BLACK STONE CHERRY Move ‘Black To Blues Volume 2′ Release Date To November 1st

Photo by Mike Rodway

BLACK STONE CHERRY have moved the release date for ‘Black To Blues Volume 2′ EP to 1 November 2019, coming out via Mascot Label Group/ Mascot Records!

With ‘Black To Blues Volume 2′ The Kentucky heroes return with another riotous, rip roaring tribute to their blues heroes Freddie King, Robert Johnson, Otis Rush, Howlin’ Wolf, Elmore James and Son House.

Watch the video for Me and the Devil Blues here:

Pre-order here: https://smarturl.it/BSC-MLG

Tracklist:

Big Legged Woman
Me & The Devil Blues
All Your Love (I Miss Loving)
Down In The Bottom
Early One Morning
Death Letter Blues

Since the last blues EP the band released their latest studio album ‘Family Tree’ (2018), which reached the Top 10 UK Album Chart (their 3^rd in a row) and Billboard Top 10 Hard Rock Albums. The band spent the time following that touring Europe extensively; including a 2018 UK Arena Tour with Monster Truck, a mainstage sub-headline performance at Download Festival – under Guns ‘n Roses – plus performances at Graspop, Rock am Ring and stand out sets this summer at Wacken Open Air, a sold out Caerphilly Castle (Wales) and an explosive headline slot at Ramblin’ Man Fair. They have also criss-crossed their way around the US including shows with Gov’t Mule, Tyler Bryant & The Shakedown, Three Doors Down and Lynyrd Skynyrd. In amongst all of this, they still found time to record a hip-shaking new record and once again produced by the band themselves, they recorded it at Monocle Studios in Sulphur Well, KY. The EP kicks off with Robertson introducing McKendree on the organ as they launch into Freddie King’s ‘Big Legged Woman.’ It’s wild, raucous and has their own unmistakeable groove woven through the song as has their unrelenting take on Howlin’ Wolf’s ‘Down In The Bottom’ – both legends covered on the previous record. Talking about King and Wolf, guitarist Ben Wells says; “Those are some of our absolute favourites. We always identify with those guys ‘cause they had grooves and riffs like we would put in our tunes. So we are naturally drawn to that.”