Eternity’s End has released a lyric video for “The Abyss Watchers”, third single taken from the new album “Titanblood” to be released on November 6 by Scarlet Records.
Based on the characters of the similar name from the video game series “Dark Souls”, “The Abyss Watchers” is the most progressive song on “Titanblood”, showcasing the bands early Dream Theater and Symphony X influences. The song starts very mellow with a slower accoustic version of the chorus and then builds up into a progressive metal inferno with some heavy odd meter riffing and a very long solo section with blends of neoclassical metal and jazz/fusion.
video by Stefano Mastronicola
“Titanblood”
Fourth studio-album for the masterful German power metal band led by virtuoso guitarist Christian Muenzner (former Obscura, Paradox, Necrophagist);
first record featuring the new singer and frontman Mike Livas (Silent Winter, Bloodorn);
produced, mixed and mastered by Hannes Grossmann at Mordor Sound Studios;
“Titanblood” tracklist: 1 The Gods Of Bal Sagoth 2 Sword In The Storm 3 Titanblood 4 Interstellar Transmission 5 In The Wake Of The Carrion King 6 Eternal Winter 7 Gates Of Eternity 8 The Abyss Watchers 9 Ravenheart 10 Rule The Night
Total running time – 51:08
artwork by Dimitar Nikolov
“Titanblood” will captivate the listener through fast, aggressive and technical power metal songs with soaring lead vocals, big anthemic choruses, crazy solo duels and harmonies and riffs at times bordering on technical-thrash.
The new Eternity’s End album brings back some of the more progressive and symphonic elements found on the band’s first record and combining those with heavier influences.
While not being a proper concept album, every “Titanblood” song tells about dark fantasy stories inspired by writers like Robert E. Howard, Michael Moorcock and Edgar Allan Poe, and video games like “Dark Souls”.
Eternity’s End: Mike Livas – vocals Christian Muenzner – guitar Justin Hombach – guitar Jimmy Pitts – keyboards Linus Klausenitzer – bass Hannes Grossmann – drums
Who says death metal should deal exclusively with flames, blood and destruction, leaving no room for philosophical reflection? On their second album, Ego Divided draw openly on Nietzsche and Schopenhauer, embarking on a journey into the contradictions of the individual and society. “The Abyss” seeks to tear away the veil of illusion and confront the inner and collective abyss head-on. At its core lies the Veil of Maya, a philosophical concept describing the deception of the senses and the difficulty of accessing the true nature of reality. In Schopenhauer’s view, the world as we perceive it is a representation, and transcending appearances requires paths to liberation such as compassion, asceticism and art, with music holding a privileged place.
From inner awakening and everyday obsessions in “R.U.S.T.”, “Empty Ego” and “From the Abyss” to the accusations aimed at deception, paranoia and hatred in “Reflections”, “Coward’s Mask” and “Fury of Hatred”, the album gradually broadens its perspective. “Totally Blind” denounces the blindness fuelled by the media, “Infernal Blood Sucker” confronts the recurring cycle of violence, while “Lake of Blood” draws a connection between the historical tragedy of Geronimo and contemporary conflicts. Holding these themes together is a melodic death metal sound built on razor-sharp riffs, relentless rhythms and sweeping melodic passages.
“The Abyss” is the second studio album by the Italian band Ego Divided, further consolidating their melodic death metal identity. Recorded, mixed and mastered at Rock Zone Studio in Palermo, the album features nine tracks exploring the most contradictory corners of the human psyche, the distortions of society and the wounds left by history.
Ego Divided are a death metal band founded in Palermo in 2005 by guitarist Massimo Masi. Over the years, they have developed a sound that combines the speed and impact of death metal with the intricate structures of progressive music. The arrival of vocalist and lyricist Mauro Tagliavia in 2012 helped shape the project’s lyrical identity.
Following their self-titled debut in 2024 and several lineup changes, the band began working on their second album, “The Abyss”, preceded by the singles “Totally Blind”, “Reflections”, “Fury of Hatred” and “Empty Ego”. The record also marks the official arrival of guitarist Ermanno Siino and drummer Manfredi Mansueto, both formerly of State of Neptune.
The recording sessions capture the transition between different phases of the band’s lineup. Most of the guitar parts were recorded by Siino alongside Masi, while two tracks feature contributions from longtime guitarist Alberto Zimone. Mansueto recorded nearly all the drum parts, with three tracks instead performed by Phil Spinelli of Tol Morwen.
The current lineup consists of Mauro Tagliavia (vocals), Massimo Masi (guitar), Ermanno Siino (guitar), Alessio Lopes (bass) and Manfredi Mansueto (drums).
Following their previously released singles “Robots” and “March Or Die,” heavy metal powerhouse MYSTIC PROPHECY keeps the momentum going with the release of a brand-new music video for their latest single, “Angels Are Falling“.
Darker and more dramatic in tone, the track combines the band’s signature heavy/power metal sound with apocalyptic imagery of heaven and hell. Driven by massive guitars, powerful vocals and a soaring chorus, “Angels Are Falling” offers another taste of their highly anticipated new studio album, In Metal, set for release on November 27, 2026 via PERCEPTION – Powered by Reigning Phoenix Music.
The band comments:
“Angels Are Falling is with 240 bpm the fastest song Mystic have ever written and therefore also the fastest on the album.
The Church has been dealing for over a 1,000 years with how to keep its believers in check.The fear of hell is one of their main weapons they exercise on us humans. Evil outweighs the positive in our daily life and we have to struggle with it in our own way. In this, sometimes the dark and sometimes the light is what makes us what we are.”
With more than two decades of history behind it, MYSTIC PROPHECY has long established itself as one of the driving forces of the German and international heavy metal scene. Following the success of its acclaimed albums Metal Division and Hellriot, the quintet surrounding charismatic frontman R.D. Liapakis, also known for his work as a vocalist with Michael Schenker, now returns with renewed energy, a strengthened lineup and a record built to hit with maximum impact.
MYSTIC PROPHECY is entering its next era with three powerful new additions to the fold. Tommy Gun takes over bass duties, while guitarist Dan Baune, known from NWOBHM act Monument, and drummer Christophe de Combe of Belgian metallers FireForce complete the renewed lineup. Together, they inject even more power, precision and fire into the unmistakable MYSTIC PROPHECY sound.
In Metal was produced by Dan Baune and R.D. Liapakis, with mixing and mastering handled by Henrik Udd. The album stays true to everything that has made MYSTIC PROPHECY a force for more than 20 years while pushing its sound firmly forward. Fans can expect powerful, concise hooks with instant shout-along appeal, technically brilliant riffs and a hard-hitting, monstrous sound. A modern production gives the songs weight, depth and unstoppable headbanging force without sacrificing the band’s classic heavy metal spirit.
Whether on stage or on record, MYSTIC PROPHECY has always treated heavy metal as a passionate ultimate fight: no compromises, no holding back, just pure power. With In Metal, the band is ready to prove once again why it remains at the forefront of international heavy metal. In support of their upcoming album, MYSTIC PROPHECY will hit the road in late 2026, joined by special guests IRON SAVIOR and GENERATION STEEL. Find all dates listed below!
French metal opera act AVALAND is dropping their brand-new album “Chemical Poetry” via Storytium SAS on October 30, marking the latest chapter in their ongoing sonic saga. Ahead of the release, fans are already getting another sneak peek at the new album in the form of the lyric video single “To Fool A Witch,” which is out now.
“Too Fool a Witch” is highly cinematic and vividly evocative. While its foundations are firmly rooted in melodic power metal, listeners may hear echoes of Sonata Arctica’s storytelling approach blended with progressive influences ranging from Asia to Epica. One particularly distinctive guitar motif resembles the mocking laughter of a witch lurking in the shadows, while French choral passages add a dramatic, almost operatic dimension reminiscent of Bizet’s romantic heritage.
“This is one of my favorite choruses on the entire album. Rather than relying on an immediate hook, the vocal lines were designed around melody and emotional progression. The true leitmotif of the song emerges through the descending chromatic guitar riff, which constantly returns to haunt the listener throughout the track,” says singer Adrien.
Under the eyes of the God of Time (singer: Jeff Kanji), protagonist Aylan Wilstorm (singer: Adrien G. Gzagg) meets Loreleï, the powerful witch with whom he finds a lot in common. The God of Time foresees the potential disaster of a union between her witchcraft and the young reckless alchemist. Helle Bohdanova, who represents the Avalandian Death, also appears as a guest singer again in this eerily haunting track. “To Fool A Witch” represents a crucial turning point in Aylan’s psychological journey throughout the album. As doubt begins to cloud his mind, he finds himself torn between heart and reason, questioning his destiny and his own identity. This inner conflict lies at the very core of the song, creating one of the album’s most intimate internal struggles.
“We also spent a considerable amount of time refining the song structure. After many discussions within the band, we deliberately chose to place the guitar solo immediately after the first chorus, breaking away from the traditional verse-chorus-verse-chorus-solo-chorus format. That decision allowed the music itself to continue the storytelling and bring an additional layer of narrative to Aylan’s inner turmoil,” Adrien further explains.
AVALAND’s new record, “Chemical Poetry”, takes listeners on an immersive journey defined by a signature sound that seamlessly blends heavy, power, and symphonic metal with dramatic theatricality, enriched by orchestral arrangements, dark melodic motifs, electronic textures, swing and jazz accents, and a touch of death metal.
As with their previous albums, “The Legend Of The Storyteller” (2023) and “Theater Of Sorcery” (2021), AVALAND have invited several well-known musicians for guest appearances on “Chemical Poetry”, including Tom Englund (Evergrey), Helle Bohdanova (Ignea), Marcela Bovio (Stream Of Passion), Madie (Faith In Agony / ex-Nightmare), and Joost van den Broek (Epica, Powerwolf, Sabaton, Ayreon, Blind Guardian) who also produced the new album.
The cast of characters in the new chapter of AVALAND’s metal opera is as follows: Aylan Wilstorm – Adrian G. Gzagg God of Time – Jeff Kanji Leonid Arlbrok, The Butler – Tom Englund Loreleï Wizbell – Madie Death – Helle Bogdanova The Mystic – Marcela Bovio
“Chemical Poetry” Tracklist
1. When The Night Comes Alive (feat. Tom Englund) 2. Destiny Calls (feat. Madie) 3. Alchemy (feat. Madie) 4. Beauties and Beasts (feat. Madie & Tom Englund) 5. To Fool A Witch (feat. Helle Bohdanova) 6. Fate (feat. Madie) 7. Ascension 8. Sail On 9. Face The Eternal (feat. Helle Bohdanova & Joost van den Broek) 10. Trinity (feat. Marcela Bovio & Helle Bohdanova) 11. Fallen Leaves (feat. Tom Englund) 12. Faded Away
AVALAND will celebrate their new record with a release party, which will be a listening and signing session with a merch stand, on November 6th, at Dr. Feelgood Rocket, one of the most famous metal bars in Paris, France.
ABOUT AVALAND
Born in 2020 from the ambition to be more than a band, AVALAND was conceived as a fully immersive, theatrical live experience. Drawing inspiration from acts such as The Alan Parsons Project, Avantasia, Winger, and Savatage – and fueled by a deep love for 80s hard rock – AVALAND blend orchestral arrangements and metal opera storytelling with dynamic rock and power metal. Adrien G. Gzagg and Jeff Kanji lead the charge with twin male lead vocals forged from steel and fire, while Lucas Martinez shoots his barrage of blazing guitar riffs into the foundation of Camille Souffron’s ferocious bass lines and Léo Mouchonay’s war drums that command the thunder and drive the rhythm. On stage, the band features between two and five voices from within as well as by varying guests, transforming each performance into a truly magical journey.
Inspired by tabletop RPGs and brought to life through monthly lore chapters published on World Anvil, the band invites listeners to follow the ongoing saga of AVALAND that unfolds across albums, songs, and story fragments – where the music is only the beginning. The lore of AVALAND is available on World Anvil, with a new fragment being revealed every month. As an RPG storymaster or player, fans can draw from the Avaland lore and have the fitting soundtrack at the same time.
US rock outfit Mad Painter present the official music video for “Empty Bottles,” a track taken from their album “Island Poetry”, out via Epictronic.
Blending bright guitar arpeggios, vintage 1970s keyboard textures, and soaring power-pop energy, “Empty Bottles” showcases a more uplifting side of Mad Painter’s classic rock-inspired sound.
Built around a memorable melody and an anthemic chorus, “Empty Bottles” transforms themes of post-isolation fatigue into a hopeful call to keep moving forward. With the encouraging refrain, “Why don’t you try one more time / Everything will work out fine,” the song captures the feeling of overcoming difficult moments and finding strength through perseverance.
The new Mad Painter’s album “Island Poetry” is a focused, collaborative album shaped by the current band’s lineup. Inspired by the image of island dwellers gathered around a campfire under a full moon, the record explores the idea of creative freedom and escaping everyday pressures.
Rooted in 1970s British rock, the album blends Hammond-driven hard rock, boogie, progressive textures, theatrical arrangements, and heavy riffs across twelve tracks. Recorded at Lowell Street Sound by Tom Hamilton, who handled production and mixing, the album embraces a warm, natural analog-style sound. Featuring lyrics by Dmitry M. Epstein on six tracks and closing with a cover of Uriah Heep’s “Circle of Hands,” “Island Poetry” celebrates the spirit of classic rock while adding Mad Painter’s own identity.
Mad Painter is a Boston-area rock band devoted to the weight, color, and melodic ambition of classic 1970s rock. Led by vocalist, keyboardist, songwriter, and concept creator Alex Gitlin, the group builds its sound around roaring Hammond organ, hard-driving guitar, muscular rhythms, layered vocals, and warm analog-style production.
The band’s music draws heavily from the golden age of British hard rock, progressive rock, glam, boogie, and blues-based album rock, with Deep Purple and Uriah Heep as central reference points — particularly in the use of Hammond organ as a lead instrument rather than background texture. Elements of Rainbow, Queen, Status Quo, Wishbone Ash, Motörhead, Nektar, Moody Blues, Barclay James Harvest, AC/DC, Spooky Tooth, and Atomic Rooster also run through the band’s vocabulary.
The current recorded lineup features Alex Gitlin, drummer Al Hendry, bassist Kenne Highland, guitarist Al Naha, and backing vocalist Julie Gee, with Sharon Crumrine appearing as additional backing vocalist on “Island Poetry.” Together, they make vintage-minded but not nostalgic music: dramatic songs, heavy riffs, melodic hooks, and expansive arrangements, played with conviction.
UNESCO Artists for Peace spotlight the power of traditional culture and announce donation to support global heritage preservation
Paris, Monday 26th October 2026: Acclaimed Mongolian rock legends The HU took the stage at a UN event to celebrate the vital role of culture and artists in fostering global harmony, dialogue, and intercultural understanding.
The ‘Pump Up The Volume For Peace’ event highlighted UNESCO’s mission to safeguard living heritage and cultural diversity across the globe, while underscoring the band’s ongoing dedication to humanitarian values.
During the event at UNESCO’s Paris headquarters, the band performed songs from their recent album, HUN, and announced a donation to UNESCO supported by their global fanbase, reaffirming their shared mission to protect tangible and intangible cultural traditions for future generations.
Galaa, lead throat singer and Morin Khuur player for The HU, said: “We are very grateful to be donating back to UNESCO with the help of our fans and promoting peace in our messaging.”
“On this event, we hope to not only inspire people to keep their history alive by using their ancient instruments to create depth but also hope to promote peace across the world in this tumultuous time. Everyone’s voice matters and we want every one of you to use your unique voice to inspire others and promote peace.”
Founded in 2016 in Ulaanbaatar, The HU have earned worldwide acclaim for pioneering “Hunnu Rock”, a groundbreaking genre that fuses heavy metal and rock with traditional Mongolian instrumentation and vocal techniques. Their explosive performances showcase centuries-old traditions, including the Khöömei throat-singing technique, the tsuur flute, and the Morin Khuur (horsehead fiddle), all inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.
The band’s name derives from the Mongolian root word for “human being”, mirroring their deep-seated humanistic commitment. Through their lyrics and international platform, The HU actively champions vital social causes, including environmental protection, respect for diversity, gender equality, and cultural identity, while working to preserve endangered regional dialects at risk of disappearing.
In recognition of their international impact and cultural advocacy, The HU were designated as UNESCO Artists for Peace in November 2022. This prestigious title recognised their extraordinary contribution to promoting Mongolian cultural heritage on the world stage and advancing UNESCO’s core values of mutual understanding and dialogue. The band members also serve as Cultural Envoys of Mongolia and are recipients of the Order of Genghis Khan, Mongolia’s highest state honor.
Turning the page on what promises to be a bold creative chapter, Hunnu Rock pioneers THE HU — Galaa (morin khuur, throat singing), Jaya (tumur khuur, tsuur, throat singing), Enkush (morin khuur, throat singing), and Temka (tovshuur, throat singing) — released their third full-length album, HUN, on July 24 via BETTER NOISE MUSIC, which contains 11 songs that connect the world to Mongolian culture and its unique core values of natural preservation and spiritual connection with the earth.
The band is currently playing the final shows of their “Warrior Chant Tour,” which brought them across 22 cities in Europe and the United Kingdom, thrilling their crowds with breathtaking performances of new songs and well-known fan favorites.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
