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IMPURE WILHELMINA Release Abbrasive New Single ‘Train Mort’ with Music Video

Posted by tarjavirmakari on May 7, 2026
Posted in: Int. News, News. Tagged: IMPURE WILHELMINA. Leave a comment
Photo by © Mehdi Benkler

IMPURE WILHELMINA are sharing “Train mort” as the third advance single from their forthcoming album Le sanglot. Where the two previous singles highlighted the album’s melodic and atmospheric range, this song stands as its most confrontational moment.

“Train mort” opens on an oppressive, industrially-tinged guitar riff that builds slowly before giving way to a moment of desperate stillness, only for the weight to return, head-on, in the final passage. The lyrics are carried by Michael Schindl’s alternating screamed and whispered vocals, describing a man pushed past the point of return, and observe with cold precision the violence that festers at the far end of endurance.

“Train mort” features French artist Mütterlein (Marion Leclercq), whose howls of despair are woven throughout the song. The collaboration, the first in Impure Wilhelmina’s history, arose from a natural affinity between Mütterlein’s tormented artistic universe and the atmosphere of the song. She co-wrote the track and, in the band’s own framing, darkened the darkness further.

Le Sanglot comes out May 22, 2026 on Season of Mist. Pre-order & pre-save: https://orcd.co/iwlesanglot

Tracklist:

  1. Électricité noire (5:01)
  2. Cent mille plaies (3:43)
  3. Abîme (6:26)
  4. Larmes de joie (5:02)
  5. Dévoreur d’étoiles (6:00)
  6. Train mort (4:03)
  7. Frelon ivre (4:40)
  8. Blanche réalité (5:35)
  9. Demain J’abandonne (4:04)
  10. À Jamais radieuse (5:52)
    Full runtime: 50:28

Born from Geneva, Switzerland’s thriving alternative music scene, IMPURE WILHELMINA has been developing a truly unique blend of sound over the years, somewhere in between metal and progressive-tinged dark rock. The band’s distinctive style is dense, melodic and deeply melancholic, brought to life by introspective lyrics both profoundly humane and chilling, infused with raw emotion.

Impure Wilhelmina was founded in 1996 and made a name for itself in the early 2000s, with a series of iconic albums – I Can’t Believe I was Born in July (2003) and L’amour, la mort, l’enfance perdue (2005) along with several European tours. Little by little, the quartet led by guitarist and vocalist Michael Schindl won over the hearts of a now loyal fan base, who appreciate how the band turns dark themes into a universe of healing sound.

Impure Wilhelmina’s story is also one of perpetual renewal. The band’s sound has evolved from its gritty beginnings to more mature, melodic productions driven by clear magnetic vocals. Black Honey (2014), Radiation (2017) and Antidote (2021), widely appraised by critics, pushed horizons further yet for the band, signed to the label Season of Mist since 2015.

Throughout the years, Impure Wilhelmina has played hundreds of shows across Europe, performing at underground venues and large festivals alike, including opening for icons such as Gojira, Baroness, Amenra, Sólstafir and Crippled Black Phoenix.

Since 2023, the band has been working on its next album to follow Antidote. The process is enriched by the arrival of new guitarist Edouard Nicod, joining Sébastien Dutruel (bass), Mario Togni (drums) and Michael Schindl (guitar and vocals). Their new album entitled Le sanglot, set to be released by Season of Mist in 2026, will showcase the band’s next radical yet organically logical transformation: lyrics entirely in French, unleashing dimensions of sound you wouldn’t expect, with renewed creative energy.

« Rescapé de l’ancien monde, touché par la grâce »

Line-up:
Michael Schindl — Vocals, Guitar
Mario Togni — Drums
Sébastien Dutruel — Bass
Edouard Nicod — Guitar

Production Credits:
Recorded at Kitchen Studio, Geneva, Switzerland.
Produced, engineered & mixed by Yvan Bing at Kitchen Studio, except for track 9, recorded by Serge Morattel at Rec Studio.
Mastered by Magnus Lindberg at Redmount Studio, Stockholm, Sweden.

Recording Line-up:
Michael Schindl
Mario Togni
Sébastien Dutruel
Edouard Nicod

Guest Musician:
Marion Leclercq (Mütterlein) on the track 6, ‘Train Mort’.

Cover Art:
Giganto (http://giganto.ch/)

Photography:
Mehdi Benkler

Follow Impure Wilhelmina:
Bandcamp: https://impurewilhelmina.bandcamp.com/
Facebook: https://www.facebook.com/impurewilhelmina/
Instagram: https://www.instagram.com/impurewilhelmina/
Apple Music: https://music.apple.com/artist/impure-wilhelmina/299336044
Spotify: https://open.spotify.com/artist/29luUtCyre5DdAujrV8Pob
Tidal: https://tidal.com/artist/4178564
Deezer: https://www.deezer.com/artist/1309118

EMPTINESS Release Lead Single + Video ‘The Clash of Forces’ from Upcoming Album

Posted by tarjavirmakari on May 7, 2026
Posted in: Int. News, News. Tagged: EMPTINESS. Leave a comment
Photo by © Maia Fulle

Black/death experimental band Emptiness are sharing “The Clash of Forces” as the lead single from their forthcoming seventh full-length album Nowhere Speaks. While the album describes a world beyond human reach, “The Clash of Forces”  is not about observing that world from a safe distance. The song is evidence of intrusion, another layer pressing through into the visible. No distance between sound and source.

Nowhere Speaks comes out July 17th, 2026 on Season of Mist. Pre-order & pre-save: https://orcd.co/emptinessnowherespeaks

“The Clash of Forces” is also the first glimpse of what the recording process actually meant for Nowhere Speaks. The whole album, save for vocals, keyboards and additional effects, was played live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album’s opening riff.

Tracklist:
1. Nothing but the Whole (Part 2) (01:19)
2. The Threat (04:07)
3. Nowhere Speaks (05:37)
4. Darkness Commands (01:02)
5. Words to Wind (08:24)
6. One Must See All (01:29)
7. When the Whole Arrives (05:43)
8. The Clash of Forces (03:08)
9. Next in Line (04:15)
10. All for Nothing (06:37)
Full runtime: 41:44

With Nowhere Speaks, EMPTINESS descends into a dimension stripped of all human trace, a place governed by its own silent logic, where unfamiliar forces and energies move with intent that has nothing to do with the listener. The album does not narrate; it confronts. Its opening track, “Nothing But The Whole (Part 2)”, begins mid-riff, picking up exactly where Nothing But The Whole (2014) cut off, the abrupt ending that baffled fans for years and became one of the more discussed gestures in underground metal. The closing track of Nowhere Speaks then returns to the opening riff of that same 2014 record, completing a deliberate loop between the two albums, beginning and ending inside each other. It is the band’s central idea made structural: nothing and everything at the same time, a cycle with no fixed point. After the stark withdrawal of Vide (2021), distortion-free and sung in French, this is a return to density, weight and immersive intensity, recorded live in the studio after four years of preparation, and entirely unconcerned with making its listener comfortable.

Founded in Brussels, Belgium in 1998, EMPTINESS set out with a clear and uncompromising intention: to explore darkness not as aesthetic but as territory. Drawing from black and death metal as departure points rather than destinations, the band approached extreme music with an experimental orientation from the start, shaping a sound that resisted easy classification. Early demos established a presence in the underground, their reception confirming that something distinct was forming in the Belgian capital.

The debut full-length Guilty to Exist (2004) laid the foundation, establishing the band’s identity without yet fully realizing its potential. Oblivion (2007) was where that potential first arrived completely: a record of exceptional production depth, commanding guitar work and a heaviness of atmosphere that made it, in retrospect, one of the defining metal releases of that year.

Error (2012), released through Dark Descent Records, pushed further into dissolution and atmosphere, sacrificing structural clarity in favour of immersion. Menacing, dissonant and unrelenting, it cleared space for what came next.

Nothing But The Whole (2014) was the album that opened EMPTINESS to a broader critical audience and remains their most discussed and celebrated statement from that first phase. Strange, hypnotic and formally resistant to genre convention, it held the raw force of extreme metal while stripping back its mechanics, allowing texture, dread and silence to carry weight where blast beats and tremolo picking had previously stood. Its closing moment, a riff severed mid-phrase as though the record had simply ceased to exist, drew years of speculation from listeners. It was not an error. It was a promise deferred.

Not For Music (2017), the band’s first release through Season of Mist, represented a categorical departure. Moving away from extreme metal frameworks entirely, the album drew on goth rock, coldwave, industrial and post-punk, pursuing a palette of dark music that felt fully inhabited rather than borrowed. Recorded at the band’s own Blackout Studio in Brussels, its final form was shaped with the involvement of Jeordie White (MARILYN MANSON, A PERFECT CIRCLE, NINE INCH NAILS), with mixing and mastering by Sean Beavan (GUNS N’ ROSES, NIN, SLAYER). The resulting record reached audiences well beyond the metal world, confirming EMPTINESS as a serious proposition across multiple scenes.

Vide (2021) took the band’s trajectory to its most formally radical point. Recorded in isolation, across apartments, a cabin in the woods and a Brussels rooftop, sung entirely in French and stripped of all distortion, it was a claustrophobic document of confinement and perceptual dislocation. The surrounding global context only reinforced the collapse between the inner world being constructed and the one outside. EMPTINESS performed the album in its entirety at Roadburn Redux 2021, a pairing that confirmed their standing within the avant-garde and experimental underground as precisely as any review could.

From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album’s opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

VELVETEEN QUEEN Announce New Album “The Greater Good”, Out September 18th

Posted by tarjavirmakari on May 7, 2026
Posted in: Int. News, News. Tagged: VELVETEEN QUEEN. Leave a comment

Swedish hard-rock risers Velveteen Queen return with their most ambitious statement yet, their sophomore album, The Greater Good, set for release on September 18th via Silver Lining Music. Pre-orders available now at this location.

Velveteen Queen are rapidly emerging as one of the most electrifying young acts in the modern rock scene, channeling the grit, swagger, and anthemic power of classic ’80s influences into a bold and contemporary sound. Having shared stages with Alice Cooper and Judas Priest, the five-piece have already built a reputation for their explosive live performances, undeniable stage presence and anthemic rock songs with instantly memorable hooks.

From the very first teasing riff and maraca-shake of ‘Too Far Gone’, the opening track of the album, the Swedish rockers make it clear your hips had better be ready to swing and your rockin’ boots ready to roll. Produced by renowned producer Sören Andersen, this is a record which brings the strut of the Sunset Strip’s glory days via Sweden, with a healthy dash of old-school Guns N’ Roses, alongside spiritual ties to Aerosmith, Velvet Revolver and Hanoi Rocks.

The new single and title track, ‘The Greater Good’, is out now. The song featured Peter Keys (Lynyrd Skynyrd) on piano and is accompanied by a larger-than-life video directed by esteemed filmmaker Patric Ullaeus.

“In ‘The Greater Good’, we confront the lies that run deep in our city, challenging apathy while calling for action amid chaos. When the fight for truth fades, where does the ‘greater good’ truly lie?” – Velveteen Queen

There’s a snap and vigour in Velveteen Queen that is instantly exciting to the ears. Take the bounce and groove of the glam-punk ‘Talk or Walk’, which boasts a huge choral hook and a snarling top lip of attitude. Meanwhile, ‘Adrenaline’ is built around a razor-sharp, singalong chorus, with riffs swinging low and hard. Yet there’s also full ballad artistry on display with the soulful ‘Chains’, showing that Velveteen Queen can bring it down to strands of raw emotion. 

Make no mistake, while the influences on Velveteen Queen are clear, the approach, songwriting, and delivery is utterly fresh, packed with undeniable positive energy and rebel attitude. There’s a new generation of young glam/trash rockers craving The Greater Good, and Velveteen Queen confidently and successfully deliver exactly what they are looking for. 

And that same high-voltage energy captured on the record will soon be unleashed on stage, with Velveteen Queen poised to turn every show into a full-throttle rock ’n’ roll event. Their next live chapter continues in truly grand fashion, joining forces with rock legends Alice Cooper and Danko Jones at Rättvik on June 27th.

The Greater Good track listing:

1. Too Far Gone
2. The Greater Good
3. Talk or Walk
4. Adrenaline
5. Can’t Go Back in Time
6. Chains
7. It Ain’t Over
8. Liar
9. Best of the Best
10. Sorry
11. Try (Try to Believe Me)

The Greater Good will be available on vinyl, CD, digital formats and D2C bundles. Pre-orders can be placed here

Upcoming shows:
27 June – Dalhalla, Rättvik (SE)
18 Sept – Debaser Nova, Stockholm (SE)
19 Sept – Valand, Gothenburg (SE) 

More dates soon to be announced; for tickets and more information visit velveteenqueentheband.com

VELVETEEN QUEEN are:

Samuel Nilsson – Lead Vocals, Keys
Lukas Axx – Guitar
Noah Mårdh – Guitar
Vilmer Fall – Bass
Isac Borg – Drums

Follow VELVETEEN QUEEN:
velveteenqueentheband.com
facebook.com/velveteenqueen.gbg 
instagram.com/velveteenqueen_band 
tiktok.com/@velveteenqueen_band

WHO ON EARTH Release New Single + Video ‘Shadows’, New Album Out Tomorrow

Posted by tarjavirmakari on May 7, 2026
Posted in: Int. News, News. Tagged: WHO ON EARTH. Leave a comment

With their new album It Takes The Village arriving May 8th, New Jersey heavy metal powerhouse WHO ON EARTH continue the momentum with the release of their latest single and video, “Shadows”—a towering anthem packed with galloping riffs, soaring harmonies, and the band’s signature no-frills approach to modern heavy metal.

The third single from the forthcoming album, “Shadows” channels the spirit of classic metal while reinforcing the band’s sharp lyrical perspective. Built on thunderous grooves, dual guitar harmonies, and an arena-ready chorus, the track delivers both nostalgia and urgency in equal measure.

Bassist Pete Rizzi comments:

“‘Shadows’ is our third single from It Takes The Village, and it truly epitomizes what we are all about. It’s got that old school metal vibe with a catchy chorus, guitar harmonies reminiscent of old Maiden & Priest, and a locked-in rhythm section. The lyrics also speak to a concept we touch on quite often: deception and the need to be vigilant about what you see, hear, read, eat, watch, etc., because there are a lot of bad actors trying to profit from us through manipulation, deceit, and outright lies. We don’t write love songs. Ha!”

Stream “Shadows“: https://found.ee/WhoOnEarth_SHADOWS

“Shadows” follows the previously released singles “Vigilance” and “Any Other Way,” both of which offered fans an early glimpse into the sonic force of It Takes The Village—WHO ON EARTH’s most dynamic and fully realized record to date.

WHO ON EARTH will kick off a string of shows with FOZZY beginning later this week. Purchase tickets here: https://whoonearththeband.com/shows/

Pre-Save It Takes The Village: https://foundation-media.ffm.to/ittv

It Takes The Village Track List: 

1. Vigilance
2. Any Other Way
3. Shadows
4. Good Man Down
5. Closer
6. Too Close
7. Double or Nothing
8. Monster!
9. Oh, Set Me Free
10. We Don’t Belong Here
11. Ascension
12. The Unbeaten

WHO ON EARTH Tour Dates w/FOZZY:

May 8 – Charlotte, NC – Amos’ Southend
May 9 – Waynesboro, VA – The Foundry
May 12 – Philadelphia, PA – Underground Arts
May 13 – Harrisburg, PA – Capitall City Music Hall
May 15 – St. Charles, IL – Arcada Theatre
May 16 – Flint, MI – The Machine Shop

About WHO ON EARTH: 

Who On Earth cut its teeth through relentless gigging across the New York tri-state area, with founding members Coosh and Pete previously tearing up stages as MadHaus. During 2020, the longtime collaborators shifted focus from covers to original material, quickly writing ten songs and entering Sonic Stomp Studio with producer Mike Orlando (Category 7, Adrenaline Mob). Joined by drummer Joe D’Aqui, the group crafted a heavy, story-driven sound rooted in influences like Black Sabbath, Iron Maiden, Metallica, Alice in Chains, and Tool. Despite pandemic delays, the sessions yielded their debut full-length album Blame’, released in October 2022.

Following the addition of guitarists Bruce Gatewood and Johnny James Barone, the band gained traction with a heavier reimagining of Toto’s “Hold the Line,” now their most-streamed track. Lineup changes continued with drummer Howie Fallon joining in 2024, bringing renewed chemistry and power, though tragedy struck later that year with the passing of Gatewood. In late 2024, Jimmy Kocha joined, filling the role of co-lead guitarist, solidifying the lineup that is currently in full force today. Honoring his legacy, the band pushed forward, releasing the Smoke & Mirrors EP in March 2025—a sharp, socially reflective six-song release.

2026 marks Who On Earth’s return with their brand new album, It Takes The Village; a 12 track record of pure and relentless rock and metal that reignites the spirit of heavy music.

Lineup: 
Coosh – Vocals
Pete Rizzi – Bass
Johnny James Barone – Guitar
Jimmy Kocha – Guitar
Howie Fallon – Drums

Follow WHO ON EARTH:
Website | Facebook | Instagram | X | TikTok | Youtube | Bandcamp | Spotify | Apple Music

Finnish Doom Metal Musician HARRI KAUPPINEN Introduces His New Post-Metal Project ABANDONED OCEAN

Posted by tarjavirmakari on May 7, 2026
Posted in: Int. News, News. Tagged: ABANDONED OCEAN, HARRI KAUPPINEN. Leave a comment
Photo: Harri Kauppinen

Abandoned Ocean is a new project that introduces the English written material by Finnish post metal / doom metal artist Harri Kauppinen. Now released debut release Inner Dusk -EP could be described as post-metal. Kauppinen once again combines elements of lo-fi and doom into his intimate singer-songwriter style. 

“The last time my music was released was in 2016. After a long break, it’s great to see that I still get excited when a whole (and damn dark) song is built out of total emptiness. It’s one of the greatest experiences music offers me.” -Harri Kauppinen

Check the lyric video of the track “Unpleasant Light”:

Listen to the EP on music services (Spotify, Apple Music, Deezer, Tidal, YouTube Music etc.): https://push.fm/fl/abandonedocean-innerdusk

Tracklist:

  1. Escaping from It All – music & lyrics : Harri Kauppinen – ISRC : FIH3X2600001
  2. Unpleasant Light – music & lyrics : Harri Kauppinen – ISRC : FIH3X2600002
  3. I Am the Darkness – music & lyrics : Harri Kauppinen – ISRC : FIH3X2600003

Record label: Self released

Although the EP’s music was written by Harri Kauppinen, there’s also other players involved: Teemu Liekkala (Rioghan, Red Eleven), Otto Närhi (Psychework, Nestruction) and producer Hiili Hiilesmaa (Kypck, Swallow the Sun, HIM). 

These four gentlemen last came together on a unifying theme in 2016, when Kauppinen’s debut solo album, Helvetin laulut, was released. Not forgetting the fact that Kauppinen, Liekkala and Närhi share a common history from 2005-2014, when they were part of the dark metal band Beyond The Dream.

Inner Dusk is a narrow passageway into a gloomy world, but one where there is hope for a way out. Step inside. You can come back if you want, but before you do ; close your eyes and immerse yourself in the inner dusk.

https://www.abandonedocean.com/
https://abandonedocean.bandcamp.com/
https://www.instagram.com/abandonedocean_official
https://www.facebook.com/abandonedocean/

ALISSA WHITE-GLUZ Joins DRAGONFORCE as Additional Singer

Posted by tarjavirmakari on May 6, 2026
Posted in: Int. News, News. Tagged: Alissa White-Gluz, Dragonforce. Leave a comment
[Credit: Travis Shinn]

Today, the world’s fastest band speeds up and into its biggest, boldest and most electrifying era to date: DRAGONFORCE have announced Alissa White-Gluz as their newest member and first frontwoman. In a momentous union of two storied and unstoppable forces, the preeminent pioneers of extreme power metal will now be joined by one of metal’s legendary vocalists, unleashing both an intrepid evolution of the genre and the start of a seismic year ahead.
 
Beginning this Saturday, May 9th, at Welcome To Rockville, and Sunday, May 17th at Sonic Temple, DRAGONFORCE’s debut live performances with Alissa White-Gluz will also kick off the 20th Anniversary of Inhuman Rampage. As the 2006 album that birthed the Platinum-selling global phenomenon of “Through the Fire and Flames,” which spent 23 consecutive weeks on the Billboard 200 and was certified Gold, Inhuman Rampage introduced the band and their music to tens of millions of new fans and counting. With extensive touring plans to be revealed, and a 10th studio album currently in the works, DRAGONFORCE are bringing more listeners than ever into this next chapter of their eternally joyous, adrenaline-filled journey.
 
Herman Li on their lineup addition:
“Alissa joining the band is an expansion of everything we’ve done up to this point. Twenty years is a long time to do anything, let alone survive the music industry and still be so inspired to continue doing what we love. Together we will honor what made Inhuman Rampage matter, while showing people exactly where we’re going next. Having Alissa in the room changes everything. She doesn’t just sing, she makes all aspects of our music better. And she sounds incredible live! I can’t wait for the fans to see her and hear what we have been working on.”
 
Through her work with everyone from The Agonist to Kamelot, Arch Enemy and her newly launched Blue Medusa, Alissa White-Gluz has become an icon synonymous with strength, independence, versatility and creative fearlessness, representing a new standard for women at the highest levels of heavy music. Over two decades spent on the stage, blending ferocious and melodic theatricality with lyrical themes of philosophy, psychology, ethics and the human experience, she has built a history spanning 15+ hours of recorded music, 60+ music videos, 40+ collaborations and 2,000+ concerts across a myriad of subgenres.
 
Alissa White-Gluz on joining DRAGONFORCE:
“I am beyond excited to be bringing such iconic music to life with these amazingly skilled musicians in such a fun and inspiring environment. It feels great to showcase all the colours of my voice and utilize all my singing styles in technically challenging, deeply energizing, highly addictive songs. I am so thankful for the amazing support I have been lucky enough to receive from the metal world over this wild career I’ve built; I want to keep pushing my boundaries and delivering exceptional music and live experiences to the fans that I cherish so much.”

Founded in 1999 and based between Los Angeles and London, DRAGONFORCE have rewritten the rules of heavy metal, while redefining the possibilities of their respective instruments. Since the release of Inhuman Rampage and its signature anthem “Through the Fire and Flames” – the notoriously unbeatable final boss of “Guitar Hero III: Legends of Rock” – the GRAMMY®-nominated band have continued to blow the minds of musicians and gamers everywhere. They have been heard in “Despicable Me 4”, “Fortnite Festival,” “Brawl Stars,” “Asphalt Legends” and beyond, and seen on the covers of dozens of magazines. They have played for millions of fans and shared stages with Iron Maiden, Ozzy Osbourne, Slipknot, Metallica and many more, but one thing has always been certain: the fastest band in the world will not slow down.

DRAGONFORCE is:
Herman Li – Guitar, Backing Vocals
Sam Totman – Guitar, Backing Vocals
Marc Hudson – Vocals
Alissa White-Gluz – Vocals
Alicia Vigil – Bass, Backing Vocals
Gee Anzalone – Drums, Backing Vocals

DRAGONFORCE online:
WEBSITE
YOUTUBE
INSTAGRAM
TWITTER
TIKTOK
FACEBOOK

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