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American Noise Rockers INTERCOURSE Unveil Cover of Hole’s ‘Violet’

Posted by tarjavirmakari on March 12, 2026
Posted in: Int. News, News. Tagged: INTERCOURSE. Leave a comment
Photo Credit: Sheri Furneaux

Connecticut-based noise rock henchmen INTERCOURSE present their official cover of ‘Violet’ by Hole. The new single follows the release of their scathing fourth LP, How I Fell In Love With The Void, last year, via Brutal Panda Records.

 ‘Violet’ was recorded during the How I Fell In Love With The Void sessions with Chris Teti (The World Is A Beautiful Place And I Am No Longer Afraid To Die).

Stream here: orcd.co/intercourse-violet

The news follows the announcement of INTERCOURSE‘s UK tour, where they’ll be supporting sludge legends Eyehategod alongside Rwake.

Dates:

7/11 MANCHESTER UK DAMNATION FESTIVAL
8/11 SOUTHAMPTON UK THE 1865
9/11 LONDON UK THE SCALA
11/11 BRISTOL UK STRANGE BREW
12/11 LEEDS UK BRUDENELL SOCIAL CLUB
13/11 NOTTINGHAM UK RESCUE ROOMS
14/11 NEWCASTLE UK DIGITAL

Order INTERCOURSE‘s last album here: https://www.brutalpandarecords.com/collections/intercourse

“I have no life. I don’t fucking do anything else. I don’t have any hobbies. I don’t play video games. I don’t do fantasy football. I’m just obsessed with making music and writing.” 

That’s INTERCOURSE vocalist Tarek Ahmed explaining how the acclaimed Connecticut noise rock band has averaged a release per year since forming in 2013. From their self-titled debut and 2018’s Everything’s Pornography When You’ve Got an Imagination to 2023’s Halo Castration Institute and last year’s Egyptian Democracy EP, INTERCOURSE have kicked against the pricks, power brokers and pissants who make America “great” while tempering their outlook with a self-deprecating look inward. 

INTERCOURSE’s How I Fell In Love With The Void delivers ten searing new tracks that merge elements of metallic hardcore into an antagonistic foundation of corrosive noise rock. The album was recorded by Chris Teti (The World Is A Beautiful Place And I Am No Longer Afraid To Die) at Silver Bullet Studios in Burlington, Connecticut. It was mastered by George Richter (Thy Will Be Done) and mixed by Chris Teti and Greg Thomas. The photograph on the album cover was shot by Sherilyn Furneaux (Portrayal Of Guilt) and features exotic dancer Clementine.Ahmed and his bandmates – guitarist Sean Prior, drummer Caleb Porter and bassist Pete Stroczkowski – spent more time and money on their fourth full-length than any of their previous releases. “Usually we record in a basement home studio, or they’re done super quickly,”Ahmed says. “This time, we figured it was a really good investment to book a full week of studio time and challenge ourselves to write better songs.” 

In fact, Ahmed ended up rewriting his lyrics three times. “I f*cking wrote my ass off, and then I do this thing about two months out where I’m like, ‘Everything I wrote sucks, so I’m going to rewrite all the lyrics.’ Then a month before recording, my wife and I decided to split, so I tried to punch up the lyrics and make them funnier by throwing some divorce stuff in there. But I think I made it more depressing.” 

Marital bliss aside, the lyrical themes on How I Fell in Love with the Void aren’t dissimilar from those on INTERCOURSE’s 2016 EP, Pissing Into the Abyss, which features a cover illustration of a woman f*cking a giant insect while an alien watches. “On the new record, there’s definitely a lot of talking about the void and that emptiness that a lot of us try to fill with food, booze or sex,”Ahmed explains. “Pissing Into the Abyss was about being so comfortable with the void that you’ll just piss there. Unfortunately, I’m super acquainted with it. But once you realize that nothing will ever fill the void, it will no longer rule over you.”

Ultimately, How I Fell in Love with the Void is about being on the outside looking in. “We’re music for weirdos and freaks,” Ahmed says. “I grew up as the only Egyptian kid in a little white town. I’m an outsider, and we make music for outsiders. Every time we play a faraway place that we haven’t been to before, there’s always one person there that has followed us for years and is there specifically for us. They are always the weirdest person in the room, and I love that. Those are my people.” 

INTERCOURSE formed in 2013 and have been annoying ever since. With the lofty (or pointless, depending on who you ask) goal of ditching the pretension of noise rock and fusing it with the immediacy of hardcore, they’ve managed a release a year since 2014. 2023’s Halo Castration Institute helped the band reach a new level of notoriety with positive reviews across the board. With the release of a last year’s EP Egyptian Democracy, and now How I Fell In Love With The Void the band is sure to become the high watermark for annoying adults who dress like they’re 17 and simply will not quit.

INTERCOURSE have played sold-out shows with the likes of Chat Pile, Deadguy, The Red Chord and The World is a Beautiful Place & I Am No Longer Afraid to Die. The quartet have been featured on notable websites Decibel, Lambgoat, New Noise Magazine and were recently featured on The Needle Drop’s top 15 EPs of 2024.

How I Fell In Love With The Void is out now.

INTERCOURSE are:
Tarek Ahmed – Vocals
Caleb Porter – Drums
Sean Prior – Guitar
Pete Stroczkowski – Bass

INTERCOURSE online:
https://linktr.ee/IntercourseCT 
https://www.instagram.com/intercoursenoise
https://www.facebook.com/outsiderxhardcore
https://x.com/intercoursect

MAX AVOIDANCE to Release New Single ‘Easy’ on 27th March

Posted by tarjavirmakari on March 12, 2026
Posted in: Int. News, News. Tagged: MAX AVOIDANCE. Leave a comment

MAX AVOIDANCE will release a new single ‘Easy‘ on 27th March.

Preorder here: https://artists.landr.com/991043107705

“Max Avoidance is my psychedelic, glitchy, dark yet hopeful electronic pop project.
‘Easy’ is my 4th release. It’s about being stuck in a place where you feel like everyone gets it – except you…”

“Just ‘cause it looks easy doesn’t mean it is”

Recorded and produced at home in Islington
Mixing and further production by Nick Brine (Oasis, Stone Roses, Stereophonics) at his studios in Spain and Wales

https://www.instagram.com/maxavoidance/
https://www.tiktok.com/@maxavoidance
https://on.soundcloud.com/09CwyMmnQ4MQtQNWys

LORD OF THE LOST Unveil New Single ‘My Funeral’ with Official Music Video

Posted by tarjavirmakari on March 12, 2026
Posted in: Int. News, News. Tagged: Lord Of The Lost. Leave a comment
[Photo Credit: VDPictures]

In just under a month, on 10 April 2026, OPVS NOIR Vol. 3, the final part of LORD OF THE LOST’s OPVS NOIR album trilogy, will be released. Today, the Hamburg-based band presents another preview in the form of their new single, “My Funeral,” which, as usual, cannot be pigeonholed into any genre and embodies the authenticity for which LORD OF THE LOST are appreciated by fans and beyond. The lyrics declare black to be the “happy colour” with a dose of irony and define pink as the new colour of mourning, which is visually underlined by the accompanying music video.
 
With nearly half a million listeners on Spotify, their appearance at the Eurovision final in 2023, followed by a number-one album and international tours with Iron Maiden, LORD OF THE LOST are proving themselves to be one of the most exciting and successful acts on the scene right now. OPVS NOIR Vol. 3 represents the creative peak of a band whose repertoire leaves no room for stagnation. The year started with shows in the USA, Canada, and Australia, and now continues with the upcoming headline tour across Europe. The tour kicks off on Thursday, 12 March, in Oslo, Norway.
 
Chris Harms on “My Funeral”:  
“The message of the song – that black is our ‘happy colour’ and that I want my funeral guests to adhere to the ‘dress code: pink’ – is actually no joke. It’s a shame that when I eventually kick the bucket, I’ll only be able to attend this pink funeral service lifelessly.”

LORD OF THE LOST bring their ambitious album trilogy to a brilliant finale with OPVS NOIR Vol. 3. A direct continuation of OPVS NOIR Vol. 1 and Vol. 2, which were both unveiled in 2025, it gloriously expands on the genre-defying band’s opus. The most out of the box of the three, the third and final part of their latest journey has the six-piece end this chapter of their career on a fulminant high note, intertwining heavy guitars and dark electronica with compassionate messages and cinematic orchestrals.
 
OPVS NOIR Vol. 3 continues to walk LORD OF THE LOST’s unpredictable journey without settling for the familiar. Rounding off an impressive trilogy, this record takes you by the hand and guides you along your darkest paths.

Get your copy of OPVS NOIR Vol. 3 NOW – first formats are already sold out!

Following the captivating BLOOD & GLITTER, which brought them to the grand final of the Eurovision Song Contest 2023 and a #1 chart entry in their native Germany to go along with it, LORD OF THE LOST once again demonstrate their unmatched diversity on OPVS NOIR Vol. 3. Initiated by beautiful cello melodies, “Kill The Lights” is an overture like no other, setting a dark mood, but also unafraid to switch it up to make room for catchy and reassuring “I’m A Diamond”. Stomping “I Hate People” invites horror punk icon WEDNESDAY 13 to an industrial duet about equality, after which gentle “The Shadows Within” hits twice as hard with its symphonic arrangement. Next, Chris Harms and parting KISSIN’ DYNAMITE frontman Hannes Braun deliver “La Vie Est Hell”, before going back to “Square One”. “When Did The Love Break?” is a heartfelt song of lost love – the addition of whimsical vocals by Ambre Vourvahis of XANDRIA drives the emotions of this universal topic right home. After “Your Love Is Colder Than Death”, LORD OF THE LOST team up with Damien Edwards of British glam rock band CATS IN SPACE for the captivating duet “Take Me Far Away”, before the album closes with a ballad, “The Days Of Our Lives” – the sweeping track simultaneously being the closest LORD OF THE LOST have ever been to a cinematic soundtrack. The happy ending is skipped, almost making it sound like a goodbye…

OPVS NOIR Vol. 3: the trilogy is finally concluded.

OPVS NOIR Vol. 3 tracklisting:

  1. Kill The Lights
  2. I’m A Diamond (feat. Saltatio Mortis)
  3. My Funeral
  4. I Hate People (feat. Wednesday 13)
  5. The Shadows Within
  6. La Vie Est Hell (feat. Kissin’ Dynamite)
  7. Square One
  8. When Did The Love Break? (feat. Xandria)
  9. Your Love Is Colder Than Death
  10. Take Me Far Away (feat. Cats In Space)
  11. The Days Of Our Lives

LORD OF THE LOST Live 2026
 
TOVR NOIR 2026
w/ AD INFINITUM [∞], DOGMA [†] & LEAGUE OF DISTORTION [x]
12.03.26 NO – Oslo / John Dee [∞]
13.03.26 SE – Gothenburg / Filmstudion [∞]
14.03.26 SE – Stockholm / Kollektivet Livet [∞]
16.03.26 FI – Tampere / Tavara-asema [∞]
17.03.26 FI – Helsinki / Tavastia [∞]
19.03.26 EE – Tallinn / Helitehas [∞]
20.03.26 LT – Vilnius / Loftas [∞]
21.03.26 PL – Warsaw / Klub Progresja [∞]
22.03.26 PL – Kraków / Klub Studio [∞]
24.03.26 AT – Vienna / Simm City [∞]
25.03.26 HU – Budapest / Barba Negra [∞]
27.03.26 GR – Athens / Gagarin 205 [∞]
28.03.26 BG – Sofia / Joy Station Club [∞]
29.03.26 RO – Bucharest / Quantic [∞]
09.04.26 NL – Amsterdam / Melkweg [†] [X]
10.04.26 FR – Paris / Elysee Montmartre [†] [X]
11.04.26 FR – La Roche-sur-Yon / Quai M [†] [X]
12.04.26 FR – Toulouse / Le Metronum [†] [X]
14.04.26 ES – Madrid / But [†] [X]
15.04.26 ES – Barcelona / Salamandra [†] [X]
17.04.26 FR – Lyon / La Rayonne [†] [X]
18.04.26 BE – Bomal-sur-Ourthe / Durbuy Rock [†] [X]
24.04.26 DE – Thallichtenberg / Hexentanz [†] [X]
25.04.26 CH – Pratteln / Z7 [†] [X]
26.04.26 IT – Milan / Alcatraz [†] [X]
06.05.26 CZ – Prague / Roxy [†] [X]
07.05.26 DE – Herford / KulturWerk [†] [X]
08.05.26 DE – Cologne / Carlswerk Victoria [†] [X]
09.05.26 DE – Stuttgart / LKA Longhorn [†] [X]
16.08.26 DE – Aschaffenburg / Colos Saal

Festivals 2026:
22.-23.05.26 DE – Eichstätt / Open Air am Berg
03.-04.07.26 DE – Mülheim an der Ruhr / Castle Rock
13.-16.08.26 FR – Carhaix-Plouguer / Motocultor Festival
21.08.26 DE – Oelde / Oelde Open Air
 
LORDFEST 2026:
w/ NACHTBLUT, NOTHGARD, WISBORG & VELVET RUSH
18.&19.12.26 DE – Hamburg / Große Freiheit 36

LORD OF THE LOST sind:
Chris Harms – Gesang, Gitarre
Pi Stoffers – Gitarre
Benjamin „Benji“ Mundigler – Gitarre, Synths
Klaas Helmecke – Bass
Gerrit Heinemann – Piano, Synths, Percussion
Niklas Kahl – Schlagzeug
 
LORD OF THE LOST online:
WEBSITE
FACEBOOK
INSTAGRAM
TIKTOK
LORDSHOP
NAPALM RECORDS

RESTLESS SPIRIT Present New Video Single ‘Red in Tooth and Claw’ from Forthcoming Self-Titled Album

Posted by tarjavirmakari on March 12, 2026
Posted in: Int. News, News. Tagged: RESTLESS SPIRIT. Leave a comment

RESTLESS SPIRIT deliver their raw and authentic brand of heaviness with the music video ‘Red in Tooth and Claw‘ as the next advance single from their forthcoming self-titled album. “Restless Spirit” is scheduled for release on May 8, 2026, via Magnetic Eye Records and is available for pre-order at THIS LOCATION

RESTLESS SPIRIT comment: “The track ‘Red in Tooth and Claw’ is one of the more straightforward songs that we’ve ever done“, vocalist and guitarist Paul Aloisio explains on behalf of the band. “We set out to create a solid rock tune with a heavy groove as the foundation and think that mission was accomplished. The lyrics of ‘Red in Tooth and Claw’ deal with the violence and cruelty that are seemingly inherent to the human condition, and simply ask what you choose to do about that fact. Ultimately, it’s is a choice that can only be made by the individual.”

Tracklist
1. The Burning Need
2. Hallowed
3. Red in Tooth and Claw
4. Desire Lines
5. Desolation’s Wake
6. Ember
7. Time and Distance
8. Phantom Pain

With their self-titled full-length, RESTLESS SPIRIT have reached a point in their career where the band of friends from Long Island, New York knows exactly who they are and where they stand. As the eight tracks on “Restless Spirit” are the most distilled version of what the trio is about, they saw no need for further explanation in the title.

So, what are RESTLESS SPIRIT about? Pure metal, no more, no less. Born from the steel mills of Birmingham this musical style has deep English working class roots that the East Coast outfit translates into an American sonic slang with elements from desert and stoner metal and even the occasional progressive flourish. As a result, they seamlessly merge classic heavy solos with roaring guitars and a pinch of psychedelic fuzz.

RESTLESS SPIRIT also share a down to earth outlook with the British pioneers that values honesty and a no-nonsense approach to songwriting and lyrics. “Restless Spirit” mainly deals with the idea of perseverance through hardship, of pushing through and starting over when everything seems bleak. This makes the album a companion piece to its predecessor “Afterimage”, which revolved around descending into and giving in to growing despair.

RESTLESS SPIRIT grew out of childhood friendship. Frontman Paul Aloisio and bass player Marc Morello first met back in the summer before Kindergarten and grew up discovering music together. Influenced by such greats as BLACK SABBATH, TYPE O NEGATIVE, and THE SWORD, RESTLESS SPIRIT officially started out in 2019 when their album debut “Lord of the New Depression” was released. At the time, their sound fit equally well into the stoner, doom, and sludge moulds. On the following “Blood of the Old Gods” (2021), the three-piece evolved stylistically into a more varied, melodic approach with added complexities.

With the stated mission of never wanting to sound exactly like before, RESTLESS SPIRIT resorted to shorter, sharpened shocks that hit straight home on their acclaimed third album, “Afterimage”, in 2024. This album was driven by tragedy and personal loss with singer and guitarist Paul Aloisio putting his heart and soul into it.

In hindsight, the massive punch to the gut delivered by “Afterimage” set the trio onto a course that led directly to “Restless Spirit”. Trimming away all sonic fat, focusing on the essentials, and refining their sound and songwriting down to its heaviest core has yielded a record that promises to be timeless.

RESTLESS SPIRIT are throwing out a rescue rope to all headbangers and particularly those dealing with all the cruelty that life can bring. “Restless Spirit” is a call to persevere in the face of others not understanding or even outright rejection. This album is about living on one’s own terms, which was and is the essence of metal.

Line-up
Paul Aloisio – guitar, vocals
Jon Gusman – drums
Marc Morello – bass

Recorded by John Forrestal at The Animal Farm, New Jersey (US)
Mixed by John Forrestal at The Animal Farm, New Jersey (US)
Mastering by Jon Markson at The Animal Farm, New Jersey (US)

Cover art & layout by Solomacello

http://www.facebook.com/restlessspiritny
http://www.instagram.com/restlessspirit_

TODD RUNDGREN’s Complete 2015 “Live At The Ridgefield” Set for First Ever CD/Vinyl Release

Posted by tarjavirmakari on March 12, 2026
Posted in: Int. News, News. Tagged: TODD RUNDGREN. Leave a comment

A decade on from its initial appearance back in 2016, one of the most in-demand of all Todd Rundgren live albums is being reissued – in complete form, for the first time – on vinyl and in a special 2 CD + DVD package on March 20.

Recorded live at the Ridgefield Playhouse in Ridgefield CT on December 15, 2015, this incredible concert experience includes some of Todd’s best known songs including “Hello It’s Me” and “Bang On The Drum,” plus fan favorites that haven’t been performed live in decades!

In addition, several songs here are new to the CD release – “Love Science,” “Soothe,” “God Said” and a dynamic soul medley were all omitted from the original issue.

It’s a sensational show, opening with a triumphal “I Saw The Light” and, to the surprise of many fans, all but ignoring his most recent album, Global, to deliver instead an oldies heavy show. But he does not seem to be doing it willingly – indeed, early in the show, Rundgren all but castigates his audiences for ignoring his last few decades of work, and clinging only to the old, old favorites.

Not that he made things easy for his band, either. Joining Rundgren on stage were John Ferenzik (keyboards, guitar), Jesse Gress (guitar and vocals), Prairie Prince (drums) and Kasim Sulton (bass and vocals), and rehearsals for this tour saw them expected to learn some 50 different songs, while Rundgren kept each evening’s set list to himself until right before the gig.  But the ploy worked. Two weeks into the tour, and the musicians sound as fresh tonight as they might have at the very beginning of the tour.

Live at the Ridgefield is the latest in Cleopatra records’ on-going series of 21st century Rundgren live recordings. Others that are now available include:

  • Todd’s eye-popping one man show, Solo In Clearwater, from 2003;
    https://cleorecs.com/products/todd-rundgren-solo-in-clearwater-clear-double-vinyl-lp
  • His 2009-2010 live recreations of the classic albums A Wizard, A True Star, Todd and Healing:
    https://cleorecs.com/products/todd-rundgren-a-wizard-a-true-star-live-dvdcd
    https://cleorecs.com/search?form_type=product&id=48649135980855&options%5Bprefix%5D=last&page=2&q=todd+rundgren
    https://cleorecs.com/products/todd-rundgren-healing-live-purple-marble-double-vinyl?_pos=66&_sid=37c47dd3d&_ss=r
  • From 2016, the intimate – yet thoroughly exhilarating – Live at the Saban Theatre in Los Angeles:
    https://cleorecs.com/search?q=todd+rundgren+saban+theatre
  • And, from 2018, Todd Rundgren’s Utopia – Live At Chicago Theatre captures the reunion show that was 32 years in the waiting:
    https://cleorecs.com/products/todd-rundgrens-utopia-live-at-chicago-theatre-limited-edition-green-double-vinyl

Live At The Ridgefield drops on March 20.

DISC 1
1. Intro / I Saw The Light
2. Love Of The Common Man
3. Open My Eyes
4. Sometimes I Don’t Know What To Feel
5. Black And White
6. Love Science
7. Buffalo Grass
8. Determination
9. Lost Horizon
10. Bang The Drum All Day
11. Soothe
12. Kiddie Boy

DISC 2
1. Black Maria
2. God Said
3. Drive
4. Soul Medley: I’m So Proud
5. Soul Medley: Ooh Baby Baby
6. Soul Medley: I Want You
7. Secret Society
8. Love In Action
9. Couldn’t I Just Tell You
10. Can We Still Be Friends
11. Hello It’s Me
12. One World

DISC 3: DVD
1. Intro / I Saw The Light
2. Love Of The Common Man
3. Open My Eyes
4. Remarks
5. Sometimes I Don’t Know What To Feel
6. Black And White
7. Love Science
8. Buffalo Grass
9. Determination
10. Lost Horizon
11. Bang The Drum All Day
12. Soothe
13. Kiddie Boy
14. Black Maria
15. God Said
16. Drive
17. Soul Medley: I’m So Proud
18. Soul Medley: Ooh Baby Baby
19. Soul Medley: I Want You
20. Secret Society
21. Love In Action
22. Couldn’t I Just Tell You
23. Can We Still Be Friends
24. Hello It’s Me
25. One World
26. Credits

HEGEROTH Release Third Single + Lyric Video ‘The Nails’ from Upcoming Album

Posted by tarjavirmakari on March 12, 2026
Posted in: Int. News, News. Tagged: HEGEROTH. Leave a comment

HEGEROTH is a band playing broadly understood black metal, open to influences outside the genre, diversity, a wide spectrum of means of expression, and unconventional solutions… all while maintaining energy, speed, and 100% metal in metal. Hegeroth was founded in 2010 in Upper Silesia (Poland). The band’s music has evolved from symphonic and melodic black metal in its early days, through complex, multi-layered melodic structures intertwined with disharmonies, to expressive, energetic pieces dominated by aggression, speed, and uncompromising expression. However, Hegeroth has never followed the well-trodden path of black metal, always seeking its own way and means of expression. The lyrics mock the mindlessness, dogmatism and meanness resulting from the imposition of a model of right-only thinking, religious oppression and mental backwardness.

The band has released five albums. Sixth is on the way…

Music for new album “Soaked in Rot” was recorded, mixed and mastered by Bene at HHSoundLab Studios. Cover artwork as well as whole layout was done by Maciej Kamuda (Blut aus Nord, Nunslaughter, Master). Upcoming record will be released on March 25, 2026 in digital format and jewelcase CD as independent release. Pre-order is available at Bandcamp.

Band comments new single “The Nails“: “If you’re not afraid of calculations exceeding 30, or you’re not familiar with the term Triclavianism, we warmly invite you to check out our latest single, The Nails“.

TRACKLIST:

01. You May Call Me a Witch
02. The Act of Lust          
03. Błogosławieni ślepi          
04. The Nails          
05. Hypocrisy Demands Blood          
06. Święte szlachtowanie          
07. The Degrees          
08. The Swing          
09. Gdybym istniał

More info: Facebook | Bandcamp | Instagram | Spotify

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