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David Reece’s BANGALORE CHOIR Release First Single/Video ‘Tear It All Down’ from Upcoming Album

Posted by tarjavirmakari on September 25, 2026
Posted in: Int. News, News. Tagged: Bangalore Choir, David Reece’s BANGALORE CHOIR. Leave a comment

Bangalore Choir are releasing their eagerly awaited first single “Tear It All Down” from their upcoming album “Payload,” which is set to be released on November 6, 2026. It quickly became clear to David Reece that this song should be the first single, as it perfectly embodies the coolness and laid-back vibe that Bangalore Choir has always stood for. This “feel-good / convertible” metal was also the inspiration for the photo shoot featuring the ’56 Chevrolet.

This also marks the start of pre sales in Germany at
http://bangalorechoir.epr.rocks

Digital: save-it.cc/epr/tear-it-all-down
or Spotify

The band quickly achieved cult status in the U.S. in 1992 before a certain band named Nirvana turned the U.S. market upside down and, in the process, knocked the rising star off its pedestal.
Since its founding, the Bangalore Choir has stood for carefree spirit, joie de vivre, and the lightness of being—all attributes that seem to have fallen somewhat by the wayside.

If the Paramount+ documentary “Nöthin’ But a Good Time” is to be believed, BANGALORE CHOIR is arguably the last great band of the golden Sunset Strip era, which produced bands like Mötley Crüe, Guns N’ Roses, and Poison. Despite all the scandals that ultimately brought that musical era to an end, many people still long for the days when the heart of heavy metal beat in Los Angeles. David Reece has taken this heart back into his hands and breathed new life into it—much to the delight of Bangalore Choir fans worldwide—because even grunge couldn’t completely erase the lightheartedness and joy of that era.

Tracklist:
01 Tear It All Down
02 Cost Of The Grind
03 Believing
04 I’ll Take The Risk
05 The Damage That Remains
06 Nothing Left To Prove
07 Breakdown Unforgettable
08 Even If It’s Nothing
09 Answer The Call
10 Bitter End 
11 Late To The Party
12 Won’t Fool Me Again

Live:
October 24, 2026 Rotterdam Rocks – Baroeg Rotterdam NL
November 6, 2026 Sugar Shack – Munich GER (Release Party)
November 7, 2026 REFLEX The Cave Club, Buchs (SG), CH
June 19, 2027 Rampa Kultura Goleniów, PL

Line-up:
David Reece – Vocals
Andy Susemihl – Guitars, Background Vocals
Steve Gordon MIA – Guitars
Tommy McWilliams – Drums
Gorka Alegre – Bass

More Infos:
David Reece & Bangalore Choir
www.facebook.com/DavidReeceOfficial
www.instagram.com/david.reece.official/

BLOOD OF THE EARTH Unleash Sludge-Soaked Cover of Ministry’s ‘Filth Pig’

Posted by tarjavirmakari on September 25, 2026
Posted in: Int. News, News. Tagged: BLOOD OF THE EARTH. Leave a comment

BLOOD OF THE EARTH have released their brooding new take on MINISTRY’s “Filth Pig,” the second single from the band’s forthcoming EP, Beneath A Sky That Breaks, arriving independently on October 23rd.

Originally released as the title track of MINISTRY’s landmark 1996 album, “Filth Pig” takes on an even heavier form in the hands of BLOOD OF THE EARTH. The trio, made up of Jeff Golden (ex-Crowbar), Katie Golden (ex-The Convalescence) and J. Costa (Thy Will Be Done), pulls the song deeper into sludge and post-metal territory, surrounding its hypnotic central groove with massive guitars, industrial textures and an oppressive sense of atmosphere.

Vocalist J. Costa comments:

“I’ve always loved ‘Filth Pig’ and what Ministry were doing with that record. There’s a real sludge song buried in there that I think has flown under the radar, and we wanted to give it our own nod. We tracked group vocals for it and were lucky enough to have Afzaal Nasiruddeen (Crisis, Masters Ashes) and our dear friend Glen Ellis join us; two people who were part of the Chicago scene alongside Al Jourgensen in the ’80s. Having their voices on this track made it feel like we were connecting a little piece of that history to what we’re doing with Blood Of The Earth.” 

Stream “Filth Pig”: https://found.ee/7tupS5

Pre-Save Beneath A Sky That Breaks: https://found.ee/BASTB-1
Pre-Order Beneath A Sky That Breaks: https://bloodoftheearth.bandcamp.com/

Beneath A Sky That Breaks Track List: 

1. Beneath A Sky That Breaks
2. The Constellation
3. Barren Oasis
4. Petrichor
5. Filth Pig (Ministry Cover)

Founded by married musicians Jeff Golden (ex-Crowbar) and Katie Golden (ex-The Convalescence) and completed by vocalist J. Costa (Thy Will Be Done), BLOOD OF THE EARTH channel elements of sludge, doom, post-metal and industrial music into a sound built on sheer physical weight, haunting atmosphere and dramatic dynamics.

Recorded with producer Ryan Boesch (Melvins, Whores), Beneath A Sky That Breaks pushes the trio further into experimental territory. Across five tracks, towering riffs collide with electronics, unsettling ambience and carefully deployed moments of space and restraint, allowing the record’s heaviest passages to land with even greater force.

“Filth Pig” follows the previously released original track “Petrichor” and serves as another glimpse into the range of Beneath A Sky That Breaks. 

BLOOD OF THE EARTH Tour Dates: 

Oct 2 – Wallingford, CT @ Cherry Street Station
Oct 3 – Brooklyn, NY @ Lucky 13
Oct 4 – Cambridge, MA @ The Middle East (w/ Crystal Spiders)
Nov 14 – Tampa, FL @ Tampa Doom & Gloom Fest ( w/ Novembers Doom)
Nov 15 – Lake Worth, FL @ Propaganda

Follow BLOOD OF THE EARTH: 
Facebook | Instagram | Bandcamp | Spotify | Apple Music

VIOLET ETERNAL Announce New Album “Azure Stardust” + Unveil Music Video for ‘Azure Explosion’

Posted by tarjavirmakari on September 25, 2026
Posted in: Int. News, News. Tagged: VIOLET ETERNAL. Leave a comment

Japanese-Italian melodic metal band VIOLET ETERNAL announces their second album, “Azure Stardust”, set for worldwide release on January 22nd, 2027. The new record marks the band’s second album with Rockshots Records, continuing the collaboration that began with their 2024 debut, “Reload the Violet”.

Formed in 2023 around Japanese guitarist Jien Takahashi (Majustice, Michael Vescera Project) and Italian vocalist Ivan Giannini (Derdian, The 7th Guild, ex-Vision Divine), VIOLET ETERNAL debuted with “Reload the Violet” in 2024. The band has since evolved into a five-piece with the addition of guitarist Andrea Cappellari (Nekomata), bassist Ollie Bernstein (Illusion Force, Fiverings, Michael Vescera Project), and drummer YAMATO (Neu, UCHUSENTAI, Michael Vescera Project), an expanded lineup that plays a central role in shaping the sound of their second album.

With “Azure Stardust”, VIOLET ETERNAL retain the melodic and power metal foundations of their debut while developing a broader and more dynamic approach to songwriting. The expanded lineup gives the band more room to explore different arrangements, tempos and moods while melody remains at the heart of their musical identity.

Rather than relying on a single formula, “Azure Stardust” moves from high-speed melodic metal to more dramatic mid-tempo sections, ballads and atmospheric passages. This wider musical range allows the band to explore different moods without losing the melodic focus that defines VIOLET ETERNAL, bringing together elements rooted in the European melodic metal tradition with the Japanese sense of melody that has characterized the project from the beginning.

The world’s first look at this new era arrives with “Azure Explosion,” a track that channels the album’s most urgent, high‑velocity energy into just over five minutes.

Racing beyond 197 BPM, “Azure Explosion” is propelled by relentless rhythms and rapid-fire riffs, with Jien Takahashi and Andrea Cappellari’s twin-guitar work moving between tightly coordinated passages, harmonized leads and sweeping melodic lines. Ivan Giannini’s powerful upper-register vocals cut through the high-speed arrangement, reinforcing the song’s melodic character even at its most intense.

Yet the track is not conceived simply as an exercise in velocity. Its development introduces more lyrical passages and dramatic transitions that break up the intensity and allow the melodies to breathe. These contrasts are central to the song: the speed provides the initial impact. At the same time, changes in dynamics and melodic direction reveal the broader musical language VIOLET ETERNAL explores throughout “Azure Stardust”.

Like a flash of blue light across the night sky, “Azure Explosion” reflects the imagery behind the album itself: bright, fast-moving, and dramatic. In this sense, the song works as a natural introduction to “Azure Stardust”, presenting the band’s high-speed melodic metal core while also hinting at the more varied arrangements found across the record, mixed and mastered by Dennis Ward at TrakShak Studios.

Listen to “Azure Explosion” here: https://lnk.to/nujqM6

For fans of: Stratovarius, Helloween, Sonata Arctica

Pre-order “Azure Stardust” (release date January 22, 2027): https://rockshots.eu/products/violet-eternal-azure-stardust-cd

Track Listing:​
1. The World Beyond the Door – 6:41
2. Azure Explosion – 5:29
3. Into the Deep Blue – 3:58
4. I Can Hear Your Heart – 5:11
5. Weekend – 3:42
6. Singularity – 3:22
7. Techno Optimist – 3:29
8. Mars – 3:30
9. Arianne – 6:09
10. RE: Gradational Sky – 8:34
Total: 50:05

More info:
​https://rockshots.eu/​
​https://www.facebook.com/p/Violet-Eternal-61555241974232/​
​https://www.instagram.com/violet_eternal_/

Italian TEARSKIN to Launch Birth of New Trauma Kei Experience with First Single ‘A•S•P•H•Y•X•I•A’, Out October 22nd

Posted by tarjavirmakari on September 25, 2026
Posted in: Int. News, News. Tagged: TEARSKIN. Leave a comment

There are bands that write songs. There are bands that build an aesthetic. And then there are projects born from the necessity to transform something deeply uncomfortable into art.

Tearskin belong to the third category.

Formed in Rome, Italy, on January 16, 2026, Tearskin are an alternative death metal duo created by Fatus (vocals) and Minh (guitar). What began as a one-man project gradually evolved through an intense period of live activity, experimentation and artistic research, officially becoming a duo on August 18, 2026.

Their first official single, “A•S•P•H•Y•X•I•A”, will be released worldwide on October 22, 2026, through Wanikiya Record/Promotion, marking the beginning of a new chapter for one of the most visually distinctive emerging projects within the Italian underground.

But Tearskin are not interested in simply being another extreme metal band. They are building a world.

A SOUND THAT REFUSES TO STAY IN ONE PLACE

Tearskin’s music exists somewhere between death metal, metalcore, black metal and extreme metal, combining crushing guitar work, relentless rhythms, electronic and symphonic elements, and an intentionally visceral vocal approach.

The music moves constantly between aggression and vulnerability. Clean and dramatic vocals can suddenly collapse into extreme screams. Melodic passages coexist with violent rhythmic sections. Electronic and symphonic textures expand the atmosphere rather than simply decorating it.

The result is deliberately uncomfortable, theatrical and emotionally charged. Tearskin’s songs are not designed simply to be heard. They are designed to be experienced.

THE TRAUMA KEI

At the center of the Tearskin identity is a concept they call Trauma Kei.

Inspired by the visual language of Japanese Visual Kei, the atmosphere of 1980s horror cinema, shock rock and extreme metal, Trauma Kei transforms emotional distress, isolation and psychological fragmentation into a physical and visual form.

It is not simply a fashion statement. It is an artistic language.

The band’s lyrics explore themes such as depersonalization, emotional pain, isolation, inner purification and psychological exorcism, turning deeply personal experiences into something deliberately theatrical and visceral.

The body becomes part of the artwork. The stage becomes a ritual. The song becomes the release.

“Tearskin is not simply a musical project, but a cathartic necessity. Trauma Kei is the mirror through which we transform discomfort, emotional numbness and flesh into visceral art.”

FROM THE WISHLIST STAGE TO THE UNDERGROUND

The project began its journey through an intensive period of musical and visual experimentation, searching for a sound and identity capable of existing beyond conventional genre boundaries.

Their live debut at Wishlist in Rome immediately established an important element of the Tearskin philosophy: the concert is not simply a performance.

It is an experience.

The duo developed a distinctive stage language built around intense physicality, conceptual rituals, darkness and visual symbolism. The result is a performance designed to involve the audience on multiple levels — musically, visually and emotionally.

Fast, violent and frenetic, a Tearskin show aims to become a 360-degree artistic experience, where sound, movement, imagery and atmosphere become part of the same entity.

A NEW LANGUAGE FOR EXTREME MUSIC

As the project developed, Tearskin gradually moved away from more traditional compositional structures, focusing instead on a more instinctive and poetic form of songwriting.

Their music is built around contrasts:

beauty and distortion.
silence and violence.
vulnerability and aggression.
humanity and monstrosity.

This contrast is fundamental to the band’s identity. Rather than hiding uncomfortable emotions, Tearskin place them directly in front of the listener.

The result is an aesthetic that can be disturbing, theatrical and deliberately raw — but always connected to the emotional core of the music.

“A•S•P•H•Y•X•I•A”

On October 22, 2026, Tearskin will officially open their discographic journey with “A•S•P•H•Y•X•I•A”.

The single represents the first recorded statement of the project’s developing identity and introduces listeners to the darker, more visceral world the duo is currently constructing.

It is the first piece of a larger artistic vision. Not an isolated experiment. Not simply a debut single.

A•S•P•H•Y•X•I•A is the first wound. And Tearskin intend to leave it open.

BEYOND ITALY

Despite being a young project, Tearskin are already looking beyond the boundaries of the Italian underground.

The duo is currently developing new unreleased material for future releases while exploring potential collaborations with international artists and figures connected to Japanese Metal, Visual Kei and the European modern heavy music scene.

Their objective is not simply to export an Italian metal project.

It is to develop and introduce Trauma Kei as a recognizable artistic identity, connecting the emotional intensity of extreme metal with the theatrical and visual traditions of Japanese alternative culture.

The next chapter is already being written.

Line-up
Fatus — Vocals
Minh — Guitar

TEARSKIN — THIS IS TRAUMA KEI.

This is not music for escaping reality. This is music for looking directly into it.

WOLFBRIGADE Release New Video/Single ‘Doomrunner’

Posted by tarjavirmakari on September 25, 2026
Posted in: Int. News, News. Tagged: WOLFBRIGADE. Leave a comment
Photo by Therese Öhrvall

Swedish lycanthro punk practitioners WOLFBRIGADE are pleased to unleash their latest single, “Doomrunner.” The ferocious new track comes off the band’s equally punishing Howl From Underground full-length, set for release on October 9th through Metal Blade Records.

Comments the band plainly, “The universe owes us nothing. That’s where “Doomrunner” begins. What keeps us moving anyway? Maybe not hope. Maybe instinct.”

Watch WOLFBRIGADE‘s previously released video for first single, “Cold War Bootlicker,” HERE

With the amps still warm from 2024’s coruscating comeback Life Knife Death, veteran Swedish punk-metal masters WOLFBRIGADE strike back like a wounded cobra with their loudest, fullest, thickest-sounding record yet. And that’s no happy accident. On their twelfth LP (the first three released under the Wolfpack moniker, 1996-99), Howl From Underground, the quintet concertedly resolved to shake up their habitual processes and interrogate their customary methodology.

“As the songs started to fall into place, we decided to do something we hadn’t done in many years,” explains the band. “For the last decade we’ve recorded, produced, and mixed our albums ourselves. This time we wanted to work with someone from outside the band whose work we respect and who we felt would understand what WOLFBRIGADE is about.” The honor fell to Lawrence Mackrory – already a trusted collaborator with the likes of Meshuggah, Katatonia, Paradise Lost, and Bloodbath – at Necromorbus Studio, the converted Baptist church where Watain and Mayhem refined their occult chaos.

The strength of these decisions pay off instantly in the massive, febrile intensity of the captured sound as it bursts from the speakers like a haywire freight train. “Rather than building the songs layer by layer, we wanted to capture the band as a single unit,” notes WOLFBRIGADE. “The push and pull that happens when five people are locked into the same moment. There’s a tension in those kinds of performances that’s difficult to recreate any other way. Without a safety net, the focus sharpens and something else takes over. Sometimes the songs begin to take on a life of their own. More than anything, it leaves room for the unexpected.”

The urge to initiate a new working environment may have been emboldened by the return of drummer David “Dadde” Stark, who originally hammered the d-beats for WOLFBRIGADE from 2002-2015. “Everything clicked immediately. The chemistry was still there,” attests the band. “The shows felt vital, and suddenly it felt both interesting and relevant to return to the old songs again.” This fresh boost of energy and spirit resulted in 2025’s seat-of-your-pants live album Kill To Live, a heartening reaffirmation of the band’s first principles.

“Recording it was a reminder of what WOLFBRIGADE is at its most fundamental level,” observes the band. “Instead of taking a break afterwards, we moved almost straight into working on Howl From Underground, and began developing ideas that had always been embedded in the concept of lycanthro punk.”

Find all pre-orders at: metalblade.com/wolfbrigade

Howl From Underground Track Listing:
01. Caveman Motherfuck
02. Doomrunner
03. Howl from Underground
04. Born to Rot
05. When Dogs Cry
06. Cold War Bootlicker
07. Fat Man Hellscape
08. Headhunting
09. Cosmic Meatgrinder
10. Seeking Scapegoats
11. Man Is Wolf to Man
12. Tangled Steel Mask

WOLFBRIGADE:
Micke Dahl – vocals
Erik Norberg – guitar
Jocke Rydbjer – guitar
Johan Erken – bass
Dadde Stark – drums

https://www.instagram.com/wolfbrigadeofficial
https://www.facebook.com/lycanthropunks

HATESPHERE Release New Video for ‘Mouth Filled With Barbed Wire’

Posted by tarjavirmakari on September 25, 2026
Posted in: Int. News, News. Tagged: HateSphere. Leave a comment
photo by Marika Hyldmar

HateSphere has released a video for “Mouth Filled With Barbed Wire”, third single taken from the new album “Guillotine” to be released on October 9 by Scarlet Records. 

PRE-ORDER/PRE-SAVE

A song about liberating oneself through denouncing all systematic, societal and religious oppression, “Mouth Filled…” strongly suggests there is something truly empowering in choosing defiance.

video by Marika Hyldmar/Marika Photography

“Guillotine”:

  • 12th studio-album for the undisputed Danish dukes of thrash-death metal;
  • produced, mixed and mastered by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Haunted, Dark Tranquillity);
  • cover artwork by Mikkel Rützov/Drown Design;
  • 25K followers on Spotify;

FFO: Slayer, At The Gates, The Haunted, Soilwork, Darkane, Heaven Shall Burn;

“Guillotine” tracklist:
1 Chapter XII
2 Dogma
3 Guillotine
4 Morbid
5 Cleansing
6 Snake Charmer
7 Mouth Filled With Barbed Wire
8 Bottom Feeder
9 Human Scum
10 Heresy
Total running time – 38:43

artwork by Mikkel Rützov/Drown Design

Hand made, old school, real, in-your-face thrash-death metal that will for sure make your head bang until the neck snaps. That’s HateSphere!

“Guillotine” is more dark and atmospherical than the acclaimed 2023 “Hatred Reborn”, but still with all the typical HateSphere trademarks: the aggression, the speed, the melody, and the groove.

The whole record revolves around what defines the moral compass and what is morally good and bad but also what lies behind intentions, motives and actions. It paints the picture of the eternal struggle between human nature and societal constructs, and therefore poses the question – who will be the first to break: man or society. And in the end what will be the consequences.

HateSphere:
Mathias Uldall – vocals
Peter Lyse Karmark – guitar
Franz Aleksander Posch – guitar
Jimmy Fyrstenberg – bass
Mike Park – drums

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