Well known for his time with MEGADETH, KING DIAMOND and his own power metal band EIDOLON plus more besides, Canadian guitarist Glen Drover is back with a brand new project – WALLS OF BLOOD. The album, titled “Imperium” featuring an esteemed assortment of metal vocalists such as Tim ‘Ripper’ Owens (JUDAS PRIEST, ICED EARTH), Chuck Billy (TESTAMENT), Todd La Torre (QUEENSRŸCHE) and Henning Basse (METALLIUM, FIREWIND), is set for release on 22nd February via Metalville.
MSF Senior ManagerAlison Booth recently caught up with Glen to chat about the album in more detail, as well as various other subjects, including the story of a career highlight at the UK’s Download Festival. You can read a few excerpts from the conversation below and the full interview is on the audio player:
Discussing “Imperium”, Glen stated:
“I think it’s the strongest album I’ve ever done, period. This album for me, you know I worked on it sporadically over six years and I’m just really proud, I love the whole album. I couldn’t be happier right now.
It was all people that I really wanted to work with and some, in fact most of them, were singers I might not have worked with before, but wanted to.
And then there were situations where I would approach somebody that I wanted to have on the album and then I would write a song around his type of style – something I knew he would probably be comfortable with and be able to deliver.”
On Matt Cuthbertson, who provides vocals on the track ‘Walls Of Blood’:
“Yeah he did a really good job. The band Untimely Demise, they’re from Canada and I really liked his, he’s got the raspy, growly voice like a lot of bands do – but he has more of an identity I think. I find, with all due respect to the bands that do sound similar in the vocal department, sometimes I can’t tell them apart. But there are some that have an identity, ‘oh yeah, that’s him or that’s her’ or whatever, you know. And he’s one of those guys and I just thought he’ll do really well on the song. Shawn wrote the lyrics and away we went.”
Talking about what’s next for WALLS OF BLOOD and if there’s any possibility of touring, Glen revealed:
“I’m gonna wait to see how it’s received and how I feel about it down the road. One thing I can say is that I probably wouldn’t do another album with multiple vocalists, because I’ve already done that now and it’s a little bit harder. I’m very, very happy that I did it and I’m extremely proud of the album like I mentioned, but I don’t think I would do that again. I would do an album with one singer.
As far as touring, no not at this point because of everything I just said, but is it possible that I could streamline it where it’s one line-up of say four guys, yeah and play shows, absolutely possible. If I’m gonna do it, I’m gonna know when the time comes and it would be very easy to do that. I have a couple of vocalists in mind, one in particular, I’m not gonna mention his name, that I know would be able to do all the different material that’s on the album.”
Reflecting on highlights from his career, Glen reminisced about a MEGADETH performance:
“Highlights, there’s a few. And you know, speaking of the UK, I gotta say, that’s probably if I had to pick one particular event it would’ve been the first time we played Download. We played there twice, but you know you can’t forget that.
We played on the main stage. I remember we were back waiting as the into was about to be rolled. And I was looking out in the field on the main stage at Download and there was a lot of holes. I went ‘oh shit, I was hoping it was going to be full!’ And then just before the intro, I looked my other way and in droves there’s all these people coming down the pathway ’cause one band just finished on another stage. By the time we got on stage there was not a piece of grass you could see, it was just so electric. As far as you could see, everybody was going nuts, you could feel it – it was so heavy with electricity. We played for fifty minutes and it felt like five minutes, literally. That has to be the pinnacle for me.”
“Imperium” Track Listing:
01. Leave This World Behind (feat. Nils K. Rue)
02. Discordia (feat. Todd La Torre)
03. Waiting To Die (feat. Chuck Billy)
04. Blood Sacrifice Ritual (feat. Henning Basse)
05. Tarnished Dream (feat. Tim Owens)
06. Walls Of Blood (feat. Matt Cuthbertson)
07. The Fault Of Man (feat. Henning Basse)
08. Dark Lords Of Sleep (feat. Dan Cleary)
09. Junkhead (ALICE IN CHAINS cover) (feat. Lance Harvill)
10. Seven Spirits (feat. Henning Basse)
Interview by Alex Kolnirale, exclusively for Metal Shock Finland
San Diego based groove metal act SEVENTRAIN Drummer Joel Maitoza was recently interviewed by Alex Kolnirale, exclusively for Metal Shock Finland, talking about the past and their sophomore album “Back on Track”, set for released on March 5th, 2019 via So Cal Records/Alliance Entertainment.
Q: When did Seventrain form and how did you all get together?
A: We formed in late 2012, jamming together at a benefit show for a friend of ours who had passed away. Shortly after that, we got together and started recording the self-titled debut album which was released in 2014. Since the release of the first album, we have a couple of new band members. Our new vocalist, Eric Koonze replaced Jon Campos and guitarist Dave Odegaard replaced Jef Poremba.
Q: How did you go about the audition process that led to the new members joining Seventrain?
A: We auditioned about 30 vocalists before we decided Eric Koonze was the right man for the job. My first choice right out of the gate was to bring in my buddy Andrew Freeman (Last in Line/Lynch Mob), but he was tied up singing in a nightly show in Las Vegas. We were also in serious discussions with Veronica Freeman (V from Benedictum) to sing for us, but it just didn’t pan out. For the guitarist position, we narrowed it down to four players and Dave Odegaard respectively blew everyone away. We gave him 3 songs to learn for the audition and he learned the entire album, so the decision was easy.
Q: Why did you wait five years to release this new album?
A: In 2015, we started pre-production for the new CD in hopes to release it in early 2016. During the songwriting process, we all agreed it would be best to amicably split with our singer at the time. We spent about three months auditioning vocalists. After Eric Koonze came in, he had to re-write lyrics and melodies. It took about a year to track the album in the studio due to scheduling conflicts. The band spent another three months looking for a new guitarist to replace Jef Poremba. Once we got to the mixing stage, our studio engineer suffered a medical emergency and was unable to mix the album. After checking out some other studios, another engineer came highly recommended to us. We paid him in full and after six months of work we didn’t even have one song completed. After that experience, the band decided to have a friend of ours, Alex Pappas from the band Finch, mix and master the album.
Q: How would you describe your music style? What are your influences?
A: All the members have so many bands and musicians we are influenced by and admire, but as far as Seventrain’s writing style goes, we have been described as Badlands meets Alterbridge with a little Sevendust and a dash of Pantera thrown in. LOL
Q: Judging by your background, you have all been in some very unique bands in the past. 24-7 Spyz were surely ahead of their time, whereas Cage played classic heavy metal in a time when it was largely unpopular. What motivated you into the sound of Seventrain?
A: The majority of the songs on our debut album (from 2014) were written by guitarist, Eric Horton and former singer Jon Campos. As a band, we always wanted to go into a heavier direction so when our new singer Eric Koonze came to the plate we started writing more aggressive tunes for the new album and everyone contributed in the songwriting which gave the band a more cohesive sound and direction.
Q: Please tell us more about the 2014 nomination at the San Diego Music Awards.
A: The debut album was starting to pick up steam and entered into the CMJ Loud Rock Top 40 at #36 it’s first week to radio. We started opening up for national acts like Pat Travers and Puddle of Mudd. Later that year, one of our friends congratulated us on social media for being nominated for Best Hard Rock Album of the Year. We had no idea we were even considered for the award, but it was pretty cool to be recognized.
Q: How about touring? Have you toured since the formation of Seventrain or do you play mostly local SD shows?
A: Mostly gigs around Southern California; however, we are starting to branch out. Hopefully hitting some other states with the release of the new album.
Q: You have played along great ones like Pat Travers, King’s X, Michael Schenker and Skid Row (among many others). Which was your favorite show so far?
A: We had a great show with Red Dragon Cartel that was really fun and Warren DeMartini showed up. Another memorable gig was opening for Michael Schenker for our album release party.
Q: You already have one full-length CD out, what are your plans for the future? Releasing more music in order to start touring?
A: The first single and video for the song Now You Know was released in early January of this year. The new album titled Back on Track will be released worldwide on March 5th 2019. We’re all excited about it, so we hope everyone digs the new stuff.
Q: What’s the scene in San Diego, California nowadays?
A: It’s pretty cool at the moment. Our friends in Symbolic recently got signed to EMP and labels are starting to take notice so hopefully it keeps moving forward and expanding.
Q: Have you ever thought of touring Europe? Europeans seem to love this kind of sound!
A: We would love to, but we don’t have a European booking agent at the moment. It would be cool to go out on a package tour or play some dates around a few summer festivals. We have a lot of friends overseas so maybe we’ll get a chance to see them soon.
Q: Any final thoughts you would like to share with the readers?
A: Visit us at our official website: http://www.seventrain.net and like us on Facebook http://www.facebook.com/seventrainband. We hope to see everyone soon and take care of each other! Much love!
About the writer: Alex Kolnirale is an author of two books focusing on the underground heavy metal scene (US Metal Heroes and Crossover the Edge) published by Cherry Red publications.
Metal Shock Finland Senior Manager Alison Booth recently spoke to Niklas Stålvind, front man of Swedish metallers WOLF, as part of the sixth anniversary celebrations of her Blackdiamond’s Metal Mayhem radio show. The chat was just a few days ahead of the band returning to the studio to start recording their next and eighth album, the follow up to 2014’s “Devil Seed”. The whole show can be heard here.
They discussed what WOLF has been doing the last few years, the recently announced UK tour set for March next year, Nik‘s role with THE DOOMSDAY KINGDOM and of course all the latest WOLF news, with exclusive details about the new album! Some excerpts from the chat can be read below, with the full interview on the audio player.
Discussing the next album, Niklas stated:
“It’s a bit rawer and rougher than the Devil Seed. The Devil Seed was a bit polished. I don’t wanna call it polished, it has a lot of depth to it, but it was also a kind of expensive sounding production.
This time we want to get back to the roots of the old school Wolf with the energy and rawness you know, but still keeping that depth. So this time, I tried to write deeper stuff, you know, simple, powerful songs and not overwork the demo and I’m really excited.
Also, I can tell you that one of the reasons this album has taken so long is because for me, song writing is my therapist, my shrink. And I had some really weird experience and dark period in my life that I never talked to someone about it, just put the lid on. And now, like twenty years later, I knew to get forward in life I really had to deal with these issues, that’s what these songs are about. I felt that I couldn’t really rush this process of writing the songs.
And also, there’s a lot of things going on in the world that the album deals with.
This album is not about just writing ten, twelve songs and record and get it out. It’s a bit deeper than that I think, at least for me, so that’s why it’s taken a while.”
On the new album, Niklas revealed:
“It’s not official yet but I can tell it to you – the plan is to release it in August. It depends on how well it goes in the studio, but I think it should be very easy to record it when we have things well planned out.
And everything is written already so we don’t have to sweat in the studio and come up with lyrics and melodies you know. The foundations of the songs are already there – I think it will actually be released after the summer as we plan.”
It is without a doubt that Uli Jon Roth has certainly earned his legendary status – with a career spanning five decades, Uli is set to celebrate his 50th anniversary of performing on stage, since starting out aged 13 in December 1968. His career has been a colourful journey, from the early days of the SCORPIONS to ELECTRIC SUN and a successful solo career, notably an innovator in the music world. Not forgetting Uli‘s creation of the unique and visionary Sky Guitar!
Uli is about to embark on a special six date UK tour, starting 29th November, celebrating his career by playing many favourites from over the years. Check for more information here. Metal Shock Finland Senior Manager Alison Booth recently spoke to Uli about the forthcoming tour and much more besides, for her Blackdiamond’s Metal Mayhem radio show. The whole show can be heard at this location.
Some excerpts of the in depth chat with Uli can be read below, with the full interview on the audio player.
Discussing the forthcoming 50th anniversary shows, Uli stated:
“I haven’t done such an ambitious programme in many years. I’ve got such a big repertoire from over the years, so I had to think hard about what not to play. There’s certain contenders that are always there like ‘Sails Of Charon’, certain Scorpions tracks, but I haven’t performed any of the Electric Sun stuff in years and that will be very interesting for me because that music is very demanding to play – although it should sound easy when you’re listening to it.
So we’re basically playing a best of Electric Sun, a best of my period with the Scorpions from the seventies, to doing some of my Sky Of Avalon, which is a little bit more adventurous, more melodic symphonic rock I guess. And it’s a long show, it’s a mission, so it’s an evening’s worth. I’m also playing a little acoustic set, just solo on my eight string Flamenco Sky guitar and I’m going to play some new pieces that I’ve written this summer which I love playing. And we’re also playing something that I particularly look forward to – some music of my deceased brother Zeno, who you may know, he died earlier this year unfortunately. He was a great songwriter and great guitar player himself, so we’re going to honour his memory and his legacy by playing two of his best songs.
So that’s basically in a nutshell what we’re going to do.“
Mentioning the fact that there seems to be no sign of Uli slowing down, he remarked:
“No, actually on the contrary. I was just saying to my daughter today that I have so much on my plate sometimes that I wish for longer days! (laughs). I’m a bit of a workaholic and recently it seems to be increasing, don’t ask me why.”
Looking back over his long career, Uli expressed:
“Innovator is probably true because I’m always interested in coming up with new ideas and I prided myself in loving each solo that I’ve recorded on albums, different from the other ones you know – trying to break new ground, technically, musically or whatever. So for me, it’s been largely a journey of discovery and also seeing how far you can push the guitar, unlocking some of those mysteries and there are still so many in the guitar. It feels like sometimes I’ve barely grazed the surface, because each time I pick up a guitar I have new ideas and it feels completely fresh and new, it’s just great.
I think the secret to that is that I play really very rarely, you know, I don’t play very often these days. Lots of the time it’s just on stage so that’s why I guess I don’t get bored and it doesn’t get repetitive to me ever.”
Regarding the future, Uli revealed:
“Next year will be very busy because I’m also working towards some orchestra shows, which is very labour intensive with score writing. We’ll probably have to spend some time in the studio editing the DVD and making that. I have written by now a considerable amount of new music and to my eternal shame and disgrace, I’ve recorded very little in recent years and I know a new album is long overdue.
Having said that, it’s not an easy undertaking for me because I’m not so keen on recording studios, because I don’t like the medium as such. I prefer writing music, maybe even writing it down, that as a score I prefer playing it live. But actually making it so that you have an album, you know the final like pinning down the butterfly once and for all. I’ve always had a problem with that you know, so we’ll see. I’ll do my best to come up with a new album.”
Corporation, Sheffield Thursday 29 November ULU, London Friday 30 November Kasbah, Coventry Saturday 1 December Academy 3, Manchester Sunday 2 December Òran Mór, Glasgow Monday 3 December The Stables, Milton Keynes Wednesday 5 December
“Changing Time”, the brand new album from German rockers WOLFEN RELOADED, is out now and available worldwide via Volcano Records and Nova MD Distribution. After several years of extensive tours and remarkable gigs at the side of Operation: Mindcrime, Thunder and Bonfire, WOLFEN RELOADED comes back to the scenes with a solid new chapter that mixes modern and classic rock influences looking at Queensryche, King`s X and Dokken, and shapes a personal and powerful impact characterized by strong guitars and hitting rhythm section that built a proper wall of sound to support the lead voice of an expert singer, Chris Freimoser.
Just recently Metal Shock Finland‘s Tarja Virmakari had a chance to interview WOLFEN RELOADED‘s frontman and singer Christian “Chris” Freimoser, talking about the band’s past, reunion and new album “Changing Time” and more. Chris also revealed that the band has already started to write new material. Please, join the chat below:
1. Hi Chris and WOLFEN RELOADED, welcome to Metal Shock Finland! How are you doing?
Hi Tarja, I´m doing great ! Thanks a lot for having us on Metal Shock Finland. I can say that also on behalf of my bandmates. I’m really really looking forward to this interview.
2. Let’s start from the past… the original WOLFEN was founded in the mid-eighties, and soon after you became one of the hottest liveacts in the southern bavarian area, until you decided to split up in 1996. What are the craziest memories of those years?
Well, in fact there would be a few stories to tell from those years ! But let me just tell you the most outstanding story. It is not a funny story but in the end it all turned out well so we can look back at it with a laugh. It was 1988 or 1989, just at the time when Wolfi and Tom joined the band. We had been searching a rehearsal room for quite a while and eventually made a found in an old sawmill. It was a perfect and big room. We had just furnished it that day and had rehearsed for the first time. Just the next morning at six o´clock my door bell rang and outside was our former drummer Pete screaming that the sawmill has burned down. So we jumped in the car and drove to the scenery where we found the fire expert doing his work.Everything was gone. So that was a shock but luckily the fire was not our fault. It had started with a short circuit in another room. But as this hasn´t been already enough, it turned out that when I called Tom to inform him about this shit he told me that he had a car accident with total loss right after he left from the rehearsal but also with huge luck. He crashed into the woods right between two trees without beeing hurt. Oh man, what a day. But now to come to an end, it all turned out well and the ensurance company paid for everything we lost.
3. In summer 2009, you Chris, Wolfi Forstner (Guitars) and Thomas Rackl (Bass) decided to restart the band under the name WOLFEN RELOADED PROJECT. Please tell me about this decision to come back with another monicker? Was it easy to come back and find your place again? Did you find the music business the same or totally changed?
You know the thing with the name has a special reason. During the time when we were on hiatus another band called Wolfen from the north of Germany appeared on the scene. They had put out records and stuff so we couldn´t use this name anymore. But coming back with a complete new name after this long period of time didn´t seem to be a good idea. So with the decision to add ” Reloaded” we thought we could still reach our old fans and avoid problems with the other band. According to how it was coming back I can say it was tough. After such a long time you have only very little network left especially when it comes to connections with other bands and promoters clubs etc. So you go very much back to the start. We had to learn that these days it is much harder to put up a show. On the one hand it is much more difficult to attract enough audience because of this countless events that are taking place and on the other hand there are much regulations which makes it much more complicated to organize a show. When I look back, it was so different. Without the internet (yes there was a time without the internet, lol) and the advertising possibilities through modern media we could put up shows with 300 to 500 people as an average only with a few posters. Today these numbers are fantasy. But thats how it is!
4. After some line-up changes, today the band members are: Christian Freimoser (Vocals), Wolfgang Forstner (Guitars), Thomas Rackl (Bass) and Manuel Wimmer (Drums). Please tell me about your band synergy.
We all have kind of the same taste in music. Even Manuel, although he is half the age than Tom, Wolfi and Me, listens also to stuff that we came from! Generally speaking, I guess we complement each other pretty good. Everyone has his part in the band and so far it worked out well to this day.
5. WOLFEN RELOADED stands for modern, slightly progressive rock. What else you can tell me about your music style?
You know we are coming from Bands like Queensryche, Dokken, Van Halen, Whitesnake, Kings X but we are also influenced by current bands like Alter Bridge, Winery Dogs. Our intention was to stick to our roots but in the same way evolve the songs to a modern sound. A lot of Bands from that era when they put out new music sound exactly the same as if it was 1985. That is ok but we didn´t want to sound the same as back in the days. At least we tried, and as far as I can say the feedback we got til this day it seems that we are on the right way.
6. Since your reunion, you have played at numerous events and festivals. What are the highlights, so far?
Yeah there were some really great support shows we had the privilege to play. As to mention the shows we did in 2015 with Geoff Tates’ Operation Mindcrime. We had the honor to open for one of my personal vocal heroes which was an absolute outstanding experience. In his band at that time, we got to know Simon Wright (DIO/ AC DC), Kelly Gray (Queensryche) and John Moyer from the mighty Disturbed. Another highlight was the support shows for the mighty “THUNDER” in 2016 and in 2017 where we got to play a sold out show in Munich. Awesome !!
7. And let’s now talk about the present. Your new album, “Changing Time” came out worldwide on June 22th, 2018 via Volcano Records. What can you tell me about its songwriting process?
Well, since it is a debut album we took what we thought would be the best 9 songs since the reunion and also one track from the early days, “Judgement Day”. Live this song always connected very good to the audience it we thought it had to be on the album. We made some changes in the arrangement and to the sound so it would fit to the other material.
8. The album title “Changing Time”, is not a track from the album, so why this choice? It seems to be like a prophecy…
The title has kind of two meanings. For us as a band it was a “changing time” when our former drummer left the band, an Manuel filled in. In adition to that somehow as an overall meaning it also stands for the time we are living in right now, where also a kind of change can be felt may it be politically or societywise.
9. Also the album cover art is significant, while speaking about a change. Please tell me the story behind it.
Well, since we wanted to have something that has to do with ”time” we came up with different ideas and honestly it took us a while. One day I found this incredible artwork from this spanish deviant artist in a forum that had done a pretty similar picture to what would become our actual cover. It was exactly what we were looking for. The problem was that she only occured under a pseudonym but somehow I managed to find out her real name and was able to contact her on fb. She was willing to recreate this picture for our needs and did an awesome job. We are more than happy with the cover.
10. How would you describe the album? Is there a concept behind it?
It is not what you would call a concept album but we had the intention to have a common theme with the order of the songs. The album opens with “Amzing” a very positve song then the songs are getting much darker lyrically until the last song which is “New horizon”. This track falls into line with the cover art where you can see this vast horizon in the back and lyricwise concludes with a positve message.
11. How have your fans and audience welcomed this new album?
So far we are very happy with the reactions we got from the fans! We also had a couple of very good album reviews, so we really appreciate that !!
12. Prior to the album release, you revealed two videos from the album: Frozen [music video] and Amazing [lyric video]. Why you chose these two songs?
“Amazing” is the song with the best audience reaction when we play live. So it was inevitable to take it. According to “Frozen”, we thought it would fit best for the official video. This song represents the kind of music we make very good. It has a big chorus and an killer solo with a progressive touch and furthermore the lyrics fitted perfectly to the videoconcept we had. So we are very happy with the outcome.
13. Now that “Changing Time” is out to the masses, how will you support it? a tour, shows, new videos?
With the new album coming out at the end of June it was already a bit late to get booked for shows 2018. But our focus lies on 2019. Hopefully the album does well so this would help.
14. Looking towards the future, do you have already some plans for it?
We already started to write new material. We have no explicit plans for the future. At the moment our goal is to get some cool gigs and have the opportunity to promote the album.
15. Thanking-you for this interview, now the word is yours: what would you like to say to your fans and Metal Shock Finland readers?
Yeah ,me and the guys would like thank you so much Tarja for having us on The Metal Shock Finland Webzine. It was a great pleasure to have the opportunity to talk about Wolfen Reloaded and our new album. And to all you Metal Shock Finland readers we hope you guys like our album. Check it out, it is available on all digital platforms or physically on eBay, Amazon… Hopefully we see you at one of our shows someday. ROCK ON !!! Cheers Chris
It’s always a pleasure to sit and have a chat with a metal friend, especially having had a chance to work with them. Niclas Etelävuori, an amazing bass player who has been in the heart of the rhythmic part of AMORPHIS music for seventeen years, is now busy with his new band FLAT EARTH. To know more about his past and present, I had an interview with Niclas from which an excerpt can be read below:
Perhaps you agree with me that mankind is a creature of habit and seventeen years is long enough to make it difficult for any person to change or want to try new things. So I asked Niclas how he feels about those years with AMORPHIS now?
– “It was great times, it was a huge part of my life. I mean I don’t know, sometimes you just have to move on. But I have good memories and bad memories, but mostly good memories.”
In April 2017, Niclas announced his departure from AMORPHIS via a post on Facebook, where he mentioned his decision as “the hardest decision he ever made”. I asked him about it and what exactly happened during that time which led him to make that decision;
– “It wasn’t a sudden decision, it’s been growing for many years probably, five or six years but then I don’t know. I felt like things were getting just worse and people didn’t stay to their words and you know, a lot of things didn’t match. So I don’t know, I’d just had enough. We had an agreement that we do changes but it never happened. So I thought ‘this will never happen, I have to do something else’. That’s basically it in a nutshell. But it’s very complicated and a long story, it would take a week to tell it. There’s some personalities, their egos go before other things.”
FLAT EARTH, why and how was it formed? Niclas responded:
– “After a couple of weeks sitting outside drinking beer, I had to do something. Then I had this one song and my Spanish friend Juan came by and ‘yeah yeah I wanna sing on that one’, so we released this one song in Spanish with him. But I knew I had a lot of songs on my hard drive and some of them were pretty old, so I didn’t even remember what I had done. So it took weeks to listen to all of that. Then later, I started to look for somebody to play with and then Linde came up through a common friend. I liked his style always and I knew that maybe he wasn’t going to do anything after HIM finished. So then I asked him over and he was right away into it. From there on we start to look for a singer and then I have forced almost Gas to be in the band, but now he’s really into it (laughs). But Gas and I go back, we knew each other almost thirty years now. It’s all good.”
If you know AMORPHIS and if you’ve checked the FLAT EARTH single, ‘Blame’, you will also have noticed the difference in the music. So let’s see what Niclas thinks about it:
– “I feel good about it. Actually now we can do whatever we want. So it would be pointless for me to play the same music that Amorphis is doing. This is our first album and there’s a lot of different music on it already. I’m very excited when we get to play more and compose the second one.”
I was curious about the band’s name, you might be too. So I asked Niclas and he answered:
– “It was kinda from many coincidences. We had a day planned to set the name for the band at Linde’s house and it was kind of our first get together. And we were to come up with a name and we cooked food and had drinks and stuff. Linde has four hairless cats and one of them passed on as soon as we got the dinner, from a heart attack. In the end we couldn’t come up with a name that day. The next morning, we thought we have to come up with something and we had a couple of names and Flat Earth came up. Then we somehow felt that we had to give tribute to the cat, because he lost his life when we were coming up with the name. Then we also heard a story that if the earth is flat, then all the cats would shove everything off it, so we had a lot of coincidences.”
You can listen to the whole of this interview on the SoundPlayer below:
Well known for his time with MEGADETH, KING DIAMOND and his own power metal band EIDOLON plus more besides, Canadian guitarist Glen Drover is back with a brand new project – WALLS OF BLOOD. The album, titled “Imperium” featuring an esteemed assortment of metal vocalists such as Tim ‘Ripper’ Owens (JUDAS PRIEST, ICED EARTH), Chuck Billy (TESTAMENT), Todd La Torre (QUEENSRŸCHE) and Henning Basse (METALLIUM, FIREWIND), is set for release on 22nd February via Metalville.
On Matt Cuthbertson, who provides vocals on the track ‘Walls Of Blood’:
Pic By Lee Millward
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