Equipped with a personalized electronic kit and stellar Toontrack software and sounds, Die Crawling has been Verbeuren‘s lair of choice when laying down drum tracks for bands such as Naglfar, Bent Sea, Powermad, SCD, Anatomy of I and Colosso, as well as his smash hit MIDI pack series for Toontrack, the Library of the Extreme.
Always at the forefront of metal drumming, Verbeuren took part in October’s infamous first edition of Sick Drummer Camp, instructing and performing alongside high profile drummers such as Gene Hoglan, Sean Reinert, Derek Roddy, George Kollias, Gus Rios and Danny Walker. In 2012, with two highly acclaimed Tama/Meinl clinic tours in Europe and China already under his belt, Verbeuren will lay down drum tracks for Soilwork’s upcoming album The Living Infinite as well as his side project, Bent Sea featuring Shane Embury and Sven De Caluwé among many other unannounced recordings. In the meantime he’s booking a follow-up clinic tour in Asia and is looking forward to touring the United States to reach his American fans.
Die Crawling Studios has opened up Verbeuren’s availability to record with numerous talent packages and he’s always seeking to participate in the next exciting project. Says Verbeuren, “It’s always a blast for me in the studio. I feel at home behind the kit and get a ton of inspiration from all the new music being created around the globe. One thing I never want to stop doing is working with other musicians. Die Crawling Studios is one of my ways of contributing to the world of music. I love it!”
Check out the Die Crawling 2011- 2012 promotional reel below.
KISS By Monster Mini Golf, a unique rock ‘n roll-themed amusement attraction based around the legendary band KISS wants to show dads out there a good time by offering half priced miniature golf and a free KISS gift for dads on Father’s Day.
The regular price to play is $11.95, but on Sunday, June 17th, dad can enjoy a round at the reduced rate of $5.99 from 10am to midnight.
KISS By Monster Mini Golf is located at 4503 Paradise Rd. Las Vegas, NV in the Shoppes at Harmon Square across from the Hard Rock Hotel & Casino.
“We love dads, especially rockin’ KISS dads! We are happy to offer dads half priced glow-in-the-dark KISS mini-golf and a free KISS gift,” stated Christina Vitagliano, Founder of KISS By Monster Mini Golf. “This Father’s Day celebrate in style, KISS style!”
KISS By Monster Mini Golf is the first-of-its-kind indoor glow-in-the-dark custom-designed, rockin’ 18-hole miniature golf course with a state-of-the-art arcade, the largest KISS gift shop in the world, a KISS Gallery, the “Hotter Than Hell” Wedding Chapel, a private VIP Room, FANtastic KISS themed event rooms and the “Rock ‘n Roll All Nite” Café.
Call 1 (702) 558-6256 for further details; long distance charges may apply.
Swedish pro metallers OPETH have announced a European headlining tour in November in support of their tenth studio album Heritage. Dates are as follows:
November
12 – Rock City – Nottingham, UK
13 – O2 ABC – Glasgow, Scotland
14 – St Vicar – Dublin, Ireland
15 – Metropolitan University – Leeds, UK
16 – Union Chapel – London, UK
17 – Pyramid Centre- Portsmouth, UK
18 – Luxemburg, Luxemburg – Den Altier
20 – Brussels, Belgium – AB
21 – Cologne, Germany – Ewerk
22 – Frankfurt, Germany – Sankt Peter*
23 – Bochum, Germany – Christuskirche*
24 – Leipzig, Germany – Werk 2
25 – Hamburg, Germany – Grosse Freiheit
26 – Århus, Denmark – Vox Hall
27 – Copenhagen, Denmark – Vega
Niclas Müller-Hansen of Sweden’s Metalshrine recently conducted an interview with TWISTED SISTER frontman Dee Snider. A couple of excerpts from the chat follow below.
Metalshrine: What was it that made you write [yout autobiography, “Shut Up And Give Me The Mic”] and why now? Is it something you’ve been thinking of doing for a long time?
Dee Snider: No, I wasn’t thinking about writing a book at all, but one of my friends, who’s now become one of my managers, said, “Man, you’ve got great stories to tell. You should write a book!” And I said, “Yeah, people keep saying that, but no one’s ever made me an offer.” He goes, “I’ll get you a book deal.” And so he got me a major offer from a major publisher in the States. They said, “What do you wanna write about?” and I said, “Well, I’d like to write about my rise and my fall.” They said, “Your rise and your fall?” I said “Yeah, I wanna tell the story of deciding I wanna be a rock star, struggling being a rock star, achieving stardom and then losing everything.” And that’s the story I told, which is a different story than virtually anybody else has told. I wrote it by myself and I don’t know. I mean, I think there are enough books out there about sex, drugs and rock and roll and god knows what’s true and what’s not. I think it’s important to share the real story with people. Share your struggles, share your dreams, share your pain and share your failures. It’s important for heroes to be fallible and it’s not to be more heroic. It’s just to let people know, you know, that people fall down, people screw up and we all have dreams, it’s not easy and maybe it’s through your success and your failure everybody gets something out of it. They learn something, get an inspiration or maybe they go, “Whoa, I’m not gonna do that! Man, he’s an idiot!” and that’s OK, too. You know, I’ve got a brother who swears that watching me crash and burn just sort of changed him as a person. He’s so cautious and he goes, “I never wanna see that happen to me. You were just so cavalier and I couldn’t live with that kinda failure.” Then I’ve done my job. [laughs]
Metalshrine: I interviewed Jay Jay [French, TWISTED SISTER guitarist] a few years ago and I’ve read recent interviews with you and you both keep saying that no one wants to hear a new TWISTED SISTER album, but have you heard VAN HALEN‘s new one?
Dee: Yes.
Metalshrine: They took a bunch of old demos and it sounds awesome. Classic VAN HALEN and couldn’t you do something like that with TWISTED SISTER and give it that classic ’80s sound? Not trying to be like 2012.
Dee: I don’t know what VAN HALEN sold record-wise?
Metalshrine: I think it’s around 400,000 copies in the U.S. so far, which is pretty good these days.
Dee: Exactly. That’s VAN HALEN. They’re much bigger than TWISTED SISTER, so reduce that by the proper amount and you get down to 40-60,000 copies. Not that it’s all about money, but for me… I call it going back to the future. I expect the doctor, what’s his name, “Great Scott, Marty! They put an ’80s album in the 2010s. Let’s hope they don’t see each other, because it will break the space time continuum!” [All in the voice of Christopher Lloyd] I’m just so passionate about what I’m doing next that I just don’t feel motivated. Even if it was the biggest-selling record in the world. Well, if it was gonna be the biggest-selling record in the world, maybe. Fans don’t wanna hear a new record and then when you make an old-sounding record, they’re just like, “Eh, it sounds like the old stuff.” It’s not timely. You’re not gonna get radio airplay, you’re not gonna get TV or video airplay, there’s no stories to carry itself. You’ve got no outlet. I host an ’80s retro show and we never play new music. That’s not me. That’s the radio station and the producers. I say, “Just give them a taste! Just play the first chorus!” We talk about the new record, saying, “Well, RATT‘s back in the studio and they’ve got a new one called “Defecator” coming out. It’s a sphincter with some shit hanging out of the ass.” No reflection on the writer and they say, “Nobody wants to hear it.” And I’ve said it before, it’s the bathroom song. New material has always been the fucking bathroom song, even going back to seeing ZEPPELIN do “Kashmir” before the album came out. “This one’s off the new record. It’s called ‘Kashmir’.” [Dee stands up and walks away.] “You wanna beer?” It’s fucking “Kashmir”! You wanna go, “Where the fuck are you going? Sit your fucking fat as down!” I just don’t see it happening.
Metalshrine: But you did the Broadway thing? What was the thought and the plan behind that?
Dee: Sheer insanity. It’s one of those insane things. I got an idea and everybody said, “You’re fucking nuts!” and I said, “Maybe so, but I wanna do it if somebody is willing to put up a little money to have me do it.” I had more fun doing it… Again, something new, something challenging, something that allowed me to take chances and expand and you can’t really do that in TWISTED SISTER. People don’t wanna hear a more musical TWISTED SISTER, you know. They don’t wanna hear QUEEN vocals on a TWISTED SISTER record or orchestration and I wanna be able to challenge myself. Reviews of the record have been 99% positive and 1% I think haven’t even listened to it. People listening to it either love it or “I gotta admit, I like it. I’m surprised. I didn’t expect to like it.” And I didn’t expect everybody to like it. I didn’t know if anybody was gonna buy it or if they were gonna sell it or who would play it or what they’d do with it, but I wanted to do it. That was the challenge. It’s just a matter of what’s challenging.
Metalshrine: I was kinda wondering and it hasn’t really anything to do with music, but I just celebrated 10 years this last Friday with my wife. You’ve been married for 31 years and you’ve been in the rock and roll business longer.
Dee: We’ve been together 36 years.
Metalshrine: How do you do that? With all the temptations and the drugs and booze and rehab and you’re still there. One of few in the business I guess.
Dee: You know, actually, I have a list and I’ve been studying the subject and there’s a long list of entertainers with long marriages and there’s a commonality. One of the commonalities in this long list, which includes Bono, Bon Jovi, Brad Whitford, Dennis Dunaway from ALICE COOPER, Alice Cooper himself, but I’ve noticed in the entertainment industry that… Paul Newman with Joanne, Mel Brooks who was with Anne Bancroft, Kevin Bacon… 99% don’t live in Las Vegas, Miami or L.A.
Metalshrine: Well, that might have something to do with it. [laughs]
Dee: They live with a degree of normalcy and they remove themselves from temptations. That is the key. Not drinking… Look, I’m a dude. We’re all dogs and we all want to. It’s a matter of are we domesticated enough to not? By not drinking and not doing drugs, your resistance isn’t weakened by not accepting the invitation to the grotto at the Playboy mansion. You have a better chance of not fucking up. It’s boring, but I’ve opted to say, “OK, I’m not going to that party. I’m not gonna get high, because if I do, I’m gonna fuck everything in the room and that’s the end of my life.” It’s the end of my life, of my family, my relationship, the money I’ve earned, everything gone. So, I will tell you, young master, the longer you go without, the easier it gets. The less of a reality it becomes. You still see them and you still go, “Damn!” There was one at the book signing today and I turned around and said, “In another life. I’m not doing it, but in another life.” It does get easier. On a marriage level, my wife says the key for her is she is my wife and my mistress and she acts like it. 36 years in, she takes care of herself and surprises me all the time. As a matter of fact, she surprised me on my cell phone earlier today. “Oh, Jesus, this is awesome!” The toughest picture I’ve ever deleted. Can’t take a chance of that being discovered or hacked. [laughs] On your end, just say yes. It’s not masochistic, it’s not sexist. Women internalize, we externalize. We process and then we pronounce, they say it and wanna hear it.
Brazilian metal band Scelerata posted the first part of the video footage with the recordings of their third album, entitled “The Sniper”. The album was produced by Charlie Bauerfiend (Motörhead, Helloween, Blind Guardian, Halford, Angra, Rage, among others) and Renato Osorio, and had its drum tracks recorded in Blind Guardian’s studio, the Twilight Hall Studios in Germany. Check out the video below.
The band recently announced on its official website the new song “Must Be Dreaming,” which was composed by vocalist Andi Deris (Helloween) especially for the band. Not only did Andi write the song, he also sings, sharing vocals with Fabio Juan, Scelerata’s singer. Check it out here: www.scelerata.com
On June 6, Aniruddh Bansal of Metal Assault conducted an interview with vocalist Maurizio Iacono of Canadian extreme metallers KATAKLYSM. A couple of excerpts from the chat follow below.
Metal Assault: Your new DVD, “The Iron Will: 20 Years Determined”, is coming out on June 19th. What can fans expect from it? It seems to be quite a complete package and everything about the band’s 20-year history is in there.
Maurizio: Well, it’s something that we’ve been planning for a long time. We knew that the 20th anniversary was coming and we wanted to do something very special. The whole idea started with me wanting to write a book about the music industry and my own personal experiences, and what I’ve been through with KATAKLYSM. But then, as it turned out, withe everything that I’ve got going on, I just couldn’t put the book together on time and so we decided to hire a director and the record label decided to do this type of in-depth-style documentary about our entire career. I think it kind of represents a lot of the working-class type of metal bands out there, that are either struggling or making it, just both ends of it. So, it’s very very detailed. People that have seen it have said that it’s the most complete documentary they’ve ever seen, so that’s very good to hear. It’s five and a half hours and comes with our complete 20th-anniversary show in Germany, which we did last summer. We headlined that show in front of almost 20,000 people. It also has the “best-of” record and the CD version of the concert, too. So it’s a very complete package for sure. It’s very worth the money.
Metal Assault: So, while putting together this documentary, did you guys look at any other band documentaries to kind of study how to do this thing, or was it just like completely natural and you just put in whatever you filmed?
Maurizio: Well, two things. First of all, we didn’t want this to be like a sob story. It wasn’t meant to show the band in a way like, “Oh, look at us. We’re fucked up and we struggled and it was hard.” It wasn’t like that. We didn’t want to do that. It’s a good story, it’s the story of a band that’s been on its way to get recognition at some point. We’ve taken a huge risk because it’s so long, and in the beginning we were a little bit worried because we had decided to do something nobody had done before, and it’s a very, very detailed documentary. The only band that did anything close to it was CANNIBAL CORPSE, but theirs was four hours and ours is five and a half. There is also a lot of footage that’s not even in there, that we just couldn’t put because it was already too long. And also, we tried to do it in a different way as well. If you watch it, you’ll see that it’s not just somebody talking. There’s a lot of footage and there’s a lot of stuff where it’s comical. It’s a very emotional roller coaster, the whole thing. The director, Tommy Jones, has done an excellent job with this thing. It was a massive job to put together and we’re very happy with the fantastic job he’s done. So far the reviews are killer, and we couldn’t ask for anything more.
Metal Assault: You said that the way things are done in the States is not healthy for bands. What are some of those things?
Maurizio: There’s a lack of interest for small bands. America is based on the really big and the really small, and there’s not enough of the in between. There’s problems with the way the costs of developing bands is going, because there’s so little money for them to tour that bands are just breaking up before having a chance of going towards pursuing metal as a living. In Europe, they have tour buses that can accommodate up to four bands, and when we put four bands on a tour, we save on the cost of gas and hotels, and it gives bands the chance of spreading their fan base. That’s how KATAKLYSM did it, and I know that if I had to pay all of my way through when I was a teenager, there was no way I would have survived. Even at the beginning, when we were kids, we were used to be being put on a bus, and we were like, hell yeah, we don’t have to pay anything and we just go and play. That’s how we built our fan base and this is one thing America has to learn. It all has to come together and things need to be done in a different way than before, because I’m very worried about how the industry is going. There’s been no new bands that are breaking out there and making a big noise. Like I’ve said this before, PANTERA, to me, was the last rock-star band. There hasn’t really been anything since then that has made a huge impact or changed the industry, unless you want to say SLIPKNOT. But other than that, there hasn’t been anybody. We’re still worshiping all the really old-school bands and there’s nothing new that’s making an impact — in my opinion, at least.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video