WORLD FIRE BRIGADE has just dropped their latest single, “Shot Down Again,” available now via TLG|ZOID and distributed by Virgin Music Group.
Brett Scallions comments on the single:
“When you have big guitar riffs like in Shot Down, the rest of the song falls into place fairly easily because you are so excited and inspired. The big, sweeping vocal melodies and lyrics fell into place pretty quickly. It was so much fun making a record with two lead singers and finding our parts in the song.”
World Fire Brigade has sold over 10 million records between its members. It all started with the veteran songwriting trio of Brett Scallions (front man of the multi-platinum selling band Fuel), Sean Danielsen (lead singer and guitarist for Smile Empty Soul) and Eddie Wohl (producer/mixer for Anthrax, Ill Nino, Smile Empty Soul, Jesse Malin, Dry Kill Logic, 36 Crazy Fists, and H2O).
The trio began writing & recording songs with the idea of possibly licensing them out or getting them to other artists, but it evolved into much more when the songs began to smolder. It became clear that their powerful material was meant to be performed by Scallions, Danielsen and Wohl themselves. It got to the point where we looked at each other and said, “You know, this is too good to give away,” says Scallions. “We need to do this for ourselves. It’s much heavier than anything I ever did with Fuel. We’re doing a lot of stuff in lower tones which is a first for me.”
Sacramento-based active rock band NERV returns with their highly anticipated new single, “WASTED!”, out now via SBG Records. Following up on their debut, this track continues to showcase Nerv’s powerful sound, blending dynamic guitar riffs and raw, emotive vocals.
With over 40 million streams across platforms and a solid history on SiriusXM Octane, Music Choice, BBC1 Rock, and Spotify Editorial, Nerv has quickly become a force in the rock scene. The band recently completed a tour with Polaris and played major festivals like Louder Than Life and Aftershock.
Fans can catch Nerv live at Dirty Fest on November 16th in Los Angeles, California.
Nerv, is a 4-piece active rock band residing in Sacramento California. The band consists of vocalist Dillon Jones, guitarists Jordan Grokett, Scott Buchanan, and drummer Tyler Clark.
Nerv broke onto the scene in November 2017 with their heavy hitting debut single ‘Enough’. Then in Spring 2018 the band released their highly successful debut EP ‘Bad Habits’, working with producer Erik Ron (I Prevail, Godsmack, Hollywood Undead). In October of 2022, Nerv released their long-awaited debut full length album, ‘We’re All Patients Here’ to great success garnishing 20+ million streams.
Nerv is currently finishing up their upcoming EP with producer Matt Good (Asking Alexandria, Escape the Fate) for a tentative 2025 release.
EPITAPH‘s new album “Path To Oblivion” which was supposed to be released on November 1st, has had its release date postponed to December 20th due to technical problems in the production of the physical material.
We obviously apologize to those who were waiting for the return of the Italian Doomsters, us first and foremost, but, as the philosopher said, “the wait of the pleasure is itself a pleasure”, so we just have to expect this date.
In the meantime, continue to enjoy the first track from the album, “Kingdom Of Slumber”, both on YouTube with the lyric video and on Spotify.
Line-up: Mauro Tollini: drums; Nicola Murari: bass; Lorenzo Loatelli: guitars; Ricky Dal Pane: vocals
Style: Epic Doom Metal with elements of classic Heavy Metal and Progressive
Similar artists: Candlemass, Pentagram, Solstice, Solitude Aeturnus, Black Sabbath, Trouble
Cover artwork created by Luciana Nedelea and tracklist:
Path To Oblivion – 2. Embraced By Worms – 3. Condemned To Flesh – 4. Nameless Demon – 5. She’s Reborn In Blasphemy – 6. Voices Behind The Wall – 7. Kingdom Of Slumber – 8. Fall From Grace
With a sound that defies generic labels and a vision that stretches the limits of creativity, MÚR are the latest descendants from Iceland’s volcanic underground. The emerging quintet are forging a new era of dark, atmospheric and boundary shattering metal. With progressive sensibilities that harken to the Devin Townsend Project and mid-era Opeth, a talent to cohesively juxtapose atmospheric textures with polished technicality a la Meshuggah and Gojira, and a focus on jazz study among the fresh-faced instrumentalists, Múr is already proving itself to be a reckoning force.
Today, Múr is pleased to announce that they have joined forces with Century Media Records for the release of their debut self-titled full-length! In celebration, the band is now sharing the mind-bending new single, “Frelsari,” along with a video. The clip was animated by Múr’s Kári Haraldsson (vocals, keytar, synthesizers) during his teenage years and can be found at THIS LOCATION.
The band comments: “’Frelsari’ is one of our more powerful, but also more conventionally structured songs, exploring themes of blind faith, giving up control, and the illusions of liberation. The music video is an animation our frontman made in his teens, which seems to harmonize well with the themes of this song, written years later.”
Múr’s trajectory really gained momentum a year after their formation when their talent was recognized in the spring of 2022 as they conquered the Icelandic Wacken Metal Battle, propelling them to an impressive fourth place in the international finale at Wacken Open Air in Germany.
The band recently created a buzz following the release of their folk horror infused video for “Heimsslit,” which can be found HERE.
“’Heimsslit’ is an Icelandic word for the apocalypse, but the literal translation is ‘world’s tearing,’ inspiring a vision of the world coming apart at the seams,” says the band. “The lyrical themes have more to do with an acceptance of something vital falling apart within one’s own mind rather than being about the physical world ending. The song is accompanied by our first music video, a massive cross-discipline collaboration between local artists.”
The album is due digitally on November 22, 2024 while CD and vinyl will be available January 10, 2025. Pre-orders are now live HERE.
In November and December, Múr will support Finnish prog-metal band Wheel (InsideOut Music) on selected shows of their upcoming European tour:
November 23, 24 (UK) London – The Underworld November 24, 24 (UK) Bristol – Thekla November 26, 24 (BE) Antwerp – Kavka November 27, 24 (DE) Cologne – Luxor November 28, 24 (DE) Aschaffenburg – Colos-Saal November 30, 24 (FR) Paris – Backstage December 2, 24 (CH) Zurich – Komplex December 3, 24 (IT) Milan – Legend Club December 4, 24 (DE) Munich – Backstage Halle December 5, 24 (HU) Budapest – Analog Music Hall December 6, 24 (AT) Vienna – Chelsea December 8, 24 (PL) Warsaw – Hydrozagadka December 10, 24 (DE) Berlin – Lido
With a sound that defies generic labels and a vision that stretches the limits of creativity, Múr are the latest descendents from Iceland’s volcanic underground. The emerging quintet are forging a new era of dark, atmospheric and boundary shattering metal. With progressive sensibilities that harken to the Devin Townsend Project and mid-era Opeth, a talent to cohesively juxtapose atmospheric textures with polished technicality a la Neurosis and Gojira, and a focus on jazz study among the fresh-faced instrumentalists, Múr is already proving itself to be a reckoning force.
Exhibiting a musicianship that collectively exhibits impressive virtuosity, it’s unsurprising that frontman Kári Haraldsson (Vocals, Keytar, Synthesizers), guitarists Hilmir Árnason and Jón Ísak Ragnarsson, bassist Ívar Klausen and drummer Árni Jökull Guðbjartsson each already have established impressive resumes as their interest in music all started in their early childhoods. Haraldsson is an unprecedented force, not only transforming the typically bright and cheerful keytar into an ominous weapon of sound, he has been a musician since the early age of five when he started taking drumming lessons with his grandfather. His interest in music continued to flourish in his teens, where he studied classical and jazz piano and ultimately started to try his hand in composition. His efforts paid off as he already has written scores for two projects – the Icelandic feature film ‘Harmur’ (‘Come to Harm,’ 2021) and the Icelandic TV series, ‘Gestir’ (2024). His cinematic sensibilities are now evident in the gradoise soundscapes that he creates for Múr.
Haraldsson then released his first solo project, Bláþræðir, in 2020, which was part of a larger collaborative project in which he and director Hrafnkell Tumi Georgsson made an animated short film with an original score. This partnership soon came to produce Múr’s haunting first music video for the song “Heimsslit.” Ever since Múr came into existence, it has been his main outlet for songwriting and is his purest creative expression.
Guitarists Hilmir Árnason and Jón Ísak Ragnarsson both had a similar trajectory, each learning classical guitar at a young age, but eventually learning the electric guitar as teens under the tutelage of Skálmöld’s Þráinn Árni Baldvinsson, who would eventually also play a role in Múr’s inception. Eventually, they each studied jazz, pursuing a formal education of the subject at Icelandic music schools Tónlistarskóli FÍH and Menntaskóli í Tónlist, respectively.
Also starting his musical training at age six, Árni Jökull Guðbjartsson didn’t start to hone his craft on drums until he was 13 and has performed in other local Icelandic bands (Krownest, Blóðmör) before joining Múr. His experience in punk and hardcore bands have been integral to his stage presence, lending to his immense energy and live ferocity.
Ívar Klausen also discovered his craft later in life, starting as a guitarist before conquering the bass. As a guitarist, he was actively involved in the local pop scene, contributing his talents both in studio and on stage for various artists. He also studied jazz guitar at the Icelandic music school Menntaskóli í Tónlist and has released several other records with his band Dópamín, where he sings and shreds the guitar as the frontman.
The commonalities between the musicians of Múr made the formation of this project almost seem inevitable, with ties between the members going back to their school years. “It started when Hilmir and I met in our first year of high school and started jamming in my mom’s garage, playing covers of our favorite rock and metal songs,” explains Haraldsson of the band’s inception. “Hilmir and Jón Ísak had the same guitar teacher at the time, Þráinn Árni Baldvinsson, but one day he introduced them to each other and strongly encouraged them to join forces with me in that very same garage the next weekend and start playing together. We became good friends over the next couple of years, meeting most weekends to hang out and play all sorts of different covers and some very early original material as well, but back then I was the drummer, so we were just a guitars and drums three-piece.
“A few years later we met the rest of the guys in the Icelandic music school, Menntaskóli í Tónlist, and things started to shape into what they are today when I stepped away from the drums to give full focus to the vocals, synthesizers (keytar) and songwriting. Singing was a completely new thing for me, only done originally so that the earliest songs I wrote for what would become Múr could include some vocal melodies. Ívar joined us on bass after I showed him some early Múr demos at school, but once this started looking like a full band and we had some of our first songs, we really needed a drummer.
“Sigurður Jakobsson (of Úlfúð, ex-Mannveira) joined us right around the start of the pandemic and we spent those isolated months really honing our inner dynamic as a band and were really tight by the time we could finally play our first gig when things finally started opening up again. Sigurður played the drums on the recordings for our debut album and stayed with us until we placed fourth at Wacken Metal Battle in Germany, but then had to part ways with us for personal and practical reasons, all on good terms. Árni, a good friend whom we had met through music school and the local scene, joined us right after, solidifying the lineup into what it is today.”
Múr’s trajectory really gained momentum a year after their formation when their talent was recognized in the spring of 2022 as they conquered the Icelandic Wacken Metal Battle, propelling them to an impressive fourth place in the international finale at Wacken Open Air in Germany.
Describing their music as “a wall of sound and emotion,” Múr is quick to point out that their sound is up for interpretation. “I’m not sure whether it’s our place to fully define it,” cautions Haraldsson “as people seem to take vastly different things away from experiencing it, depending on who they are and what they like in music.” While their complex passages will undoubtedly elicit different perspectives as it borrows from many genres and elements, the emotional component to their music is more direct, with lyrics that center on the human experience. “Most of the lyrics revolve around facing yourself, breaking the shackles of inner turmoil and finding strength in letting go,” he adds.
As for what comprises their multifaceted sound, Haraldsson explains, “We draw inspiration from a lot of different sources, both when it comes to the songwriting and when designing the more overarching soundscapes and textures. Amongst other things we are inspired by film scores, forces of nature, and various different forms of electronic music.”
Making their debut with their self-titled full-length, which will be released via Century Media Records on November 22, 2024, the newcomers already have a buzz around them as they have been winning over crowds on the festival circuit since conquering Soulcrusher Festival in 2023. Through their unique blend of atmospheric textures, evocative songwriting, and raw emotional intensity, Múr has garnered critical acclaim both within their homeland and beyond, solidifying their position as one of the country’s most promising and exciting musical exports.
The wait is over for The Nothing That Is, the seventh studio album from metal band FIT FOR AN AUTOPSY. Featuring recent singles “Lower Purpose”, “Savior Of None / Ashes Of All”, and “Hostage”, The Nothing That Isexplores the darkest aspects of the human condition. Fans can watch the new music video for “Red Horizon”, directed by Eric Richter, here.
The band shares: “‘The Nothing That Is’ is a full realization of our identity and intention. Every song on this record serves a purpose, and it feels like our most dynamic and powerful album to date. We hope you enjoy it as much as we do.”
Two years after their last headline tour through Europe, and shortly after the album release, the band will visit over 20 different European cities including London, Oslo, Berlin, Prague, Milan and many more! Starting the run on November 22nd in London, UK, FIT FOR AN AUTOPSY will be supported throughout the tour by label mates SYLOSIS and also DARKEST HOUR and HERIOT.
TOUR DATES: FIT FOR AN AUTOPSY · 2024 EU/UK TOUR Special Guests: SYLOSIS DARKEST HOUR HERIOT
22.11. UK London – Elecltric Brixton* 23.11. UK Leeds – Stylus* 24.11. UK Glasgow – QMU* 26.11. UK Manchester – O2 Ritz* 27.11. UK Birmingham – O2 Institute* 28.11. UK Bristol – SWX* 30.11. NL Nijmegen – Doornroosje 01.12. BE Antwerp – Kafka Zappa 02.12. DE Hamburg – Gruenspan 03.12. SE Gothenburg – Pustervik 04.12. NO Oslo – John Dee 05.12. SE Stockholm – Fryshuset Klubben 07.12. FI Helsinki – Ääniwalli 09.12. DK Copenhagen – Amager Bio 10.12. DE Berlin – Hole44 11.12. PL Warsaw – Proxima 12.12. CZ Prague – Meetfactory 13.12. DE Dresden – Reithalle 14.12. HU Budapest – Barba Negra 15.12. AT Wien – Simmcity 17.12. IT Milan – Live Club 18.12. CH Pratteln – Z7 19.12. DE München – Backstage 20.12. DE Karlsruhe – Substage 21.12. DE Köln – Essigfabrik
*Co-Headlining FIT FOR AN AUTOPSY + SYLOSIS
FESTIVAL DATES 2025: 06.06. – 08.06. DE Nürburg – Rock Am Ring 2025 06.06. – 08.06. DE Willingshausen – Rock Im Park 2025 26.06. – 28.06. NL Ysselsteyn – Jera On Air 2025 27.06. – 28.06. DE Münster – Vainstream Rockfest 2025
Polish extreme metal giants, the mighty BEHEMOTH, have released their monumental anniversary concert XXX Years Ov Blasphemy from 2021. It’s available as 3CD + BluRay, 3LP and Digital Album.
The career-spanning show, held at and filmed on three cinematic locations, has a total running time of 90 minutes, divided into three different acts, and features fan favourites as well as a few selected deep cuts that BEHEMOTH had rarely played live before.
Coinciding with the album release, the live video for the song ‘At The Left Hand Ov God‘ has been made available on the band’s YouTube channel. The original version of the song appeared on BEHEMOTH‘s 2007 opus, The Apostasy.
LIVE DATES: THE UNHOLY TRINITY TOUR 2025 + SATYRICON + ROTTING CHRIST 04-April – AT – Vienna, Gasometer 05-April – DE – Munich, Zenith 06-April – DE – Berlin, Columbiahalle 08-April – CH – Zurich, Halle 622 11-April – FR – Paris, Olympia 12-April – UK – London, O2 Brixton Academy 13-April – NL – Tilburg, 013 Poppodium 15-April – DE – Cologne, E-Werk 16-April – DE – Wiesbaden, Schlachthof 18-April – SE – Stockholm, B-K 20-April – NO – Oslo, Inferno Metal Festival *Behemoth only* 22-April – FI – Helsinki, Ice Hall 23-April – LV – Riga, Palladium 25-April – PL – Wrocław, Orbita Hall 26-April – DE – Lichtenfels, Ragnaroek Festival *Behemoth only* 27-April – CZ – Prague, O2 Universum
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video