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LENG TCH’E Release First New Single & Video in Nearly a Decade with ‘Hammer Into Collapse’

Posted by tarjavirmakari on September 26, 2026
Posted in: Int. News, News. Tagged: LENG TCH'E. Leave a comment
Photo by © Serch Carriere

Belgian razorgrind band Leng Tch’e are releasing their first single in nearly a decade. “Hammered into Collapse” sets the tone for their upcoming two-song EP, which includes another new song in “Voided”.

The two-song EP Hammered into Collapse comes out on all digital platforms October 23, 2026 via Season of Mist.

Pre-save: https://orcd.co/lengtchehic

Two decades in, Leng Tch’e still sound like a band settling a score with time itself. “Hammered into Collapse” is built around the image of a parasite that has fed on its host for 20 years without ever being sated, a slow reckoning with wasted time that tightens into a repeated, mechanical refrain: mind turning black, cerebral and neural hijack.

“Hammered into Collapse” was recorded at Hearse Studio with engineer Lander Cluyse, mixed by Taylor Young at The Pit Recording Studio and mastered by Brad Boatright at Audiosiege. Known for working with God’s Hate, Full and Hell and Vitriol, Young helps situate Leng Tche’s new single within a current, heavier-leaning corner of the grind and death metal landscape.

Tracklist:

  1. Hammered Into Collapse (02:11)
  2. Voided (02:44)
    Full runtime: 04:55

Hammered into Collapse arrives as proof of life. The EP, led by its title track released September 24 ahead of the full two-song set on October 23, marks LENG TCH’E’s first new material since 2017’s Razorgrind, closing a gap of nearly a decade for the Belgian grindcore unit. Mixed by Taylor Young, whose recent credits include God’s Hate, Full of Hell and Vitriol, and mastered by Brad Boatright at Audiosiege, the record plants the band inside a contemporary, physically punishing strain of US extreme metal rather than simply picking up where they left off. Two tracks, under seven minutes combined, no ceremony: a band closing distance on its own catalogue after a long and, at times, uncertain silence.

The band’s roots go back to early 2001, when drummer Sven De Caluwé, later of Aborted, founded the project in Ghent alongside guitarist Glen Herman, vocalist Isaac Roelens and bassist Kevin Loosveld, initially under the name Anal Torture. The rechristening took its cue from the historical Chinese execution method of the same name, death by a thousand cuts, a fittingly literal image for a band built on attrition and incremental brutality rather than spectacle. Grindcore was the chassis, but hardcore, death metal and looser, stoner-adjacent detours were folded in almost immediately, and the resulting hybrid earned a name of its own: razorgrind.

That name stuck fast, though the lineup did not. Death by a Thousand Cuts, released in 2002 on the Italian label Spew barely a year after the band’s formation, established the template and generated enough underground noise that Willowtip picked up ManMadePredator for US release the following year. Personnel shuffled constantly through this period, guitarists and vocalists rotating in and out, but the songwriting held its shape, and by 2005 Leng Tch’e had signed to Relapse Records for The Process of Elimination, the album that took them past cult-underground status. Hooked riffing married to some of the fastest material the band had written yet caught the attention of the wider grind and death metal circuit, earning festival slots at Furyfest, Graspop, Summer Breeze and Maryland Deathfest alongside international touring runs.

Marasmus followed in 2007, thickening the death metal end of the band’s sound. That same year brought the rupture that would define the band’s next phase: De Caluwé’s departure left the lineup without a single founding member. Rather than folding, the reconstituted band pushed forward. Hypomanic (2010) continued the work of widening the band’s musical vocabulary and kept them on the road, with stops at Hellfest, Neurotic Deathfest, Motocultor and Metalfest, but seven years then passed before Razorgrind materialized in 2017. Named for the style the band had spent over a decade refining, it was received in grind circles as a genuine return to form, arguably the strongest record the band had made since losing its original architect, and confirmation that the post-2007 lineup had fully made the sound its own.

What came after was quiet, though not empty. The band never stopped playing live, a 2026 appearance at Gullegem Metal Fest confirmed as much, but no new recorded material surfaced for nearly nine years, an absence long even by a band whose entire career has been built on patience and gaps. The lineup that emerges on the other side of that silence is Serge Kasongo on vocals, Jan Hallaert on guitar, Olivier Coppens on drums and Nicolas Malfeyt on bass and backing vocals, a unit that has now spent longer together than any prior configuration of the band.

Hammered into Collapse was recorded at Hearse Studio with engineer Lander Cluyse, built around a single escalating idea: two decades of denial giving way, all at once, to what the lyrics call cerebral hijack. Serge Kasongo’s words track a narrator who spent a lifetime avoiding a reckoning only to find it arrives anyway, swallowing and digesting the wasted time in real time. “Voided” takes the same collapse and pushes it outward, past the individual and into something closer to apocalypse, spiralling from mental unravelling to total blackout, into the void. Where the title track stays claustrophobic and internal, “Voided” opens up until the personal and the cosmic blur together.

LENG TCH’E HAVE EARNED THEIR SILENCES.

Nine years on from Razorgrind, the wait is over and the collapse has arrived.

Turn it up.

Line-up:
Serge Kasongo — Vocals
Jan Hallaert — Guitar
Olivier Coppens — Drums
Nicolas Malfeyt — Bass, Backing Vocals

Follow Leng Tch’e:
Website: https://lengtche.net/
Facebook: https://www.facebook.com/Lengtche/
Instagram: https://www.instagram.com/lengtche.official/
X/Twitter: https://x.com/lengtche
Bandcamp: https://bandcamp.com/lengtche
Bandsintown: https://www.bandsintown.com/a/54705-leng-tch’e
Spotify: https://open.spotify.com/artist/7EB2IrfvbTwc4MBfSY1Sny
Apple Music: https://music.apple.com/artist/leng-tche/73629702
Deezer: https://www.deezer.com/artist/5605
Tidal: https://tidal.com/artist/3889603

LEE RITENOUR Reveals Live Version of ‘Cravo E Canela’ (Live at Ronnie Scott’s)

Posted by tarjavirmakari on September 26, 2026
Posted in: Int. News, News. Tagged: Lee Ritenour. Leave a comment
Photo credit: Kevin Nixon

Lee Ritenour has revealed the latest track, ‘Cravo E Canela,’ taken from his forthcoming album, Live At Ronnie Scotts, which will be released on 23 October via The Players Club / Artone Music Group, and will be available on LP, CD and digitally.
 
Talking about the song he says, ““That’s a fantastic Milton Nascimento tune that’s been around for quite a few years. We did it on the Brasil album with David Grusin, and we’ve been doing it live for some time with this particular band, with Munir on bass/vocals and Tatiana on vocals. And y’know, Wes is half-Brazilian, so he’s got that feel on the drums, and then Giorgi on piano. And then, of course, it has my guitar chops on it. Even though we recorded it just a couple of years ago for the Brasil album, it felt like it definitely had a place on this record.”

LISTEN | WATCH

When Ritenour takes the stage, all bets are off. For almost 60 years, the Grammy-winning LA guitarist has chased his muse through a kaleidoscope of genres, conjured alchemy alongside the scene’s greatest players, shed his creative skin whenever it got too comfortable, and walked the high wire each night as the crowd held its breath.
 
So when it came to catching the sparks on his latest live album, the 74-year-old naturally turned to the fabled London club that shares his rebel ethos. He has already released ‘Is It You’ from the record. “This one has definitely evolved. There’s some videos out there of people recreating the ’80s version, and they do it very well. But I’ve taken a different approach with the tune, because it was such a big hit, but it was never an easy tune to play live – it was always challenging for everybody. So when you hear this version from this band, it completely has its own flavour. The reason being that the two singers on it are both Brazilians, Munir Hossn, the bass player, and Tatiana Parra, the female singer.”
 
Performing a total of eight shows at the iconic Soho club in March 2026 – with a fresh setlist each time – was the only way this prolific artist could hope to represent every side of his career. Across his 50-strong back catalogue, Ritenour has shapeshifted from ’70s fusion hotshot to ’80s chart-crossover star, from the honorary ambassador for Brazilian jazz to one quarter of ’90s supergroup Fourplay – and beyond.
​
Every song feels fresh and alive, thanks to the bandleader’s bold arrangements and the rip-it-up energy of a young band featuring Giorgi Mikadze (keys), Munir Hossn (vocals/bass), Grégoire Maret (harmonica), Tatiana Parra (vocals) and Ritenour’s son, Wes, driving the shows from his drum stool.

“I’ve had the chance to play every kind of music with every kind of artist,” reflects Ritenour, “and that’s the way Ronnie Scott’s Jazz Club is set up too. Obviously, since 1959, it’s seen the history of jazz, from Wes Montgomery, Miles Davis and Nina Simone, to Jeff Beck and Jamie Cullum. But also rock, soul, blues, you name it – it’s all been through there.”
 
“I have a history at Ronnie’s, going back to the ’70s. It’s such an iconic room, and the audience is so sophisticated. If you don’t deliver, it’s probably not good. But this band has been playing together consistently for the last few years, so we came into Ronnie’s already very glued, and the audience felt it from the very first song.”

Track Listing:
1. Cravo E Canela
2. L.A. By Bike
3. For the Palms
4. Captain Fingers
5. A Little Bumpin’
6. Meu Samba Torto
7. Lay It Down
8. Is It You?
9. Waltz for Carmen
10. Stone Flower
11. Pearl
12. The Village

Lee Ritenour Online
Website | Facebook | Instagram | Spotify

Reliving the Height of the New Wave Of British Heavy Metal, TANK’s Classic ‘The Man Who Never Was’ Gets Its Moment in the Sun

Posted by tarjavirmakari on September 26, 2026
Posted in: Int. News, News. Tagged: Tank. Leave a comment

As the 1970s faded from view and the world of post-punk rock n’roll waited to see what could possibly happen next, the London club scene was already percolating one of the most unexpected hybrids of all.

​Running steadfastly against the prevalent fashions, bands like Girlschool, Iron Maiden and Def Leppard emerged with all the energy and attitude of punk, but transplanted into the realm of classic heavy metal – a new wave indeed that was destined to sweep all before it.

​Of all the bands that arose, Tank were quite possibly the heaviest of them all, at the same time as they were the punkiest, too – founder member Algy Ward, after all, arrived fresh from the dynamism of The Saints and The Damned; bandmates Peter and Mark Brabbs were unknown beyond their home town of Croydon, but were the perfect foil for Ward’s wild intentions all the same.

​Three albums spun out before the original line-up shattered, with the third, 1983’s This Means War, also introducing a fourth member, guitarist Mick Tucker, and a brutal two guitar frontline that sent Tank’s already formidable firepower into the stratosphere.

​The only downside was, one of the new line-up’s most coruscating songs, “The Man That Never Was” didn’t even make the album. Instead (at least for now), it was tucked away as the b-side of the single “Echoes of a Distant Battle.”  Yes, a whole new line-up of the band would return to it on their next album, while it has also been restored to something approaching its rightful place among the CD bonus tracks on Cleopatra’s forthcoming reissue of This Means War (these also include the song’s demo). 

​At the time, though, it was all but lost.

​Today, however, it steps fully into the spotlight as Tank’s latest single, its raw guitar and metronomic beat a showcase not only for the two axemen, but for Algy, too – his opening scream alone blasts the song into a whole new dimension!

​Drummer Mark Brabbs recalls, “The title for ‘The Man Who Never Was’ came from a late 50’s war thriller film of the same name, except Algy sings ‘The man THAT never was’ instead of ‘…WHO never was’! 

​“Algy’s pre-production lyrics followed the film’s storyline, but he rerecorded the vocals on his own in the studio, and he changed quite a few of the lyrics! So whilst the title remained the same it’s doubtful, in my mind, that the lyrics still follow the film’s concept!”

SINGLE: https://orcd.co/tank_themanwhoneverwas

Cleopatra are almost halfway through the long-awaited reissue of seven primal Tank albums, with the classic Filth Hounds of Hades and Power Of The Hunter already in the stores, and This Means War just weeks away from its October 23 release date.

​Like its predecessors, the CD and vinyl releases are packed with rare photos, and detailed liner notes, while drummer Mark Brabb recalls, “We went a bit more metal than we ever had done in the past, but it was a natural progression.”  

​Recording in what amounted to a well-soundproofed tent on a north London industrial estate, the album was overseen by ex-Argent bassist John Verity, fresh from producing Saxon’s first album. ““I liked John’s approach,” continues Mark.   “We needed someone who could bring out the sound that we wanted… and I really liked what John did. It was refreshing for us, it was new, it was kind of ‘wow, we sound quite mainstream now,’ which was something we’d never really thought about in the past.”

​Mick Tucker adds, ““Algy wanted it to sound like Rainbow Rising.  That was the thing, and that’s what we tried to do.”

​They succeeded, too. But they also achieved something else, a dynamic album that today stands proud among the last truly classic LPs of the entire NWOBHM era.  And “The Man Who Never Was”… well, it was one of the movement’s last truly classic b-sides.

CD/VINYL: https://cleorecs.com/search?q=tank+this+means+war
DIGITAL: https://orcd.co/tank_thismeanswar

Track listing

1. Just Like Something From Hell
2. Hot Lead Cold Steel
3. This Means War
4. Laughing In The Face Of Death
5. If We Go (We Go Down Fighting)
6. I (Won’t Ever Let You Down)
7. Echoes Of A Distant Battle
8. Swapiyayo (hidden track original LP versions)
9. The Man Who Never Was – 12″ EP B-side
10. Whichcatchewedmycuckoo – 12″ EP B-side
11. The Man Who Never Was – Demo

Legendary LA Rockers ANGELES Release New Music Video for Standalone Single ‘Wisdom’

Posted by tarjavirmakari on September 26, 2026
Posted in: Int. News, News. Tagged: ANGELES. Leave a comment

Legendary LA Rockers ANGELES have released their new 14+ minutes long standalone single ‘Wisdom’ with official video, via DARK STAR / SONY/ UNIVERSAL RECORDS!

The lyrics and music are written by Dale George Lytle.

ANGELES Frontman Dale George Lytle shared:
“Wisdom is our new standalone single, inspired by the early days of Black Sabbath. I just wanted to play guitar to express myself and write magical lyrics! We hope you enjoy it as much as we do!”

Watch the video here:

Earlier this summer ANGELES released their single and music video ‘Diamonds and Gold’, via Dark Star Records/Sony Music, receiving great response from global media. In case you missed, watch the video here: https://www.youtube.com/watch?v=7pQUerrbL5s. Music + Lyrics by Dale George Lytle

ANGELES – 2026 Line-up:
Dale George Lytle – Vocals and Guitar
Danny Basulto – Drums
Brian Letourneau – Bass

Also check out ANGELES’ previous stand-alone singles:
‘Get It Done’ – https://youtu.be/QKYoJA3c4Go?si=1G1SSyw-y1ftttFY
‘In The Morning’ – https://open.spotify.com/track/4ZHUxHPbkPyWuSa4nTUq56
‘You Want Me To Love You’ – https://www.youtube.com/watch?v=uMkHXe_FEOA
‘You Want Me To Love You’ – https://open.spotify.com/album/0OkhJ3T2SA6DBMM44JFn8g
‘Evil And Good’ – https://www.youtube.com/watch?v=P8QNKLNw6w8
‘Evil And Good’ – https://open.spotify.com/album/45T8I2POeo4DHyuyg0yUfk
‘Raising Hell On The Sunset Strip’ – https://open.spotify.com/album/5Yfz3Q2qoktl1Z9jkCMnPp
‘Raising Hell On The Sunset Strip’ lyric video – https://www.youtube.com/watch?v=9VcFGCiIXMQ
‘Crimes of Insanity’ – https://open.spotify.com/track/1BBgD3v8IVfrTHUB0u0U8l
‘Crimes of Insanity’ video – https://youtu.be/pN1ecGZkW7o?si=Dw1WLQGIYwvkra94
‘Just Do It’ – https://www.youtube.com/watch?v=iUTseL2AZ2w
‘Just Do It’ – https://open.spotify.com/album/5Ij8tw8qQjSHJBTNQLX0is

ANGELES released their latest full-length album “Running like an Outlaw“ on March 5th 2022, via MVD Entertainment and SONY Music and is available at Walmart, FYE, Amazon, Barnes & Noble and all Digital Streaming retailers.

More information
https://www.angelesband.com/
www.facebook.com/TheAngelesBand

MOTÖRHEAD Announce 40th Anniversary Edition of “Orgasmatron” + Release Lyric Video for Title Track

Posted by tarjavirmakari on September 26, 2026
Posted in: Int. News, News. Tagged: MOTÖRHEAD. Leave a comment
Photo by Tony Mottram

MOTORHEAD PROUDLY ANNOUNCE THE 40th ANNIVERSARY EDITION OF ‘ORGASMATRON’ CELEBRATING 40 YEARS 
OF A MOTÖRHEAD CLASSIC

FEATURING A BRAND-NEW REMIX OF THE LANDMARK 1986 ALBUM FROM LONGTIME COLLABORATOR CAMERON WEBB ALONGSIDE THE REMASTERED ORIGINAL RECORDING FROM BILL LASWELL

WATCH A NEW VIDEO FOR THE SONG “ORGASMATRON”
HERE PLUS PREORDERS HERE

Released in 1986, Orgasmatron featured the line-up of Lemmy, Phil Campbell, Würzel and Pete Gill. It marked a new chapter for the band, pushing further into heavier territory while retaining the speed, aggression and raw energy that had defined Motörhead from the beginning.


The album’s production was the subject of much discussion among the band and their fans, but beneath it was a formidable collection of songs. “Orgasmatron”, “Deaf Forever” and “Built For Speed” became key parts of the Motörhead live repertoire, while the album’s combination of hard rock, heavy metal and punk influences gave it a character all of its own. Four decades on, Orgasmatron has taken its place as one of the most distinctive and respected records in the Motörhead catalogue.


Now, 40 years after its original release, Orgasmatron is revisited in a new anniversary edition that explores both the album itself and the story behind its creation. The original studio recordings have been remastered for the anniversary and cut at half speed from the original tapes, while longtime Motörhead collaborator Cameron Webb has created a brand-new remix and remaster from the original stems.


The Motörhead team explain: “‘Orgasmatron’ is a special album. Part of that is down to the stylized production of Bill Laswell, who approached the work from a unique perspective. Bill’s work stands in its own right as something special in the Motörhead library, and Orgasmatron stands as one hell of an album. However, there was some controversy in the sense that both Lemmy and Phil Campbell felt that some of the power, bite and energy had been lost in Laswell’s final delivery.”

“As old-school Motörhead fans, we found ourselves sitting around the coffee table one night several months ago, drinks in hand, pondering what ‘Orgasmatron’ would sound like if it were to be remixed by Motörhead’s longtime producer, Cameron Webb. Cameron helmed six studio albums, and it’s fair to say he had the trust, love — and grumbles too! — of Lem, Phil and Mikkey. Would it be ‘right’ to ask him if he wanted a crack at remixing ‘Orgasmatron’? Would it be disrespecting the original album if we were to offer such a thing alongside Bill’s original work? We concluded a big fat ‘no’! It would be an added adventure if people wanted to take it. So we asked Cameron if he was up for it. And he screamed a rather enthusiastic ‘yes’!”


For Cameron, the opportunity was particularly personal:

“My brother introduced me to ‘Orgasmatron’ when I was 14 years old. I heard the song and thought, ‘Is this even music?’ It was like the devil coming through my cassette tape. And I loved it. That record and Rock ’N’ Roll were my Motörhead records, so being asked to work on this is incredibly special to me. I honestly don’t know anyone in the world who would be more excited than me to do it.”


At the same time, Webb was keen to preserve the character of the original recording and acknowledge the work of producer Bill Laswell and engineer Jason Corsaro:

“I love the fact that the original is wild and a little messy. I wanted to be respectful to what Jason Corsaro and Bill Laswell created, rather than simply trying to make it sound like a modern heavy metal record. When we opened up the original 24-track tapes, you could really hear how creative they were with the sounds, particularly the drums. There’s so much character in that recording, and I wanted to preserve that.”


With the original mix in mind, Webb also approached the remix by considering what Lemmy and Phil might have wanted to hear:


“Lemmy and Phil both said they didn’t like the original mix, so I thought about what they might have asked me to do if they were sitting next to me. I tried to channel what I knew about them and their approach to recording — bringing out the bass here, defining the guitars there — while still respecting what was already there. The aim was never to replace the original, but to reveal more of what was inside it.”


The Orgasmatron (40th Anniversary Edition) will be released on November 6th via BMG. It will be available as a deluxe 3LP bookpack and 2CD, featuring the remastered original mix, the Cameron Webb Remix, additional studio rehearsals and outtakes recorded in 1985, and the complete BBC Radio 1 Friday Rock Show session from 1986, capturing the band during the ‘Orgasmatron’ era. The 40th anniversary edition is also available as a 1LP pressing on transparent violet vinyl, featuring the original studio album.

See below for full details of the Orgasmatron 40th releases and be sure to visit www.iMotorhead.com for news and updates!

TRACKLISTING:

3LP

LP1 – 40TH ANNIVERSARY MASTER

SIDE A

  1. Deaf Forever
  2. Nothing Up My Sleeve
  3. Ain’t My Crime
  4. Claw
  5. Mean Machine

SIDE B

  1. Built For Speed
  2. Ridin’ With The Driver
  3. Doctor Rock
  4. Orgasmatron

LP2 – CAMERON WEBB 40TH ANNIVERSARY REMIX

SIDE A

  1. Deaf Forever
  2. Nothing Up My Sleeve
  3. Ain’t My Crime
  4. Claw
  5. Mean Machine

SIDE B

  1. Built For Speed
  2. Ridin’ With The Driver
  3. Doctor Rock
  4. Orgasmatron

LP3 – REHEARSALS, OUTTAKES AND SESSIONS
SIDE A

  1. Orgasmatron & On The Road (Studio Rehearsal – 1985)
  2. Nothing up My Sleeve (Studio Outtake – 1985)
  3. Doctor Rock & Ridin’ With The Driver (Studio Rehearsal – 1985)

SIDE B
4. Claw (Alternate Version)
5. Mean Machine (Studio Outtake – 1985)
6. Killed By Death (BBC Radio 1 Friday Rock Show)
7. Orgasmatron (BBC Radio 1 Friday Rock Show)
8. Doctor Rock (BBC Radio 1 Friday Rock Show)
9. Deaf Forever (BBC Radio 1 Friday Rock Show)
10. Orgasmatron (Spoken Word) (BBC Radio 1 Friday Rock Show)

2CD
CD ONE
40TH ANNIVERSARY MASTER

  1. Deaf Forever
  2. Nothing Up My Sleeve
  3. Ain’t My Crime
  4. Claw
  5. Mean Machine
  6. Built For Speed
  7. Ridin’ With The Driver
  8. Doctor Rock
  9. Orgasmatron

OUTTAKES, REHEARSALS (1986)
10. Orgasmatron & On The Road (Studio Rehearsal – 1985)
11. Nothing up My Sleeve (Studio Outtake – 1985)
12. Doctor Rock & Ridin’ With The Driver (Studio Rehearsal – 1985)

13. Claw (Alternate Version)
14. Mean Machine (Studio Outtake – 1985)

CD TWO CAMERON WEBB 40TH ANNIVERSARY REMIX (2026)


  1. Deaf Forever
  2. Nothing Up My Sleeve
  3. Ain’t My Crime
  4. Claw
  5. Mean Machine
  6. Built For Speed
  7. Ridin’ With The Driver
  8. Doctor Rock
  9. Orgasmatron

RADIO ONE FRIDAY ROCK SHOW (1986)

10. Killed By Death (BBC Radio 1 Friday Rock Show)
11. Orgasmatron (BBC Radio 1 Friday Rock Show)
12. Doctor Rock (BBC Radio 1 Friday Rock Show)
13. Deaf Forever (BBC Radio 1 Friday Rock Show)
14. Orgasmatron (Spoken Word) (BBC Radio 1 Friday Rock Show)

GENTLE GIANT’s Essential 8CD Collection Celebrating Extraordinary Live Legacy “Front Row Center (US Dates 1975–1980)” Out November 27th

Posted by tarjavirmakari on September 26, 2026
Posted in: Int. News, News. Tagged: GENTLE GIANT. Leave a comment

Few bands in progressive rock history earned a live reputation quite like Gentle Giant. Renowned for translating their astonishingly intricate studio recordings to the stage with remarkable precision, imagination and musicianship, they delivered performances that remain among the most celebrated of the era.

Front Row Center (US Dates 1975–1980) presents an extensive document of that legacy, bringing together eight CDs of rare American performances spanning the band’s classic years. From the celebrated Live At The Bicentennial concert recorded at New York’s Calderone Concert Hall in July 1976, through the acclaimed Playing The Fool touring period of 1977, to a powerful 1980 performance from Atlanta and the superb Capitol Studios recordings from 1975, this collection captures Gentle Giant at every stage of their evolution as a live band.

Across these recordings, the group’s extraordinary interplay, multi-instrumental virtuosity and fearless arrangements are showcased in full, featuring definitive performances of classics including Free Hand, Proclamation, On Reflection, The Advent Of Panurge, Just The Same, Playing The Game, The Face, Funny Ways, Knots, Memories Of Old Days, extensive Octopus excerpts and many more.

Front Row Center also includes a 60-page hardback book featuring a substantial new essay by Alan Kinsman, drawing on extensive interviews with the band to explore Gentle Giant’s unique approach to live performance, touring, musicianship and stagecraft, alongside rare photographs and memorabilia.

Expertly mastered by Peter J. Reynolds from the best available sources, Front Row Center is the most comprehensive collection yet of Gentle Giant’s remarkable US live recordings – an essential archive celebrating one of progressive rock’s most original, adventurous and accomplished live bands.

PRE-ORDER GENTLE GIANT – 
FRONT ROW CENTRE U.S. DATES 1975-1980

DISC 1
Hempstead, NY – Calderone Concert Hall
Live At The Bicentennial – 3 July 1976

Intro/Just The Same – 07:40
Proclamation/Valedictory – 05:16
On Reflection – 06:53
Interview – 06:51
The Runaway/Experience – 10:37
So Sincere – 10:49
 
DISC 2
Hempstead, NY – Calderone Concert Hall
Live At The Bicentennial – 3 July 1976

Excerpts From Octopus – 17:11
Give It Back – 05:26
Timing – 13:14
Free Hand – 07:55
 
DISC 3
Hempstead, NY – Calderone Concert Hall
16 November 1977

Two Weeks In Spain – 02:58
Free Hand – 06:46
On Reflection – 07:12
I’m Turning Around – 04:10
Just The Same/Playing The Game – 10:11
Memories Of Old Days – 07:27
 
DISC 4
Hempstead, NY – Calderone Concert Hall
16 November 1977

Betcha Thought We Couldn’t Do It – 06:27
Funny Ways – 07:59
The Face – 16:13
For Nobody – 04:31
Excerpts From Octopus – 16:02
 
DISC 5
Chester, PA – Widener College
18 November 1977

Two Weeks In Spain – 03:00
Free Hand – 07:49
On Reflection – 06:09
I’m Turning Around – 04:08
Just The Same/Playing The Game – 09:51
Memories Of Old Days – 07:29
Betcha Thought We Couldn’t Do It – 04:20
The Face – 13:31
For Nobody – 05:25
Excerpts From Octopus – Part 1 – 06:05
Excerpts From Octopus – Part 2 – 09:45
 
DISC 6
Atlanta, GA – The Agora Ballroom
29 May 1980

Convenience (Clean And Easy) – 04:13
All Through The Night – 04:13
Free Hand – 08:22
Knots – 03:54
Playing The Game – 04:57
Memories Of Old Days – 08:12
Giant For A Day – 05:11
Inside Out – 06:35
It’s Not Imagination – 05:05
Underground – 11:22
For Nobody – 04:58
The Advent Of Panurge – 06:34
Number One – 07:35
 
DISC 7
Los Angeles, CA – The Capitol Tapes
February 1975

Cogs In Cogs – 02:59
Proclamation/Funny Ways – 12:54
Experience – 05:27
So Sincere – 09:52
The Advent Of Panurge – 05:46
Mister Class And Quality?/Peel The Paint/Valedictory – 08:45
 
DISC 8
New Paltz, NY – NY State University
6 November 1977

Two Weeks In Spain – 03:15
Free Hand – 07:39
On Reflection – 06:15
I’m Turning Around – 04:11
Just The Same – 05:07
Playing The Game – 04:51
Memories Of Old Days – 05:19
Betcha Thought We Couldn’t Do It – 02:38
Plain Truth (Part) – 06:32
For Nobody – 04:27
Excerpts From Octopus – 14:52

More info: www.madfishmusic.com

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