MOTORIK ROAD TRIP Sign to Octopus Rising + Unveil New Video Single ‘Prism Cascade’

Posted by tarjavirmakari on August 26, 2026
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Bristol, UK instrumental stoner rock trio MOTORIK ROAD TRIP join the Octopus Rising / Argonauta Records family, celebrating the signing with the release of their brand-new single and official video “Prism Cascade”.

Formed in 2022, Motorik Road Trip have carved out their own instrumental take on stoner rock, psychedelic rock and doom, combining heavy, groove-driven riffs with hypnotic atmospheres, psychedelic melodies and a strong sense of sonic exploration. By consciously choosing to remain fully instrumental, the Bristol three-piece have created a sound free from lyrical boundaries, allowing their music to travel wherever the riffs take it.

Since their formation, Motorik Road Trip have independently released a series of singles and EPs, including Orange Zilla EP, Hobo Sorcerer / Magic Fang, Arch / Future Primate and Champa Moon / Astral GTX. In January 2025, they released their debut longform album, V, recorded with engineer Ben Scott Turner at Axe & Trap Studios in Somerset, UK. Turner has previously worked with acclaimed acts including Black Helium, Hey Colossus and Part Chimp.

Now signed to Octopus Rising, Motorik Road Trip celebrate the beginning of this new chapter with “Prism Cascade”, a brand-new track accompanied by an official music video.

The single offers the first taste of the band’s evolving sonic universe, bringing together muscular stoner riffs, psychedelic textures and a spacious, hypnotic atmosphere. It also hints at the broader musical territory Motorik Road Trip have been exploring since their debut, where crushing doom passages can meet sparkling psychedelic melodies, eastern-inflected ideas and more progressive forms of instrumental heavy rock.

Their sound draws inspiration from the likes of Monkey3, Karma to Burn, SLIFT and Elder, while maintaining a distinctly British character and an identity of its own.

Motorik Road Trip are:

Jason Tovey – bass
​Ben Garner – guitar
​Nat White – drums

With “Prism Cascade”, Motorik Road Trip open a new chapter alongside Octopus Rising / Argonauta Records, bringing their instrumental blend of stoner, psychedelic rock and doom to a wider audience. More details on the band’s upcoming release will be revealed in due course.

More info:
https://www.facebook.com/profile.php?id=100083400636169​
​https://www.instagram.com/motorikroadtrip​
​https://motorikroadtrip.bandcamp.com/

DREAMFERNO Release New Song ‘Ark Of Engrams’, Feat. Breakbeat Artist Eronn

Posted by tarjavirmakari on August 26, 2026
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Artwork: Miia Ruokolainen

Finnish diverse melodic metal band Dreamferno has released new song “Ark Of Engrams”. Melodic and heavy song represents the faster progressive groove of the band with an unexpected flavor: a delicate hint of breakbeat.

The breakbeat-inspired section of the track was produced by Helsinki-based DJ/producer Eronn (Veeti Eronen), known in Finland’s underground electronic music scene and through the Joensuu-based Fiktio ry. With over a decade of production experience, he brings a fresh touch to Ark Of Engrams with breaks-driven drums and psychedelic vocal effects.

Listen to the single on music services (Spotify, Apple Music, Tidal, Deezer, YouTube Music etc.): https://push.fm/fl/dreamferno-arkofengrams

–ISRC: FISRI2600002
–Samuli Rimmi (arrangement, composition, lyrics, guitar & vocals)
–Juha Pärnänen (arrangement, bass)
–Tuomas Uuksulainen (arrangement, guitar, vocals)
–Iiro Hyvärinen (arrangement, drums)
–Enni Rautiainen (arrangement, vocals)
–Tuuli Kaukoranta (arrangement, lyrics, vocals)
–Veeti Eronen (arrangement, programming)

Dreamferno tells about the new song:

“The Ark of this song, Ouroboros, is a living psychological entity that builds and feeds upon the unpleasant memories buried deep within the psyche of the person stranded aboard it. As one sails upon Ouroboros, time and one’s sense of self become distorted, and escape feels almost impossible. Yet somewhere in the distant, mist-shrouded horizon, the light of a lighthouse can be seen…“

Dreamferno is a group of friends from Finland’s Savonia and Karelia regions, united by a shared passion for creating music where rules are nonexistent and almost nothing is forbidden.

https://www.facebook.com/dreamferno
https://www.instagram.com/dreamferno/

https://www.instagram.com/eronndnb
https://www.facebook.com/eronndnb
https://soundcloud.com/eronndnb

NARGAROTH Announce Reissues of “Geliebte des Regens” & “Unity”

Posted by tarjavirmakari on August 26, 2026
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Photo by © Leandro Cherutti

Underground black metal legend Nargaroth are announcing the reissue of two albums from the band’s early catalogue. Both 2003’s Geliebte des Degens and 2011’s Unity (which includes Rasluka Part I and Part II) were tracked during the same recording session in June 2001. The music previously surfaced across three separate releases. Now, it all finally arrives together.  

Geliebte des Regens and Unity (Rasluka Part I + Part II) come out October 23 on Season of Mist Underground Activists.

Pre-order: https://redirect.season-of-mist.com/NargarothReissues

Geliebte des Regens is built from long, repeating guitar figures and a rain motif that threads through the record as both a sound effect and lyrical symbol. Unity joins Rasluka Part II (2002) and Rasluka Part I (2004) into the single sequence frontman René “Ash” Wagner always intended in dedication to a former bandmate who died by suicide in 1995. Rasluka Part I sits angrier and more open in the mix; Part II moves toward a slower, more melodic desolation.

Nargaroth’s new album Apocalyptic Steel is out now on Season of Mist Underground Activists. Order & Stream: https://orcd.co/nargarothapocalypticsteel

Track list Unity (Rasluka Part I + II):

  1. Introduction – Trauermarsch (03:34)
  2. Rasluka (07:59)
  3. Wo Die Kraniche Ziehn’ (05:23)
  4. Tränen Eines Mannes (07:44)
  5. In Stillem Gedenken (01:16)
  6. …Und Ich Sah Sonn’ Nimmer Heben (10:24)
  7. Abschiedsbrief Des Prometheus (07:06)
  8. …Vom Freien Willen Eines Schwarzen Einhorns (05:25)
    Full runtime: 00:48:51

Track list Geliebte des Regens:

  1. Intro – Calling The Rain (03:59)
  2. Manchmal Wenn Sie Schläft (17:42)
  3. Wenn Regen Liebt (Zwiegespräch Mit Mir) (11:59)
  4. Von Scherbengestalten Und Regenspaziergang (Vision Eines Realen Todes) (11:53)
  5. Manchmal Wenn Sie Schläft (In Musikalisch Differenter Und Kristalliner Lebensform) (17:18)
  6. Outro – Leb’ Wohl (10:20)
    Full runtime: 01:13:11

NARGAROTH is the sole vision of Rene “Ash” Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.

Apocalyptic Steel is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while Era of Threnody took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and twelve years after its first sessions, the album is finally here. This is not a vault curiosity. It is Nargaroth at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel” to the band-name-studded battle cry of “Metalheart”, from the unflinching historical weight of “Dresden” to the aching Germanic longing of “Requiem Germania”, this is an album that has nothing to prove and wastes nothing on pretence. Recorded fast, recorded dirty, and finished on its own terms.

Recording Line-up:
Ash — Vocals, Guitar, Bass
Mike Williams (Mummification) — Guitar, Bass
Phil Cancilla (Malevolent Creation, Hank Williams 3) — Drums

Current Line-up:
Ash — Vocals
Fernando Cortez (Hacavitz, Ash Nazg Burz, Through Torment) — Guitar
Julio Rodas — (Dreamlore, Tim-Ripper-Owens) — Guitar
Pavulon (Vader, Belphegor, Decapitated, VLTIMAS) — Drums

Production Credits:
Instruments recorded during a weekend session in September 2014 at Trident Studios in Pacheco, CA (Juan Urteaga).
Drums were re-recorded in July 2022 at Skeleton Key Studios in Las Vegas, NV, USA (Rylie Ellen Wechta from Sound Horizon Production).
Vocals recorded at AMP Studios in Duisburg, Germany, between February and April 2025 (Jens Förster).

Mixing, and mastering took place at AMP Studios in Duisburg, Germany, between February and April 2025 by Jens Förster.

Cover Art:
Cover artwork was hand-drawn and created by Felipe Mora.
CD artwork by Anne-Kristin G.
Additional artwork in the CD booklet are a homage to classic Metal album covers and was done by Jenglot Hitam.

Photography:
David Perga, photography in CD booklet.

Follow Nargaroth:
Bandcamp: https://nargaroth.bandcamp.com/
Facebook: https://www.facebook.com/officialnargaroth/
Instagram: https://www.instagram.com/nargaroth.official/
YouTube: https://www.youtube.com/user/NargarothChannel
Apple Music: https://music.apple.com/artist/nargaroth/1087036045
Spotify: https://open.spotify.com/artist/0aIcU4OHpKl7lpcRQp32Eo
Deezer: https://www.deezer.com/artist/12064
Tidal: https://stage.tidal.com/artist/7687559

NOVA RIOT Drop Debut Album “Blood, Lies & Lullabies” & Sinister New Cabin in the Woods Music Video ‘Like I Meant It’

Posted by tarjavirmakari on August 26, 2026
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Photo Credit: Paris Pipkin

Rising Durant, Oklahoma alternative metal power trio Nova Riot has officially unveiled the captivating new music video for their single “Like I Meant It,” directed by the band’s own guitarist Orion. Bringing their signature blend of bubblegum alternative metal to a sinister setting, the band filmed the visual inside a rotten cabin set at an award-winning haunted house. The clip stars vocalist Nova Ray alongside Orion, delivering an intimate, high-impact aesthetic that perfectly matches the aggressive yet melodic energy of the track. Frontwoman Nova Ray explains that the song delves into the internal struggles of making difficult life choices, noting that walking away can often leave a lasting impression that helps a person find balance and peace, and it is the third music video from the band’s full-length album Blood, Lies & Lullabies, which was recently released on August 21, 2026 via Eclipse Records.

Nova Riot continues to disrupt the heavy music landscape with their defiant philosophy of making music with no apologies. Formed in 2024, the group consists of Nova Ray on vocals, Orion on bass, and Ares on lead guitar. The band bridges the heavy intensity of acts like Spiritbox, Bad Omens, and The Pretty Reckless with the catchy, bright pop sensibilities seen in artists like Poppy and Violent Vira. Rather than grinding through traditional local bar circuits, these seasoned musicians adopted a digital-first global strategy focused on top-tier production and cinematic visuals. Their sophisticated recorded output even features drum work from veteran musician Matt Thompson of King Diamond fame.

The concept behind “Like I Meant It” draws heavily from classic horror cinema and folklore. Orion cited the original Evil Dead films and the dark tale of Hansel and Gretel as primary visual influences. The production effortlessly weaves together authentic witchcraft motifs, traditional horror imagery, and the group’s distinct clowncore aesthetic. To heighten the unique presentation, Orion debuted a striking new toxic green and purple mask specifically for this shoot. The decision to restrict the cast to just Nova Ray and Orion created a concentrated atmosphere, allowing each camera movement and edit to carry significant weight while giving the song room to breathe. The result is a sharp visual piece that highlights the group’s knack for detailed world-building and uncompromising stylistic contrast.

Nova Riot continues to build momentum as one of the most intriguing modern acts in heavy music. Through their thematic focus on mental health, personal power, and spiritual alchemy, the trio creates an inviting atmosphere for fans seeking fresh evolution within the genre. The music video for “Like I Meant It” stands as another bold entry in their growing catalog, proving that heavy riffs and bright bubblegum flourishes can coexist seamlessly in modern metal.

Coverart by Paris Pipkin

The heavy music landscape often feels like a choice between two extremes: the jagged, unpolished chaos of the underground or the sanitized, predictable shine of the mainstream. Every so often, a band emerges that refuses to acknowledge the boundary at all. Nova Riot, a trio operating out of Durant, Oklahoma, is that disruption. With their debut full-length album, Blood, Lies & Lullabies, they have officially planted their flag in a territory they call bubblegum alternative metal. The album is a rare combination of commercial viability and uncompromising creative vision. It is a high-octane collision of grit and melody that feels both dangerously volatile and impeccably crafted. Produced by Braxton Henry and co-produced by Addison Ray and Paris Pipkin, the album boasts a cinematic depth that matches its conceptual ambition. The trio functions as a self-contained production powerhouse, prioritizing studio perfection and visual storytelling to create an immersive world for their listeners. Nova Riot is not just releasing a collection of songs; they are inviting the world into an immersive, rhythmic incantation. Altogether, the album contains seven tracks, including standouts like “The Altar (feat. The Bunny The Bear)”, “Midnight Coven Crush” and “Like I Meant It.” The album was recently released on August 21, 2026 via Eclipse Records.

Get the album Blood, Lies & Lullabies at this location.

Blood, Lies & Lullabies track listing
01.  Haunting Me
02.  Midnight Coven Crush
03.  Casket
04.  The Altar (feat. The Bunny The Bear)
05.  Like I Meant It
06.  Through The Storm
07.  Sorry Mom

About Nova Riot
In an era of predictable formulas and recycled aesthetics, NOVA RIOT emerges from Durant, Oklahoma, as a formidable disruption to the heavy music status quo. Operating under the defiant mantra of “Music with No Apologies,” the trio has rapidly carved out a niche within a self-defined sonic territory they describe as bubblegum alternative metal. Nova Riot is Nova Ray (vocals), Orion (bass guitar), Ares (lead guitar).

Black Metal Outfit OVÁTE Announce New Album “Rúin”, Out 6th November

Posted by tarjavirmakari on August 26, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

After years of silence and dedication, Ováte return from the abyss with their new offering Rúin, forged by Aindiachaí (Gorgoroth) on guitars/bass and Brodd (ex-Taake) on drums. Eight years have passed since the band’s self-titled debut, and Rúin now reopens the wound; deeper, colder, and more deliberate. The new album will be out on 6th November via Soulseller Records.

Pre-orders, album info and the first single ‘Kutsumus’ will drop on 4th September.

Rúin is here. Not to be understood, but to be endured, an arcane, insidiously pernicious incursion beyond the veil.

A defining hallmark of Ováte’s sound remains intact: once again, every track is a collaboration with a different guest vocalist, turning the album into a shifting procession of voices and maledictions. Each performance adds a new layer to the record’s blackened craft, while the core duo keeps the blade steady. Sharp riffs, ritualistic momentum, and a trance-like pull that feels both predatory and strangely ceremonial.

On Rúin, Ováte list an exceptional cast from the Norwegian and wider extreme metal underground: Spellgoth (Horna), H’grimmr (Helheim), Thomas S. Øvstedal (Cor Scorpii), Sanrabb (Gehenna), Ødemark (The Last Eon / The Third Attempt) and Hoest (Taake). The result is a record that moves with relentless intent, yet rich in atmosphere, with each track carrying its own curse.

Ováte are: 
Aindiachaí – guitars, bass
Brodd – drums

For more:
https://www.facebook.com/ovatemusic
https://www.instagram.com/ovateofficial

EARSHOT Release New Single + Music Video ‘Love Left’

Posted by tarjavirmakari on August 26, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

Alternative rock band Earshot has released its new single “Love Left,” out now on Judge & Jury / SV Records, along with the song’s official music video. Pairing the band’s heavy, atmospheric sound with one of frontman Wil Martin’s most personal lyrical themes, “Love Left” asks a deceptively simple question: when everything feels dark, is there still love left?

For Martin, the question grew out of a period of intense fear and anxiety following the death of Chris Cornell, an artist he revered.

“Chris Cornell’s death shook me to my absolute core,” says Martin. “It wasn’t just the loss of an artist I revered; it was the terrifying realization that someone who, from the outside, seemed to have so much – talent, family, success, freedom – could still somehow be completely overwhelmed by internal pain and hopelessness. I was riddled with anxiety for weeks.”

What stayed with Martin was an unsettling question that became increasingly personal.

“I would often think to myself: if someone who has every reason to live can still be consumed by darkness, where does that leave people like me? Could any of us suddenly self-destruct without seeing it coming?”

That question ultimately found its way into “Love Left” and its central refrain: “Tell me is there love left? Any hope of us left? Before we throw it all away? Tell me is there love left?”

“I don’t pretend to have all or even any of the answers,” Martin says. “But what I came to believe for myself is that as long as I can find even just a spark of love within me, there’s something there to hold onto. That realization became the soul of this song.”

“Love Left” also reflects Martin’s frustration with a culture he believes places too much pressure on people to appear happy and okay, even when they aren’t.

“I think we’re suffocating under a culture that demands constant happiness and perfection,” he says. “I want to shatter that lie. It’s okay to have bad days, bad months or even bad years. Pain is real. Grief is real, but so is growth. Feeling down, lost or exhausted doesn’t mean you’re broken – it means you’re human. For me, ‘Love Left’ is about finding that small glimmer of love inside yourself and not throwing it away.”

The official music video gives that idea a stark visual language. Set against a dark, crumbling backdrop, a single glowing light bulb represents the fragile inner spark someone is fighting to protect as everything around them appears to fall apart. The destructive, industrial imagery mirrors the internal struggle at the center of the song.

The release comes as Earshot is experiencing renewed momentum with both longtime fans and a new generation of listeners. Over the past year, the band’s Spotify monthly listeners have more than doubled. Earshot currently reaches more than 700,000 monthly listeners on Spotify, while its recent album Humaning has surpassed one million streams.

Earshot will take “Love Left” on the road this fall, including a September 18 performance at Louder Than Life in Louisville, Kentucky.

Earshot – Official Dates: https://www.earshotband.com/

Sept 18: Louisville, KY @ Louder Than Life
Sept 19: Champaign, IL @ Cowboy Monkey
Sept 20: Detroit, MI @ Harpos
Sept 23: Cedar Rapids, IA @ The Olympic Southside Theater
Sept 26: Fort Worth, TX @ The Rail
Sept 27: Corpus Christi, TX @ House of Rock
Oct 1: Colorado Springs, CO @ Sunshine Studios
Oct 2: Richfield, UT @ Rocktober
Oct 5: West Hollywood, CA @ Whisky A Go Go

ABOUT EARSHOT

Formed in Los Angeles in 1999, alternative rock band Earshot broke into the mainstream with its 2002 debut Letting Go, featuring the hit singles “Get Away” and “Not Afraid,” as well as “Headstrong” from the Queen of the Damned soundtrack. Fronted by vocalist Wil Martin, the band followed with 2004’s Two and its enduring single “Wait,” which reached the Active Rock Top 10 and appeared on the Madden NFL 2005 soundtrack.

Earshot later released The Silver Lining in 2008 and the independently released Aftermath EP in 2015, followed by its recent album Humaning. The band currently reaches more than 700,000 monthly listeners on Spotify and continues to tour.

Follow Earshot: Facebook – Instagram – TikTok – X – YouTube – Spotify