Hungary’s Obey the Sun is cementing their status in the European underground with the release of their latest music video, “You Lil’ Shit.” Following the success of their debut, this standout track from their new sophomore EP, Desert Ritual, perfectly encapsulates the quartet’s “stoner metal” identity: a blend of heavy riffs, thick grooves, and defiant aggression. Directed by Péter “Pepe” Tóth, the visual eschews complex narratives for a raw, high-energy performance. Set against an atmospheric, smoke-filled backdrop with artistic lighting, the video highlights the band’s volatile stage presence. According to vocalist Tamás Orbán-Ducos, the goal was a professional yet stripped-back aesthetic that mirrors their core philosophy. By focusing on the musicians’ energy, the video reinforces the band’s reputation as an unapologetic powerhouse of melody and grit. This is the third music video taken from their EP album Desert Ritual which was just released on April 3, 2026 via Eclipse Records.
“This is the third video from the Desert Ritual EP, and we wanted a classic music video for this occasion,” says vocalist Tamás Orbán-Ducos. “Each band member is shown equally, while the lyrics and power of the song are shown through vivid movements, lights and colors that emerge from the smoke-filled environment.”
Desert Ritual, the latest EP from Obey the Sun, is a heavy, atmospheric blast of grit-n’ groove, featuring a feel rough as sludge with a desert-soaked finish. The songs burst with soulful vocals, massive riffs, thunderous rhythms, and an overall attitude that’s raw as rage. The band create a sonic boom that leaves us in pieces and a crunch that would satisfy grunge-lovers, stoners, and metalheads looking for that wall of sound that moves mountains, drains oceans, and shakes the foundations to rubble and powder. In terms of the individual tracks, Desert Ritual is chock full of stunners, starting with “You Lil Shit,” spiced with a groove guitar in delicious alternative dissonance and a strong traditional vocal, both that rasp harder and sweeter measure to measure. Later in the track, we get two bass breakdowns, the second even fatter than the last, and the song ends like a hot rocket right in the rock pocket. “Cosmic Haze” is not just an excuse to get our Floyd on, as it features funky syncopation that quickly turns to nuclear, addictive riffing. The breakdown is a clinic of delicate fingerpicking, and when Tamás goes soft and a bit eerie with his vocal, we don’t know whether it sounds more like ethereal whispers or a shovelful of precious stones and grave soil ticking across the lid of some unholy casket. “Hellhounds” is a masterpiece in dynamics, and it climaxes to inventive chord progressions that give off a wonderful disequilibrium, similar to being on edge watching a Black Mirror episode right before the big moment when all is explained. Desert Ritual was produced, engineered, and mastered by Attila Horvath at Ash Sound Studio, the legacy of the former Supersize Record Studio. The album art was created by Péter Szmolnik. Desert Ritual by Obey The Sun was released on April 3, 2026 via Eclipse Records.
Listen to Desert Ritual on all platforms via Eclipse Records at this location.
(Cover art: Péter Szmolnik)
Obey the Sun lineup Tamás Orbán-Ducos (vocals), Péter Szmolnik (guitar), Gergő Kelemen (bass), Krisztián Nagy (drums)
About Obey The Sun: Obey The Sun are a grunge metal band from Hungary. They give us a hard dose of grit and a blast of attitude with massive riffs, thunderous rhythms, raw soulful vocals, and a desert-soaked feel. With stoner appeal, sludge undertones, and a heavy groove-vibe, we feel their music in the heart of our nightmares and dreamscapes.
Rick Giordano, the composer behind THE LION’S DAUGHTER, is re-emerging as BLOOD MOTHER, a devastating new project that combines the post black metal horrors of TLD with haunting, atmospheric soundscapes and Western Americana attitude. Forged in themes of isolation, paranoia, violence and terror, dark and synth-driven ambience coalesces with bouts of chaotic and desperate black metal, while also honing in on the grit and desolation that was no doubt inspired by Giordano’s upbringing in the rugged American heartlands. Combined with the commanding aggression of Giordano’s vocal attack, BLOOD MOTHER offers the score to your own personal horror film.
To commemorate BLOOD MOTHER‘s debut, the project is now unveiling a lyric video for the eerie first single, “The Night Fires,” which can be heard at THIS LOCATION.
“The Night Fires” is taken from BLOOD MOTHER‘s upcoming self-titled studio album, which is due on June 14 independently. Pre-orders are now live via the official webstore HERE or via Bandcamp HERE.
Giordano comments, “Blood Mother is the natural continuation of The Lion’s Daughter, but with a fresh slate that gives me even more freedom to experiment and time to let things breathe. There is room to dig deeper. ‘The Night Fires’ was the first song written for the project and is very much a statement of intent. It establishes the serene beauty, oppressive dread, and wild violence that all take place within the world of the Blood Mother.”
Giordano is accompanied on this self titled debut album by Erik Ramsier, long time drummer and percussionist for the Lion’s Daughter, with artwork by renowned graphic novelist The Salamander King.
The cover artwork was created by The Salamander King and can be found below along with the tracklist.
Rick Giordano, the composer behind THE LION’S DAUGHTER, is re-emerging as BLOOD MOTHER, a devastating new project that combines the post black metal horrors of TLD with haunting, atmospheric soundscapes and Western Americana attitude. Forged in themes of isolation, paranoia, violence and terror, dark and synth-driven ambience coalesces with bouts of chaotic and desperate black metal, while also honing in on the grit and desolation that was no doubt inspired by Giordano’s upbringing in the rugged American heartlands. Combined with the commanding aggression of Giordano’s vocal attack, BLOOD MOTHER offers the score to your own personal horror film.
Accompanied on this self-titled debut album by Erik Ramsier, longtime drummer and percussionist for the Lion’s Daughter, with artwork by renowned graphic novelist The Salamander King, BLOOD MOTHER isn’t just a reboot, but rather a reinvention. While it still draws from many of THE LION’S DAUGHTER’s original influences, and therefore, the project also defies generic classification much like its predecessor, BLOOD MOTHER is still a clear evolution from what came before. “After 18 years of releasing music and touring the world, the daughter had to die so that the mother could live,” explains Giordano of the new project.
As a fully independent entity, BLOOD MOTHER has no chains, no bounds, and no master. Self-releasing this project with the help of world renowned independent artist manager Wolf Mountain Productions, Giordano is paving his own path and asserting his dominance over the oppressive music industry. Like a renegade cowboy, he joins the ranks of other modern artists who have abandoned all standards and practices to usher in a new era of artist ownership and DIY supremacy. “I’ve never been a person that neatly fits in with any group, or made music that neatly fits into any category, so it just makes sense to operate independently,” Giordano explains. “I also look at the current state of the music and most of the bands that are popular now, and think why the fuck would I want anything to do with that?”
Like a ghost riding out from the desert, Blood Mother is here to paint the town a shade of red found only in Hell… before burning it all to the ground.
Lineup: Rick Giordano: Guitar, bass, synth Erik Ramsier: Drums
For Fans Of: Ulver, Darkspace, Blut Aus Nord, Cult of Luna, Sunn O))), Wayfarer
Mixing, Mastering, Production: Rick Giordano Distribution/management: Wolf Mountain Productions
After reaching crushing new highs on Part I of their forthcoming album trilogy, Green Carnation are descending into the deepest, darkest and most personal depths of the prog metal band’s storied career with the newly released A Dark Poem, Part II: Sanguis.
“Sanguis is lean, purposeful, and emotionally devastating in the way only music built from genuine anguish can be”, Sonic Perspectives writes in an 8.8/10 review. “Green Carnation have distilled their identity down to something sharper and more potent than ever”.
“[…]simply breathtaking for the band and the genre”, Angry Metal Guy writes in a 4.5/5 review. “For those who need something in these trying times to bolster their spirits or tear them apart (if only for a moment to reset), Sanguis is here for you”.
As they prepare to perform A Dark Poem on the world’s stage, today, Green Carnation are releasing the full video for their new album’s booming and bloodied title track. Upon its initial release back in February, “Sanguis” vowed to wash away the stains of the past with its impassioned cleans and unforgettable chorus. But the full video brings a traumatic memory from childhood flooding back with harrowing force during the song’s doomy coda.
If The Shores of Melancholia set sail from a familiar place of melancholy, then Sanguis opens with Green Carnation far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic opener and title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with melodies that radiate conviction — only for a traumatic memory to come flooding back during its thunderous finale.
“Father was boiling, mother was crying / The children left scared in their beds”. A fiery shiver of a riff slowly spirals downward, as if trapped inside a mental hell.
“It paints a pretty grim picture of my childhood”, Sordal says about “Sanguis”. “I do have great memories from that time, too, but parts were very dark. I had some tough issues with my father, but I now know that he had it worse. I didn’t think about that when I was younger, but as I’ve gotten older, I’ve learned that there is usually more to the story”.
“It took Stein Roger almost 50 years to understand why his father treated him the way he did”, Nordhus says about his dear friend and bandmate. “He didn’t understand until he had kids of his own and was watching them grow up”.
Tracklist 1. Sanguis (9:05) [WATCH] 2. Loneliness Untold, Loneliness Unfold (4:04) 3. Sweet to the Point of Bitter (5:58) 4. I Am Time (5:39) [LISTEN] 5. Fire in Ice (7:03) 6. Lunar Tale (5:25) Full runtime: 37:16
Catch Green Carnation during their upcoming hometown shows and European summer festival dates.
During their headlining show in September at the Kilden Performing Arts Centre, the band will perform A Dark Poem in its entirety for the first and final time – including the as-of-yet unannounced Part III. Already, fans from 18 different countries have purchased tickets for this once-in-a-lifetime event.
Green Carnation 2026 Show Dates June 6 – Tampere, Finland @ Ankea Festival [TICKETS] June 14 – Kristiansand, Norway @ Odderøya [Tickets]* August 1 – Ungarn, Hungary @ Feke Zaj Festival [TICKETS] September 12 – Kristiansand, Norway @ Kilden Performing Arts Centre [TICKETS]# *Deep Purple, Turbonegro + Slomosa #Performing A Dark Poem, Part 1-III
No matter how long or where the journey has taken them, Green Carnation have never been afraid of a challenge. After reaching crushing new highs during the grand and gloomy opening chapter to their long-awaited album trilogy, the Norwegian prog bards are descending into deeper, darker and more personal depths with Part II of A Dark Poem.
“We wanted A Dark Poem to start off with guns blazing. Judging by the reaction, The Shores of Melancholia was successful in doing that”, the band’s vocalist Kjetil Nordhus says. “But for Part II, we have some very personal stories that we want people to hear. Sanguis invites listeners into our darkest inner rooms with some of the most raw and vulnerable songs that we’ve ever written”.
“The second part of A Dark Poem holds some of the most personal lyrics that I’ve ever written”, says Stein Roger Sordal, the band’s bassist and primary lyricist. “The lyrics are so personal that I had to go many rounds with myself over whether or not to tone them down. In the end, I chose to keep them as honest as possible. I mean, am getting older and I do have some life experience to back them up”.
Founded in the early ‘90s by Emperor’s original bassist Tchort, Green Carnation amassed a cult following behind critical acclaim for Light of Day, Day of Darkness, an album containing a single hour-long song that still resonates as one of the most ambitious epics in metal’s archives. Current members Bjørn Harstad (guitar), Stein Roger Sordal (bass) and Endre Kirkesola (keyboard, producer) along with Nordhus, were already in place by 2001. But whether it was the gothic crush of A Blessing in Disguise or pitch-black hard rock of The Quest Offspring, Green Carnation continued branching out through the mid-2000s. Even before going on hiatus in 2007, they still flashed a flare for the dramatic by performing their acoustic verses underneath a mountain dam.
“Green Carnation use Leaves of Yesteryear to prove once again they are titans of the craft”, Metal Injectionwrote about the band’s 2020 comeback album, which welcomed drummer Jonathan Pérez.
However, there was one tale – or three, to be exact – that eluded them for more than three decades. The idea for an album trilogy penned after Shakespeare’s tragic Ophelia stems all the way back to their earliest reflections of life and death, but when the first part of A Dark Poem was unfurled in 2025, right away, it was clear that Green Carnation had completed their masterpiece. The Shores of Melancholia washed onto year-end lists atLoudwire , Angry Metal Guyand other major publications.
“Epic in both scope and sound, the latter being the band’s rich, melodic take on the genre best described as Rainbow’s Rising if it were a prog album”, PROG wrote. “Part I works as an entity in its own right while also leaving the listener desperate to hear the next installments”.
If Green Carnation set sail from a familiar place of melancholy on The Shores of Melancholia, then Sanguis finds the band far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Whereas Part I only scratched at the surface, the epic title track that opens Part II vows to forgive and forget old bloodied wounds. Over the course of nine minutes, cresting cleans and swells of organ from long-time producer and newest member Endre Kirkesola try and wash away the familial wreckage — only for a traumatic childhood memory to come flooding back during the song’s doomy coda.
“Father was boiling, mother was crying / The children left scared in their beds”. A fiery shiver of a riff slowly spirals downward, as if trapped inside a mental hell.
“It paints a pretty grim picture of my childhood”, Sordal says about “Sanguis”. “I do have great memories from that time, too, but parts were very dark. I had some tough issues with my father, but I now know that he had it worse. I didn’t think about that when I was younger, but as I’ve gotten older, I’ve learned that there is usually more to the story”.
“It took Stein Roger almost 50 years to understand why his father treated him the way he did”, Nordhus says about his dear bandmate. “He didn’t understand until he had kids of his own and was watching them grow up”.
The heaviness that launched Green Carnation during Part I of A Dark Poem has aged like a fine wine on Sanguis. “Sweet to the Point of Bitter” balances meaty riffs with a pleasing melody and underlying notes of resentment. “You will acknowledge I was broken / Before you came around”. With a guitar solo that winds like the winds of change, “I Am Time” demands immediate recognition. “In your mind, I’m tomorrow / For your sake, I should be today”.
But while “Fire In Ice” stokes the political flames viewed from The Shores of Melancholia with pounding windchills of double bass, Part II reveals Green Carnation at their most raw and vulnerable. As was the case for most of Part I, Sordal penned all the lyrics to Sanguis. However, in a rare appearance not seen since the burden was his alone, he steps to the mic on “Loneliness Untold, Loneliness Unfold”. With an arrangement that’s plucked like the petals of a wilted flower, the song now stands as one of the more barren and stirring in their discography. “Do you want to die?” Sordal poses to a distant familiar of the band. His delicate delivery confirms his fear of already knowing the answer.
“These songs come as they are, with no filter”, Sordal says. “I needed to set these stories free and let them out”.
“Part II deal with personal loss and sadness”, shares Nordhus, though as he’s quick to explain, Sanguis isn’t all gloom and doom. “Those feelings can be almost comforting, like stories you hear about the calm that people experience before they die”. Indeed, if A Dark Poem contains a silver lining, it’s in the creative partnership that’s helped Green Carnation endure for more than three decades. “It would be different if I had only known Stein Roger for two months”, Nordhus continues in explaining how he gives voice to the words of his dear friend. “It’s easy for me to understand and relate to all of his struggles, all of his pleasures and joys, because I’ve been a part of them as well”.
Part II introduces more peaks and valleys into the overarching narrative of A Dark Poem, but nowhere does the album’s bleeding-heart core shine through more achingly than its closing ballad. Graced by Ingrid Ose’s soothing flute, “Lunar Tale” positively sparkles, even as it casts a rather grim beacon into the future. “The end justifies the means, you’ll see”, Nordhus sings with eerily quiet confidence. As the piano seeps beneath the moonlight, Sanguis leaves fans hanging in suspense over where this trilogy will end.
Recording lineup Kjetil Nordhus – Vocals Stein Roger Sordal – Bass, Rhythm Guitars, Lead Guitars, Keyboards, Lead Vocals on “Loneliness Untold, Loneliness Unfold” Bjørn Harstad – Lead Guitars, Effects Endre Kirkesola – Keyboards, Synthesizers, Organs, Effects, Backing Vocals on “Lunar Tale” Jonathan Alejandro Perez – Drums
Guest musicians Ingrid Ose – Flute on “Lunar Tale”
Live lineup Kjetil Nordhus – Vocals Stein Roger Sordal – Bass Tchort – Guitars Bjørn Harstad – Guitars Trond Breen – Guitars Endre Kirkesola – Keyboards
Recording, Mixing & Mastering Studio dUb Studio
Production Credits Producers – Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus Sound Engineers – Endre Kirkesola, Bjørn Harstad Mixing engineer — Endre Kirkesola Mixing assistant — Bjørn Harstad Mastering Engineer — Lawrence Mackrory
A Rock Anthem Rooted in Resilience and Redemption, “Cope” Delivers a Message of Hope for Those Struggling Through Life’s Darkest Moments.
Saliva have returned with their new single “Cope,” featuring Trevor McNevan of Thousand Foot Krutch, available now via Judge & Jury Records.
“Cope” is a rock song that illustrates a vision of hope to people in a dark place. The track blends the crisp rap cadence of Bobby Amaru with the soaring vocals of Trevor McNevan of Thousand Foot Krutch. The song was produced by Cameron Pierce Mizell (Machine Gun Kelly, Sleeping with Sirens) and Luke Fiadino (Locked Shut, Dixon Dallas, Jackson Rose).
Resurfacing the sonic aesthetic of Saliva’s #1 Modern Rock hit “Always,” and #2 Mainstream Rock hit “Your Disease”, “Cope” was inspired by a mutual passion shared by both Bobby and Trevor to help people afflicted by addiction and personal demons.
Bobby Amaru, frontman of Saliva says, “Cope is about the quiet battles young people fight while trying to figure out who they are in a world that doesn’t always make it easy. It’s for every kid who feels too much, thinks too hard, and is just trying to make it through the noise. Having Trevor McNevan on this track was a blast and I feel that he really brought the song home.”
Trevor McNevan adds, “Cope is about losing control—and realizing you were never meant to have control in the first place. The song really illustrates the feeling of hitting the bottom and realizing the only way up is to surrender.”
Apr 16, 2026 – Fort Worth, TX @ Tannahill’s Tavern & Music Hall Apr 17, 2026 – San Antonio, TX @ Fiesta Oyster Bake 2026 Apr 18, 2026 – Midland, TX @ La Hacienda Event Center Apr 19, 2026 – Dallas, TX @ The Echo Lounge & Music Hall May 8, 2026 – Daytona Beach, FL @ Welcome To Rockville May 17, 2026 – Columbus, OH @ Sonic Temple Festival Jun 10, 2026 – Seattle, WA @ El Corazon Jun 13, 2026 – Sidney, MT @ Richland County Fair Aug 13, 2026 – San Francisco, CA @ August Hall Aug 14, 2026 – Los Angeles, CA @ Echoplex
Saliva exploded onto the hard rock scene with anthems like “Click Click Boom” and “Your Disease,” the latter earning a Grammy nomination. Their major-label debut Every Six Seconds (2001) went double-platinum, followed by Back Into Your System (2002), which produced hits including “Always,” “Raise Up,” and “Rest In Pieces.”
Since 2011, frontman Bobby Amaru has led the band through a new era with releases including Rise Up (2013), Love, Lies & Therapy (2016), 10 Lives (2018), Every Twenty Years EP (2021), and Revelation (2023). In 2023, the band suffered the devastating loss of founding guitarist Wayne Swinny, whose legacy continues to shape their music and live shows. Reflecting on his passing, Amaru shared, “This band meant more to Wayne than music itself, and he wanted us to continue in its current form.”
Most recently, Saliva released Revelation: Retold (2025) via Judge & Jury Records, a deluxe reimagining of their 2023 album featuring guest vocals, unreleased tracks, and new takes on fan favorites, reinforcing the band’s resilience and continued evolution.
Acclaimed rock vocalist ROBIN BECK proudly shares her new single, “Let It Rain,” taken from her upcoming eleventh studio album, ‘Living Proof,’ set for release on May 15, 2026, via Frontiers Music Srl. The new track arrives alongside an official visualizer, available to view below.
On “Let It Rain” ROBIN comments:
“No storm can break what’s unshakable inside.”
With ‘Living Proof,’ ROBIN BECK delivers one of the most confident, vibrant, and emotionally charged albums of her career — a powerful statement from an artist whose voice and presence continues to define melodic rock at the highest level. Bold, contemporary, and unmistakably timeless, ‘Living Proof’ stands as exactly what its title suggests: proof that true class, passion, and authenticity never fade.
Anchored by the track “Never Gonna Let You Go,” the album blends soaring melodies, modern production, and classic AOR sensibility, capturing ROBIN at her most expressive and commanding. Songs like “Love and Money” and “Trouble or Nothing” showcase a perfect balance between polished hooks and emotional intensity, while tracks such as “What A Night” and “Karma” bring a vibrant, radio-ready edge without losing depth or substance.
Throughout the album, BECK’s unmistakable voice — powerful yet nuanced, soulful yet razor-sharp — remains the focal point, supported by a carefully curated team of world-class musicians and songwriters. ‘Living Proof’ features contributions from James Christian (House of Lords), Tommy Denander (Radioactive), Peppy Castro (Balance), Steve Bondy, Emil Theilhelm, and Johan Kullberg, who collectively deliver a rich, cohesive musical landscape that moves effortlessly between melodic rock, modern AOR, and subtle pop-rock influences.
We are ecstatic to announce that ROBIN BECK’s upcoming album, ‘Living Proof,’ will be ROBIN’s 11th studio album. It was produced by James Christian and co-produced by Peppy Castro. The legendary Chris Lord-Alge mixed “Living Proof” and also mixed and co-produced “What a Night.” Dennis Ward also played a key role, mixing the bulk of the album, making this record a true gem and a tour de force. Stay tuned!
From the infectious energy of “Na Na” to the darker tones of “Voodoo” and “Don’t Tempt Me,” the standout “Never Gonna Let You Go,” and the reflective closer “Let It Rain,” ‘Living Proof’ is a journey through strength, vulnerability, and resilience.
‘Living Proof’ is more than a new album — it is a celebration of artistic longevity, creative renewal, and fearless self-expression. ROBIN BECK sounds inspired, empowered, and utterly compelling, reaffirming her status as one of the most distinctive and enduring voices in melodic rock.
About the new album, ROBIN comments: “This album is a mosaic of sound—each track a distinct piece, a portrait of my life.”
1. Living Proof 2. Love and Money 3. Trouble or Nothing 4. What A Night 5. Karma 6. Never Gonna Let You Go 7. Na Na 8. Voodoo 9. Don’t Tempt Me 10. Let It Rain
ROBIN BECK Live:
May 1st – Milan, Italy @ Frontiers Rock Fest July 24th – Vienna, Austria @ Forever Young – Das 80er Festival
Experimental multifaceted artist Otay:Onii has unveiled new single / video ‘Love From Survivors’. This is the second single taken from her new album Love is in the Sh*t, set for release on 8th May 2026 via Pelagic Records.
Otay:Onii comments on the new single: “Put Shělìzǐ 舍利子 back in our own mouth, teach ourselves how to shit like we shit for the first time. The shit carries our history and memory. Let them bloom, let them wither, let them bloom, let them wither, let them bloom, let them wither, let them.”
Otay:Onii’s music unfolds like a living organism – restless, curious, and constantly re-shaping itself. Her sound is driven by her enchanting voice that serves as texture, rhythm, and raw material, moving between breath, chant, incantation, and fractured lyricism. From the beginning of her work Otay:Onii has treated sound as a physical substance, sculpting it with an experimental instinct that resists genre boundaries.
Otay:Onii (Lane Shi) is a multifaceted artist originally from Haining, China. Her artistic practice spans across music, performance, installation, and film composition.
Performance works such as Unwrap! at the Ming Contemporary Art Museum exemplify her innovative concept of “bio instruments.” She has performed at Harvard University and at prestigious international festivals including SXSW, Roadburn Festival, CTM Festival, Fusion Festival, Creepy Teepee, Le Guess Who?, Fekete Zaj Festival, and Full of Lava Festival.
Otay:Onii has joined the opera performance ‘Sancta’ by Florentina Holzinger and was selected as a featured artist by the SHAPE+ Platform for 2024 – 25. Her work moves fluidly between humour and the poignant realities of contemporary zero-generation immigrants, offering rooted Eastern perspectives to Western audiences in an effort to bridge cultural divides.
Her acclaimed albums — NAG (2018), MíngMíng ٥٥ (2021), Dream Hacker (2023) and True Faith Ain’t Blind (2024) — defy conventional structures, foregrounding philosophies drawn from lived experience.
She describes her process as: “Solving a puzzle with another puzzle — one that cannot be seen or touched, only felt.”
Otay’s work has received recognition and accolades, including the bronze prize for “Best Female Vocalist” from Global Music Awards, and “Best Sound” from the Audiovisual Arts Industrial Incubator Awards.
Otay:Onii’s new album Love is in the Sh*t is a deeply intimate album that reaches a striking balance between control and chaos. Harnessing her ability to move from serenity to madness, Love is in the Sh*t is an exploration in representing trialing conscious states. Drawing-in and challenging the listener, the songs play with comfort and discomfort, deliciously crafting the sonic arc of the story so that intention is undeniably felt.
Otay:Onii comments on the album: “This album speaks to what we cannot escape – the noise, the weight, the mess from the world, from others, from our own minds and bodies, what is damaged is damaged, we cannot change that one bit. Yet within the agony, here comes our process to restore, and hold on to something. The burden becomes alchemy: transformed into passion, into what makes us feel alive, and living. By choosing what ignites us, we do not lose ourselves – and from that grounding, we are able to give more of ourselves to others.”
Track list: 1. Have You Ever 2. Love From Survivors 3. World Class Citizen 4. No Talent 5. The Plaice 6. Underdog Bark 7. Tears Won’t Tell
Otay:Onii is: Lane Shi – all lyrics, composition and performance
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
Metal Shock Finland (World Assault ) 