WORMWOOD, one of Sweden’s most distinctive and internationally acclaimed metal bands, proudly unveils the music video for “PURPOSELESS GEOMETRY,” the second track taken from the recently released EP ‘Å,’ out now via Black Lodge Records / Sound Pollution. The EP contains two long tracks in classic WORMWOOD fashion, while also introducing new elements that have found their way into the sound as WORMWOOD continues to evolve as a band.
“PURPOSELESS GEOMETRY” portrays Stockholm from the margins of society, a city of buildings, roads, bridges, and other infrastructure created to bring structure and direction to human existence. Yet as the sense of belonging fades, so too does the meaning of the surrounding world. What once symbolized function, progress, and purpose gradually dissolves into empty geometric forms within an environment where the individual has become alienated from both society and themselves.
In the video, the words take center stage, accompanied by slow, almost documentary-like footage captured throughout Stockholm and its outskirts.
The video features previously unreleased handheld footage from the filming of the “YRA | EXTAS” music video, starring actress Astrid Hallén, alongside aerial drone footage shot by Svartna Film. The video also includes a separate acting performance by Crister Claesson.
The result serves as a visual extension of the song’s central theme: humanity placed amid the monumental structures of the modern city, while their original purpose slowly erodes and disappears.
With four full-length albums, one EP, a live release, and now the forthcoming ‘Å,’ WORMWOOD have built a catalog that continually evolves while deepening the band’s artistic identity. Their work has received widespread recognition: two nominations for “Rock/Metal of the Year” at P3 Guld, strong placements on the official Swedish charts, and recurring international praise from metal media around the world. WORMWOOD have also appeared on several global “Album of the Year” lists – a testament to their growing influence.
WORMWOOD’s reputation, however, is not confined to the studio. The band has toured extensively across Europe, performed at major festivals, and completed their own headline tours. Their audience continues to grow steadily, particularly in Germany, France, the Netherlands, the United Kingdom, and the United States, where their cinematic music videos and strong digital presence further enhance their visual and musical identity.
Today, WORMWOOD stands as one of the most forward-thinking and compelling bands in Swedish metal. With ‘Å,’ they take another step in their artistic evolution – one that promises to captivate both loyal fans and new listeners around the world.
Since forming in Stockholm in 2014, WORMWOOD has developed a sound as unmistakable as it is atmospheric. With their characteristic fusion of extreme metal, Scandinavian melancholy, folk influences, and cinematic storytelling, the band has created a sonic landscape that both moves and mesmerizes. Their music effortlessly shifts between grand, epic scope and brutally grounded intensity – a balance few bands truly master.
WORMWOOD are: Nine – Vocals Tobias Rydsheim – Guitar, Keys, Vocals Jerry Engström – Guitar Oskar Tornborg – Bass, Vocals Simon Samuelsson – Drums
On their 5th full-length, THE LOVECRAFT SEXTET inject the feral obscurity of avant-primitivist Black Metal into cinematic Darkjazz, in a dramatic expansion of the project’s inimitable musical language.
Following-up 2022’s shadowed and contemplative DMP debut, “Miserere“, and 2023’s “The Horror Cosmic” (released via Denovali), Jason Köhnen (BONG-RA, THE KILIMANJARO DARKJAZZ ENSEMBLE, THE ANSWER LIES IN THE BLACK VOID, CELESTIAL SEASON) now presents “Penance (De lijken van de Gebroeders De Witt)” – a morbid and unsettling reflection upon a 1675 work by School of Amsterdam painter Jan Baen, which is used as the forthcoming album’s cover art.
THE LOVECRAFT SEXTET – “Penance” tracklist:
01. Si Quaeris 02. Symbolom Apostolorum 03. Anima Christi 04. Requiem Aeternam 05. Confiteor 06. Te Deum
In 1672, the De Witt brothers were beaten, mutilated and hanged before a crowd for alleged treason. It is said that the observers themselves committed acts of cannibalism with the brothers’ severed body parts. The event and subsequent painting by Jan Baen offers a reflection on incredible human barbarism that has always profoundly affected Köhnen.
Köhnen describes his first encounter with this unique work:
“I think I first bumped into it at art school back in the late 90s while covering the Golden Age of Dutch oil paintings. The brutality and the background of the story did haunt for me for a while. Not only is the painting by a fellow Dutchman, but the story also covers a barbaric execution of these two brothers. It is also the only recorded account of the public eating – yes, consuming – politicians. A warning for the future maybe… Love at first sight, or more like disgust and fascination at first sight.“
As an introduction, THE LOVECRAFT SEXTET present ‘Si Quaeris‘ as the first and only single from the forthcoming album.
Listen below to a potent fusion of nocturnal Chamber Opera, lo-fi Black Metal, Darkjazz and Electronic experimentation:
Köhnen had this to say re: the first single and album opener:
“This song has all the ingredients and atmosphere captured on the album, but it also offers an extension to the previous “Miserere” album. Maybe we can say that “Penance” dives more into melancholic despair than its predecessor…“
On this record, THE LOVECRAFT SEXTET are:
Jason Köhnen – guitar, upright, drums, organ, vocals, electronics & all compositions Colin Webster – saxophone Lilian Tong – soprano
“Penance” will be released on CD, vinyl and digital on October 16th. Pre-orders are possible via DMP’s EU and US shops, and the album will also be available to order on Bandcamp from Bandcamp Friday, September 4th.
THE LOVECRAFT SEXTET is one of the many projects from multi-instrumentalist Jason Köhnen. Renowned for his previous projects BONG-RA or THE KILIMANJARO DARKJAZZ ENSEMBLE and THE MOUNT FUJI DOOMJAZZ CORPORATION.
Köhnen coined the term “Darkjazz” back in 1999 when he composed a track entitled ‘Darkjazz‘ for his 2001 “Darkbreaks” EP. From that point embarking on a long musical journey into dark experimentations with the jazz sound palette in combination with a plethora of genres.
THE LOVECRAFT SEXTET was evoked after a void appeared with the ending of his other Darkjazz outlets, firstly TKDE and TMFDJC and then the short lived THE THING WITH FIVE EYES project which saw Köhnen‘s first flirtations with Arabic scales and instruments, progressively transforming into his MANSUR project together with ex-PHURPA member Dmitry El Demerdashi and avantgarde metal THY CATAFALQUE vocalist Martina Hórvath.
Köhnen‘s approach to his releases with THE LOVECRAFT SEXTET are to open the spectrum of Darkjazz in all its wonderful and mysterious facets. Seeing each release as a script and soundtrack to a different movie, setting a different pace and atmosphere and playing with unorthodox climaxes and atmospheres. The projects hosts a list of dedicated guest musicians, who all participate as the leading actors in these scripts, all playing a crucial role in the soundtracks of these non-existing movies.
THE LOVECRAFT SEXTET releases albums on Denovali Records and Debemur Morti Productions, in a way where the Dr Jekyll and Mr Hyde part of this project comes to its best and most creative fruition.
Apart from the conceptual audio releases, THE LOVECRAFT SEXTET also navigates through the multi-disciplinary arts. The “In Memoriam” release saw a first in a series of short stories and audiobooks combined with an album. Future releases will see more art disciplines combined as a release.
Celebrating the highly anticipated manifesto of metal Teutonic Titans 1976-2026 (out today, September 4, 2026, via Napalm Records!), heavy metal force ACCEPT unveil the final single with a new version of “Losers and Winners”! Originally appearing on Balls to the Wall (1983), the re-rendition of the track shines with guest vocals by Hansi Kürsch, guitar by Paul Gilbert, bass by Chuck Garric and Tommy Aldridge on drums. Marking ACCEPT‘s 50th anniversary, Teutonic Titans 1976-2026 contains 19 re-recorded songs from the band’s iconic catalogue, produced, mixed, and mastered by the legendary Zeuss, and features 50 A-list guest artists. The fourth single off of the album, “Losers and Winners,” serves as further impressive proof of ACCEPT staying relevant and powerful throughout their 50-year career.
Wolf Hoffmann about “Losers and Winners”: “We’ve known Hansi for a long time. Funnily enough, we’ve never really toured together or hardly ever played at festivals together, but we’ve known and respected each other for many years. They’ve been around forever. I thought Hansi would be a cool guy for that song, and lo and behold, he did a fantastic job. I really like how much effort people put into it. Nobody phoned it in and did a half-assed job. Everyone gave it all.”
German heavy metal legends ACCEPT celebrate 50 years of pure power, bringing together the scene’s A-list musicians for a landmark release. Teutonic Titans 1976-2026 stands as a definitive statement of the band’s legacy, forged in steel and driven by unmistakable riffs. Arriving September 4, 2026, via Napalm Records, the album delivers some of the most iconic songs ever written in heavy music.
Led by guitarist Wolf Hoffmann, the longtime architect of ACCEPT’s sound, the band is joined by a staggering 50 guests across 19 re-imagined versions of their biggest tracks. Teutonic Titans 1976-2026 is ACCEPT’s most ambitious and star-studded release to date, reaching far beyond the borders of their country of origin. Featuring the biggest names in heavy music paying tribute to the German icons, the record cements the band’s standing on the global stage. This is more than an album; it is a manifesto of metal! Pre-orders are now available in various exclusive formats.
Wolf Hoffmann about Teutonic Titans 1976-2026: “There is no better way to celebrate this 50-year anniversary than to have our musical peers, friends, and inspirations come together with us to record these classic ACCEPT songs, which I am honored and proud to share with the World. I hope everyone enjoys this very special record as much as we all enjoyed making it.”
Progressing through albums from their formative years, from I’m a Rebel(1980) to Eat the Heat(1989), ACCEPT present their songs with an all-new, all-star lineup, alongside the signature voice of Mark Tornillo and Wolf Hoffmann’s unmistakable riffs. By enlisting a Who’s Who of metal, no two songs on Teutonic Titans 1976-2026 are the same. Every track features a different combination of vocals, guitars, bass, and drums, giving each classic a fresh edge.
Tobias Forge delivers a commanding performance on “Save Us” (I’m a Rebel, 1980), joined by Ray Luzier on drums. Phil Anselmo, Kirk Hammett, and Mikkey Dee tear through the speed metal classic “Fast as a Shark” (Restless and Wild, 1982). “Balls to the Wall” surges with the powerful range of Metal God Rob Halford, alongside the guitar work of Matthias Jabs, while the reimagined “Love Child” is elevated by Billy Corgan and David Ellefson (both songs fromBalls to the Wall, 1983. Other guest stars on ACCEPT’s extraordinary release include Sebastian Bach, Joel Hoekstra, Shannon Larkin, Ralf Scheepers, Ken Mary, Andy Sneap, Glen Drover, Joe Lynn Turner, Tommy Aldridge, Chris Jericho, Shawn Drover, Mark Lopes and Joseph Michael. The album also features a re-recording of “Hellhammer” (Eat the Heat, 1989), performed by ACCEPT’s current lineup: Wolf Hoffmann, bassist Martin Motnik, guitarist Philip Shouse and drummer Christopher Williams, joined by Jason McMaster on vocals.
Teutonic Titans 1976-2026 track listing:
Fast as a Shark
Balls to the Wall
Aiming High
Run If You Can
Hellhammer
Metal Heart
Losers and Winners
Save Us
Up to the Limit
Wrong Is Right
Starlight
Fight It Back
Love Child
Breaker
Demon’s Night
T.V. War
London Leatherboys
Monsterman
Restless and Wild
ACCEPT Live 2026
Guests: DYNAZTY & TAILGUNNER 19.11.26 DE – Leipzig / Haus Auensee 20.11.26 DE – Lingen / Emsland Arena 21.11.26 DE – Oberhausen / Turbinenhalle 22.11.26 FR – Paris / L’Olympia 24.11.26 DE – Balingen / Volksbankmesse 25.11.26 FR – Lyon / Transbordeur 27.11.26 ES – Valencia / Auditorio 28.11.26 ES – Madrid / La Cubierta 29.11.26 FR – Toulouse / Le Bikini 01.12.26 CH – Zurich / Komplex 457 02.12.26 IT – Milano / Alcatraz 04.12.26 AT – Vienna / Gasometer 05.12.26 CZ – Zlin / Sports Hall Datart 06.12.26 HU – Budapest / Barba Negra 08.12.26 DE – Berlin / Uber Eats Music Hall 09.12.26 PL – Gliwice / Arena Gliwice 11.12.26 DE – Hamburg / Inselpark Arena 12.12.26 DE – Offenbach / Stadthalle 13.12.26 BE – Brussels / AB 15.12.26 DE – Herford / Kulturwerk 16.12.26 NL – Tilburg / O13 18.12.26 DE – Neu-Ulm / Ratiopharm Arena 19.12.26 DE – Geiselwind / Eventhall 20.12.26 DE – Munich / Zenith
ACCEPT are: Wolf Hoffmann – Guitar Mark Tornillo – Vocals Philip Shouse – Guitar Christopher Williams – Drums Martin Motnik – Bass
70000TONS OF METAL, The Original, The World’s Biggest Heavy Metal Cruise, just announced that Public Sales for the 2027 sailing will begin on Monday, September 07, 2026 at 12:00 PM EDT / 18:00 CET via 70000tons.com.
Join the United Nations of Heavy Metal at Sea and experience Heavy Metal in an entirely different setting. Feel the warm Caribbean breeze, sink into a rejuvenating hot tub, and take in the ocean horizon as Heavy Metal roars around you – with thousands of metalheads from around the world – coming together for an unforgettable adventure at Sea.
70000TONS OF METAL 2027 will sail from Miami, FL to Puerto Plata, Dominican Republic and back from January 14-18, 2027 aboard Royal Caribbean‘s luxury cruise ship Freedom of the Seas. The festival offers round-the-clock entertainment, from explosive performances on the Biggest Open Air Stage Structure to ever Sail the Open Seas, to artist-hosted activities and events, meet & greets with every band, and the opportunity for fans to mingle with their Heavy Metal Heroes in a unique environment.
With half of the line-up revealed, there’s still plenty of room for your picks: Which bands are you hoping to see return, and who would you like to see make their debut onboard 70000TONS OF METAL?
The currently-announced line-up for the 2027 sailing, featuring 30 of the 60 total bands who will take the stage, is:
ABIGAIL WILLIAMS ÆTHER REALM ARCH ENEMY AVALAND BATTLELORE BRAINSTORM BRYMIR DIE APOKALYPTISCHEN REITER ENFORCER EQUILIBRIUM EVERGREY EXMORTUS EXODUS FAMOUS STRANGERS HAMMERFALL MELECHESH MOONSPELL MORS PRINCIPIUM EST NAGLFAR OBSCURA ORIGIN PRIMAL FEAR RHAPSODY Final Shows SINISTER TALIA HOIT THULCANDRA ULI JON ROTH WARBRINGER WOLFHEART YE BANISHED PRIVATEERS …And 30 more!
Continuing the tradition of bringing fans one-of-a-kind events: Finnish “Winter Metal” band WOLFHEART will do a World Live Premiere of their upcoming album during the January 2027 cruise. Footage from this performance will be included in an upcoming music video.
“It is an absolute honor to step on the deck of the mighty 70000TONS OF METAL for the 3rd time, on one of the most majestic metal events in this universe,” said WOLFHEART’s Tuomas Saukkonen. “This time we are bringing something special with us: the world live premiere of our forthcoming album!!!”
Photo credit: Valtteri Hirvonen
Only 3000 tickets are available to metalheads from around the globe, continuing the festival’s legacy of cultivating a tight-knit, global metal community, the United Nations of Heavy Metal at Sea. Secure your spot onboard 70000TONS OF METAL 2027 at: 70000tons.com
Stay tuned for updates and announcements by checking out 70000tons.com and the @70000tons social media channels.
About 70000TONS OF METAL
70000TONS OF METAL is The Original, The World’s Biggest Heavy Metal Cruise
Featuring 60 Heavy Metal bands from around the globe performing across four stages, 70000TONS OF METAL is home to The World’s Biggest Open Air Stage Structure to Ever Sail the Open Seas. This extraordinary and unique floating festival now sails onboard one of the largest luxury passenger vessels in the world.
Guests can enjoy the Heavy Metal festival experience of a lifetime with all the benefits that a cruise has to offer: complimentary fine dining, bars that never close, 24-hour room service, as well as the ship’s many amenities.
All 60 bands onboard play twice – and there are four concert locations on board: a concert hall – the Royal Theater – stands tall with five levels. The Star Lounge offers a more personal and local club-like ambiance. Discover the arena-like vibes at Studio B, the third indoor stage available. Lastly, yet undoubtedly the most remarkable, is the Pool Deck Stage – The World’s Biggest Open Air Stage Structure to Ever Sail the Open Seas. This immense stage is accompanied by bars, pools, and even hot tubs that are integrated into the stage itself, allowing guests to indulge in the unique experience of watching their favorite metal bands while soaking in a hot tub.
This 4-day Heavy Metal Music Festival and Caribbean vacation offers 3000 metalheads the amazing opportunity to mingle side-by-side with all of the bands onboard. With no VIP areas it truly is like everyone has a backstage pass. Not only do guests have unrestricted festival access to 120+ live performances (each band performing twice), every ticket also includes meet & greets with each band, intimate masterclasses with select musicians, world live premieres, exclusive listening sessions of unreleased material and special artist events. Guests also have full access to the “Jamming in International Waters” All Star Jam – a one-of-a-kind concert featuring a host of musical virtuosos performing classic metal songs together on stage.
Sailors also have the special opportunity to explore a Caribbean dream destination with their favorite band members on an “Artist Escorted Shore Excursion”, another 70000TONS OF METAL exclusive.
For more details about 70000TONS OF METAL 2027, including FAQs, vessel amenities and contact information, please visit: 70000tons.com
Guests and fans are also invited to join the 70000TONS OF METAL community:
SHORES OF NULL, one of Europe’s most distinctive voices in melancholic extreme metal, have released “Two Mountains”, the latest single from their forthcoming album “Homesick”, due out on October 16th, 2026 via Dusktone.
Particularly immediate and melodic, the track stands among the record’s most instantly memorable moments, built around a strong melodic pull that makes it especially catchy without compromising the emotional depth at the core of the band’s music. “Two Mountains” showcases SHORES OF NULL‘s ability to sharpen their songwriting around memorable hooks while retaining the weight, melancholy and atmospheric richness that have become central to their identity.
Singer Davide Straccione comments:
‘”Two Mountains’ is probably the catchiest song we’ve ever written and it has all the ingredients to become one of our live staples in the years to come. At the same time, it feels deeply personal to me since its lyrics are inspired by the Legend of Maja, an ancient story from Abruzzo that has been passed down through generations and is still deeply rooted in the identity of the region where I was born and still live today. According to the legend, Maja, a nymph and mother of Hermes, who was born of her union with Zeus, fled across the sea carrying her wounded son in search of safety among the mountains. There, she desperately searched for medicinal herbs that could heal him, but the snow made that search impossible. Eventually, Hermes died, leaving his mother consumed by grief. Unable to bear the loss, Maja laid her son to rest upon the mountain and remained by his side until she too surrendered to sorrow. According to the legend, their bodies became part of the landscape itself: Hermes became the sleeping giant whose profile can still be seen today on the Gran Sasso massif, while Maja became the mountain that bears her name (Majella), her gaze forever resting upon her son. It’s ultimately a story about a mother’s love and the unbearable pain of loss, but also about memory, belonging and the invisible bond we carry with the places that shaped us. Having grown up with those mountains on the horizon my entire life, turning that story into music felt almost inevitable”.
Following the acclaimed “The Loss Of Beauty”, SHORES OF NULL continue to expand their emotional and sonic universe with a record that combines their trademark melancholy with a renewed sense of identity and purpose. “Homesick” represents the band at their most mature, featuring ten songs where every composition carries its own unique character, supported by refined arrangements, streamlined structures and a wealth of subtle details waiting to reveal themselves over repeated listens.
The album features the best production in the history of SHORES OF NULL, giving the band’s music an unprecedented level of depth and impact. The clarity and power of the sound enhance the contrast at the core of their style: music that can be deeply melancholic and decadent, yet capable of delivering moments of energy, intensity and emotional elevation. “Homesick” is a testament to a band that has fully consolidated its position within the melodic death doom scene while continuing to evolve.
Frontman Davide Straccione comments: “Those who have followed Shores Of Null from the very beginning know that our influences touch many genres, but I think those who loved ‘The Loss Of Beauty’ won’t be disappointed. I think ‘Homesick’ brings something fresh to the band, without compromising our sound. So I truly hope it will be well received by those who already love Shores Of Null and by potentially new fans.”
Conceived as a complete listening experience rather than a simple collection of individual songs, “Homesick” moves through a wide range of emotional states: longing, loss, anger, vulnerability and the search for a place to belong. Each track offers its own identity and emotional weight, but the full picture only emerges when the album is experienced from beginning to end.
“I think ‘Homesick’ is meant to be experienced as a whole rather than as a collection of separate songs. It is a record that moves through different emotional states and explores feelings that are deeply personal but also universal,” explains Straccione. “We wanted it to feel immersive, with songs that can hit hard in the moment but also reveal more of themselves over repeated listens.”
The album’s lyrical themes revolve around nostalgia, absence and the many meanings attached to the concept of “home”. For Straccione, home is not simply a physical place, but something far more complex: a memory, a person, a wound, or even a version of ourselves that no longer exists.
“I’m fascinated by themes such as nostalgia, loss, belonging, and the ways in which the past continues to shape who we are. Sometimes inspiration simply comes from observing the world around me. Other times it starts with a question I can’t answer, and writing becomes a way to explore it. With ‘Homesick’, I found myself reflecting on the idea of ‘home’ as something much deeper than a place. Many of the lyrics revolve around that tension between longing and pain, between the desire to return and the fear of what might still be waiting for us there.”
The ten songs featured on “Homesick” were selected from a wider pool of ideas developed during the writing process. SHORES OF NULL allowed the material to evolve naturally, reshaping and reworking songs whenever necessary in order to create the strongest and most cohesive album possible. Producer Marco “Cinghio” Mastrobuono played a crucial role in pushing the band’s vision further, guiding the pre-production process and helping refine every detail.
“For both this album and our previous split, ‘Latitudes Of Sorrow’, we made a conscious decision to devote more time to pre-production with Marco ‘Cinghio’ Mastrobuono. Having someone involved who knows our sound so deeply gave us a valuable outside perspective and led to ideas, details and solutions we might not have reached on our own.”
Recorded at Bloom Recording Studios after an extensive pre-production phase, “Homesick” also features two special guest appearances: Natalie Koskinen of Shape Of Despair on “The Numbing Void”, and Shaun MacGowan of My Dying Bride, whose violin can be heard on “Dreaming Of A Scar” and “The Numbing Void”.
The vinyl edition will include a short intro created specifically for the format, designed to enhance the Side A / Side B listening experience without altering the essence of the album.
With “Homesick”, SHORES OF NULL deliver one of the strongest statements of their career: a deeply emotional, carefully crafted and immersive record that confirms their place among the leading forces of melodic death doom.
For fans of: Paradise Lost, Amorphis, Swallow The Sun, Katatonia, Borknagar
Tracklist:
01. Allies Before Defeat 02. Two Mountains 03. Bleed to Life 04. Homesick 05. Son of the Tide 06. Dreaming of a Scar 07. Society Is the Murderer 08. The Numbing Void 09. Another Breath 10. Disappear
Upcoming SHORES OF NULL live shows:
06/09/2026 @ Eur Social Park, Roma (IT) w/ Soen, Inno 19/09/2026 @ Morada, Rio de Moinhos (PO) – X River Stone w/Der Weg Einer Freiheit, Wolfheart, Sunborn
15/10/2026 @ Joy Station, Sofia (BU) w/Swallow The Sun 16/10/2026 @ Temple, Athens (GR) 21/10/2026 @ Quantic, Bucharest (RO) w/Swallow The Sun
21/11/2026 @ Live Club, Trezzo Sull’Adda, MI (IT) w/Messa 26/11/2026 @ Pitcher, Dusseldorf (DE) w/Decembre Noir 27/11/2026 @ Elfer, Frankfurt (DE) w/Decembre Noir 28/11/2026 @ From Hell, Erfurt (DE) – Birth Of Death Festival w/Decembre Noir
05/12/2026 @ The Garage, Malta – The Conjuring Fest w/Weeping Silence, Ponte Del Diavolo
25/03/2027 @ Rockefeller/John Dee, Oslo (NO) – Inferno Metal Fest w/Kampfar, MGLA and more
MY DYING BRIDE‘s full performance at Hellfest 19 June 2026 is now available online.
The show that almost never was.
After arriving with no gear, no clothes, MY DYING BRIDE had to borrow new guitars, bass & drums which were sourced last minute. Zero hours of sleep, a lot backstage tension & pressure. A tense show which fits the drama & dark ambience. Powerful and defiant.
MY DYING BRIDE would like to publicly thank Guillaume @ ESP, for lending new guitars and bass, to Lorène from Garmonbozia & the Hellfest team for providing much needed assistance.
Mikko Kotamäki comments “Parhaamme yritimme, mutta se ei riittänyt” We tried our best but it wasn’t enough.
In other news, MY DYING BRIDE are currently working on new music for a planned 2027 release.
MY DYING BRIDE live:
17 NOV — Guadalajara, MX — C3 Stage 18 NOV — CDMX, MX — Circo Volador 20 NOV — Quito, EC — Auditorio Cámara de Comercio 22 NOV — Lima, PE — Yield Rock 23 NOV — Santiago, CL — Teatro Cariola 25 NOV — Buenos Aires, AR — El Teatrito 27 NOV — Montevideo, UY — Live Era 28 NOV — Limeira, BR — Mirage Eventos 29 NOV — São Paulo, BR — Fabrique Club
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Metal Shock Finland (World Assault ) 