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French post-rock collective HANRY previously announced their debut album What Came From Silence, arriving 29th May via Pelagic Records. The band have now unveiled the second single, ‘Remains’, offering another glimpse into their carefully sculpted world.

Pre-order What Came From Silence here: https://orcd.co/hanry-wcfs  

The band comment: “‘Remains’ originated from a demo we had set aside for a long time. For months, the track resisted us, and we rewrote its opening several times without ever finding the right direction. It was only after all the album demos were completed that we returned to it one last time. At that point, something clicked in a clear, almost instinctive way, and the track finally revealed itself as it was meant to be. That was the moment ‘Remains’ truly came to life.

“The piece opens with an electronic and contemplative approach, written in the spirit of a post-rock track but entirely built from analog textures. The introduction unfolds through a series of raw, almost abrupt sections, with sharp transitions shaping the structure. You can hear influences from artists like Jon Hopkins, Boards of Canada, or Rival Consoles. Gradually, the band re-enters, led by a keyboard that opens a breach. Elements come together step by step until they converge into a powerful riff that suddenly shifts the track. Layers expand and the music moves into a more organic territory, somewhere between Sonic Youth, My Bloody Valentine, and SUUNS. The track ends in a complete collapse, a massive wall of sound with no rhythmic anchor, a final wave where everything dissolves.

“‘Remains’ explores this constant tension between two states, a fragile balance that, after many transformations, eventually found its final form.”

Marking a defining moment in the band’s evolution, the new record captures HANRY at their most expansive and self assured, a sweeping, cinematic body of work where delicate restraint gradually gives way to towering crescendos and luminous emotional release.

Formed in 2022, HANRY have quickly developed a reputation for expansive compositions that balance atmosphere with weight. Built around patience, texture and carefully controlled crescendos, their music moves fluidly between fragile ambient passages and towering, emotionally charged climaxes.

Written during a particularly long winter in Brittany, debut album What Came From Silence carries an atmosphere of tension and introspection across its eight immersive tracks.

Across the record, HANRY lean further into the contrast that defines their sound. Clean guitar tones shimmer before dissolving into waves of saturated distortion. Ambient passages slowly evolve into powerful, widescreen moments. Even at their most delicate, there is motion, subtle pulses and shifting textures that push the music forward. When the band unleashes its full force, the sound remains articulate; each instrument retains its identity within the surge. 

“Since the beginning of HANRY, cinematic imagery has been at the core of our artistic vision,” the band say. “We often compose from mental images, landscapes or scenes that could almost belong to a film. We wanted the album to feel like a continuous experience, something listeners can fully immerse themselves in and interpret in their own way.”

Initially composed by the core trio of Anthony Leliard (bass/guitar), Marc Mifune (keys) and Jean-Anaël Aubaux (J.A) (guitar), the album was then further developed with the full band in their own studio. With J.A. and drummer ClémentChampigny both working as sound engineers, HANRY produced and mixed the record themselves at DiscoCasino Studio, ensuring complete control over its identity. It was mastered by Chab at Chab Mastering. 

‘Phantom Rush’, the closing track on the album features a stunning collaboration with pianist Mariposa, adding an additional layer of depth and emotional intensity to the record.

Artwork was created by French artist Aloïs Lecerf, who describes the piece as reflecting the same tension between stillness and eruption that runs through the record itself.

“It’s balanced between restraint and release. The cover evokes a presence that gradually emerges , something calm, dense, almost motionless, that eventually becomes vast and luminous. It seeks to capture that moment when silence begins to crack. Within a grainy, incandescent landscape, an immobile silhouette slowly fractures, allowing light to emerge.”

The album arrives at a pivotal moment for the band. A recent performance at the renowned Trans Musicales in Rennes was broadcast nationally to thousands, while a live session with KEXP signals growing international momentum.

With What Came From Silence, HANRY deliver a record that feels both expansive and deeply personal, a carefully constructed journey where silence, texture and atmosphere carry as much weight as the crescendos themselves.Catch the band live at Pelagic Fest in August, with more live dates to be announced soon. 

What Came From Silence track list:

1. Noise Drowns Out
2. Aurora
3. Dustwake
4. Her Crown, Her Empire
5. Remains
6. Time’s Collapsing 
7. Dead Waves
8. Phantom Rush

Catch the band live at Pelagic Fest in August, with more live dates to be announced soon. 

HANRY are:
Jean-Anaël Aubaux: Guitars, Synth.
Hadrien Benazet: Guitars.
Clément Champigny: Drums.
Anthony Leliard: Bass, Guitars, Synth.
Marc Mifune  Piano, Synth, Cello

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