With their fantastisc new record “Stones Grow Her Name”, SONATA ARCTCA not only achieved gold status in their homecountry Finland, but also entered charts worldwide.
We´re pround to announce the chart entries so far:
Finland 1
Hungary 13
Switzerland 21
Germany 24
Austria 29
Sweden 37
Norway 39
France 54
Italy 72
Holland 72
Canada 79
Belgium Wallonie 79
Spain 97
Sweden Rock Charts 5
Canada Rock Charts 7
UK Rock Charts 9
Great news also from the US camp:
After hearing that SONATA ARCTICA’s latest album, Stones Grow Her Name, achieved “highest 1st week sales” status in the USA with 2,225 copies sold and has debuted at #9 on the Billboard Heatseekers chart, vocalist/songwriter Tony Kakko checked in from his home in Finland with the following message:
“North America! Awesome! Our best ever 1st week sales with Stones Grow Her Name! Thank you so much! Feels good to hear this kind of news from the other side of the great puddle. Especially now, when the times are what they are… You guys rock! Sure hope to get all the tour plans ready as soon as possible, so we can announce out next great North American adventure. See you guys hopefully soon! Miss ya! Cheers!”
SONATA ARCTICA – “Stones Grow Her Name World Tour 2012”
German dates presented by: Rock Hard, MusiX and BLAST! Magazine
On May 16, Montreal, Quebec, Canada metal radio show “Metal Attack MTL”, which airs on MetalMessiahRadio.com, conducted an interview with drummer Paul Mazurkiewicz of Florida death metallers CANNIBAL CORPSE when Paul was in Montreal to serve as a special guest judge for Round 5 of Heavy MTL‘s “Battle Of The Bands”. You can now watch the chat in two parts below.
CANNIBAL CORPSE‘s twelfth studio album, “Torture”, sold 9,600 copies in the United States in its first week of release to debut at position No. 38 on The Billboard 200 chart. The band’s previous CD, “Evisceration Plague”, also opened with 9,600 units to land at No. 66. That was more than 50 percent higher than the opening tally of CANNIBAL CORPSE‘s 2006 CD, “Kill”, which entered the chart at No. 170 after shifting more than 6,000 copies.
“Torture” was again produced by HATE ETERNAL‘s Erik Rutan at his own Mana Recording Studio in St. Petersburg, Florida as well as Sonic Ranch in Tornillo, Texas, and features the maniacal cover art by longtime CANNIBAL CORPSE artist Vincent Locke.
While “Torture” marks the latest progression in the band’s sound, it also witnesses a return to what drummer Paul Mazurkiewicz accurately terms “the frenzied attack of ‘Butchered At Birth’ (1991) or ‘Tomb Of The Mutilated’ (1992),” infusing the band’s advanced musicianship with the raw savagery that haunted their earlier releases, and in the process conceiving the definitive CANNIBAL CORPSE record.
1. The Seventh Gate
2. Divisions of Hatred
3. The Nine Lives
4. Dead Plains
5. Behind the Mirror
6. For These Words
7. Schizophrenia
8. New Order
9. Heart of Persia
10. Strength and Honor
Formed in 2004, Xianosys combine Traditional Metal with classical orchestrations inspired by soundtracks from the largest film productions of recent years. Inspired by composers such as John Williams and Hans Zimmer, Xianosys create music rich with harmony and magnitudes of power.
Straight into the music and we’re basically listening to Dream Theatre or Rhapsody with great opening sequences and progressive riffs, but as you progress you soon become aware of a sound issue, there is a serious mixing problem with certain levels in some of the tracks being far too loud in certain places and falling in and out of the track at other places. Into the solo sections and with what we’ve heard from all the theatrics of everything else in the orchestrated sections and guitar expressions I was expecting so much more in regards to solo’s. As the tracks progress, there are some really great technical introductions from the guitars with heavy riffs, but just as you get into them they cut out and the vocals take over with the pianos. As ‘The Nine Lives’ start I noticed an odd cymbal issue in the first 2 seconds, it goes from really gentle increase to loud all of a sudden. With modern music software available these days, this really should not happen. The lead guitars are highly expressive however and as the heavy riffage takes over you are left with great expectations.
Into ‘Behind the Mirror’ with the great horns and palm-muted heavy riffs which work really well with the vocals then before you know it we’re thrown head first into a highly expressive mix of choirs and orchestras with riffs coming in from everywhere. This is a great track throughout! ‘Schizophrenia’ opened up the musical understandings that this band really has with the mix of middle-eastern passages and super heavy pounding riffs. I thoroughly enjoyed this track with all the intricacies including the gallops and obscurities.
Possibly the most expressive track on this album has to be the final track ‘Strength and Honor‘ with the combinations between female chanting, echoes, hypnotising acoustic guitars, beautiful textures and impressive bone chilling atmospheres’. I could listen to this track alone over and over, again and again.
So, what can I really say about this album? I suppose I’d say anybody that enjoys really powerful metal, experimental ideas, super-expressive melodies, orchestras and sheer musical technical knowledge should without doubt listen to this.
8/10
Members
Phil: Lead Vocals, Guitar
Silver: Guitar, Backing Vocals
Tony: Guitar, Backing Vocals
John Machine: Bass
Stoblaz: Keyboards
AXEWOUND — the new project featuring Matt Tuck (BULLET FOR MY VALENTINE) on guitar and vocals, Liam Cormier (CANCER BATS) on lead vocals, Mike Kingswood (GLAMOUR OF THE KILL) on guitar, Joe Copcutt (RISE TO REMAIN) on bass, and Jason Bowld (PITCHSHIFTER, KILLING JOKE) on drums — made its live debut last night (Thursday, May 31) at Tivoli in Utrecht, Holland as the support act for KILLSWITCH ENGAGE. Fan-filmed video footage of the performance can be seen below.
During the time off between BULLET FOR MY VALENTINE albums, Tuck grew restless. Recruiting Bowld, routinely touted as the best session drummer in the U.K., and engineer Martyn “Ginge” Ford (BULLET FOR MY VALENTINE, TRIVIUM), Matt set to creating monster riffs and intricate metal melodies at the Atrium recording studios in Cardiff, Wales. The project proved fertile ground for Matt to explore the darker, heavier side of his appetite for metal, and soon enough Matt was recruiting co-conspirators to the cause, including Synyster Gates of AVENGED SEVENFOLD delivering a finger-burning guitar solo on standout track “Vultures”.
Choosing a vocalist to match the intensity of the music was easy, says Matt. “The first phone call I made was to Liam [Cormier, of CANCER BATS]. We’ve toured the world together and I’ve always admired the furious energy he brings to a performance.” Liam flew over from his native Canada to join Matt and Jason at the studio and began recording his trademark searing vocals that took the then-unnamed project to the next level. “That was when it really hit me,” continues Matt, “we had something special here, way more than just a studio project. We’ve gotta take this show on the road!” Guitarist Mike Kingswood (GLAMOUR OF THE KILL) and Joe Copcutt (ex-RISE TO REMAIN) were handpicked to join the lineup and a metal supergroup AXEWOUND was born.
A strict Omerta-like code of silence prevailed around the camp as finishing touches were added to the record and in March the tracks were shipped off to be mixed by Machine (LAMB OF GOD, THE BRONX) at his studio in New Jersey.
AXEWOUND‘s lead track, “Post Apocalyptic Party”, was aired on the BBC Radio 1 “Rock Show” and is available for free download from the band’s web site at www.axewounduk.com.
Tuck admitted in an interview with the “Rock Show” that he is looking forward to not being the singer and leader. “It’s going to be different, not being the main vocalist, but it’s something I look forward to, [to] just enjoy being a guitar player and a songwriter,” Tuck said. “It’s not something I ever wanted to do, [to] be the frontman of the band. I was always the guitar player who could sing at the same time and that is how I ended up doing what I do.”
He added, “It’s going to be a different experience. I’ve never not been in a band without singing so it’ll be quite odd to be up there without a microphone in my face for the whole show. But Liam is a dream to work with and one of the most ferocious vocalists.”
AXEWOUND is:
Matt Tuck (BULLET FOR MY VALENTINE) – Guitar, Vocals Liam Cormier (CANCER BATS) – Vocals Mike Kingswood (GLAMOUR OF THE KILL) – Guitar Joe Copcutt (RISE TO REMAIN) – Bass Jason Bowld (ex-PITCHSHIFTER) – Drums
AXEWOUND will make a number of festival appearances, including at Download (U.K.), Rock Am Ring/Rock Im Park (Germany), Gods Of Metal (Italy) and Graspop Metal Meeting (Belgium).
Radio Metal recently conducted an interview with British heavy metal vocalist Blaze Bayley (IRON MAIDEN, WOLFSBANE). A couple of excerpts from the chat follow below.
Radio Metal: [Your] new [solo] album, “The King Of Metal”, is the first since you [parted ways] with Jay Walsh and David and Nico Bermudez. How did that change the writing process? How was this record written?
Blaze Bayley: I found a new guitar player. I write most of the song and then we talk about it. It’s the same with Claudio Tiricanti; [he] is my drummer for this record. So regarding the writing process, what we did is a totally different approach. I wanted to do something very simple and very direct, particularly lyrically, I wanted to be able to talk to my fans whose first language isn’t English, so it has to be a very clear and direct message. When I started the writing [process for the new CD], I wanted to be able to be on the stage, on the tour, and say specific words in a specific way, directly, to my fans, so that’s what I’ve done.
Radio Metal: This new album is called “The King Of Metal” and is, like you said, dedicated to the heavy metal fans. You declared that the metal fans are the true kings of metal. Do you think that, from all the different types of audience, the heavy metal fans are the most dedicated fans of the world?
Blaze Bayley: Yeah, I think that if you look at the different genres of music, pop fans are more fashion-orientated, so maybe they will like one Madonna record, but not all Madonna records. Every artist has a certain number of true fans, but the heavy metal fans are special. If they like an artist and liked a CD, then for the next CD, they won’t wait for the reviews, but just find out when it comes out and get it, because if they’re fan of the artist, then they love everything. On everything that I ever recorded, I feel that that loyalty has meant a lot to me. I have a few fans… You know, I’m a very small, underground heavy metal singer, a lot of fans from the IRON MAIDEN days have heard of me, but not a lot of them know what I do with my own music, or a very few. So I’m just a small, underground artist doing things my own way and I have support from a few fans around the world and that keeps me going. And I’m very proud and very honored to have that support, truly.
Radio Metal: There is a song [on the new album] called “Dimebag” that’s dedicated to [late PANTERA guitarist] Dimebag Darrell. Why did you choose to dedicate a song to Dimebag eight years after his death? Why now?
Blaze Bayley: There’s a few reasons, and the first one is purely artistic. I had the basic idea a few weeks after he died and I was working with different musicians at the time, and it just didn’t come together. We tried it a few times, but we never had the chance to finish the song, so I just kept the idea because I thought it was good. I really believed in this idea, and I’ve tried it with all the musicians I’ve worked with and it never ever worked, it was never appropriate, it never fitted with what else we were doing. So for this album, I was like, “OK, let’s give a try on that idea, I’m gonna start with that.” It was one of the first things we started to work on when I started working with Thomas [Zwijsen] on the writing and the songs generally, and it got together really well. And then when we got to the pre-production we had all the bass and all the drums going and it really started to take shape, and that was it. I had the core of the song and I’m really pleased with the way it turned out. So because of certain reasons it’s accidental, but it’s something that I really like: no one can say that I’m on the bargain trying to make something that have been done, because it is so far after his death, you can’t say that I put this song on my album so PANTERA fans will buy it. It’s something that PANTERA fans won’t think about, if you see in the general press it’s not mentioned a lot at all, so in that way, people will see this so far after and see it’s a genuine tribute to the man, and also a warning of the terrible things that can happen. Of all the death in music, it is the one that I respect the most for the way he lived. He never had a choice about how he died. I think people are glorified when they drink themselves to death or die of a drug overdose, and for me that’s just not good. Dimebag didn’t kill himself, he didn’t do anything at all to bring on his own death. His life was taken from him. I think that’s why he’s more worth remembered, and because of the great work he might have done. He wasn’t like the people who’d drink themselves to death and so on.
Radio Metal: Last year you split up with David Bermudez, Nico Bermudez and Jay Walsh and released a statement about it. A few days later, they released a statement saying that yours wasn’t true and that they were fired only for financial reasons. How did you react to their statement? Where is the truth?
Blaze Bayley: There is no truth, there is only personal, subjective view of your situation and your reality. There is no truth. There is how do you feel about a situation, and how you feel you’ve been treated. I just wanted to kill myself on that tour; the pressure to keep a band together was too much. Sometimes I really wished I had killed myself to escape, but my wife talked me out of it, and she persuaded me to carry on, and that’s why I’m still here. So they can say what they want, but my truth is: being with those people on that tour in that situation made me feel like killing myself, like ending my life, ending everything, leaving my wife and my son just to get away from everything. That’s my truth.
Radio Metal: A few weeks ago, you sang in Russia with Paul Di’Anno, who also was a member of IRON MAIDEN like you. What can you tell us about this experience?
Blaze Bayley: It was fantastic, so much fun, it was just great. The weather was horrible in Moscow, it was snowing, and it was really cold, but Paul is a really funny guy, and the Russian band that played with us was absolutely excellent and did a wonderful job. They made my songs sound really good and they were great guys to work with. Because of the two names, people who didn’t know me came to see Paul and me, and I made a lot of new fans, so that’s something I really enjoyed, something that I [thought] of doing before, but that seemed to be the right time to do it, the right state of mind. I don’t have a band now, I’m a solo artist and I choose different musicians, but this was the right time to do this, and it was great. I really enjoyed it, it was so much fun. And I got paid, which is really great. So I think we’re gonna do some more, we’ve got Australia coming up in November, and then I think we’re gonna do a few more dates together in Eastern Europe, in the end of October/early November. I’m really looking forward to that, it’s something that works well. I do a few of my own songs, then a few of the songs I’m known for in IRON MAIDEN, and the fans seems to really enjoy that set-list we did, so I’m open to do a few more of those. It’s a lot of fun. One thing I think about music is that you should do it because you enjoy it first, not because you expect to get anywhere. If you get anywhere, then that’s great because you’re doing something you enjoy. That was really good and that really gave me a boost and gave me a lot of confidence to get back out there. That’s really good.
Radio Metal: That’s cool. Did you ever consider making an album together?
Blaze Bayley: No, because I don’t see what the value would be musically. If Paul and I had some incredible idea of some new kind of British metal, or a new kind of heavy metal that would take two voices to sing, then perhaps, but at the moment, no. Now I’m very busy making my own music, and Paul is also very busy — he owns a club in Brazil and two shops and he works all the time in different countries all around the world. So no, we haven’t thought about that;, I don’t see where the value would be. I wouldn’t say never, but I can’t see who would be interested in that album.
Radio Metal: By the way, when we saw pictures of that concert there was a running gag about you two having lost your hair. Does that mean playing with IRON MAIDEN makes you lose your hair?
Blaze Bayley: Yes! If you leave IRON MAIDEN, you leave your hair.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video