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ARMORED SAINT Present Visualizer for ‘Not on Your Life’

Posted by tarjavirmakari on September 30, 2026
Posted in: Int. News, News. Tagged: Armored Saint. Leave a comment
Photo by Travis Shinn

ARMORED SAINT today presents their visualizer for “Not On Your Life.” The track comes by way of the band’s critically acclaimed new full-length, Emotion Factory Reset, released earlier this year on Metal Blade Records. The kaleidoscopic clip was created by Costin Chioreanu of TWILIGHT13MEDIA.

Comments vocalist John Bush, “The opening lyrics are, ‘You already know my name is John Doe / Yeah you already know but still give it a go.’ I think Phil [Sandoval] had the term, ‘you already know.’ Rhyming, I was, ‘oh, okay, this is cool, like, John Doe.’ There are a couple meanings to it: the cool guy from X is John Doe. It also means that you don’t know who this person is. It led to me thinking in terms of something a little vague, which sometimes I like to do. You already know, yet you don’t know at the same time.

Phil sent me the phrase ‘from dollars to donuts,’ and I got ‘Heavens to Betsy.’ My mom was named Betty, and it’s a little nod to [Bitch vocalist] Betsy Bitch because she’s on Metal Blade. I thought, ‘why not just have a little correlation here.’ It’s a cool, great rock song, and it seems to be some people’s favorite. The lyrics ‘dollars to donuts’ sounds like something somebody said on the streets of Manhattan in 1950. I also used the phrase ‘lying on the floor in the drunk tank.’ ‘Drunk tank’ is another term people don’t really use in 2026.”

Watch the band’s previously released video for “Every Man-Any Man” HERE, “Close To The Bone” HERE, and “Hit A Moonshot” HERE.

ARMORED SAINT will kick off their North American co-headlining tour with Metal Church this November. The Metal Saint Tour 2026 begins on November 2nd in San Juan Capistrano, California and runs through November 21st in Agoura Hills, California with support provided by LiveKill.

Following the fiery response both bands received during their recent shows together in Europe and fans’ excitement for the upcoming Fall shows, a Spring 2027 leg of this killer metal package has also been announced. The journey will commence on March 19th in Austin, Texas and close on April 10th in Las Vegas, Nevada. Support will be provided by One Machine.

Offers ARMORED SAINT vocalist, John Bush, “Three weeks in the Fall just didn’t seem enough so we decided to do another run of the Metal Saint tour in the Spring of 2027. Celebrating two classic bands from the ’80s who also have new records out in 2026 is a no-brainer for any metal fan. Plus, there is still a lot of the country to cover. See you at the show!“

Comments Metal Church guitarist Kurdt Vanderhoof, “We are stoked to be heading back out on the road with our friends in ARMORED SAINT for another round of the Metal Saint Tour!“

Adds Metal Church drummer Ken Mary, “We are really looking forward to so many fans and friends on tour on this run and we are honored to be with our brothers in metal, ARMORED SAINT!“

Tickets + VIP upgrades are available now at: nationalactsvip.com/armoredsaint. See all confirmed dates below.

ARMORED SAINT + METAL CHURCH w/ LiveKill:
11/02/2026 Coach House – San Juan Capistrano, CA
11/03/2026 The Glass House – Pomona, CA
11/04/2026 The Nile – Phoenix, AZ
11/06/2026 Sunshine Theater – Albuquerque, NM
11/07/2026 Sunshine Studios – Colorado Springs, CO
11/08/2026 The Federal – Denver, CO
11/10/2026 Neurolux – Boise, ID
11/11/2026 The Newberry – Great Falls, MT
11/13/2026 Dantes – Portland, OR
11/14/2026 Redwood Theater – Bremerton, WA
11/15/2026 Rickshaw Theater – Vancouver, BC
11/17/2026 Great America Music Hall – San Francisco, CA
11/18/2026 Goldfield Trading Post – Roseville, CA
11/19/2026 The Whisky – Los Angeles, CA
11/20/2026 Observatory North San Diego – San Diego, CA
11/21/2026 Canyon Club – Agoura Hills, CA

ARMORED SAINT + METAL CHURCH w/ One Machine:
3/19/2027 Come And Take It Live – Austin, TX
3/20/2027 Hells Heroes – Houston, TX *
3/21/2027 Granada Theater – Dallas, TX
3/23/2027 Radio Room – Greenville, SC
3/24/2027 Chapel Of Bonus – Raleigh, NC
3/25/2027 Tally Ho Theater – Leesburg, VA
3/26/2027 Ridgefield Theater – Ridgefield, CT
3/27/2027 St. Vitus – Brooklyn, NY
3/3/29/2027 Sherman Theater – Stroudsburg, PA
3/30/2027 Mercury – Lakewood, OH
4/01/2027 The Kings Of Clubs – Columbus, OH
4/02/2027 Machine Shop – Flint, MI
4/03/2027 Arcada Theater St – Charles, IL
4/04/2027 EPIC Events Center – Green Bay, WI
4/06/2027 Wooly’s – Des Moines, IA
4/07/2027 Matchbox – Omaha, NE
4/09/2027 Liquid Joe’s – Salt Lake City, UT
4/10/2027 House Of Blues – Las Vegas, NV
** No One Machine

Emotion Factory Reset, ARMORED SAINT‘s ninth studio album, is a resurrection of sorts, a tearing down and a rebuilding in eleven songs of diverse musicality and lyrical themes. Produced, as were the previous four albums, by bassist Joey Vera and mixed by Jay Ruston (Anthrax, Stone Sour), the record finds the quintet challenging themselves. Songs like “Close To The Bone,” “Hit A Moonshot,” and “Every Man-Any Man” have ARMORED SAINT honoring their past as one of the most respected and recognizable bands in heavy music while making forward-thinking music rooted in the present.

Emotion Factory Reset was recorded across several studios including 606 Studios, Secret Hand Studios, Skullseven Studios, Constantine Studios, and Bridge Recording, engineered by Oliver Roman, Bill Metoyer, Joey Vera, and Jason Constantine, and features cover art by DDKing.

Preview/purchase the record at: metalblade.com/armoredsaint

ARMORED SAINT:
John Bush – vocals
Joey Vera – bass
Jeff Duncan – guitars
Gonzo Sandoval – drums
Phil Sandoval – guitars

https://www.armoredsaint.com
https://www.facebook.com/thearmoredsaint
https://x.com/thearmoredsaint
https://www.instagram.com/thearmoredsaint

CRESCENDIUM Release Brand New Video Single ‘Chandra’ + Announce New Album “DRAC”

Posted by tarjavirmakari on September 30, 2026
Posted in: Int. News, News. Tagged: CRESCENDIUM. Leave a comment

A mystical fog is settling over the metal world – and CRESCENDIUM is at its heart. The project led by frontwoman and mastermind Elena Cor Tauri embodies gloomy energy channeled from the inner darkness. In this spirit, the project has transformed numerous international shows into dark, occult rituals, supporting such grand bands as Napalm Death, Aephanemer, and Ancst. 

Following the release of unconventional compositions on their debut album “Within”, which explores mental illness, the project returns with the concept album “DRAC” (release date: November 11, 2026). 

Haunting black and death metal frames a profound message: How is the medieval witch hunt connected to women’s lives in today’s society? In contrast to a digital world where everything is frantic and overwhelming, the music invites listeners to delve into their own shadows and transports them into a melancholic experience. Set against the backdrop of collective wounds from the past, “DRAC” tells the tale of a moving female journey through a repressive world. Powerful black metal passages collide with uncompromising death metal riffs, accompanied by epic choirs and orchestral soundscapes. The bombastic songs are framed by intense screams and soft vocals. DRAC, a word for “dragon,” is formed from the song titles, which blend English, German, and Latin lyrics. 

“DRAC” Tracklist:

1. Prologue: As Within, So Without
2. Dämmerlicht
3. Ravish My Flesh, Soil My Name
4. Anderswelt
5. Chandra
6. Epilogue: As The Universe, So The Soul

PRE-SAVE THE ALBUM HERE

The concept album tells the story of a nature-loving woman with magical abilities who fights for the greater good. Yet a patriarchal society stigmatizes her and burns her alive. This brutal fairy tale comes to an end with her transformation into a demon: no longer part of society, but free. The unreleased third single “Dämmerlicht” (coming in late October) weaves in quotes from the “Malleus maleficarum”, the grotesque 15th-century compendium of rules that was responsible for numerous witch burnings. Martin aka ChaoZ, frontman of the black metal band Verderbnis, appears as a dogmatic priest and guest vocalist. 
“DRAC” is a reflection on forced exclusion and breaking free from a corrupt system. The first single “Ravish My Flesh, Soil My Name” (released in August 2026) depicts the brutality of this system. It becomes clear that the witch hunt is not just a medieval phenomenon, but continues to take place all over the world today.

CRESCENDIUM presents the new music video “Chandra” as the next chapter in the feminine black metal saga. This surreal, cinematic adventure unfolds in the dark forests of Finland. It is a horror fairy tale about the transformation of a naive girl into a demonic entity. Filled with striking metaphors that demand a second or third look, and intense imagery centered around frontwoman Elena, the music video is not for the faint of heart. Elena accompanies the fable with the words: “Don’t run away from your shadows – instead, embrace them with open arms.” Anyone who wants to experience CRESCENDIUM live is invited to attend the “DRAC” album release show in Hanover on November 7, 2026. Get your tickets HERE.

About CRESCENDIUM

Rebellion and darkness speak from the heart of CRESCENDIUM – under the flagship of Mystic Metal, the project sails through the abysses of the human soul to guide it into the light. CRESCENDIUM is the project of frontwoman and composer Elena Cor Tauri and was founded in 2018. The project has toured alongside bands such as Napalm Death, Aephanemer and Ancst, appeared on regional television, and played shows all across Europe.

The debut album “Within” received extensive praise from international metal media. It tells stories from inner worlds; each track is dedicated to a mental disorder. The compositions swing like a pendulum between chaos and hope, between death, black, and progressive metal. Philosophical, emotional, and gloomy metal with progressive and melodic elements transports listeners into profound realms. Aggressive blast beats and emotive orchestral passages alternate with blood-curdling screams and delicate vocal passages. Surrounding them are mystical sounds that tell of spiritual journeys, the eternal cycle of life and death, and the struggle against oppression. Night falls on dragon’s wings. The unspeakable reveals itself in a musical crescendo.

CRESCENDIUM Online:

Website
Facebook
Instagram
YouTube
Spotify
Bandcamp

BULLET FOR MY VALENTINE Announce New Album “Social Apocalypse” + Share Video for Title Track

Posted by tarjavirmakari on September 30, 2026
Posted in: Int. News, News. Tagged: Bullet For My Valentine. Leave a comment
Photo Credit: Federica Burelli

Bullet For My Valentine will release their new album, Social Apocalypse, on March 19, 2027. The announcement arrives with a towering new single by the samename. “Social Apocalypse” is the band’s first new song in four years; on the title track, Matt Tuck rages against “the end of the world as we know it,” when “all hope has faded.”

An accompanying video for “Social Apocalypse” is available to view below.

Thematically, Social Apocalypse combines the bare-faced lyrical introspection of people weathered and worn by the modern world with wide-eyed observations on a planet that feels as if it is coming off the rails at every turn. “Everything in life is changing at such a rapid pace, and it is hard to find a great deal of positivity when you look at events in the world,” Tuck says. “People are being pitted against each other. The world is full of conflict instead of unity. As a father, I look at what the world is like for younger people, and how completely different it is now.”

Working once more with producer Carl Bown — a veteran of four Bullet albums, alongside work with Sleep Token, While She Sleeps, Malevolence and more — each new album track was diligently scrutinized, constructed, and polished to its immaculate final form. “Carl doesn’t let you settle,” Tuck notes. “He is always ready to speak up, push and challenge you to be the best version of you.”

There are two collaborations on Social Apocalypse – a rarity for Bullet that brings thrilling new dynamics to the record — with Against The Current vocalist Chrissy Costanza stepping in to duet on “In The Absence Of You,” and a hair-raising vocal turn from Lorna Shore’s Will Ramos on “I Don’t Trust Tomorrow.”

SOCIAL APOCALYPSE TRACK LISTING:
“Social Apocalypse”
“In The Absence of You” (Feat. Chrissy Costanza)
“I Don’t Trust Tomorrow” (Feat. Will Ramos)
“Here Without You”
“Acid Rain”
“Fragile”
“CVLT”
“Masquerade”
“Read Between The Lines”
“Enough Is Never Enough”

Album Art Created by Dutch multi-media artist @Yossip

A very special limited white-label first pressing of Social Apocalypse (album) is available for pre-order exclusive via Ceremony of Roses HERE for 72 hrs only. For digital listeners, you can now pre-save the album HERE.

Then, on September 28, a full-range of offerings go on pre-sale, including standard and deluxe vinyl variants and a signed version of the CD. Head HERE for more information.

Bullet For My Valentine have today announced their biggest tour yet; taking in arenas all over the UK and Europe. Having sold-out The O2 arena, London, last year as part of their co-headline run with Trivium, they are now returning as the sole headline act.

Pendulum will perform as very special guest across all shows, with Dark Devine appearing as openers.

BULLET FOR MY VALENTINE LIVE:

1/21 — Lisbon, Portugal — Sagres Campo Pequeno
1/22 — Madrid, Spain — Palacio Vistalegre
1/23 — Barcelona, Spain — Sant Jordi Club
1/25 — Milan, Italy — Forum
1/26 — Zurich, Switzerland — Hallenstadion
1/27 — Dusseldorf, Germany — Mitsubishi Electric Halle
1/29 — Hamburg, Germany — Sporthalle
1/30 — Copenhagen, Denmark — K.B. Hallen
1/31 — Stockholm, Sweden — Annexet
2/2 — Helsinki, Finland — Ice Hall
2/4 — Katowice, Poland — MCK
2/6 — Munich, Germany — Zenith
2/7 — Paris, France — Zenith
2/9 — Luxembourg — Rockhal
2/11 — Frankfurt, Germany — Festhalle
2/12 — Stuttgart, Germany — Hanns-Martin-Schleyer-Halle
2/13 — Vienna, Austria — Stadthalle
2/15 — Budapest, Hungary — Budapest Arena
2/16 — Prague, Czech Republic — O2 Universum
2/17 — Berlin, Germany — Velodrome
2/19 — Amsterdam, Netherlands — AFAS Live
2/20 — Brussels, Belgium — Forest National
2/23 — Glasgow, Scotland — OVO Hydro
2/25 — Birmingham, England — bp pulse LIVE
2/26 — London, England — The O2
2/27 — Manchester, England — AO Arena

Tickets are now on sale HERE.

Matt Tuck describes the creation of every Bullet For My Valentine album as a “journey.” Each, the frontman attests, is about capturing the essence of a moment in time; a freeze-frame snapshot of its creators and the world around them. Nothing forced, nothing scripted, nothing disingenuous. Such purity of creation is a methodology that has led to Bullet For My Valentine establishing themselves as one of Britain’s all-time most celebrated rock and metal exports. A truly global phenomenon, their multi-million album sales, multi-billion streaming numbers, a glut of awards, and regular appearances on the biggest stages across the globe remarkably only go some way to telling the story of their influence and impact.

The culmination of those experiences and achievements is writ large across Social Apocalypse, their eighth full-length album, which comprises a lifetime’s learnings and inspirations and definitively captures every facet of the Bullet For My Valentine sound in masterfully-honed results. Reminiscent of the band’s storied past without ever being repetitive of it, it’s with a steely-eyed determination to break new ground that the beloved hallmarks of Bullet For My Valentine past and present are now refocused and re-energized for the future.

HATEBREED Share New Single & Video ‘The Carrion Choir’ from Upcoming Album

Posted by tarjavirmakari on September 30, 2026
Posted in: Int. News, News. Tagged: Hatebreed. Leave a comment
Photo by Balazs Szabo

Studied, imitated, but never replicated, the Grammy-nominated hardcore legends HATEBREED will drop their long-awaited studio album FATAL PARADOX on November 6 via new label BLKIIBLK. Pre-order it here.

They have just shared “The Carrion Choir.” It’s another fast and thrashy anthem designed for the “Ball” of Death! 

The band has also announced a series of stadium shows with Slipknot in 2027, including an appearance at Wembley Stadium in London. All confirmed dates are below.

HATEBREED ON TOUR:
WITH SLIPKNOT:

7/3 — London, UK — Wembley Stadium
9/8 — Buenos Aires, Argentina — Estadio Huracán
9/12 — Santiago, Chile — Estadio Nacional
9/14 — Lima, Peru — Estadio Nacional
9/16 — Bogotá, Colombia — Vive Claro

Hatebreed have remained a fixture of the hardcore and metal scenes for the better part of three decades. After writing the playbook with their genre-defining releases Under The Knife (1996) and Satisfaction Is The Death Of Desire (1997), HATEBREED continued to carry the banner for metallic hardcore with albums like Perseverance (2002), The Rise of Brutality (2003), and Supremacy (2006) dominating charts globally. In recent years, the band’s undisputed offensive continues with modern records The Concrete Confessional (2016) and Weight of the False Self (2020), remaining fixtures on charts globally. The band’s core values of self actualization, perseverance, and honest living have carried them from backyard and basement shows to festival dominators, selling out shows consistently across the world, effectively practicing what they’ve preached. 

Enlisting long-time collaborator Zeuss (Rob Zombie, Accept, Shadows Fall), “Kill Count Increase” is crossover excellence with accelerating speeds, crushing riffage, and frontman Jamey Jasta’s venomous bark inciting crimson flashes of carnage.

Holding no punches, and taking no prisoners Fatal Paradox see the Connecticut-born juggernaut operating at full tilt, bludgeoning listeners with a barbarous blend of breakdowns, d-beats, and dogpiles. Whether it’s the thrash stylings of “Kill Count Increase” or “Total Invincible,” capital H hardcore excellence of “The Carrion Choir” and “Truth Is A Lion,” rage remains the unifying spark to blow the keg in glorious flashes of violence. 

FATAL PARADOX TRACK LISTING:
“Kill Count Increase”
“The Carrion Choir”
“Decisions Become Destinies”
“Total Invincible”
“Fatal Paradox”
“Still A Threat”
“Sacrifice Season” (Feat. John Tardy)
“Truth Is A Lion”
“Make The Demons Obey”
“None Left To Save”
“Poison Planet”

Hatebreed will spend the summer doing what they do best — touring and bringing venues across the U.S. to their knees. All upcoming dates are below. Get tickets here.

HATEBREED LIVE:
10/10 — Birmingham, AL — Furnace Fest

HATEBREED ARE:
Jamey Jasta — Vocals
Wayne Lozinak — Guitar
Frank Novinec — Guitar
Matt Byrne — Drums
Carl Schwartz — Bass

ABOUT HATEBREED:
Described by Forbes as “more relevant than ever in the metal and hardcore community,” the quintet remains one of the most definitive live acts in music today and recently celebrated a milestone with their track “Looking Down The Barrel Of Today,” which is nearing 130 million global streams, making it their single biggest career streaming track of the modern era. To date, Hatebreed have sold over 1.5 million albums in North America alone.  

Hatebreed’s most recent album, 2020’s Weight of the False Self, was praised as a “return to their hardcore roots” by Brooklyn Vegan. The album was deemed “one of their most aggressive to date” by Consequence and “pummeling” by Revolver, while Psychology Today called it “a blazing combination of extreme metal and hardcore punk.” Hatebreed remain one of the most vital bands in the hard rock scene.

Their signing with BLKIIBLK and forthcoming ninth studio album find the band harder than ever, stronger than ever.

HATEBREED ONLINE:
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Spotify
YouTube

MICHAEL MOOROCK Joins SPIRIT BURNING for New Single ‘To Steal A Space Traveller’ from Forthcoming Album

Posted by tarjavirmakari on September 30, 2026
Posted in: Int. News, News. Tagged: Michael Moorcock, SPIRITS BURNING. Leave a comment

Space Rock Veterans Spirits Burning, led by the indefatigable Don Falcone, continue gearing up for the release of An Alien Heat with a new single, released today, the mighty “To Steal A Space Traveller.”

Falcone says,“Every Spirits Burning & Michael Moorcock album has a couple of songs that are more frenetic and need to capture the theatrical chaos and movement of the scene. ‘To Steal A Space Traveller’ is one such piece. Here, the lyrics trace how the male lead of Mike’s end-of-time story steals an alien from a menagerie so that he can trade him for the story’s 19th century female lead. It’s an absurd time written in wonderful language.”

As always, the track abounds with guest stars, as Falcone explains. “The crew for the song is quite indicative of the album’s collaborations and connectivity. Blue Öyster Cult founder Albert Bouchard transcribed Mike’s text from the book and brought in his brother Joe Bouchard to sing lead. 

“I brought in a number of UK Spirits Burning contributors. That includes Ade Shaw, the bassist for Hawkwind the first time I saw the band live, his successor Harvey Bainbridge, here doing keys, and Groundhogs drummer Ken Pustelnik. I actually got to meet both Harvey and Ken on two different trips to the UK.”

Joe Bouchard’s vocals are especially noteworthy. Falcone continues, “I got the feeling that when there was something odd to sing, Albert [Bouchard] immediately thought of his brother. And Joe would say ‘yes.’ As the alien is being kidnapped, and is told it is for love, the alien says ‘For greater (skree skree skree) love, as we (roar), Say on our planet, hath (skree skree), No man’s (skree) ryof, chio, lar, oof.’ Realizing his translator is faulty, he adds: ‘It must be untranslatable.'”

SINGLE: https://orcd.co/tostealaspacetraveller

Released on October 16 on blue vinyl and CD, An Alien Heat is a musical reimagining of the first book in Moorcock’s Dancers At The End Of Time trilogy, itself the inspiration behind four Spirits Burning albums.

Having already brought the remainder of that trilogy, The Hollow Lands and The End Of All Songs, to shimmering life on Cleopatra’s Purple Pyramid imprint, Moorcock and Spirits Burning go all out on this first chapter. Guests elsewhere on the album include further Hawkwind family members Mick Slattery and Bridget Wishart, and Blue Öyster Cult’s Donald “Buck Dharma” Roeser and Richie Castellano.

The result, has to be one of the most remarkable, and enthralling musical adaptations of any book – let alone a trilogy as powerful as this.

The Dancers at the End of Time, after all is (“among many other things”), what Moorcock describes as his “homage to the fin-de-siecle and its writers and artists. I wanted to set a story at the end of the world which was not a tragic apocalypse but a funny acceptance. 

“By using the language of Wilde and his circle, I also paid tribute to their contemporary H.G.Wells, who wrote The Time Machine and the funny and existentialist History of Mr Polly. 

“I wanted to entertain and write on a serious subject at the same time.”

Spirits Burning capture all of that… and more!

CD/VINYL: https://cleorecs.com/search?q=spirits+burning+%26+michael+moorcock+an+alien+heat
DIGITAL: https://orcd.co/analienheat

Track listing

1. Hothouse Flowers
2. Geronimo
3. Soirée Of Fire (CD ONLY)
4. In The Future
5. Doomed
6. Fall In Love
7. Any Particular Interest (CD ONLY)
8. Dark Dominion (CD ONLY)
9. Seven Finger Solution (CD ONLY)
10. To Steal A Space Traveller (CD ONLY)
11. Virtue & Mrs. Amelia Underwood
12. Learning The Art
13. Back To 1896 (CD ONLY)
14. Quest For Bromley
15. Thank You For The Fog
16. Old Friends With New Faces (CD ONLY)

THEODOR BASTARD Brace for the Apocalypse on Electric New Single ‘Vedma’

Posted by tarjavirmakari on September 30, 2026
Posted in: Int. News, News. Tagged: THEODOR BASTARD. Leave a comment
Photo by Vera Serebryakova

During the long and trying years since their last studio venture, Theodor Bastard have been searching for a way out of the shadows cast by the pandemic, war and invasive technologies. Now, with their upcoming new album,▽, the world music pioneers are returning with dark electronics for our dark times.

“Sverkay”, the thrilling lead single from ▽, launched the band back into international headlines with coverage spanning from Headbanger Russia and Belgium’s Grimm Gent to Canada’s Different Stages Radio, Latin America’s Metallerium and Metal Devastation Radio in the U.S.

Today, Theodor Bastard are releasing the second advanced single from ▽ (pronounced V). Sparked by a heavy electronic beat, the dark and energetic “Vedma” braces against the flames of an increasingly cold and crumbling world.

“I know people probably expected another Northern ethnic album from us”, Theodor Bastard producer, multi-instrumentalist and founding member Fedor Svolotch says. “Oftentimes, once bands find their niche, they stay there. But this has never been our path and now is not the time for beautiful genre obedience. ▽ represents our vision of what’s going on in the world today. Instead of flights into space, instead of discovering the vast mysterious inside ourselves, once again, humanity is busy destroying itself. This album is our attempt to find a way out of that cycle, to understand what is happening, and to feel for some kind of perspective”.

▽ comes out November 13, 2026 on Season of Mist.

Pre-order: https://orcd.co/theodorbastardv
Pre-save on Spotify: https://open.spotify.com/prerelease/0K4F1n6atFEiEO5Y9N9v8y

Theodor Bastard will perform “Vedma” and other new songs from ▽ this November and December during their 10-date headlining tour of Russia.

Theodor Bastard ▽ 2026 Russian Tour

November 27 – Yekaterinburg @ Svoboda
November 29 – Novosibirsk @ Podzemka
December 4 – Krasnodar @ Port 219
December 5 – Rostov-on-Don @ Krop Arena
December 12 – Saint Petersburg @ Eifman Academy
December 18 – Moscow @ Urban
December 19 – Nizhny Novgorod @ DKRT
December 20 – Penza @ TsKiD
December 21 – Saratov @ Oniks
December 22 – Samara @ ODO

▽ reflects just how much has changed since the world last heard from Theodor Bastard in April 2020. While the band are still recognized internationally as leaders for ritual folk and world music, on their new album, they’ve re-embraced their early electronic impulses because that’s how life feels now: cold, sharp, tense. New single “Vedma” surges with black cosmic energy, as if its analog synthesizers are programmed to summon the apocalypse.  

“Our sound changed because the world changed”, Svolotch explains. “We had to destroy our own habits and expectations to make ▽. We wanted to start again, as if the band has no past, no safe place, no ready-made formula. As a result, this album is not a continuation of what came before. It’s a different door”.

To a world that’s mired in its own deadly trance, ▽ arrives like a much needed slap across the face. However, that doesn’t mean the album is devoid of hope. At its core, Theodor Bastard’s ritual spirit remains intact.  “Vedma” never loses its edge, but when the song blasts into a chorus that’s blessed with enough gravitational force to knock the stars from the sky, vocalist Yana Veva clings to the only thing that’s worth saving from a world on fire. “Иду в холодный город чтобы обнять тебя (I walk into the cold city / to embrace you)”.

“So much has surrounded us during recent years: the pandemic, war, division, fear, anxiety over technology, and a sense that reality itself is becoming darker and more unstable”, Svolotch says. “We have felt so much anger, pain, confusion and disappointment both in ourselves and in the world around us. All these emotions were gathering inside us, changing, darkening, searching for a form, until they eventually transformed into the unexpected on ▽”.

Tracklist
1. Molnii i Svist (00:48)
2. Vedma (4:24)
3. Nebo (4:33)
4. Kaplya Rosi (2:46)
5. Zveroboy (6:16)
6. Dusha (4:33)
7. Ditya (5:43)
8. Ostavlyaem (3:45)
9. Sverkay (3:25) [WATCH]
10. Vremya (4:36)

Total runtime: 40:42

Theodor Bastard refuse to stay still. In the years since their last studio venture, 2020’s Volch’ya Yagoda, the world music pioneers were searching for a way out of the darkness that’s descended over our reality. The path that they discovered didn’t lead back to their home in the harsh northern forest region of Karelia but away from it, into the coldness of the city and a collapsing civilization. By reconnecting with their electronic roots, Theodor Bastard are reborn on ▽.

“Our sound changed because the world changed”, producer, multi-instrumentalist and founding member Fedor Svolotch says. “We had to destroy our own habits and expectations to make ▽. We wanted to start again, as if the band has no past, no safe place, no ready-made formula. As a result, this album is not a continuation of what came before. It’s a different door”.  

Svolotch founded Theodor Bastard in 1995. What started as a solo project grew during the 2000s into what’s now a seven-member band that includes vocalist and multi-instrumentalist Yana Veva, keyboardist Alexey Kalinovskiy, drummer Andy Vladich, vocalist Ekaterina Dolmatova, percussionist Kusas and cellist Vyacheslav Salikov. Blending the lines between ritual folk, electronic and world music has gained them international recognition. They’ve toured and performed at major festivals across Europe, including Fusion, Castlefest and Dark Bombastic Evening.  

With eight studio albums, three video game soundtracks, two live albums, a compilation of remixes and syncs in major films and television shows, Theodor Bastard have also received international acclaim. The band have won a Russian World Music Award, a Golden Gargoyle, an International Acoustic Music Award and multiple LIT Music Awards. Their previous album, 2020’s Volch’ya Yagoda, won the St. Petersburg Best Album award in the Mood category. Its take on the Russian lullaby “Volchok” was a finalist in the World category for the John Lennon Songwriting Contest.  

“[…] their music comes directly from heaven”, Essentially Pop wrote in praise of the album’s single “Les”.  

Folk N Rock agreed. “[…] a well-crafted album and deserves a listen if you are a fan of folk or trip-hop electronic music”.

“Theodor Bastard’s prolific catalogue of music is only getting better with age and experience”, wrote Indie Pulse Music.  

▽ reflects just how much has changed since the world last heard from Theodor Bastard. While still widely recognized internationally as leaders for ritual folk and world music, the band have re-embraced their early electronic impulses. Long-time fans were pleasantly surprised when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama The Method. “We did not want to make another comfortable northern ethnic album just because that’s what some people might expect from us”, Svolotch says. “▽ is electronic, nervous, physical and wounded because this is how the world feels now”.  

The album’s lead single is a sure sign that Theodor Bastard are bound for dark new horizons. Like a space shuttle, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat. “Вдох – выдох (Inhale – Exhale)”, sings a bewitching Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division.  

“This is not the time for beautiful genre obedience”, Svolotch says. “The world is full of violence, exhaustion, stupidity and fear. Instead of flights into space, instead of discovering the inner abysses within ourselves, humanity is once again busy with destruction, cruelty and self-hypnosis”.  

To a world that’s mired in its own deadly trance, ▽ arrives like a much-needed slap across the face. The album was created during a long and trying period for Theodor Bastard. It offers little comfort; its anger, confusion and disappointment are hurled at the outside world, which through our own actions, is tipping over the edge. The aggressive “Vedma” surges with black cosmic energy, as if summoning the apocalypse. “Ditya” questions the nature of our creation amidst a hybrid of electronic dance music, gospel and the blues. But the band aren’t without hope. At their core, the ritual spirit remains. “Ostavlyaem” dances as light as a feather, only to transcend this earth for a place amongst the stars.

“Across ▽, darkwave, indietronica, post-punk and neo-psychedelia are not used as genre references. They are fused into a single world, where ritual presence and the physicality of live sound coexist”, Svolotch concludes. “It is unmistakably Theodor Bastard, but in a state of renewal, where the band’s recognizable identity becomes a starting point for transformation rather than a limit”.  

With  ▽, Theodor Bastard return with dark electronics for dark times.

Recording Lineup
Yana Veva – Vocals, Lyrics, Vocal arrangements, Synthesizers, Keyboards
Fedor Svolotch – Arrangements, Guitars, Bass guitar, Synthesizers, Analog synthesizers, Keyboards, Drum programming, Sound design, Sound production, Mixing
Christine Kazarian – Harp
Vyacheslav Salikov – Cello / Strings
Kusas – Percussion, Bells, Metallophone, Marimba, Jaw harp
Ekaterina Dolmatova – Backing vocals
Eli H – Bass guitar
Alexey Kalinovskiy – Keyboards, Synthesizer, Lap slide guitar
Vyacheslav Nikiforov – Drums
Sergey Smirnov – Drums
Maria Starostina – Flute, Backing vocals
Maxim Kostyunin – Guitar
Gale Dorothy – Vocals on Molnii i Svist

Current Lineup
Yana Veva – Vocals
Fedor Svolotch – Sound, Guitar, Electronics
Andy Vladich – Drums
Alexey Kalinovskiy – Keyboards
Kusas – Percussion
Vyacheslav Salikov – Cello
Ekaterina Dolmatova – Backing vocals

Production Credits
Producer – Fedor Svolotch
Sound Engineer – Fedor Svolotch
Mixing Engineer – Fedor Svolotch
Mastering Engineer – Boris Istomin
Recording Studio – Theo Records
Mastering Studio – Knob Studio

Cover Artwork
Fedor Svolotch

Artwork / Layout Designer
Yana Veva & Fedor Svolotch

Follow Theodor Bastard
Website: https://theodorbastard.com/
Bandcamp: https://theodorbastard.bandcamp.com/
Spotify: https://open.spotify.com/artist/2PQ9UX4kWDE3mf2fYGRzqF
Apple Music: https://music.apple.com/us/artist/theodor-bastard/204585292
YouTube: https://www.youtube.com/theodorbastard
Facebook: https://www.facebook.com/TheodorBastard/
Instagram: https://www.instagram.com/theodor_bastard/?hl=en

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