
Official Savant Guarde Records Website – Savant Guarde Records – Bandcamp – Gammacide Official Landing Page – 1987 Demo – The cassette is also available through eBay.

STREAM “ENDANGERED SPECIES”

The first track from the historic demo, “Endangered Species,” is available to stream on major digital platforms, including Spotify, YouTube Music and Deezer.

GAMMACIDE ONLINE: Official Gammacide Website

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