INCITE Release Lyric Video for Abrasive Track ‘Chucked Off’

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

INCITE present a new lyric video offering for their ferocious track, “Chucked Off.” A raging sonic assault, the song calls out a lack of empathy and false claims of victimhood from individuals who refuse to take accountability for their actions. “Chucked Off” is taken from their critically acclaimed 2025 album Savage New Times, released via Reigning Phoenix Music. INCITE are currently on tour around the US supporting SOULFLY and NAILBOMB. 

Richie Cavalera comments on the new release:

“‘Chucked Off’ is about the collective of our current society. Everyone has such a short temper with this victim mentality and it sucks. People expect the best, their way, and instantly or else they’re not satisfied. People need to take more accountability for themselves and how their lives have turned out and not blame it on everyone else. The meaning along with the riffs and awesome drum work Lennon does on this song make it one of my favorites off the new album. Metalheads come catch it live every night on our current tour.”

Stream / purchase Savage New Times HERE: https://incite.rpm.link/savagenewtimesPR 

2026 US Tour Dates Supporting SOULFLY and NAILBOMB:
9/22/26  San Antonio, TX  – Paper Tiger 
9/23/26  Dallas, TX  – Trees 
9/24/26 Kansas City, MO – Warehouse 
9/25/26  Iowa City, IA – Wildwood
9/26/26  McHenry, IL  – The Vixen
9/27/26  Sioux Falls, SD  – BIG’s      
9/29/26  Casper, WY- Oil CityBeerCompany
9/30/26  Cheyenne, WY – The Lincoln
10/1/26  Denver, CO – Levitt Pavillion 
10/2/26  Salt Lake City, UT – Aces High
10/5/26 San Jose, CA – The Ritz 
10/6/26  San Luis Obispo, CA – SLO Brew 
10/7/26 Palmdale, CA – Transplants Brewery
10/8/26   Los Angeles, CA – Whisky A Go-Go
10/9/26  Las Vegas, NV  – Swan Dive
10/10/26  Costa Mesa, CA – The Wayfarer
10/11/26  Pomona, CA – The Glass House
10/12/26  San Diego, CA – Soda Bar
10/14/26  Yuma, AZ  – Arizona Marketplace       
10/15/26 Tempe, AZ – The Marquee Theatre 

About INCITE:
Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (SOULFLY, MUNICIPAL WASTE), while striking artwork by Marcelo Vasco (SLAYER, KERRY KING) captures their ferocity.

Known for their relentless touring, INCITE has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, INCITE has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

Savage New Times Track Listing: 
1. Lies
2. Feel This Shit (I’m Fired Up)
3. Just A Rat
4. Chucked Off
5. Doubts and the Fear
6. Dolores
7. No Mercy No Forgiveness
8. Used and Abused
9. Never Die Once
10. Savage New Times

INCITE is:
Richie Cavalera – Vocals
Layne Richardson – Guitars
Christopher “EL” – Bass
Lennon Lopez – Drums

Connect with INCITE:
Facebook: https://www.facebook.com/inciteheavymetal 
Instagram: https://www.instagram.com/incite_heavymetal 
Apple Music: https://music.apple.com/us/artist/incite/278131122 
Spotify: https://open.spotify.com/artist/2QMngsbAfyIglYdFpefrQA

Kenyon Records Announces Definitive Deluxe Reissue of DANGEROUS TOYS 1989 Classic Debut Album

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

Kenyon Records is proud to announce Dangerous Toys: The Definitive Edition, a landmark reissue of the self-titled 1989 debut from Austin, Texas sleaze-metal legends Dangerous Toys. Arriving Friday, November 13, 2026, this fully authorized, band-approved release reunites the group with the man who produced their sound in the first place: Max Norman, who returned in 2026 to remaster the album from the ground up, completing dedicated remasters specifically for vinyl and for CD to preserve maximum fidelity in each format.

The 2xCD, 2xLP, and 2xCassette editions are anchored by nine live recordings from the band’s explosive 1989 tour that have never been heard by anyone outside the band until now (the 2xCD includes extra live bonus track of “That Dog”). The recordings come straight from frontman Jason McMaster’s personal stash of soundboard cassettes — tapes their front-of-house engineer handed off after shows so the band could study their own performances, never duplicated or heard publicly until this release.

“I was excited to hear these somewhat raw but cool recordings from long ago for the first time in at least 30 years, maybe more,” says McMaster. “No copies were ever made of these master cassettes. We hope you enjoy these historical moments from the archives.”

THE ALBUM

Formed in Austin, Texas in October 1987, Dangerous Toys fused Southern-fried hard rock swagger with metal muscle and punk attitude — equal parts Aerosmith and ZZ Top, filtered through razor-edged sleaze. Singer Jason McMaster (formerly of progressive metal outfit Watchtower) joined guitarist Scott Dalhover, bassist Mike Watson, and drummer Mark Geary, and within a year the band had landed a major-label deal — remarkably, without ever recording an actual demo. Industry buzz was instead sparked by a cassette of a live local radio broadcast, and after several shows in Texas, a bidding war broke out among major labels.

Produced by Norman at the legendary Sound City studio — the same room later immortalized in Dave Grohl’s 2013 documentary — and released May 9, 1989, the self-titled debut was instantly recognizable thanks to artist Tommy Pons’ now-iconic cover: Bill Z. Bub, the leering, red-haired horror-clown jack-in-the-box that remains the band’s visual signature to this day.

The record delivered two MTV Headbangers Ball staples and bona fide radio hits, “Teas’n, Pleas’n” and “Scared,” plus fan-favorite third single “Sport’n a Woody.” “Teas’n, Pleas’n” climbed to #1 on MTV’s Dial MTV, knocking Bon Jovi from the top spot. The album itself hit No. 65 on the Billboard 200 and earned a Gold certification from the RIAA — a breakout run that sent the band out on the road with Judas Priest, The Cult, Motörhead, L.A. Guns, and Alice Cooper.

THE DEFINITIVE EDITION — FORMATS

2xCD Definitive Edition (Limited to 1,000 hand-numbered copies)

  • Disc One: the original album, newly remastered
  • Disc Two: a 10-song Live in ’89 performance, including the CD-exclusive live recording of “That Dog”
  • Deluxe 8-panel Digipak with dual trays
  • Extensive 24-page booklet featuring unseen, officially licensed photography
  • Liner notes on the album’s making by Katherine Turman (former RIP Magazine editor), drawn from 2026 interviews with the band
  • Liner notes on the bonus live recordings by Jason McMaster
  • Full-color hype sticker

2xLP Definitive Edition (Each variant limited to 250 copies, hand numbered)
Available in four collectible color variants: “Bill Z. Bub the Clown” Neon Orange Splatter, “Queen of the Nile” Emerald Green, “Scared” Ghost Purple, and “Teas’n, Pleas’n” Red & Black

  • Each variant limited to 250 copies, hand numbered
  • Pressed on 180g heavyweight vinyl
  • Remastered specifically for vinyl by Max Norman
  • Second LP featuring nine Live in ’89 performances
  • Deluxe gatefold jacket, 350gsm, with hot-foil red-stamped logo
  • Black poly-lined inner sleeves
  • Large-format 16-page, 12-inch booklet
  • Included 24″ x 36″ poster
  • Unseen, officially licensed photos from 1989
  • Liner notes on the album’s making by Katherine Turman
  • Liner notes on the bonus live recordings by Jason McMaster
  • Full-color hype sticker

2xCassette Definitive Edition (Limited to 100 hand-numbered copies — Kenyon Records webstore exclusive)

  • Cassette One: the complete original 11-track album, newly remastered
  • Cassette Two: nine previously unreleased Live in ’89 recordings
  • All-new packaging: custom slipcover housing a butterfly box that holds both cassettes
  • Two unique 6-panel J-cards, one per cassette

Picture Disc LP (Limited to 125 hand-numbered copies — Kenyon Records webstore exclusive)

  • The complete original 11-song album, remastered by Max Norman, pressed to a striking picture disc
  • Housed in a heavy protective sleeve with insert
  • A collector-focused, straight-to-the-source presentation of the remastered studio album

All formats are officially licensed, with full authorization and participation from Dangerous Toys.

TRACKLISTING

Studio: Teas’n, Pleas’n, Scared, Bones in the Gutter, Take Me Drunk, Feels Like a Hammer, Sport’n a Woody, Queen of the Nile, Outlaw, Here Comes Trouble, Ten Boots, That Dog

Live in ’89 (2xLP, 2xCD, and 2xCassette editions only): Outlaw, Here Comes Trouble, Ten Boots, Queen of the Nile, Bones in the Gutter, Take Me Drunk, Sport’n a Woody, Teas’n, Pleas’n, Gimme No Lip, That Dog (CD exclusive)

1989 LINE-UP

Jason McMaster (vocals) · Scott Dalhover (guitar) · Mike Watson (bass) · Mark Geary (drums) · Danny Aaron (guitar)

NEW OFFICIALLY LICENSED MERCHANDISE

In conjunction with the reissue, Dangerous Toys and Kenyon Records have also entered into a new merchandise licensing agreement and are excited to introduce an all-new collectible line built around the band’s iconic Bill Z. Bub clown imagery and logo and time specific to the 1989 album. The collection includes:

  • Full-color, front-and-back screen-printed T-shirts, Zip-up Hoodies & Raglans
  • High-quality 2.5” full color enamel pins featuring the band’s iconic clown & logo
  • Full-size back patch
  • High-quality vinyl stickers 
  • Wall flags/tapestries 
  • Battle Jackets
  • Slipmat

The new merchandise line will be available alongside the reissue, giving fans and collectors even more ways to celebrate Dangerous Toys exclusively at Kenyon Records webstore

Dangerous Toys: The Definitive Edition is available for pre-order now at Kenyon Records and select retail partners, with a street date of Friday, November 13, 2026.

Website: https://kenyonrecordsusa.com
Facebook: https://www.facebook.com/KenyonRecords/
Instagram: https://www.instagram.com/kenyon_records

VOID SECTOR ZERO Sign to Season of Mist, Debut Album Arriving in 2026

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: . Leave a comment
Photo by © Jesus Hernandez

Season of Mist is proud to welcome Void Sector Zero.

After orbiting each other for years, with the gravitational pull of the sun, Void Sector Zero brings together three of extreme metal’s brightest burning stars in guitarist Christian Muenzner (Necrophagist, ex-Obscura, ex-Alkaloid), vocalist and bassist Alex Weber (Revocation, Malignancy, Exist), and drummer Gabe Seeber (Decrepit Birth, Abigail Williams). While inspired by past greats, their new band rips a hole through the space-time continuum with a modern spin on progressive thrash metal.

“We are excited to announce that Void Sector Zero has signed with Season of Mist”, Muenzner says. “I’ve always wanted to play tech-thrash. I was listening to bands like Coroner, Voivod, Toxik, Martyr, Hexenhaus and Aspid before I got into technical death metal”.

“When I decided to start my own band in this style, I thought of Alex and Gabe”, Muenzner continues. “Not only are they both great players, but I knew from our time in Obscura that we had great chemistry both on and off stage. We can’t wait to share our debut album with you very soon!”.

Watch the trailer for Void Sector Zero’s upcoming single:

The vast world of extreme metal is governed by supernatural forces. So when three of its most hellaciously bright stars align, the creative explosion is more powerful than a supernova.    

After orbiting each other for years, Void Sector Zero brings together the otherworldly talents of guitarist Christian Muenzner (Necrophagist, ex-Obscura, ex-Alkaloid), vocalist and bassist Alex Weber (Revocation, Malignancy, Exist), and drummer Gabe Seeber (Decrepit Birth, Abigail Williams). While inspired by past greats, their new band ventures into an alien dimension that’s fun, fast, fresh and frightening. Their soon-to-be-announced debut album shreds a hole through the space-time continuum with its modern spin on progressive thrash metal.  

Lineup
Christian Muenzner – Guitars, Synth
Alex Weber – Vocals, Bass
Gabe Seeber – Drums

Follow Void Sector Zero
Facebook: https://www.facebook.com/p/Void-Sector-Zero-61573165450159/
Instagram: https://www.instagram.com/voidsectorzero/
Bandcamp: https://voidsectorzero.bandcamp.com/

RAINBURN Premiere New Single & Video ‘Confessions’ from Upcoming Life Changing Album “Thirty-Seven”

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

‘confessions’ is track #7 from Rainburn’s upcoming record ‘thirty-seven’, a concept album about a near-death experience while stranded at sea.

After surviving the ordeal, Rainburn frontman Vats Iyengar transformed the experience into thirty-seven, the Bangalore progressive rock trio’s third album, due for release on 4 November 2026. Across nine connected songs, the record explores faith, humanity’s perceived superiority over nature, love and mortality, while pushing Rainburn’s sound into new territory through industrial rhythms, electronic textures and stark acoustic guitar.

The song, confessions, finds the album’s protagonist reflecting on a life weighed down by regrets and guilt, wondering who will remember them as the end draws near.

“We wanted the video to tell a story of its own, independent of the album’s narrative, while staying true to the song’s central themes.” – Vats Iyengar

The upcoming album marks a clear shift from the band’s earlier work. Synthesizers, samples and hard-edged drum tones now carry as much weight as intricate art-rock passages, while sparse acoustic sections expose a more vulnerable side of the music. Songs often flow directly into one another, making thirty-seven best experienced from beginning to end with gapless playback.

“The sonic template for this record was very different from what we’ve had in the past – we were referencing bands like Depeche Mode, Rammstein and Nine Inch Nails far more than bands that are usually classified as prog,” says Iyengar. “Of course, all these new elements were pulled into the ambit of the Rainburn sound, so this is very much a deeply conceptual progressive rock album, albeit with some unique twists.”

That change in sound is part of the album’s narrative. Its industrial textures symbolise human invention and technological advancement, while the simple, exposed acoustic guitar represents the strength of nature. Together, they reflect the record’s central idea: despite humanity’s progress and powerful position on Earth, a person can be rendered helpless only a few steps beyond the limits of familiar surroundings.

Although divided into nine songs, thirty-seven was conceived as one continuous work. Musical ideas return across the album: “defy” reappears during the outro of “you”, while material from “god” resurfaces in the middle section of “nearer”. These recurring motifs bind the individual songs into a larger composition.

Each track also carries its own part of the story. “god” questions faith from an agnostic perspective; “kings” examines humanity’s presumed superiority over nature; “you” turns towards love; and “nearer” confronts mortality. Lyrical allusions, symbolism and double meanings run throughout the album.

The lower-case presentation is deliberate. The album title, every song title and all text on the artwork appear in lower case, taking their cue from “god” and reflecting what Iyengar describes as essentially an agnostic man’s album.

Drummer Neilroy Miranda also mixed thirty-seven, shaping the record around the needs of the individual songs rather than a fixed production reference.
“I approached the post-production process according to what our songs needed rather than trying to reference existing albums or blindly adhering to standard practices. The result is a balanced record where everything sounds just right.”

Formed in Bangalore in 2011, Rainburn have built an international reputation through a series of releases and extensive touring across India. Their debut EP, Canvas of Silence, was selected by Classic Rock Magazine as one of the Top 5 Prog Releases of 2015. Their first full-length album, Insignify, followed in 2018 and was named by Rolling Stone India as one of the Top 10 Indian Albums of the year, while also earning the band a feature in Prog Magazine.

Rainburn released the follow-up EP Resignify in 2019 and their second album, Vignettes, in 2023, receiving favourable coverage from Prog and Rolling Stone Magazines. Their touring history includes Progworks on Wheels in 2016, the Insignify India Tour in 2019, the Four East and MURN tours in 2022, and appearances in the Prog Encounters festival series in 2024.

thirty-seven was conceived, composed and written by Vats Iyengar. It was recorded at Octavium Music Academy in Bangalore, mixed by Neilroy Miranda and mastered by Thomas Cassell at Sage Audio in Chicago. Artwork is by Visions in Blue Illustrations.

Rainburn release thirty-seven on 4 November 2026.

Album tracklist:

1. capsize
2. god
3. desolation
4. defy
5. kings
6. you
7. confessions
8. nearer
9. hereafter

Rainburn are:

Vats Iyengar — vocals, electric guitars, bass, synthesizers, samples
Neilroy Miranda — drums, background vocals, synthesizers, samples
Saakallya Biswas — acoustic guitar, background vocals, lead guitar on “god”

Connect with Rainburn:

Official Website: http://www.rainburn.com
Instagram: www.instagram.com/rainburnofficial
Facebook: www.facebook.com/rainburnofficial

MASON HILL Reveal More Details of Upcoming Album “World So Wonderful” + Announce Tour Dates in November

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: . Leave a comment

Mason Hill announce the release of their highly anticipated new album ‘World So Wonderful’ in October. The album was recorded with Dan Weller and is available for preorder now.

The band comment:
Matthew Ward (bass): “A couple of years ago this album seemed like it would be an impossible task. To be sitting here, finally discussing launching the pre order feels like we just climbed Everest and made it to the top! This album is the next step in the evolution of Mason Hill, it’s more fierce, more refined, and hungrier than ever. This one is for everyone that kept believing in Mason Hill. I can’t wait for everyone to get their hands on it.”

Tom Ward (vocals): “We have poured our heart into this album and we’re all truly elated with the finished product – I feel the exciting synergy that we’ve found in this writing relationship has delivered a new and revitalised Mason Hill. Whether you’re a long-term fan, or recently converted ,there is honestly something for everyone on this album, with riffs so crunchy you’ll need a neck brace after your first listen.
Coming into this as a newbie, working with Dan Weller was an amazing experience, he really helped me unlock my own style and take a new approach to writing which I’m forever grateful for. This is a dream for me and I’m super proud of the boys and can’t wait to unleash it on the world.”

Matthew Ward (bass): “A couple of years ago this album seemed like it would be an impossible task. To be sitting here, finally launching the pre order feels like we just climbed Everest and made it to the top! This album is the next step in the evolution of Mason Hill, it’s more fierce, more refined, and hungrier than ever. This one is for everyone that kept believing in Mason Hill. I can’t wait for everyone to get their hands on it.”

Album preorder: https://eyesoremerch.com/bands/m/mason-hill/

Mason Hill have been no strangers to adversity over their 10-year existence. They’ve endured false starts, botched record deals and a six-year gap between 2015’s eponymous debut EP and the release of ‘Against The Wall’. Even the latter landed during the height of the Covid pandemic, meaning the band weren’t initially able to tour in support of it. The departure of former singer Scott Taylor at the end of 2023 was just the latest obstacle they had to overcome.

“There have been times over the years when we weren’t even sure we’d be able to keep on being a band,” says James Bird. “Even just before Tom came in, we were so close to saying, ‘Well, we tried, but let’s call it a day.’ But there’s a stubbornness and determination and passion in us that has kept us going.The new music was obviously still Mason Hill, but we didn’t want it to be a copy of the first album”, he adds. 
“All the good stuff and the bad stuff, I’m glad it happened in a sense,” adds James. “Because without it we wouldn’t be in this place we’re in right now, talking about new songs, which I couldn’t be more excited about. We’re so ready to get back out there. This is who we are now. This is Mason Hill.”

Mason Hill have released their upcoming UK tour dates for November:
“Mason Hill is back on tour – you heard me right! We will be touring the UK in celebration of the upcoming release of our brand-new album ‘World so Wonderful’.
We are well in the groove of things now and are hungry to be hitting a stage near you. Bang in the middle of this tour we will be sharing the stage supporting none other than the mighty Skindred, and we are all beyond stoked for this opportunity! This will be a tour to remember so grab a ticket and join our World So Wonderful…“

12 November – KK’s Steel Mill, Wolverhampton
13 November – Barrowlands, Glasgow (w/Skindred) SOLD OUT
14 November – Gorilla, Manchester
15 November – Bodega, Nottingham
17 November – The Globe, Cardiff
18 November – Boston Music Rooms, London
19 November – Craufurd Arms, Milton Keynes

Tickets available from here: https://www.masonhillofficial.com/gigs

Watch ‘Hurricane’ here:

Tom Ward vocals
James Bird guitarist
Marc Montgomery guitarist
Matt Ward bassist
Craig McFetridge drums

https://music.apple.com/gb/artist/mason-hill/1038242350
https://www.facebook.com/masonhillofficial
https://www.instagram.com/masonhillofficial/
https://open.spotify.com/artist/1Q5a7RgdzBt8OmYq5ZSlO9
https://www.tiktok.com/@masonhillofficial
https://x.com/masonhillband
https://www.youtube.com/channel/UCz3cSYBHV_awSliSgZKCT0A

SKÁLD Release Third Single ‘Dǫkksalir’ with Lyric Video

Posted by tarjavirmakari on September 23, 2026
Posted in: Int. News, News. Tagged: . Leave a comment
[Photo Credit: Romy Lena]

French dark folk entity SKÁLD releases “Dǫkksalir”, unveiling gentle melodies that unfold almost like a lullaby—perfectly fitting the concept of the enchanting yet frightening sirens lurking in the dark. The song is taken from the band’s upcoming full-length album, Ørlǫg, which will be released this Friday, September 25, 2026. Ørlǫg marks SKÁLD’s first release via Napalm Records and awakens ancient spirits as the band extends an invitation into times long gone but not forgotten.
 
Right in time to bring their new music to stages across Europe and the United Kingdom, SKÁLD are set for a major autumn UK/EU arena tour supporting The Hu, kicking off on September 29 in Glasgow.
 
SKÁLD about “Dǫkksalir”:
“‘Dokksalir’ draws us into the dark depths of the sea; in the distance, the sirens’ song calls to us, yet also terrifies us; mischievous spirits watch us and laugh at us; they already know we will be weak; the light no longer protects us; down below, eyes stare at you—perhaps it is you yourself watching yourself lose your way. Those siren voices are so beautiful.”

As the Norns weave our future, this album is a fascinating passageway into our pristine origins and the consequences of our choices. Ten new songs as stepping stones, Ørlǫg is an offering to listen, to dwell, to reflect—and to find something within yourself previously unknown. SKÁLD don’t just play music, they awaken ancient ways.
 
A staple band in the neofolk genre, SKÁLD deliver a striking work of art with their latest album, deferentially using their sources to keep old spirits alive and form the enchanting world of Ørlǫg. The language might sound unfamiliar, but the music still touches the soul.
 
SKÁLD about Ørlǫg:
“Ørlǫg is the cosmic web that influences the world and every person. Part of our Ørlǫg is determined by our birth, our past actions, and our upbringing, but Ørlǫg is not set in stone; our daily choices are constantly shaping it. What we do now and what we have done in the past determines what will happen to us in the future; we cannot escape the consequences of our actions. This album makes us question our choices—both individual and collective—and the patterns we accept or reject. The Norns weave our destiny, but we can take control of certain things: travel, ride worlds, and grow. Each song on this album describes a situation, a place, a choice to be made. Let’s take hold of our Ørlǫg.”

Get Your Copy Of Ørlǫg NOW

The atmospheric journey to claim direction starts within the dreamscapes of “Draumakona”, an expressive look at the female side of shamanic prophecy. The French band constructs their Nordic folk melodies to be particularly catchy, shifting powerfully between female lead singing and multilayered vocal arrangements to create an antiphony between individuum and community. Inspired by Skaldic poetry, SKÁLD use instruments fitting of the time: Ørlǫg is shaped by Nordic fiddles, different forms of harps and lyres, horns, kannels, and whistles, among others, as well as three lead vocalists to bring the arrangements to life. “Myrkviðr” picks up on the opening track’s persuasive energy, with male vocals taking the lead this time.

Further spreading their message is “Ratatoskr”, intonated by clattering sounds and throat singing, channeled into hauntingly repetitive chants of the eponymous squirrel’s name. “Útgarðr” contrasts the different voices compellingly by the passages being sung simultaneously with alternating focus and a goosebump-inducing climax—instantly opposed by “Ek skald rida” which makes use of similar techniques, but is the most tranquil track on the album. “Himinbjǫrg” reaches far out to the edge of Asgard, where Heimdall guards the rainbow bridge, Bifröst. SKÁLD lend him an assertive voice, so the song serves as an emphatic yet reassuring guide through our sometimes-clouded destiny. “Heiemo og Nykkjen”, a rendition of a traditional medieval folk ballad from what is now Norway, takes a more provident approach to both instrumentation and vocal delivery, while “Veit barnit” calls upon the knowledge of children and uses a child’s voice alongside their usual harmonies to reflect that. The grim finale, “Eldr ok iss”, Old Norse for “fire and ice”, again calls on contrasts as well as referencing part of the creation myth in which the primordial being Ymir emerged from Muspelheim—the realm of fire—colliding with icy Nilfheim in the beginning of times. SKÁLD build an appropriate arc of suspense with a formidably sinister atmosphere.

Ørlǫg tracklisting:

  1. Draumakona
  2. Myrkviðr
  3. Ratatoskr
  4. Dǫkksalir
  5. Útgarðr
  6. Ek skald rida
  7. Himinbjǫrg
  8. Heiemo og Nykkjen
  9. Veit barnit
  10. Eldr ok iss

SKÁLD Live 2026
 
Warrior Chant Tour
As Special Guest for The Hu
29.09.26 UK – Glasgow / O2 Academy
01.10.26 UK – Bristol / Prospect Building
02.10.26 UK – Bournemouth / O2 Academy
03.10.26 UK – Newcastle / O2 City Hall
05.10.26 UK – Belfast / The Telegraph Building
06.10.26 IE – Dublin / 3Olympia Theatre
08.10.26 UK – Birmingham / O2 Academy Birmingham
09.10.26 UK – London / O2 Academy Brixton
10.10.26 UK – Manchester / O2 Apollo
11.10.26 UK – Norwich / UEA LCR
14.10.26 BE – Brussels / Ancienne Belgique
15.10.26 DE – Hamburg / Sporthalle
17.10.26 DE – Munich / Tonhalle
18.10.26 DE – Berlin / Columbiahalle
19.10.26 PL – Warsaw / Stodola
20.10.26 PL – Warsaw / Stodola
22.10.26 DE – Cologne / Palladium
23.10.26 NL – Utrecht / TivoliVredenburg
24.10.26 NL – Tilburg / 013
27.10.26 FR – Lyon / Le Radiant
28.10.26 FR – Paris / L’Olympia
30.10.26 CH – Zurich / X-TRA
31.10.26 LU – Esch-sur-Alzette / Rockhal
01.11.26 BE – Brussels / Ancienne Belgique

SKÁLD are:
Christophe Voisin Boisvinet – Percussion, Nordic Fiddles, Harp, Horn, Vocals, Programming
Marti Ilmar Uibo – Percussion, Lyre, Kannel, Whistles, Jaw Harp, Vocals
Steeve Petit – Percussion, Vocals
Marie Potosniak – Fiddles, Vocals
Guillaume Levy – Irish Bouzouki, Citole, Gudok
Nathalie Lemoye-Voisin – Vocals
Ravn – Moraharpa
Michel Abraham – Vocals
Eyline Uibo – Vocals

SKÁLD online:
WEBSITE
FACEBOOK
INSTAGRAM
TIKTOK
NAPALM RECORDS