Following their recent signing with powerhouse label ROAR and the previously-released, first album appetizer“Avenging Angel”, progressive metal masters SACROSANCT have shared a music video for their new single “Still Open Sore“! The band’s forthcoming studio offering, entitled “Kidron” will bereleased on March 7, 2025 via ROAR, the album pre-sale is available at: https://sacrosanct.rpm.link/kidronpr
The second single out of SACROSANCT’s fifth, new album “Kidron” clearly shows their thrash roots without losing sight of the new trademarks, which are set in the progressive metal fields. “Still Open Sore” is a real banger with clean vocals, a combination that has not been and still is not very common.
SACROSANCT, established in 1988, are a well respected name in the metal scene, most known for their three classic albums during the early 1990s: “Truth is – what is”, “Recesses for the depraved” and “Tragic intense”.
The SACROSANCT signature sound gradually progressed from sophisticated thrash metal to a more edgy, melodic and atmospheric aural landscape. The brainchild of founding member and lead guitar player Randy Meinhard (ex-Pestilence) returned in 2018, after a 25-year hiatus, with their fourth album “Necropolis”, which was highly acclaimed and bears all of the hallmarks and intricacies that defines SACROSANCT, with a strong emphasis on melancholic melodies and harmony guitar parts as well as a focus on thought-provoking lyrics. Six years later, SACROSANCT return with the even more powerful, still complex, but catchy “Kidron”, introducing their new singer Max Morton, who outshines the album with his clear, dynamic and unique voice. “The album combines all our trademarks, has a unique atmosphere due to all the circumstances we had to go through and is accessible and complex at the same time”, comments Randy Meinhard.
The special thing about SACROSANCT is, that every album sounds different. The band recently revealed: “We always write and play songs in our own way. We can’t and won’t deny our roots. Of course, our first albums were more thrash-heavy, but there was a lot more going on in the songs. You just can’t reduce us to that. I personally love metal from Maiden to Priest to Fates Warning, VoiVod or Slayer. When writing songs, I try to find out how heavy or “commercial” a song can be in our own way. But we always want to touch people with the music and if, for example, a blastbeat can be combined with the classic Sacrosanct riff trademarks, then we have arrived at “KIDRON”.”
01 – Marching Days 02 – Avenging Angel 03 – Prince Of Clowns 04 – Coming Of The Scorpion 05 – Gethsemane 06 – Doorway Of Dreams 07 – Still Open Sore 08 – Before It Ends 09 – The Pain Still Lasts
SACROSANCT is: Max Morton – Vocals, Bass Randy Meinhard – Guitar Gerrit Knol – Guitar Jonas Schütz – Drums
Mystyc Blade takes listeners on an emotional odyssey with the release of “My Shield,” a single from their latest album, The Master Is Inside, out now through Wormholedeath. This track, marked by powerful compositions and stirring vocal artistry, captures Mystyc Blade’s signature approach to heavy metal—where melody and intensity intersect in fresh, evocative ways.
My Shield is a poignant song about a soldier grappling with uncertainty during war. He holds onto memories of his girlfriend as his emotional “shield,” but the absence of news from her leaves him feeling lost and “blind.” Throughout the battle, he clings to their past, unsure of her feelings, until the painful realization at the end that she has moved on. The song explores the emotional toll of doubt and heartbreak in the face of love’s uncertainty.
Dive into “My Shield” and let Mystyc Blade’s evocative sound guide you through shadows and light, here.
Christophe Danjon is the creative force behind Mystyc Blade. A self-taught musician, Christophe developed his distinctive style early on, focusing on instrumental music. His pursuit of excellence led him to the Music Academy International (MAI) in Nancy, where he honed his skills further. After graduating, Christophe seized notable opportunities, including opening for Angra and Calvin Russell.
Taking full control of his career, Christophe composes all the music for Mystyc Blade, blending power and finesse to create ambitious and memorable compositions. With a touch of DNA borrowed from bands such as Avenged Sevenfold, Dream Theater, Metallica, and Symphony X, Mystyc Blade stands out with a unique musical identity in the heavy metal landscape. His music delves into emotional and psychological depths.
At just 16 years old, Norwegian metalcore prodigy STORM is taking the music world by storm (pun intended). With his new single Alien Perspective, released yesterday, on January 9, he’s proving once again that he’s not afraid to push boundaries and blend genres in ways that few dare to try.
What makes Alien Perspective stand out? Imagine a whirlwind of metalcore riffs, rap flows, and high-energy drum and bass. It’s chaotic, electrifying, and impossible to ignore. But there’s more to the track than just its sound—STORM explains it’s about finding calm in the chaos.
“Alien Perspective is my personal favorite of the songs I have released so far”, he shares. “Teaming up with Erlend Torheim (PandaPanda) and Torine on the songwriting, I wanted to create something I’d never done before. It’s about embracing chaos – like being the only sober person in a room full of drunk or high people. You’re watching it all unfold, and finding acceptance with it. This track is pure instinct, pure creativity”.
Drawing inspiration from genre-defying acts like Bring Me The Horizon and Falling in Reverse, STORM has built a reputation for fearless experimentation. His music transcends traditional genre boundaries, appealing to a generation hungry for innovation. With a viral TikTok hit, millions of views on social media, and festival appearances at Tons of Rock and Download under his belt, STORM is already making waves globally.
Alien Perspective isn’t just a song—it’s an anthem for anyone who’s ever felt like an outsider. Its blistering beats and raw intensity will resonate with listeners who thrive on individuality and energy.
And this is only the beginning. With more singles lined up for 2025 and rumors of a debut album, STORM is cementing his place as one of metal’s most exciting new voices.
Keep your eyes on this rising star—he’s just getting started.
MASVIDAL (Paul Masvidal of CYNIC, Æon Spoke, etc.) and MOONBLADDER (Jason Walton of AGALLOCH) have teamed up for the Spiritual Weight Tour, which will take place in three cities on the West Coast from January 21-24. Tickets for the intimate, mind-bending experience can be purchased upon walk up day of show. The full itinerary can be found below!
Masvidal comments, “Three exclusive, intimate solo shows across Northern California and the Pacific Northwest. This January, Jason Walton (MoonBladder, Agalloch) and I are teaming up to share an evening of sound and connection. Jason’s experimental soundscapes and my acoustic meditations merge two distinct worlds into a living, breathing organism.”
In addition, Paul recently worked with motion graphics editor Drain Hope to release “The Fisher Tale,” a track from one of his other projects, Æon Spoke. Paul performs material from Æon Spoke at his solo shows, along with stripped-back Cynic songs. The song can be found HERE.
Masvidal explains, “The visuals in this video were created using AI, with editing and motion graphics by Drain Hope himself. The visual approach has a children’s picture book fairy tale vibe, blending the feel of intentionally retro, slightly formal publisher graphics with drawings imagined by a computer. The Fisher Tale has been around for a while, originally written as an Aeon Spoke song, but for me, it always comes back to the music itself. These visuals help bring its dreamlike story to life in a more literal way.
“Musically, it’s likely the simplest song I’ve ever written—a 6/8 piece built on four cycling chords that steadily build tension. Lyrically, it’s a story about a fisherman who meets a magical fish offering him anything he desires. Like many of us, he asks for romantic love, wealth, fame, and power. But as his aspirations grow more deluded, so does his suffering. The message is simple: true joy and freedom don’t come from things outside ourselves—whether possessions, status, or relationships. Sure, they can bring fleeting moments of happiness, but it’s easy to get stuck in the endless loop of striving, thinking that more will make us whole. Ultimately, though, letting go and trusting that we’re already enough seems to be what frees us in the bigger picture. Anyway, I’ve strayed a bit—it’s really just a simple song about a fisherman and a wise, magical fish. Though who knows, maybe he gave up fishing altogether after that and started foraging seaweed instead—it’s more compassionate, and it’s great for your hair, haha.
“Warren Riker’s mix stands out to me—it’s one of those bold, unconventional decisions that just works. Panning the drums hard left and the vocals hard right for the first half of the tune creates such a vibe.
“This song emerged from a queer men’s spiritual group I joined after moving to Los Angeles. Every year, the group would focus on a theme, and we’d express it through performative art. That year’s theme, in particular, was fairy tales retold for gay men. That’s where The Fisher Tale came to life. During the performance, I was nearly naked, costumed like a wood elf, standing in the corner of a surreal forest scene alongside other characters in the piece. With my acoustic guitar, I sang the song over and over to the dreamer (audience) awake in the dream.
“At the end of the tune, you can hear birds chirping—a moment captured while I was recording vocals in an apartment I used to live in on Waverly Drive in Silverlake. It was right across from the infamous LaBianca house, known for the Manson murders, and I’d often see the Tragical History Tour bus packed with tourists driving by. The energy around there was definitely a little odd. In a way, it felt like those birds were letting me know the song was done—guess they had the final say.
“For me, songs like this exist more like physical pieces of art—they hold space and relevance in unusual ways over the passage of time. They evolve and take on new meaning, untethered from the urgency of new releases or trends. Most people haven’t heard The Fisher Tale yet, and its message feels more relevant now than ever. Sharing it again, through this video, feels like the right moment—for whatever it’s worth.”
Spiritual Weight Tour 2025 01/21: San Francisco, CA @ Above DNA 01/23: Seattle, WA @ Gallery 1412 01/24: Portland, OR @ Azoth
More information on Paul Masvidal:
Paul Masvidal is a groundbreaking guitarist, songwriter, and co-founder of Cynic, a pioneering progressive metal band known for its innovative fusion of metal, jazz, and experimental music. Widely respected as a groundbreaking guitarist and songwriter, Masvidal has collaborated with major artists across genres, adding to his legacy as an innovative musician. Over time, he has become a well recognized figure in the metal and progressive music community, with countless younger artists and musicians citing him as a key influence in both technical ability and creative vision.
Known for his philosophical and spiritual approach to art, exploring themes of the dream-like nature of reality, consciousness, and the search for deeper truths, his music transcends labels, resonating with fans of both the metal world and beyond, thanks to his ability to combine technicality with emotional depth.
Masvidal played guitar on Death’s influential album, ‘Human,’ and helped shape the genre with Cynic’s acclaimed 1993 release, ‘Focus,’ often regarded as a seminal record in progressive metal. Following ‘Focus,’ Cynic expanded their sound with albums such as ‘Traced in Air’ (2008), and explored more experimental territory with EPs ‘Re-Traced’ (2010) and ‘Carbon-Based Anatomy’ (2011), which reimagined Cynic’s music with atmospheric and ambient textures. Cynic continued to evolve with the full-length album ‘Kindly Bent to Free Us’ (2014), which took a more raw, progressive rock trio direction, further solidifying their role as innovators in the genre.
In 2022, Cynic released the futuristic concept album ‘Ascension Codes,’ a deeply philosophical record that explores themes of cosmic consciousness, spirituality, and transcendence, showcasing Masvidal’s continued creative evolution.
In addition to his work with Cynic, Masvidal has produced a solo trilogy, Mythical Human Vessel, and led the alternative project Æon Spoke. He gained significant attention for his personal coming-out story in the LA Times, advocating for LGBTQ+ representation in the metal community in 2014, where he courageously shared his journey as a gay man in the metal scene, shattering stereotypes and inspiring fans worldwide.during a time when coming out was still taboo. A dedicated vegan, Masvidal promotes conscious living and mindfulness, further extending his creativity through his jewelry line, Masvidalien, inspired by metaphysical concepts.
Masvidal has also collaborated with various artists and composed music for TV and film, including the award-winning ‘The Tiger Hunter.’ He has also launched several signature guitars with Strandberg and now Kiesel, cementing his place as a guitarist whose influence is felt by players across a wide spectrum of genres.
His live performances offer a meditative experience, blending acoustic and electronic elements to create intimate, reflective soundscapes. Widely respected, Masvidal continues to influence generations of musicians with his technical prowess and philosophical approach to art.
Marking two decades of darkness in the underground, SARKOM returns with their highly anticipated fifth album, “Exceed In2 Chaos”! With four critically acclaimed albums and several EPs to their name, this trailblazing band – led by songwriter and vocalist Erik Unsgaard -continues to deliver top-tier Norwegian black metal.
“Exceed In2 Chaos” will be released on February 21st 2025 via Dusktone.
A furious masterpiece, “Exceed In2 Chaos” stands as a seamless follow-up to their 2016 release, “Anti-Cosmic Art”. While many bands adhere strictly to their roots and traditions, SARKOM boldly pushes boundaries, thriving on innovation. The result? A truly unique and intricate album from start to finish.
Building on their legacy, “Exceed In2 Chaos” masterfully blends the glorious traditions of Norwegian black metal with bold new elements. The album explores dissonances, piercing grooves, varied rhythmic structures, and unexpected twists, delivering a rich and dynamic tracklist. Always forward-thinking, SARKOM redefines their sound with this release, proving that their innovative spirit remains as fierce as ever. Each track reflects the band’s commitment to artistic growth, ensuring a listening experience that is both intense and refreshing.
Prepare for chaos… Prepare for SARKOM!
Tracklist:
1. Exceed In2 Chaos 2. Enter As Fool, Exit As Beast 3. Prime Time Suicide 4. Spectral Prophet In A Demonized Dream 5. Be[lie]ve 6. Bottofeeders 7. Chasing Ghosts 8. Commit To Total Genocide (LP exclusive) 9. Nemesis
As the mists of time part like whispers through the Scottish Highlands, Saor weaves a new historic tapestry. Inspired by a hilly walk through an older world, Andy Marshall and his band of Caledonian warriors craft a majestic symphony that welds the intensity of black metal with Celtic folk melodies on their upcoming new album Amidst the Ruins.
Today, Saor are ushering in the album’s soothing second single. “The Sylvan Embrace” calls out to those who yearn for the solace of nature’s eternal embrace.
Watch the video for “The Sylvan Embrace” on the Season of Mist YouTube channel:
Like a journey into the heartland of an ancient forest, Saor’s new single invites you to find refuge and rejuvenation amidst the rustling leaves and the wise whispers of the ageless trees. Each note calls for introspection, a reminder of the serene power that nature holds, and its ever-present ability to mend the weary soul.
“The Sylvan Embrace” features Jo Quail, the internationally acclaimed London cellist, who also contributed to Thy Catafalque’s latest album. Andy Marshall and his fellow collaborators incorporate the evocative grandeur of her cello, melding modern innovation with timeless tradition. Quail’s masterful looping technique and emotive performances add a layer of unmatched depth to “The Sylvan Embrace”, invoking the wisdom of ancient woods and the poignant yearning of forgotten paths.
Tracklist: 1. Amidst the Ruins (12:41) [WATCH] 2. Echoes of the Ancient Land (11:41) 3. Glen of Sorrow (12:05) 4. The Sylvan Embrace (8:19) [WATCH] 5. Rebirth (14:10) Full runtime: 58:57
Out of the mists, where lore whispers in the winds, SAOR, the heralds of Caledonia’s primeval beauty and ancient tales, rise once again to enrapture souls far and wide. Their newest offering, Amidst the Ruins, is an epic voyage set to rekindle the fires of heritage and resurrect the valor that courses through Scotland’s vast landscapes.
Since their emergence in 2013, SAOR has beckoned listeners to transcend the mortal plain, intertwining the ferocity of atmospheric black metal with the gentle, haunting melodies of Celtic fold. Andy Marshall, the sage bard and architect of SAOR‘s sound, continues his pilgrimage through the verdant glens and stark highlands, revealing sights both ethereal and eternal through his music.
Building upon the chronicles of old, the forthcoming album Amidst the Ruins stands proud, a timeless sentinel amidst the sands of time. For in this work, Marshall, the visionary, has deftly woven strands of modern-life dissonance into the rich tapestry of Scottish lore, enshrining the enigmatic contrast between the remnants of a glorious yore and the often-elusive grasp of the present day. This auditory saga resounds with the resonance of ruined structures and forgotten paths, its melodies steeped in the reverence for sacred ground and a lament for the disconnect wrought by modernity.
Delve deep and you shall find Echoes of the Ancient Land, a heartfelt tribute to Scotland’s timeless landscapes and their profound ancestral connections. Through The Sylvan Embrace, SAOR imparts a harmonious sanctuary, a sylvan retreat where solace is found, and spirits are soothed. With Rebirth, the cycle is complete, weaving an intricate spell of transformation and new dawns.
The band’s odyssey upon the stage is nothing less than transcendental, as audiences bear witness to the heart of their aural fables brought vividly to life. These live performances stand as sacred rituals, bridging the veil between epochs, inviting all to partake in the shared legacy of the Scottish Highlands.
In Amidst the Ruins, the warriors of SAOR cast a clarion call to awaken from the lethargy of modern existence, to reclaim the essence of a heritage laid asunder. From the vibrant resonance of ancient battles to the hushed despair of Glencoe’s betrayed souls, every note spills forth like blood of the fallen seeping into the heathered earth.
As we stand on the cusp of this new era, Amidst the Ruins, the latest chronicle unfolds. SAOR‘s watchful eye turns to the horizon, the whispering woods, the twilight skies, and the sleeping stones bearing seers’ dreams, evoking the indomitable spirit of the realm. In their hands, the past is resurrected; its tales to be retold for those who would heed the call—SAOR, remain the ceaseless bards of Caledonia unbroken.
Line-up: Andy Marshall – All Composition, Writing & Instrumentation
Guest Musicians: Ella Zlotos – Female Vocals, Tin Whistles, Low Whistles, Uilleann Pipes Carlos Vivas – Drums Jo Quail – Cello & FX on “The Sylvan Embrace” Àngela Moya Serrat – Violin on “Amidst the Ruins”, “Echoes of the Ancient Land” & “Rebirth” Miguel Izquierdo – Viola on “Amidst the Ruins”, “Echoes of the Ancient Land” & “Rebirth” Samuel C. Ledesma – Cello on “Amidst the Ruins”, “Echoes of the Ancient Land” & “Rebirth
Recording: Andy Marshall – Vocals, Guitars, Bass recorded at Fortriu Studios, Scotland Nikolaus Jira – Female Vocals, Tin Whistles, Low Whistles and Uilleann Pipes recorded at NikolausRecordings Studio, Germany Jose Garrido and Daniel Sabugal – Drums recorded at NewLife Studios, Spain Mattias Eklund – Violin, Viola and Cello recorded at Farkosten Studios, Spain Chris Fielding – Mixing and Guitar reamping at Penylan Studio, Wales Tony Lindgren – Mastering at Fascination Street Studios, Sweden
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video