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CRYPTOPSY Featured on Cover of This Month’s Issue of Decibel Magazine

Posted by tarjavirmakari on February 15, 2026
Posted in: Int. News, News. Tagged: CRYPTOPSY. Leave a comment

Fresh off slitting through a largely sold-out European headline tour, Cryptopsy remain insatiable as ever. The most vile band in death metal are nominated for Best Metal/Hard Music Album of the Year at this year’s JUNO Awards, a category that they won just two years ago. Now, as they prepare to headline the longest-running heavy metal tour in North America, the Canadian legends are proud to add another accomplishment to their Hall of Fame career.  

Today, Cryptopsy are proud to announce that they are featured on the cover of this month’s issue of Decibel Magazine. This marks the second time the band have claimed the cover of the world’s foremost authority on heavy metal since the release of their new album An Insatiable Violence. Joining them on the cover of Issue #258 are members of Necrot, Fulci and Blood Monolith, who are supporting Cryptopsy on this year’s Decibel Magazine Tour.

“We are extremely proud to be on the cover of Decibel for the second time in less than a year”, Cryptopsy says. “Decibel is by far one of the most important magazines for metal. We’re honored to share this achievement alongside the bands who are joining us on this year’s Decibel Tour. These shows are going to be violent, cathartic and unforgettable”.    

“Between the strength of the material on their latest release, An Insatiable Violence, and the anniversary celebration of their landmark, None So Vile, 2026 is clearly the year of Peak Cryptopsy”, Decibel Magazine’s Editor-In-Chief Albert Mudrian says. “We couldn’t be more honored to bring the band’s paramount present and potent past together to headline this year’s Decibel Magazine Tour”.

Order Decibel Issue #258 HERE.

Catch Cryptopsy on The Decibel Magazine Tour 2026. During this 21-date run across the U.S. and Canada, the band will perform songs from Decibel Hall of Fame inductee None So Vile and their most recent Canadian Grammy-nominated album An Insatiable Violence.

The Decibel Magazine Tour 2026
with Cryptopsy (celebrating 30 years of None So Vile), Necrot, Fulci and Blood Monolith

Get tickets: https://www.decibelmagazine.com/events/tour

April 30 – Worcester, MA @ Palladium (Upstairs)
May 1 – Brooklyn, NY @ Brooklyn Monarch
May 2 – Baltimore, MD @ Baltimore Soundstage
May 3 – Philadelphia, PA @ Decibel Metal & Beer Philly (The Fillmore)
May 5 – Atlanta, GA @ Masquerade (Hell)
May 7 – Houston, TX @ White Oak Music Hall
May 8 – Dallas, TX @ The Studio
May 9 – Austin, TX @ Come And Take It Live
May 12 – Los Angeles, CA @ The Regent
May 13 – San Diego, CA @ Brick By Brick
May 14 – Berkeley, CA @ Cornerstone
May 16 – Portland, OR @ Hawthorne Theater
May 17 – Seattle, WA @ El Corazon
May 20 – Denver, CO @ Oriental Theater
May 22 – Minneapolis, MN @ Fine Line Music Cafe
May 23 – Chicago, IL @ Bottom Lounge
May 24 – Detroit, MI @ Crofoot Ballroom
May 25 – Cleveland, OH @ The Grog Shop
May 26 – Pittsburgh, PA @ Preserving Underground
May 27 – Toronto, ON @ Lee’s Palace
May 28 – Montreal, QC @ Fairmount Theatre

An Insatiable Violence, None So Vile and other albums from Cryptopsy’s fearsome discography are now available through Season of Mist.

–Order: https://redirect.season-of-mist.com/cryptopsyall
–Stream: https://orcd.co/cryptopsyaninsatiableviolence

Tracklist
1. The Nimis Adoration (4:10)
2. Until There’s Nothing Left (3:59) [WATCH]
3. Dead Eyes Replete (3:57) [WATCH]
4. Fools Last Acclaim (3:26)
5. The Art of Emptiness (4:16)
6. Our Great Deception (4:21)
7. Embrace the Nihility (3:50)
8. Malicious Needs (5:52) [WATCH]

More than 30 years into their storied career, Montreal death metal innovators Cryptopsy return with their ninth studio album, An Insatiable Violence, set for release on June 20, 2025 on Season of Mist.

Revered in extreme metal circles for such groundbreaking classics as 1994’s Blasphemy Made Flesh and the 1996 magnum opus None So Vile, Cryptopsy find yet another gear on An Insatiable Violence, which further solidifies the band’s place in the upper echelon of death metal. Coming out of the pandemic, the band dedicated themselves to staying on top of their game more than ever before, with the intention of consistently putting out a new record every two years. That started with 2023’s acclaimed As Gomorrah Burns, and continues 21 months later with An Insatiable Violence.

“We had to write the majority of An Insatiable Violence while on the Death to All tour, which was something we’d never done before”, vocalist Matt McGachy says. “Flo [Mounier, drums] and Chris [Donaldson, guitar] really put their hats on. It was a feat”.  

“Ever since COVID our focus is clearer, a lot of work gets done faster, and we push each other to get it done.”, Mounier says.  

In addition to featuring some of the fastest passages Cryptopsy has ever recorded – keen listeners will even hear the odd gravity blast from Mounier, a rarity from the virtuoso drummer – the controlled chaos of their signature sound is offset by well-timed passages that ease off the gas pedal enough to allow listeners to come up for some air. That dynamic rage on An Insatiable Violence in turn makes the more aggressive moments hit even harder, which is immediately noticeable on the harrowing “Until There’s Nothing Left” and the chugging closing track “Malicious Needs”. Olivier Pinard anchors “Fools Last Acclaim” with stunning authority (keeping pace with Mounier is an unenviable task) while Donaldson offsets gnarly, atonal riffs with melodic passages throughout the record. “It’s a continuation of As Gomorrah Burns,” McGachy says, “We really wanted to make a groovy record, and we think we’ve done it.”

It seems as though nothing is scarier than real life right now, and An Insatiable Violenceis a commentary on today’s society as though filtered through the transgressive, countercultural perspectives of J.G. Ballard and David Cronenberg.  

“It all came to me in a dream in August 2023,” elaborates McGachy. “I woke up, I took my phone, and I wrote down the title of the record. It’s about a person that wakes up every day and fixes a machine. Tinkers with it, tries to make it better all day long, sweating in the sun, and then at night, they strap themself into this machine and the machine tortures them, and they love it. Then they wake up the next day and fix it again to make it more efficient, to keep harnessing it, and then just keep doing it over and over again.  

While fantastically twisted, An Insatiable Violence mirrors our toxic relationship with social media.  “We’re continuously trying to feed this algorithm of the machine while it’s totally tearing us apart socially and psychologically”, McGachy continues. “’The Nimis Adoration’ is about mukbang, these Korean people that eat too much food on the Internet. Piles and piles of food. A poor girl died on a live cam”.  

At the center of the album is the mind-boggling percussion skill of Mounier, arguably the most imposing Canadian drummer not named Peart, who dominates such standout tracks as “Dead Eyes Replete”, “Fools Last Acclaim”, and “Embrace the Nihility”. “I look at Flo as an Olympic athlete,” says McGachy. “I want to push this guy to go a lot faster than Cryptopsy’s previous releases. We have so much more to give, and I wanted just drain it all out of him while he’s still at the top of his game, because he is. He’s crushing.”

“I mix up a lot of a physical activity, like resistance training into the drumming,” Mounier says. “I recently developed new techniques that make it easier to go even faster, so I tried to push that on this album. My focus is now more on dynamics and the touch of the snare, a certain snap of the snare, a rim shot on the snare, the toms, a light touch or a hard touch. Live, I can really let go, you know, give the sound guy a hard time,” he adds with a laugh.

For McGachy, who has always boasted a powerful, guttural death growl, the rigors of touring have enabled him to evolve as a vocalist, and he turns in a revelatory performance on An Insatiable Violence. In addition to ear-scraping screams that rival George “Corpsegrinder” Fisher, McGachy unleashes the deepest, filthiest death growls of his career. “Gomorrah was the first album that I recorded with my full false chord scream, which is something that I’d only just touched on The Book of Suffering: Tome II in little sections,” he says. “We did at least 140 shows since Gomorrah. I exclusively did my false chords during all the songs that we performed on None So Vile and Blasphemy Made Flesh. And then, when we did go into the studio for An Insatiable Violence, Chris would be like, ‘Deeper, you must go deeper!’”

Another fearsome vocalist from Cryptopsy’s lore pops back into the booth on An Insatiable Violence. “When we were recording the vocals for ‘Embrace the Nihility’, Chris had the idea of ending the song with the same vocal pattern as the end of ‘…and Then It Passes’”, McGachy remembers. “We figured if we were going to rip ourselves off, then we may as well get the real thing. We were honored that Mike DiSalvo accepted. We are all huge fans of Cryptopsy’s DiSalvo era. His vocals on this album are an ultra Easter egg for our fans”.      

In addition to the effusive praise As Gomorrah Burns received from within the metal scene, the 2023 album achieved a first for Cryptopsy: earning them their first ever JUNO Award in 2024 for Metal/Hard Music Album of the Year. “We had little-to-no expectations of winning” says McGachy. ”We didn’t even go to the ceremonies because we were on tour in Europe with Atheist. On the day we found out that we won, we had a crazy 18-hour drive from Derby to Germany, plus a ferry ride. But we still partied for 48 hours. Flo bought an expensive bottle of champagne”.  

Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix.  “The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother”.

With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.

Lineup
Flo Mounier – Drums
Matt McGachy – Vocals
Christian Donaldson – Guitar
Oli Pinard – Bass

Follow Cryptopsy
Bandcamp: https://cryptopsyofficial.bandcamp.com/
Facebook: https://www.facebook.com/cryptopsyofficial
Instagram: https://www.instagram.com/cryptopsyofficial/
Spotify: https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN
Youtube: https://www.youtube.com/@CryptopsyDeathMetal
BandsInTown: https://www.bandsintown.com/a/2941-cryptopsy

TWISTED SISTER’s 50th Anniversary Reunion Tour Canceled Due to Dee Snider’s Health

Posted by tarjavirmakari on February 15, 2026
Posted in: Int. News, News. Tagged: TWISTED SISTER. Leave a comment

Twisted Sister, together with French Management Enterprises, have released an official statement announcing that the 50th Anniversary Reunion Tour unfortunately has to be canceled. The reason is serious health limitations affecting singer and rock legend Dee Snider. In addition to his battle with arthritis, the musician is now also facing heart problems, making a full-power performance no longer possible — and that’s the only kind of performance Dee Snider is willing to deliver, in true rock ’n’ roll spirit. How things will continue for the band is set to be decided soon.

On social media, the statement reads as follows:

“With regrets, Twisted Sister Cancels 50th Anniversary Celebration Performances

Due to the sudden and unexpected resignation of Twisted Sister’s lead singer Dee Snider brought on by a series of health challenges, the band has been forced to cancel all shows scheduled, beginning April 25th in Sao Paulo Brazil and continuing through the summer. The future of Twisted Sister will be determined in the next several weeks. Stay tuned for updates,

Jay Jay French/Eddie Ojeda
French Management Enterprises”

Dee Snider’s management also writes:

“A lifetime of legendarily aggressive performing has taken its toll on Dee Snider’s body and soul. Unbeknownst to the public (until now) Snider (70) suffers from degenerative arthritis and has had several surgeries over the years just to keep going, able to only perform a few songs at a time in pain.

Adding insult to the injury, Dee has recently found out the level of intensity he has dedicated to his life’s work has taken its toll on his heart as well. He can no longer push the boundaries of rock ‘n’ roll fury like he has done for decades. Says Snider, ‘I don’t know of any other way to rock. The idea of slowing down is unacceptable to me. I’d rather walk away than be a shadow of my former self.’

In the immortal wos of Dirty Harry, ‘A man’s got to know his limitations.’ Sadly, Dee Snider now knows his.”

Source: AFM Editorial Team

STEVE MORSE & LANCE LOPEZ Join DEAD GROOVE for Fiery Return to Jimi Hendrix’s ‘Voodoo Child’

Posted by tarjavirmakari on February 15, 2026
Posted in: Int. News, News. Tagged: DEAD GROOVE, Lance Lopez, Steve Morse. Leave a comment

Take one of Jimi Hendrix’s most dynamic guitar work-outs; stir in the cream of modern power trios; season with the only guitarist ever to step into Ritchie Blackmore’s shoes and make people forget who used to wear them… and what do you get?

“Voodoo Child (Slight Return)” the new single by Hollywood rockers Dead Groove with special guests Steve Morse (Deep Purple) and southern blues guru Lance Lopez, that’s what.

Released on February 13th, “Voodoo Child” was one of the stand-out tracks on Hendrix’s already revolutionary Electric Ladyland double album, a slimmed-down reprise-of-sorts of the 15 minute masterpiece that devoured most of side one.  

The title itself might surprise some Hendrix purists… across most of the world, the song was called “Voodoo Chile” and it topped the UK singles chart following Hendrix’s death in September 1970.  In the US and France, however, it was “Voodoo Child,” and it was the early 1980s before that title became universal.  When it first appeared on a British reissue, the fans all screamed it was a misprint.

“Voodoo Chile,” Voodoo Child,” it really doesn’t matter. From the moment that wah-wah intro kicks into earshot, you know exactly what it is.  But Dead Groove offer up much more than a simple cover of a classic track – and how could they not?

Led by the incendiary rhythm section of Holly West (Zepparella) and Fred Aching (Kings of Thrash), Dead Groove made it clear long ago that it’s their hearts that they follow, not their ears. And with the twin guitar assault of Morse and Lopez stepping into the frontline, almost anything could – and, inevitably, did – happen.

“We had so much fun working on this song honoring one of the biggest guitar rock stars in the world,” say Fred and Holly.  “It’s an honor to be playing with these excellent guitar players, Steve Morse and Lance Lopez.”

They describe “Voodoo Child” as “a unique version that honors Jimi’s legacy,” and they’re not wrong.

And, talking of guitar legends, flip the red vinyl 7-inch single over, and there’s a Tommy Bolin rarity awaiting, a 2024 mix of “Post Toastee,” from the late axeman’s 1976 Private Eyes solo album.

But “Voodoo Child” is not confined to a single alone.  It also closes the bonus track-stacked deluxe edition of Dead Groove’s 2026 EP Rubicon, expanded across 14 songs to include, too, Dead Groove’s first album, from 2023, and more besides.

It’s an ear-shattering collection, with Fred and Holly joined by regular guitarist Cesar Slaverry, of Peruvian monsters Mauser, and not only blasting through a host of Dead Groove originals, but throwing down Motörhead’s “Ace of Spades” as well.  Which makes, incidentally, for a wonderful piece of synchronicity.  Lemmy worked for a while as one of Hendrix’s roadies!

  • 7”: https://cleorecs.com/products/ dead-groove-steve-morse-lance- lopez-tommy-bolin-voodoo- child-slight-return-post- toastee-rare-2024-mix-7-vinyl
  • CD:https://cleorecs.com/products/ dead-groove-rubicon-deluxe- edition-cd

SINGLE: https://orcd.co/deadgroove_stevemorse_lancelopez

Track listing

  1. Fire
  2. The Damned
  3. Ace Of Spades
  4. Satellite King
  5. ‘69 Stingray
  6. Maverick
  7. The Devil
  8. Bad Friend
  9. Silver Spoon
  10. Play Your Hand
  11. The Book Of The Dead
  12. Ghost
  13. Into Infinity
  14. Voodoo Child (Slight Return) feat. Steve Morse and Lance Lopez

WAZZARA Release New Album “Arbor”, Out Now

Posted by tarjavirmakari on February 15, 2026
Posted in: Int. News, News. Leave a comment
Photo by Manuel Vargas Lépiz, Martin Baumann

After a decade of activity, the Swiss act WAZZARA have released their fourth album “Arbor”!

Forged into an alloy of mystical darkness, oppressive heaviness, and ethereal beauty, WAZZARA impresses in a fascinating and captivating way with elements of atmospheric post-black metal, doom, and blackgaze…

TRACKS
🆕 📺 
01. 9 Confines (07:03)
02. Hollow (05:36)
03. Her Ashes Down The River (05:47)
04. Indigo Sleep (05:46)
05. Dandelion (04:21)
06. Nova (06:16)
07. Oceans (05:33)
08. zessa (reborn) (08:08)

⫸ Streaming

Artwork: Wazzara, Pierre Cheers — Logo: Barbara Brawand

Just recently the band released the video for ‘9 Confines‘.

Vocalist Babs says about the background:
“‘9 Confines‘ tells the story of a seeker’s journey toward a hidden truth – a journey of transformation. This cannot be undertaken without introspection and the burden of deep unease. It is about shadow work: about entering the darkness, going to where it hurts, and facing the horrifying.
In the end, you may find yourself changed yet deeply connected – or lose your mind. The song’s theme is strongly influenced by the ‘Hermit’ tarot card, the hermeneutic circle, and Dante’s journey, all of which I wanted to reflect through the imagery of the video.”

STUDIO LINE-UP on “Arbor“
Barbara Brawand • Vocals
Marcel ‘Mäsi’ Stettler • Guitar
Tom Kuzmic • Guitar
George Necola • Bass
Andrei Jumugä • Drums

LIVE LINE-UP
Barbara Brawand • Vocals
Tom Kuzmic • Guitar
Nick Müller • Guitar
George Necola • Bass
Nik Naumann • Drums

More information: https://www.facebook.com/wazzaraofficial

THE MON Premieres ‘Ritual Of Night Violence’ Video from Upcoming Solo Album

Posted by tarjavirmakari on February 15, 2026
Posted in: Int. News, News. Tagged: THE MON. Leave a comment
Photo by Simone Muri

Songs Of Embrace, the new LP by THE MON – the solo vision of Urlo, vocalist/bassist of Italian heavy-psychedelic trio Ufomammut and co-founder of the internationally renowned poster art collective Malleus Rock Art Lab and the independent label Supernatural Cat – is nearing release in early March. Today, the Sleeping Shaman is hosting the video premiere of “Ritual Of Night Violence,” the latest preview from the album.

“It’s a perfect marriage of sound and vision, mirroring the track’s suffocating layers of synthesizers and its slow, hypnotic pull into nocturnal isolation.” – The Sleeping Shaman

Watch THE MON’s “Ritual Of Night Violence” video HERE.

Songs Of Embrace was written, performed, produced, recorded, mixed, and mastered by Urlo at The Howl, Italy, and as with all Supernatural Cat releases, completed with artwork and videos by the Malleus Rock Art Collective.

Urlo reveals, “‘Ritual Of Night Violence’ is one of the most central tracks on Songs Of Embrace. It unfolds as a ritual, a passage in which anger is not released outward, but gathered, contained, and slowly transformed. Built on dense layers of synthesizers, the track moves through one of the darkest moments of our journey: a nocturnal space of isolation, where images accumulate inside the mind without leaving room to breathe: A continuous, silent violence is exercised on perception itself, until the boundary between dream and reality becomes indistinguishable, as if existing in a state of permanent darkness.

“Here, violence is not an act but a condition, something that circulates, inhabits bodies, and persists even after the one who carries it has disappeared. The only possible form of salvation turns inward. A minimal, fragile sound, like that of a buried music box, capable of reactivating memory and interrupting the cycle. Not an escape, but an awakening, the first step toward finding the strength to remain, to resist, and to rise again.”

The Sleeping Shaman writes alongside THE MON’s new song, “Where that first instalment stripped things back to raw vulnerability, this companion piece plunges into murkier, more ritualistic waters – and this movement sits right at the heart of that descent,” calling the video itself, “a genuinely unsettling piece of visual work that’s difficult to articulate in words. It’s creepy, disorienting, and the kind of imagery that burrows under your skin and lingers long after the screen goes dark. It’s a perfect marriage of sound and vision, mirroring the track’s suffocating layers of synthesizers and its slow, hypnotic pull into nocturnal isolation. This isn’t a video you simply watch; it’s one you endure.”

Songs Of Embrace will be released March 6th, on digital platforms, digisleeve CD, and LP. The vinyl will be issued in a standard pressing on 180-gram White/Black marble vinyl, and an extremely limited version in a run of 100 copies pressed on 180-gram Black/White blob effect vinyl in a hand-printed silkscreen cover, crafted by Malleus Rock Art Lab on high-quality paper, with a digital download and CD included. A bundle option including both Songs Of Abandon and Songs Of Embrace is also available.

US preorders can be placed at A Thousand Arms HERE, and other customers can preorder at Supernatural Cat HERE, and if you missed it, watch the previously issued “Incantation” video HERE.

Following the release of the new album, Urlo will perform as THE MON across parts of Europe on tour with Kariti from March 18th through May 5th. View the route and find info and tickets for all shows HERE.

Where Ufomammut projects massive, otherworldly soundscapes, THE MON offers a more vulnerable and introspective experience. The music moves through shadowy electronic landscapes, ambient textures, and hypnotic dark folk, always guided by an emotional core that searches for meaning, balance, and transformation. The moniker evokes several layers of meaning: a contraction of “demon,” “monk,” and the Japanese word 門 (mon, meaning “gate”), a symbolic passage toward altered states of consciousness and inner truth. This duality of light and dark, sacred and profane, runs through the entire project.

Embrace The Abandon is the two-album series by THE MON, structured in two complementary chapters – Songs Of Abandon and Songs Of Embrace –depicting a journey of duality: loss and surrender on one side, acceptance and rebirth on the other. Following the November 2025 release of the somber, acoustic guitar-driven Songs Of Abandon, its companion album Songs Of Embrace is now ready to be heard.

Songs Of Embrace is an instrumental counterpart – darker, ambient, and ritualistic – expands the emotional landscape of the series, rather than closing it. While the first part explored abandonment and loss, this one focuses on presence, proximity, and the physical act of staying. It is the answering breath, the inner voice. The album avoids resolution and comfort, embracing slowness, repetition, and bodily tension. It is not just music, it is a stream of consciousness, an inner search, a way of inhabiting what weighs without letting go.

While Songs Of Abandon is a collection of songs, nine tracks written in nine days, Songs Of Embrace is a continuous musical flow. It is a movement that changes, grows, erupts, slows down, settles, and rises again. Like the sea, it’s calm and still one moment, then moved by a simple breath of wind, suddenly breaking into a storm. The pieces are deeply interconnected, like embraces: some bring comfort, others carry pain; Compositions meant to be listened to in one continuous breath, allowing yourself to be held, rocked, and sometimes pushed away, just like in an embrace.

https://www.urlothemon.com
https://themon.bandcamp.com
https://www.instagram.com/urlo_the_mon
https://www.facebook.com/urlothemon
https://www.youtube.com/@TheMon_official
https://www.supernaturalcat.com
https://www.facebook.com/Supernaturalcat666
https://www.instagram.com/SupernaturalCat_recs
https://www.malleusdelic.com

ŹRENICE Release Second Song + Video ‘Neuroza’ from Upcoming Album

Posted by tarjavirmakari on February 15, 2026
Posted in: Int. News, News. Tagged: ŹRENICE. Leave a comment

The concept behind ŹRENICE band emerged in June 2022, right after the final concert of the previous band formed by four of the group’s current musicians. Choosing to close that chapter and start anew, the band spent the following months shaping the instrumental foundations of what would become their debut album “Śnienie“, all while searching for the right voice to complete their sound. In 2024, singer Kamila joined the band, whose presence propelled the creative process forward.

On “Śnienie“, Źrenice forge a distinctive sonic identity, weaving together elements of alternative rock and metal, post-rock, black and sludge metal, and touches of folk-inspired mysticism and dreamlike storytelling.

Music for “Śnienie” debut album was recorded by Krzysztof Godycki at Studio Roslyn (Mord’A’Stigmata). All was mixed and mastered by Haldor Grunberg at Satanic Audio (Behemoth, Dom Zły, Entropia, Terrestrial Hospice, Hostia). Single cover artwork was done by duo Bartosz Gorzel & Łukasz Hawryluk. Debut album will be released on March 18, 2026 in digital format and as CD by Via Nocturna (pre-order).

Today, Źrenice band presents song “Neuroza” which is available for listening at all major streaming platforms (here).

“Neuroza” is the second single by Źrenice, in which the band tells the story not of victory, but of the courage needed to trust oneself and take the next step into the unknown. The song’s title and the opening bass riff are our small tribute to Neurosis‘ work.

Band comments the newest single: “Neuroza is a story about confronting a part of one’s identity stuck in the past and the fear of change. An encounter with “the character I know” deepens the disorientation and anxiety, in which the desire for change clashes with fear. The symbolic forest becomes an emotional state leading through resistance and anxiety towards crossing one’s own boundaries. Fear here is not just a threat, but a guide to deeper knowledge and breaking out of the illusory sense of security“.

TRACKLIST:

01. Brama Lasu
02. Neuroza
03. Inni
04. Endymion
05. Stara Chata
06. Czarownica
07. Sam
08. …Lasu Skraj

LINE-UP:

Kamila Kuś – vocal
Maciej Ciupa – drums
Łukasz Hawryluk – guitar
Hubert “Huwer” Pomykała – bass
Krzysztof K. Pomykała – guitar

More info: Facebook | Instagram | LinkTree

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