On April 20, “Superskum” (web site) conducted an interview with vocalist George “Corpsegrinder” Fisher of Florida death metallers CANNIBAL CORPSE at the Black Sheep in Colorado Springs, Colorado. You can now watch the chat in four parts below.
CANNIBAL CORPSE‘s twelfth studio album, “Torture”, sold 9,600 copies in the United States in its first week of release to debut at position No. 38 on The Billboard 200 chart. The band’s previous CD, “Evisceration Plague”, also opened with 9,600 units to land at No. 66. That was more than 50 percent higher than the opening tally of CANNIBAL CORPSE‘s 2006 CD, “Kill”, which entered the chart at No. 170 after shifting more than 6,000 copies.
“Torture” was again produced by HATE ETERNAL‘s Erik Rutan at his own Mana Recording Studio in St. Petersburg, Florida as well as Sonic Ranch in Tornillo, Texas, and features the maniacal cover art by longtime CANNIBAL CORPSE artist Vincent Locke.
While “Torture” marks the latest progression in the band’s sound, it also witnesses a return to what drummer Paul Mazurkiewicz accurately terms “the frenzied attack of ‘Butchered At Birth’ (1991) or ‘Tomb Of The Mutilated’ (1992),” infusing the band’s advanced musicianship with the raw savagery that haunted their earlier releases, and in the process conceiving the definitive CANNIBAL CORPSE record.
Almost half a year after their first single “Broken Angel”, the young Israeli Melodic Death/Groove Metal band, Arsenide, has finally released their second single “Mass Burial Machine“, which shows off the band’s groovy sound in 4:45 minutes of total chaos! Both singles will appear in their soon to come 5-track EP
In one weeks time, May 18, our new album “Blood Of Saints” will be out in Europe. To celebrate this we have an official release party at Sticky Fingers in Göteborg on the day of the release, May 18! Now we have a little treat for everybody who in fact planned to attend the party. The first 50 who arrives at Sticky Fingers with a smoking hot copy of “Blood Of Saints” will get in for free!!
One “Blood Of Saints” CD =
1. Awesome new metal from Engel.
2. One person gets in for free at the official release party at Sticky Fingers on May 18.
3. A kick ass live show from Engel at Sticky Fingers on May 18.
How about that!?
IMPORTANT!! If you by chance already bought your ticket for the show and are planning to buy the cd, Sticky Fingers will not re-fund your bought ticket(s) at the doors.
For you who don’t buy cd’s any longer, click HERE to pre-order your copy of “Blood Of Saints”!
Even if you don’t buy a physical copy of “Blood Of Saints”, you’re more than welcome to the release party! Click HERE to get your ticket!
We have another treat for all of you while we’re at it! At Rockhouse on Kungsgatan 38 in Göteborg , new merch will be exclusively sold along with “Blood Of Saints” during the day! They’re open between 10.00 am and 18.00 pm. Swing by and be the first one with the new merch.
And last but not least, do you want to meet us in person, and get your smoking hot copy of “Blood Of Saints” signed? Come by Media Markt in Bäckebol for our signing session!! It starts 17.30.
See you at Media Markt and at Sticky Fingers on Friday, May 18!
Resurgence of Rock is the debut album and mantra of the new musical project BLANCAWHITE. The virtually unknown “band” consists of lyricist and international lawyer Ken Savage and his musical partner, guitarist Austin Schell.
Their self-financed debut album is a collection of nostalgic hard rock songs which serve as a celebration of the late ’70s and early ’80s rock and metal bands such as LED ZEPPELIN, AC/DC, DEF LEPPARD, SCORPIONS and JUDAS PRIEST. The record took two years to complete and features iconic ’80s guest vocalists such as Paul Shortino (ROUGH CUTT, QUIET RIOT), Terry Ilous (XYZ, GREAT WHITE), Lorraine Lewis (FEMME FATALE) and Jeff Paris (CINDERELLA, VIXEN).
Savage and Schell are not well-known musicians, but are enormous rock fans. They have modeled themselves after the ALAN PARSONS PROJECT by surrounding themselves with hired musicians to fulfill their musical quest. Savage created the project, wrote the lyrics and fronted most of the money to record the album.
“It’s really just out of very humble origins,” Savage says. “I’m just a fan of hard rock music and grew up in the 1980s, as well as my partners on the project Austin and Rick Schell. I travel a lot in my day job and I always used to take my ipod with me with several thousand classic ’80s hard rock songs like AC/DC, Judas Priest and everything else. It just got to the point several years ago where I was having more and more trouble finding any new classic-sounding hard rock music. So, I just had the idea to try and do something about it.”
Savage and Schell never claimed to be rock ‘n’ roll singers, that’s why they wanted the vocalist’s involved in the project to have a specific voice.
“Instead of just finding a local singer, we wanted to find singers who have had some real success in the 1980s and who had that 1980s persona and voice. It was really important to match the individual singers to the individual songs.”
For instance, with ‘Your Boyfriend is Lame’, the perfect choice was Terry Ilous. Ilous, of French and Spanish origin, sang verses in three different languages without missing a beat.
“They thought I would be perfect for the project because I speak and sing in different languages,” Ilous said.
Ilous and Lewis were the first singers to come on board for the project. While Ilous was participating in a French TV reality show, he needed Savage’s legal advice. After the initial talks between the two, Ilous was locked in.
“I was given free reign for the song,” Ilous adds. “But I have to tell you, I was puzzled when I first got the lyrics (laughs). I have a great sense of humor, so to me, playing the lyrics were a lot of fun. That’s the way I approached the song, with a lot of humor.”
Having difficulty in finding the two additional singers that Savage and Schell desired, Ilous put them in touch with Jeff Paris and Paul Shortino, who happened to be friends of his.
“I figured if Terry was involved with the project, I might as well check it out,” says Shortino.
Shortino possesses a professional rock star attitude, and his soulful and gravely voice fit perfectly with what BlancaWhite was looking for. After receiving the lyrics to the title track, Shortino approached it as a bit of a challenge.
“It’s always a challenge to do other people’s stuff,” Shortino remarks. “Usually when you’re writing something yourself it’s something that you’ve experienced and you’re writing from your heart. They sent me the idea, and they said I could run with it. Which was really great because it gave me a lot of freedom to expand on some of the melodies and phrasings.”
“The stories are kind of funny. The lyrics are good story-telling stories. It relates to a lot of folks who have family now and who are not single. The music has changed so radically, but it seems like it’s swinging back around to classic hard rock. I think where they’re coming from … it made it easy because I could relate to the songs, even though I didn’t write them. I had the flexibility to elaborate on how I would sing it.”
The writing process was actually done in reverse of how one would think most music is traditionally written. The lyrics came before the riffs — as opposed to the other way around. Tracks were then sent to each vocalist with guide vocals in place and the individual singers recorded their parts in their own studios.
“It was a little bit of a challenge because when you think of rock ‘n’ roll, you’d think you’d start with riffs or chord changes,” Schell says. “There are some of the songs where Ken had an idea of where he wanted it to go — like AC/DC-ish or more VAN HALENy — and it kind of gave me an idea of where to go. I would usually start by speaking the lyrics out loud to get a feel for the rhythm of the phrases and start coming up with the riffs and the melody lines. It was an interesting challenge.”
The name BlancaWhite plays a significant role in the group’s lives. It was the name of a Mexican bar that Savage would frequent on the weekends as a teenager while growing up in south Texas along the Mexican border. It’s also the basis for the song on the album called ‘Living It Up At A Mexican Bar’.
“I actually sang that one a few different ways,” Shortino continues. “They coached me through on certain things and how they wanted me to emphasize certain things. I took their direction and ran with it. I would record what I did and send them a copy of it to see if they were happy with it. That’s how the whole process for the project went down. That song was a lot of fun and it also was an eye-opener on where they wanted me to go on certain things. It was an interesting project to do.”
Financing most of the money himself for the project must have cost Savage some serious coin. Since he and Schell live on different continents, they also spent a significant amount of money and time traveling to work on the material together. But to Savage, it was certainly worth it.
“I don’t think we could have done this album five or ten years ago, certainly not ten years ago. We were helped by the fact that today, you can send significant sizes of musical electronic files around that even I don’t think seven or eight years ago you could do as well. I also felt that it was important to get together and work on the music together and keep everything cohesive. We certainly spent some time together in both France and the US doing that.”
Because of Savage and Schell’s age, their material is obviously catered toward the older rock fans. Yet, it’s imperative that the open-minded younger generation of rock fans seek out and discover some of the older bands’ music. Savage is convinced that a resurgence of this type of rock needs to make a comeback.
“It does go beyond the album,” Savage comments. “We are hoping, obviously not entirely on our own, but we are hoping to be part of a movement to bring back this kind of music and have more people listening to it again. Those people who grew up on it back in the ’80s, as well as younger folks nowadays, there’s a lot of them out there who have missed the music and always have wondered what it’s like. We made the music sound like it was from the 1980s. At the same time, some of the lyrics to our songs are written from the perspective of somebody in their 40s who grew up in the 1980s. It’s kind of an interesting mix, I think, of classic hard rock-sounding music but written from the perspective of somebody today.”
The duo has started some initial work for the next album, which might see daylight later this year or in early 2013. After learning some of the tricks of the trade during the recording of their debut album, Savage hopes they can do the second album even more efficiently and quickly than their first one.
Since BlancaWhite is more of a project and not an actual band, a full-fledged tour is most likely out of the question. However, talks of some kind of a live show is in the works.
“We spoke of putting some shows together in certain major cities,” Shortino closes. “I’m up for that, and I think Terry, Jeff and everyone involved would probably be into doing that as well.”
For more information about BlancaWhite visit Blancawhite.com.
Download BlancaWhite’s Resurgence Of Rock at Loudtrax.com.
Metal Assault recently caught up with SIX FEET UNDER frontman Chris Barnes. An excerpt from the interview is available below:
MA: Last year you did the Summer Slaughter tour across North America, and you toured with a bunch of bands who play new styles of extreme metal these days. Some of them headlined over you. Was it a challenge to go out there and win new fans on every night of that tour?
Barnes: “Well, it was a challenge but it was pretty awesome. Because yeah, as you said, there were a lot of new fans who had probably never heard of us and never gave us much thought. But I think once they saw us, they enjoyed it and I think we gained some new fans, and some fans of those other bands crossed over to us a little bit after seeing what we were doing on that tour. I enjoyed the hell out of that tour. It was one of the greatest tours I’ve been involved with.”
MA: Six Feet Under has invariably played a slower, more groovy style of death metal. Do you think that separates you from the other bands that started out around the same time as when Six Feet Under did?
Barnes: “Yeah, probably. We’ve always been kind of different in how we approached things. We’ve not really tried to write a new style of music. We just write what sounds cool, for us anyway. I work closely with the other guys in the band and write what makes most sense to me as far as the lyrics and the vocals go. So, the guys that I have writing music for me in myband have always laid the foundation of it all.”
MA: Right, and because of the brutality of the music, does that put pressure on you as a lyricist, to come up with stuff that is as intense as the music itself?
Barnes: “Well, I won’t call it pressure at all. I really never stress about it, and I never worry about it. It’s more like excitement to me. To me it’s like, ‘Oh yeah, this is going to be fucking badass!’ It’s challenging to me, but it’s never any kind of pressure or anything. But as a writer and as a vocalist, I just tend to run with emotions. I’m not the kind of guy to sit and do the same things that I’ve always done for every single album. I mean, it’s so predictable and so boring to do it that way. I like to keep myself guessing and searching for something that satisfies me, and being surrounded by guys like Rob Arnold and Steve has really helped me to get to that place. All I want to be, really, is in this inner state of pushing myself and try to match the great fucking talent that I have around me. I have to do the best I can, because they are 110 per cent on top of it. So I enjoy pushing myself to the limit. When you’re writing and singing based on the strength of the kind of catalyst that’s provided by such great writing partners, it really makes you focus.”
Six Feet Under recently unveiled the first single from their forthcoming studio offering, Undead. Slated for North American release on May 22nd through Metal Blade Records, the 12-track recording was produced by Mark Lewis (DEICIDE, DEVILDRIVER) and mixed by Jason Suecof (WHITECHAPEL, JOB FOR A COWBOY), at Audio Hammer Studios in Sanford, Florida.
Led by the inimitable Chris Barnes, possessor of one of the most dominant and instantly recognizable voices of the death metal genre, Undead offers up an overhauled lineup. Now featuring Barnes alongside new guitarist Rob Arnold (ex-CHIMAIRA), longtime guitarist Steve Swanson, new bassist Jeff Hughell, and drummer Kevin Talley, whose history blasting for DYING FETUS, MISERY INDEX and Chimaira speaks for itself, Six Feet Under 2012 finds the band reinvigorated and churning out some of the most visceral, in-your-face, and downright horrifying tunes in their renowned discography of brutality both, lyrically and musically.
Comments vocalist/death metal ambassador Chris Barnes of the recording: “I’m in pretty much the best headspace I’ve been in since myself and [former guitarist] Allen West started this band in 1993. I’m super excited about the new record. It’s a rejuvenation; it’s a rebirth of Six Feet Under, and fans will definitely latch on to my excitement and how focused I am in the lyrics I’ve written… The hypocrisies of daily life, things that affect us that spawn aggression, loneliness, sadness, there’s a lot of emotions going on across the record, and I guess that the dark horror that humans cause is my niche.”
Gore your ears to the violent sounds of ‘Formaldehyde’ below:
Undead tracklisting:
‘Frozen At The Moment Of Death’
‘Formaldehyde’
’18 Days’
‘Molest Dead’
‘Blood On My Hands’
‘Missing Victims’
‘Reckless’
‘Near Death Experience’
‘The Scar’
‘Delayed Combustion Device’
‘Vampire Apocalypse’
‘The Depths Of Depravity’
Six Feet Under recently announced a bout of US live rituals this June. Dubbed the 18 Nights Of Blood Tour, the bestial invasion will begin in Atlanta, Georgia on June 8th and ravage its way across the country before coming to a close on June 29th in Tampa, Florida. Support will be provided by DYING FETUS and REVOCATION.
Comments Chris Barnes of the tour: “I’m proud and honored to be kicking off our first US tour for the release of our new album, Undead, with our good friends Dying Fetus and new killers Revocation! This tour is gonna be SICK! June will be murdered! 18 Nights Of Blood! Do not miss this tour!”
Tour dates:
June
8 – The Masquerade – Atlanta, GA
9 – Empire – Springfield, VA
10 – Palladium – Worcester, MA
11 – Bowery Ballroom – New York, NY
12 – Alrosa Villa – Columbus, OH
13 – Reggie’s – Chicago, IL
14 – Peabody’s – Cleveland, OH
15 – Harpo’s – Detroit, MI
16 – People’s Court – Des Moines, IA *
18 – The Gothic Theater – Denver, CO *
20 – Studio Seven – Seattle, WA
21 – Hawthorne Theater – Portland, OR
23 – The Metro – Oakland, CA
24 – The Whisky – Los Angeles, CA
25 – TBA – Tempe, AZ
26 – House Of Rock – El Paso, TX
27 – Scout Bar – Houston, TX
29 – Brass Mug – Tampa, FL *
“Ease Your Pain”, the new video from Norwegian thrashers IMBALANCE, can be seen below. The clip was directed by Øyvind Welle and produced by Wellefilms and IMBALANCE. It features footage from the short film “Tortüra” also by Øyvind Welle.
“Ease Your Pain” comes off IMBALANCE‘s debut album, “Period Three Implies Chaos”, which came out in March 2010.
IMBALANCE‘s latest release is “Readymade Contraptions Of Descent”, which features three new songs, a cover of Oslo sleazepunk legends TRASHCAN DARLINGS‘ “Me Punk, You Fuck!” and two live tracks. The effort is available on 10-inch vinyl and bullet-shaped USB stick at select record shops in Norway. Both albums are also available for streaming and download at your favorite online music service.
Source : Blabbermouth.net
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video