ALKALOID Release Classic New Version of ‘The Fungi From Yuggoth’

Photo by © Seth Abrikoos (@sethpicturesmusic)

Even among progheads, Alkaloid are metal’s maddest scientists. While testing the boundaries of extremity, the progressive death metal supergroup have explored what lies beneath the Antarctic crust and discovered a galactic civilization that ascends to god-like levels of domination. But on their upcoming live album, the band conduct a one-of-a-kind experiment that only a true maestro can perform. Bach Out of Bounds brings revered classical composer Johann Sebastian Bach in conversation with the heaviest of underground arts.

Today, Alkaloid are releasing the third and final advanced single from Bach Out of Bounds. Even though the original proved to be a stroke of genius, this new classical version of “The Fungi From Yuggoth” emerges as a real live beast.

“This performance captures the essence of Bach Out Of Bounds”, says Morean, Alkaloid’s chief composer. “‘The Fungi From Yuggoth’ is a pure death metal track, but this version is enhanced by five-string violin and cello with an extended improvisation section.”

Bach Out of Bounds – Live in the Netherlands comes out January 23, 2026 on Season of Mist.

–Pre-order: https://orcd.co/alkaloidbachoutofbounds
–Pre-save on Spotify: https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV

Can’t wait until release day? Hear all of Bach Out of Bounds before the album comes out during this week’s Bandcamp Listening Party

Alkaloid Bach Out of Bounds Bandcamp Listening Party, Wednesday, January 14 @ 1:30 pm Eastern Time – RSVP

Bach Out of Bounds presents both faithful and wildly re-imagined arrangements of three Bach classics. But in a feat of reverse engineering, the album simultaneously transfuses the composer’s heart and soul into Alkaloid’s cannon.

“The idea behind this performance wasn’t necessarily for us to try and write a Bach song”, Morean explains. “We wanted to use Bach’s techniques to write an Alkaloid song”.

Already, “The Fungi from Yuggoth” was one of Alkaloid’s most potent creations. By fusing together highly technical riffing that lands like a meteor with an infectious chorus that nods to H.P. Lovecraft, the song quickly grew on fans of their latest album Numen. However, upon returning to the stage last summer for three special shows in the Netherlands, the band were delighted to introduce freshly twisted threads into its death metal DNA. As new guitarists Justin Hombach and Max Blok shoot off into the stratosphere with dizzying leads, Keteven Ronishvili holds down the low end with bottomless bends of cello.

As the grand finale to Bach Out of Bounds, “The Fungi from Yuggoth” sends Alkaloid off with a big bang. From amidst dark and proggy passageways, five-string violinist Oene van Geel enters into an extended improvisation with drummer Hannes Grossman. Where van Geel keeps raising the tension until the hairs on the back of everyone’s neck are standing up, Grossman sits back before it’s time for the double bass to explode. “These will change everything”, Morean growls, basking in the power and glory of the band’s classic new creation.

“I’m so happy that we can now share this performance with people everywhere. People aren’t going to know what hit them”, Morean says. Bach Out of Bounds is very different from what other metal bands – or even Alkaloid – normally do”.

The video for ““The Fungi from Yuggoth” was compiled from footage filmed live during performances at the 2024 Bachfestival in Dordrecht, Netherlands, Paard van Troject in The Hague and November Music in Den Bosch. It was created by Thomas Niehof / Creative Headroom & Lindy Balduk Photography.

Tracklist

1. Allegro (BWV 1052-I) (8:28)
2. Adagio – All Is Vanity (BWV 1052-II) (6:56)
3. Beneath the Sea (7:26)
4. Cthulhu (6:00)
5. Haunter of the Void (10:11) [WATCH]
6. A Fool’s Desire (8:55)
7. Agnus Dei (BWV 232) (6:25) [WATCH]
8. The Fungi From Yuggoth (7:47) [WATCH]
Full runtime: 1:02:10

ALKALOID know no bounds. Morean, Hannes Grossmann, Linus Klausenitzer and Christian Münzner had already defied the laws of the metalverse as members of Obscura, Triptykon and Dark Fortress, but since banding together as a supergroup in 2013, they have rearranged the very composition of progressive death metal. Their three studio albums fuse everything from worldly polyrhythms and sci-fi concepts to monstrous growls, brutally technical riffs and infectious choruses.

“German collective Alkaloid bucks the trend often associated with bands fitted with the ‘supergroup’ tag”, Angry Metal Guy wrote in praise of their last LP Numen. “Alkaloid established a unique sound from the onset, their cosmic, science fiction-infused technical and progressive death metal formula featuring a futuristic, otherworldly vibe and melodic, experimental flair”.

Despite their already impressive discography, during the summer of 2024, Alkaloid conducted a boundary-pushing performance that, once and for all, proved their alchemical mastery. With their new live album Bach Out of Bounds, the band build fascinating parallels between their unmatched compositions and revered composer Johann Sebastien Bach. Joined by an award-winning ensemble of vocalists, accordion and string players, the metal maestros prove that Bach’s music is as relevant today as it’s always been by projecting his Baroque style through a lens that’s radically different – and way heavier.

Bach Out of Bounds brings three of the composer’s classics in conversation with the underground arts. “I didn’t change any notes of Bach’s scores”, Morean says, “but I took maximum liberty in how I arranged them”. Sacred aria “Agnus Dei” is performed faithfully, graced by sopranos Rianne Wilbers and Chrysa Tsaltampasi. Of course, as metal’s mad scientists, Alkaloid inject plenty of their own virtuoso. The band’s new guitarists Max Blok and Justin Hombach shred harmoniously with violinists Julija Hartig and Oene van Geel through the monumental “Allegro”. Marieke Hopman’s mourning accordion lights the way during the slow and sorrowful procession of “Adagio – All Is Vanity”.

“The original ‘Adagio’ is super quiet and very slow. It’s a piece with just a few notes. What I did is the opposite of that”, Morean says with a pleased grin. “Our version turns it into a heavy doom metal song”.

In a feat of reverse engineering, Bach Out of Bounds also transfuses the soul of Bach into Alkaloid’s own creations. “The idea behind this performance wasn’t necessarily for us to try and write a Bach song”, Morean explains. “We wanted to use Bach’s techniques to write an Alkaloid song”. The album includes extended renditions of recent fan favorites in “A Fool’s Desire” and “The Fungi from Yuggoth”, not to mention two brand new songs. As if summoned by a siren’s call, “Beneath the Sea” reveals itself as a speaker-shaking precursor to the band’s monster hit “Cthulhu”. Whereas “Haunter of the Void” goes where no metalhead has gone before. Commissioned by the Dutch Performing Arts Fund (FPK) and written especially for this performance, the 10-minute epic follows a severed, digitized brain that’s been shot into space from a long-dead Earth. Amidst a crushing cosmic void, this spec of hope clings to life, creating a new habitat one riff at a time.

“Cell by cell starts to unfurl / And I come into my own”, Morean growls as their fresh tale swirls into a headbanging symphony.

Alkaloid performed Bach Out of Bounds during three separate shows in the Netherlands – at the Bachfestival in Dordrecht, Paard van Troject in The Hague and on November Music in Den Bosch. The performances drew people from around the world along with interest from Dutch national radio and TV. Now, fans everywhere can experience this truly one-of-a-kind performance on limited-edition CD and vinyl.

“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. Bach Out of Bounds is very different from what other metal bands – or even Alkaloid – normally do”.

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.

Lineup:
Morean — Vocals, Guitar
Hannes Grossmann — Drums
Linus Klausenitzer — Bass
Justin Hombach — Guitar
Max Blok — Guitar

Guest Musicians:
Max Blok — Guitar
Rianne Wilbers — Soprano
Chrysa Tsaltampasi — Soprano
Julija Hartig — Violin
Oene van Geel — 5-String Violin
Marieke Hopman — Accordion
Ketevan Roinishvili — Cello

Recording Credits:
Recorded live in The Netherlands at Bibelot (Dordrecht) & Paard van Troje (The Hague).
Front of house engineer: Laurens Voois

Production Credits:
Produced by Alkaloid.
Mixed by Hannes Grossman at Mordor Sounds, Germany.
Mastered by Victor Bullok at Woodshed Studio, Germany.

Songwriting Credits:
Music for “Allegro”, “Adagio – All Is Vanity” and “Agnus Dei” written by Johann Sebastian Bach.
Music for “Cthulhu” written by Morean and Hannes Grossman.
Music for “Beneath the Sea” and “Haunter of the Void” written by Morean.
Music for “A Fool’s Desire” written by Hannes Grossman.
Music for “The Fungi from Yuggoth” written by Christian Münzner.
Lyrics to “Adagio – All Is Vanity” based on “Es ist alles eitel” by Andreas Gryphius and adapted by Morean.
Lyrics to “Agnus Dei” taken from John 1:29.
Lyrics to “Beneath the Sea”, “Cthulhu”, “Haunter of the Void”, “A Fool’s Desire” and “The Fungi from Yuggoth” written by Morean.