Metal Shock Finland (World Assault )

The Magic Of Metal

  • Home
  • Interviews
  • Reviews
  • CHIEF SHOCK VIDEO
  • Metal Shock Times
  • PARTNERS
  • WhoWeAre
    • Advertising
    • Contact Us
    • MSF STAFF
    • We Recommend…

CRO-MAGS Unleash “The Age of Quarrel: 40 Years of Quarrel” + Launch New Version of ‘Don’t Tread on Me (2026)’, Feat. Zach Blair (Rise Against)

Posted by tarjavirmakari on November 14, 2026
Posted in: Int. News, News. Tagged: CRO-MAGS. Leave a comment
Photo by Jonah Odin Flanagan

CRO-MAGS, the seminal New York hardcore outfit fronted by Harley Flanagan, proudly unleashes their new album, ‘The Age of Quarrel: 40 Years of Quarrel,’ a tribute to their 1986 seminal debut, out now via BLKIIBLK.

Joining Flanagan are original ‘AOQ’ guitarist Doug Holland and former CRO-MAGS/ Suicidal Tendencies guitarist Rocky George, plus Meg Mills, Zach Blair, and Arthur Rizk for fresh takes on classics including “Hard Times,” “World Peace,” and “Malfunction,” along with the addition of the 1985 demo-era favorite “Everybody’s Gonna Die.” Flanagan is also joined by current band members Dominic Dibenedettoand Dave Sharpe. Drums on all tracks were handled by drum phenom Greyson Nekrutman. Produced and mixed by Arthur Rizk (Power Trip, Blood Incantation), ‘40 Years of Quarrel’ not merely revisits a pivotal crossover classic, but pours new fuel on the fire for old devotees and new converts to the CRO-MAGS cause.

On the opportunity to play on “It’s the Limit (2026),” Meg Mills shared:

“(This is)…the greatest honor that could ever have been bestowed upon this NYHC fan. Wouldn’t have ever started a band without this record… Grateful to be a small part of this 🤯❤️‍🔥You’re [Harley] one of the GOATs, and I can’t explain how much this record means.”

To celebrate the album’s release, a new version of “Don’t Tread on Me (2026)” is available now, featuring Rise Against guitarist Zach Blair, alongside a visualizer.

Zach Blair shares on the experience:

“It was an unbelievable honor to take part in such a cultural milestone. To recreate such a seminal work is daunting to say the least and I feel humbled to have been included.“

Forty years ago, New York City’s CRO-MAGS defined the metal-punk crossover with their landmark 1986 album, ‘The Age of Quarrel.’ The intensity, influence, and groove of that record continue to resonate today, fueled by the band’s enduring legacy and hard-earned reputation as one of heavy music’s most volatile and influential acts. Led by founding bassist and vocalist Harley Flanagan, who assumed frontman duties beginning with 1989’s ‘Best Wishes,’ CRO-MAGS bring ‘The Age of Quarrel’ full circle with a celebration of the album that started it all.

Former CRO-MAGS guitarist Doug Holland, who’s featured on the new version of “We Gotta Know,” describes his reunion with Harley:

“Playing with Harley again after all these years brought back some crazy memories such as being on tour in the old days teaching Harley how to shave, counting our minuscule per diem’s on the supermarket checkout lines, at a time when there was no Internet or cell phones. Working with Arthur Rizk was very refreshing and exciting. I can’t wait to hear what he does with the tracks on the next CRO-MAGS record to be released in 2027; it’s gonna be killer. So be ready to have ya minds blown when you get to hear them. I think you will agree how savage they are. Meanwhile, stomp to ’40 Years of Quarrel,’ you won’t be disappointed.”

Former CRO-MAGS member Rocky George, who plays guitar on the track “Seekers of the Truth,” had this to say:

“It was some time in the early middle 80s when I first heard of this guy Harley Flanagan. It was an incident at CBGBs the first time Suicidal Tendencies played there, I believe.
The incident didn’t involve me personally, but it made an impression.

“It took another 15 years or so to finally meet this guy. I still had this preconceived notion. [Then] I meet a guy that had eclectic musical taste and full of interesting life experience.

“Fast forward another 25 years and I still keep learning new things about this guy. Layer after layer like an onion; a weird Irish/Dominican onion from Denmark. I’m glad I met the onion.”

For the new recording, Flanagan brought together friends, current bandmates, and musicians from other bands to celebrate an album that has impacted generations of fans. Forty years later, everyone who wrote the songs will finally be paid through ASCAP and BMI, with the remaining proceeds going to charity.

Check Out the Lyric Video for “It’s the Limit (2026)” featuring Meg Mills HERE

Grayson Nekrutman played drums on the entire album and added these memorable words:

“I first met Harley through my tenure playing with Suicidal Tendencies. From the jump, it was an honor getting to know him, and I always hoped I’d have the opportunity to work with him one day. In the fall of 2025, I got a message from Harley with the initial idea of re-recording the AOQ record, and I was blown away that he would ask me to be a part of such a monumental project. To be able to say that I contributed to this musical legacy is something I’m incredibly proud of, and I can’t thank Harley enough for trusting me with that responsibility.

“I went into the project with a deep respect for the legacy and importance of the original composition, while finding the right moments to incorporate my own sound and personality.

“Thank you again, Harley, for giving this Long Island kid the opportunity to be part of something so special. I’m incredibly proud of what we created, and I can’t wait for everyone to hear it!”

Order ‘The Age of Quarrel: 40 Years of Quarrel’ HERE

‘The Age of Quarrel: 40 Years of Quarrel’ Track List:

1. We Gotta Know (Featuring Dave Sharpe & Doug Holland)
2. World Peace
3. Show You No Mercy
4. Malfunction
5. Street Justice
6. Survival Of The Streets
7. Seekers Of The Truth (Featuring Arthur Rizk and Rocky George)
8. It’s The Limit (Featuring Meg Mills)
9. Hard Times
10. By Myself
11. Don’t Tread On Me (Featuring Zach Blair)
12. Face The Facts
13. Do Unto Others
14. Life of My Own
15. Signs Of The Times

CRO-MAGS Live:

December 4 — Denver, CO @ Decibel Metal & Beer Fest
December 12 — Los Angeles, CA @ The Belasco – For the Children

More Dates TBA!

The decision to revisit ‘The Age of Quarrel’ began during the making of the “Wired for Chaos” documentary. Several songs had to be re-recorded for the film’s soundtrack because the original recordings couldn’t be licensed, inspiring Harley Flanagan to re-record the entire album.

The project also provided an opportunity to address the complicated history surrounding the original record. None of the musicians who performed on ‘The Age of Quarrel’ were ever paid or received an accounting of the album’s sales. For years, Flanagan tried to reunite the original lineup to re-record the album and reclaim the rights to ‘The Age of Quarrel’ and ‘Best Wishes’ through the Copyright Reversion Act, but couldn’t bring everyone together before that window closed.

The project is Flanagan’s way of honoring the music, its creators, and the fans who have carried these songs forward for four decades while putting the past behind him. The songs belong to the fans. Love wins. The quarrel is over.

FOLLOW CRO-MAGS:
Website
Instagram
Facebook

ANOMIC Unleash New Album “The Spider’s Code”, Out Now

Posted by tarjavirmakari on November 14, 2026
Posted in: Int. News, News. Tagged: ANOMIC. Leave a comment

Pest Records is proud to announce that The Spider’s Code, the new full-length album from Dutch Thrash Death Metal band ANOMIC, is officially out today, November 13, 2026, on CD and across all major streaming platforms.

Formed in Amsterdam in August 2023 by Dutch Syrian guitarist and vocalist Raaf Atasi, ANOMIC deliver a merciless blend of Death and Thrash Metal, steeped in pessimism, apocalyptic fury, chaos and morbidity. Drawing inspiration from the likes of CORONER, MONSTROSITY, TESTAMENT, DEATH and BOLT THROWER, the band forge an uncompromising sound, further flavoured by Middle Eastern influences stemming from some of its members’ origins.

Following their 2024 debut EP, Opacity, ANOMIC return with The Spider’s Code, taking their musical approach into full-length territory.

All music and lyrics were written by Raaf Atasi, while the album was mixed and mastered by Yazan Ju. Its lyrical themes explore existentialism, society, politics, insanity and morbidity, confronting the darker aspects of human existence through an aggressive and uncompromising musical approach.

ANOMIC have also established a strong live presence, playing 25 shows during the first half of 2026, with a further 20 performances booked for the second half of the year to support the new album.

The Spider’s Code is available now on CD through Pest Records and on all major streaming platforms.

Stream & order here: https://pestrecords.bandcamp.com/album/the-spiders-code

Album singles:
The Fatal Cure (Official Lyric Video): https://youtu.be/aVbgJsupcBM
Ode to them ft. Tom Landkroon (Official Lyric Video) – https://youtu.be/Q08zvW_mR0g
End the Plague (Official Music Video) – https://youtu.be/w1fgYJ9kNag

ANOMIC
https://linktr.ee/AnomicNL

PEST RECORDS
https://linktr.ee/pestrecords
https://facebook.com/pestrecords
https://pestrecords.bandcamp.com

WEERZIN Return with “Zwijnenbestijger” EP, Out December 25th

Posted by tarjavirmakari on November 14, 2026
Posted in: Int. News, News. Tagged: WEERZIN. Leave a comment

Dutch black metal-punk crew WEERZIN will release their second EP, “Zwijnenbestijger”, on December 25, 2026, through Swarte Yssel Records on CD and digital formats. Following the acclaimed “Vitriool” EP from 2021, the new release reaffirms the band’s irrepressible punk spirit, which remains evident even in their black metal passages. The compositions strike a compelling balance between aggression and immediacy, combining biting riffs and well-rounded structures with memorable hooks that linger long after the music stops. Their sound retains its sharp, abrasive edge while delivering a satisfying sense of shape and momentum throughout.

The first single, the title track “Zwijnenbestijger”, is now streaming HERE.

Where other bands search for enlightenment or depth, WEERZIN scrapes the thick layer of mold, vomit, booze, and depravity off the bottom of society just to cough it right into your face.

“Zwijnenbestijger” is an ode to the most vile, repulsive creature this earth has ever spawned: humanity itself. Here, no rules apply—no civilized filters and no musical aesthetics. Grab the bludgeons, lick the rims of rusted tin cans, and indulge your craving for total filth.

“Zwijnenbestijger” obliterates everything that dares to stay clean, leaving behind nothing but the stench of cadaverous slime and vomit. Lyrics drenched in the reek of unhinged alcoholism, rancid puke, bleeding wound edges, scattered pus-slime, and coked-up scumbags running their fucking mouths. Where the human race is rotten to the core, WEERZIN stomps on it a few more times for good measure.

Devour it, choke on it, or get trampled.

Tracklist:

01. Spuugslok
02. Tunnelboor
03. Speenslurper
04. Godsgeschenk
05. Zwijnenbestijger
06. Würzelwörm

Credits:
J. – Drums, vocals, lyrics, recording, mixing, mastering
P. – Guitar, bass, vocals, lyrics, artwork, layout CD & booklet

Guest:
G. – Gang vocals

Recorded between 2022 and 2024 at Swarte Yssel HQ and Hedon, Zwolle Mixed and mastered in 2024 at Swarte Yssel HQ.

WEERZIN online: https://weerzin.bandcamp.com/

EXTREME Announce New Live Album “Paris Rising” + Release First Taste with ‘Get the Funk Out’

Posted by tarjavirmakari on November 14, 2026
Posted in: Int. News, News. Tagged: Extreme. Leave a comment

Multi-platinum hard rock band EXTREME – Gary Cherone (vocals), Nuno Bettencourt (guitar), Pat Badger (bass) and Kevin Figueiredo (drums) – announce ‘Paris Rising’ today, a live album that spans their entire career – from their 1989 debut to their latest album ‘SIX’. Recorded on December 7, 2023 at the historic Salle Pleyel in Paris during the band’s ‘SIX’ world tour, it will be released on February 5, 2027 via earMUSIC.

The first taste is a band favourite: ‘Get the Funk Out’ from their double-platinum album ‘Pornograffitti’, captured live in Paris.

“Whenever a band decides to record a live album/dvd in a particular city or country, it means only one thing: that place is special,” says Nuno Bettencourt. “It means something to the band. And when it comes to Paris, for over 40 years, it has always been a second home to us. One of the greatest audiences in the world and that’s why we chose it.”

Access ‘Get the Funk Out’ HERE

Access ‘Paris Rising’ HERE

‘Paris Rising’ captures EXTREME at the height of the ‘SIX’ era. Their 2023 album reached the Top 10 in Germany (#8), Switzerland (#4) and Austria (#6) – the band’s first ever Top 10 albums in three countries – and No. 2 on both Billboard’s Top Hard Rock Albums and the UK Rock & Metal Albums chart. Rock Hard named it the “rock album of the year”. Its opener ‘Rise’ drew millions of views – and comments from guitar legends such as Brian May, Tom Morello and Steve Lukather. Total Guitar ranked its solo No. 1 among the “greatest guitar solos of the 21st century.”

22 tracks, more than 100 minutes: ‘Paris Rising’ runs from a medley of the band’s 1989 debut to seven songs from ‘SIX’, among them ‘Rise’, ‘#Rebel’ and ‘Banshee’. In between: ‘Decadence Dance’, ‘Play With Me’, ‘Hole Hearted’, Nuno’s ‘Flight of the Wounded Bumblebee’ and the Billboard No. 1 ‘More Than Words’, sung by the entire hall.

“The people of France always Rise to the occasion! A night we will not soon forget! Forever in our hearts… Merci!” says Gary Cherone.

YNGWIE MALMSTEEN Reveals Official Video for ‘(On The) Battlefield’

Posted by tarjavirmakari on November 14, 2026
Posted in: Int. News, News. Tagged: Yngwie Malmsteen. Leave a comment
Photo (C) Rick Gould

Yngwie Malmsteen releases his stunning new album Hell Or High Water today via Music Theories Recordings / Artone Label Group. To celebrate, he reveals the official video for the blistering ‘(On The) Battlefield.’
​
For a man universally admired for his resolute tenacity and unwavering determination and commitment to his art, it could be one of the most fitting album titles he’s come up with to date. “This is just how it is with me,” the singer/guitarist shrugs, just a few days after approving the final mixes. “A handful of people look at this negatively, but the truth is they’ve had plenty of time to get used to it. I’ve always been like this. Damn the torpedoes!”

WATCH | LISTEN

He’s already released two singles from the album; the breathtaking ‘Beyond Zeta Reticuli’ is uniquely Yngwie Malmsteen. It showcases his exceptional virtuosic vision and fretboard fireworks. Zeta Reticuli is a wide binary star system located about 39.3 light-years from Earth in the southern constellation of Reticulum. The system is famous in science fiction as the home of LV-426 and LV-223, the fictional moons featured in films like Alien and Prometheus. However, its connection to extraterrestrials dates to the famous Betty and Barney Hill UFO abduction case in the 1960s.
​
The first to be taken from the record was ‘Now or Never,’ which is a perfect storm of palm-muted riffing, baroque counterpart melodies, soaring vocals, and mind-blowing dexterity if you’re looking for Yngwie in a nutshell.
​
When we think of the greatest guitar players of all time, specifically the crème de la crème musicians who invented a whole new style and sound on the instrument, Yngwie J. Malmsteen is a name that sits comfortably alongside game-changers like Jimi Hendrix, Jimmy Page and Edward Van Halen.

The nine tracks that make up his latest triumph were crafted meticulously and purposefully, away from the distractions that stall the creative process today. This is something he first tried with 2021’s Parabellum – mainly because of the state of the world at that time – and the results were so strong, he decided to stick with this as his modus operandi moving forward. And like its predecessor, Hell Or High Water sounds like an undivided, all-consuming observation by its mastermind creator.

“Back when I started making records, I would just take the songs I had lying around,” he admits. “Later on, I fell into a schedule – make a record, tour the record and then write the next record. Over the pandemic, I realised it was better to focus completely uninterrupted, so I stayed at home to write this album over the course of eight months. I had around 80 or 90 tracks finished, and then I had to decide which ones were the strongest.”

For a man born with a gift for conjuring overtures “out of nowhere”, the science behind writing a song is hard to explain. But, in any case, he’s grateful for the abundance of gold-standard ideas that do arrive – the kind that would take other musicians months or even years to realise into actuality. For Yngwie J. Malmsteen, this is simply what he was born to do.

Hell Or High Water is an album that’s bursting with emotion from all corners, but the closing track ‘Father’ is undoubtedly the most spirited of them all, written in tribute to the guitar legend’s dad, who passed away last year.

All these years on, Yngwie J. Malmsteen looks and sounds more determined than ever. If the music feels good to him, that’s enough – anyone else liking it is a bonus. This is precisely the creative fortitude and single-mindedness that turned him into a household name in the guitar community. There is no such thing as half measures or compromise in his world. Here is an artist forever bound to authenticity and creative honesty.

Track listing
1. Now or Never
2. Am Caprice/Hell Or High Water
3. (He Is) Living A Lie
4. Antikythera
5. (On The) Battlefield
6. Beyond Zeta Reticuli
7. Prestissimo In Bm/Adagio
8. Eye For An Eye
9. Father

Yngwie Malmsteen Online
Website | Facebook | YouTube | Instagram | TikTok | Spotify | X

Classic CACTUS Erupt Across Two Slabs of Strictly Limited Edition Colored Vinyl

Posted by tarjavirmakari on November 14, 2026
Posted in: Int. News, News. Tagged: CACTUS. Leave a comment

Cactus might never have truly hit the hard rock big time throughout their three year lifespan at the dawn of the 1970s. But, as drummer Carmine Appice (Vanilla Fudge, Rod Stewart) puts it, “]We] went onto be a really big underground band that really influenced a lot of bands,” and that’s a status that still clings to them today.

Indeed, while the present-day incarnation of Cactus continues to defy the passing of time (the band’s new video, “300 Pounds of Joy,” is among the heaviest things you’ll encounter this year), the band’s former self is crushing the opposition as well.

And their latest release, the self-explanatory Auxiliary Studios, Rochester NY 1971, is flattening all-comers as well, on CD, digital and now, a fabulous limited edition deep red and black double vinyl package.

With just 250 copies being pressed worldwide, this fabulous archive discovery captures Cactus both at the peak of their powers and, ironically, approaching the end of their career. Carmine and bassist Tim Bogart were already awaiting word that Jeff Beck was ready to resume the band they had intended starting a few years earlier… only for Beck to be seriously injured in a car accident

Guitarist Jim McCarty and vocalist Rusty Day were both about to depart and, while there would be one more album from the band (and a great one, as well), the clock was definitely ticking.

Already, however, Cactus had achieved more than many bands of the age.   Formed by Appice and fellow Fudge-r Tim Bogert, Cactus swiftly established themselves among the loudest, and most influential hard rock bands of the early 1970s.

Three killer albums set the stage for a legacy that swept even Van Halen into their court – Carmine still possesses a cassette tape Eddie Van Halen gave him, of the then-unknown band blasting Cactus covers to a clubful of fans.  And the last few years have seen Cleopatra Records delve into the band’s archive for a clutch of live albums that capture the original band in even more fiery form – The Birth of Cactus and Ultra Sonic Boogie ’71

Auxiliary Studios ’71, however, is the most monstrous performance of them all, and an historic one as well.

This was the night when the band announced that guitarist Jim McCarty was on his way out of the band, and they were searching for a new axeman – a shock split that hit the fan-base like an earthquake. Cactus were already known across the US as “the American Led Zeppelin.” And now the American Jimmy Page was on his way out.

It didn’t affect the show, though. Carmine recalls, ““McCarty’s playing was amazing on this show. He was on fire with us, me and Tim [Bogert, bassist]. As much as he didn’t like playing rock, because he was a blues guitarist, that’s what kicked him into doing what he did.”

From the outset, Cactus were a step ahead of the rest of the field. The drummer continues, ““Everything was so fast, hardly any grooves, just 110mph of energy.  It became a really wild band, and we played all over the place. We went to England, Europe, we did the Isle of Wight Festival – that was incredible; we used to do the boogie, Rusty would say ‘come on everybody, let’s boogie!’ and the whole place was on its feet, from the front by the stage to the back, a gigantic wave. I’ll never forget it.”

Neither did their fans. Black Oak Arkansas’s Jim Dandy cited Rusty Day as an influence; later, so did David Lee Roth.  And, Carmine recalls how, as he was putting together a new line-up of Vanilla Fudge during the 1980s, he called Eddie Van Halen to tell him the news.  Eddie’s response?  “F*** that, get Cactus back together!”

Auxiliary Studios effortlessly illustrates the icon’s enthusiasm, as Carmine explains. “Evil,” the Chester Burnett classic that highlighted Cactus’s third album, Restrictions, and opens Auxiliary Studios ‘71, “became a giant song of our’s. Dee Snider cut it, the Daisies cut it, so many people cut it.”

Three songs from Restrictions open the Rochester show, “Evil,” “Alaska” and Chuck Berry’s “Sweet Little Sixteen.”  But the show itself is less about the songs and more about the atmosphere. You listen to Cactus, particularly their live recordings, and you can feel the planet start spinning faster.  And, by the time they hit tonight’s closing number, an epic “Boogie Mama”… well, let Carmine explain.

“Rusty had a ball with that. He changed the lyrics every night, Rusty was amazing with lyrics, he’d be singing something and then something else would come into his head, and we used to flow with him, he was with lyrics the same as we were with drums, bass and guitar.  There was no other band like us. It was a great time of our lives, we had a ball.”

As of the album’s December 18 street date, you can have one as well!

VINYL https://cleorecs.com/products/cactus-auxiliary-studios-1971-red-black-marble-double-vinyl-lp
CD https://cleorecs.com/products/cactus-auxiliary-studios-1971-cd
DIGITAL https://orcd.co/cactus_auxiliarystudios

Posts navigation

← Older Entries
  • THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
  • Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
  • Ads

  • Metal Shock Finland

    Metal Shock Finland
Website Powered by WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    Metal Shock Finland (World Assault )
    Join 947 other subscribers

    Have a WordPress.com account? Log in now.

  • Metal Shock Finland (World Assault )
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar