French doom metallers THE BOTTLE DOOM LAZY BAND have announced their upcoming new album “Clans Of The Alphane Moon”, set to be unleashed on November 1 through Sleeping Church Records.
Delving into the essence of their creative journey, the band shares insights into the theme of their upcoming opus: “For this album, on the level of inspiration, we started off with a delirium of ‘concept album,’ around SF, news from the 60s and 70s, old ‘Metal Hurlant,’ with redundant riffs, a bit disgusting leitmotifs that are found from one track to another. Ben’s lyrics, and the cover made again by our friend Tetar, also reflect this Space/SF atmosphere. This album was intended to be a mix of ‘Blood for the Bloodking’ and ‘Lost n’ Drunk’: strong, big heavy riffs from the first album, and big psychedelic space songs from the second. We still have time to put this one, almost 5 years, since we are big wankers and we are not able to organize ourselves haha! Now, we’re gonna let the old dog go back to his belly, lie down at the bottom of the bar, let him fall asleep, and bother him for a while.“
Tracklist:
Ride The Leviathans
Crawling End
To The Solar System
Castle Made Of Corpses
The Technosorcerer
Flames Of Sagitarius
The Dying Earth
Crafted under the meticulous guidance of Guyome (drums in THE BOTTLE DOOM LAZY BAND) at The Cripple Room in France, the album’s recording, mixing, and mastering promise a refined auditory delight that will serve as a harmonious backdrop to the band’s distinctive sonic tapestry. Noteworthy collaborators, like Tetar, renowned for his visual marvels withCHILDREN OF DOOM, and the talented layout designer Tos, known for contributions to projects like BARABBAS and PRESUMPTION, have lent their artistry to create a captivating visual journey to complement the evocative musical narrative.
“Clans Of The Alphane Moon” is slated for release on November 1 through Sleeping Church Records and is now available for pre-order at THIS LOCATION
THE BOTTLE DOOM LAZY BAND is: Guyome – drums Opyat – guitar Bottleben – vocals Hemreich – bass Pierre – guitar
For the past three decades, Defiled have kept their blade sharp. Ever since Tokyo’s underground lost their minds over the band’s grotesque arsenal of finishing moves, Yusuke Sumita and his death metal samurai set off on a war path that’s left nothing but inevitable ruin in their raw wake. They’ve ransacked Milwaukee Metal Festival and joined forces with their fellow legends in Mayhem, Incantation, Morbid Angel and Cannibal Corpse.
Having now churned out three albums in almost as many years, metalheads can be forgiven for believing that Defiled had already reached the highest level. But the Japanese legends have topped themselves again on their eighth album. Horror Beyond Horror comes out this Friday, September 20, but you can hear all 14 slicing and dicing songs today by listening to the full album stream on Season of Mist’s YouTube channel.
After they first took to the stage in 1995, Defiled needed nearly a decade before finally erupting with wrath on their debut album. But ever since the band’s lineup solidified around original member Yusuke Sumita, they haven’t stopped to look back and admire all the ugliness they’ve revealed. Horror Beyond Horror comes hot on the heels of the album they released just last year, which Metal Injection listed as one of the can’t-miss releases of 2023.
Like a poisonous dart, Defiled come shooting out of the shadows on Horror Beyond Horror. Blast beats pummel at unforeseen angles amidst “Smoke and Mirrors”. “Every lie has been revealed”, fearless frontman Shinichiro Hamada shouts, taking aim at perpetual frauds and tyrannical technocrats. The band charges into the pit behind bassist Takachika Nakajima’s greasy groove, which is snapping plenty of necks on their current Japanese tour.
“We wanted this album to be natural and realistic”, Sumita told New Noise. “We did not use any editing or artificial techniques in the recording process”.
With 30 years and eight albums under their belt, Defiled know where to stick the blade on Horror Beyond Horror. The album’s title track shreds through the corrupted torment of mind control with riffs that are honed from the jagged influence of ’80s thrash and hardcore. “The time has come”, the band spit at their captors with utter disgust. “Death strikes you with derision”.
Defiled aren’t afraid to crack open people’s skulls, either. Horror Beyond Horror descends deeper and deeper into the psychological shadows the further you go down the track list. “Syndicate” conspires around a greasy, pit-dwelling breakdown but drummer Keisuke Hamada never stops chopping up the tempo. “The path to your elimination”, Shinichiro Hamada cries, digging in amidst a flurry of blast beats during the album’s final boss “To See Behind the Wall”. Whether they’re slicing, dicing or leaping into a furiously fast solo, the band’s riffs take no prisoners.
“We still love death metal and are very proud to be recognized as a death metal band”, Sumita tells Antichrist Magazine. “At the same time, it’s clear from our songs that we do not follow trends. Who would be interested in a Japanese bands that follows Western trends? We have our own perspective, and we have been going our own way for many years now, and we are convinced that we are on the right path”.
On Horror Beyond Horror, Defiled unleash the kind of old-school ass-kicking that only true masters can deliver.
Cover Art by Wes Benscoter
Tracklist1. Smoke and Mirrors (2:35) [WATCH] 2. Horror Beyond Horror (4:01) [WATCH] 3. Syndicate (3:59) 4. The Alchemy (2:47) 5. Demagogue (2:13) 6. The Terminal Phase (2:18) 7. Trojan Horse (2:35) 8. Spectrum of Fear (2:30) 9. The Crook and Flail (3:08) 10. Replicator Dynamics (2:42) 11. Equinox (3:04) 12. The Chains (3:16) 13. Psychopomp (3:14) 14. To See Behind The Wall (2:45) [WATCH]
In customary fashion, this fall, Defiled are welcoming Horror Beyond Horror with a tour of Japan. Watch these legends shred through “Horror Beyond Horror”, “Smoke and Mirrors”, “To See Beyond the Wall”, “Syndicate” and other nasty rippers off their new album for the very first time.
The band also have two very special shows planned for later this year. In November, they’ll bang heads with fans in Bangkok alongside Batushka and Malevolent Creation. Then, to cap off what’s already shaping up to be another gloriously hellish year in their 30-year history, Defiled will share the stage with Hellchild and Satanic Hell Slaughter in a joint celebration of Japan’s historic death metal scene.
“As a Japanese death metal band, we wanted to reflect on where our scene started”, says Yusuke Sumita, who’s been Defiled’s guitarist since the band started in 1992. “Hellchild and Satanic Hell Slaughter are legends who built the Japanese death metal scene in the early ’90s. We are honored to have them return to share the stage with us. We want the young Japanese metalheads to come to this show. Don’t miss it”.
Horror Beyond Horror Japanese Tour 2024, remaining shows: September 20 – Osaka @ Hokage September 21 – Hikone @ Benihana September 22 – Nagoya @ Studio 246 September 23 – Tokyo @ Earthdom September 24 – Yokohama @ El Puente September 25 – Fussa @ Chicken Shack September 26 – Utsunomiya @ Beat Club September 27 – Nagano @ Rosebery Cafe September 28 – Niigata @ Rocka September 29 – Sendai @ Solfa September 30 – Fukushima @ 559 October 25 – Kofu @ Kazoo Hall October 26 – Tokyo @ Earthdom October 27 – Matsudo @ Dugout 2
Defiled Live in Bangkokwith Batushka + Malevolent Creation
November 29 – Bangkok, Thailand @ Mr. Fox Livehouse
Defiled Live in Tokyo with Hellchild + Satanic Hell Slaughter
December 8 – Tokyo, Japan @ Earthdom
From the depths of Tokyo’s darkest alleys, Defiled have emerged once again, claws sharpened, eyes bloodshot, ready to unleash a fresh dose of unadulterated savagery with their latest full-length studio album, Horror Beyond Horror. Marrying the grotesque with technical prowess, these samurais of sickness are poised to carve another notch into the archives of death metal’s sordid history.
Since crawling from the primordial soup of the underground scene in the early ’90s, Defiled have forged a path littered with broken souls. Their journey of destruction first sank its teeth into the international jugular with Erupted Wrath, mixed by the masterful Jim Morris in Tampa, Florida. This brutal assault opened gates to a global bloodletting, from leveling stages in South Korea to crushing skulls at the Milwaukee Metalfest, and not even the November to Dismember fest could foresee the carnage they’d bring.
Commandeering the technical tightrope between anarchy and precision, Defiled evolved, much like an aberrant spawn isolated on the Galapagos, grotesque yet ultimately superior. Their subsequent onslaughts — Ugliness Revealed, Divination, and the sheer violence of In Crisis — built a monument to atrocity that ascends to new heights with Horror Beyond Horror.
Taking no prisoners in their three-decades-long campaign of terror, Defiled have become the indestructible behemoth of Asia’s death metal scene, powered by the relentless engine of their oldschool roots and the twisted wreckage of technical thrash and progressive rock innovation.
But enough with the history lesson, you came here for the carnage, didn’t you? Horror Beyond Horror is a 14-track massacre, riddled with riffs sharp enough to slit your throat and a rhythmic onslaught that’ll pulverize your pathetic bones. Each track, from the visceral “Smoke and Mirrors” to the haunting “To See Behind the Wall”, is a calculated strike, precision-engineered to leave no survivors. Let’s not forget the eponymous “Horror Beyond Horror”, a track that cements Defiled’s legacy as harbingers of the apocalypse.
With a sound as raw as exposed nerve endings and as unrefined as a mass grave, Defiled stands defiantly apart from the polished poseurs and shameless sellouts. They don’t peddle in cheap gimmickry or nostalgia; they deal in the currency of pure, unfiltered destruction. As they look out upon the charred landscape of the genre they’ve helped to define, Defiled is not content to rest on their laurels. Horror Beyond Horror sees them, once again, ascending to the blood-soaked throne of death metal sovereignty.
Production Credits Sound Engineers – Shinichiro Hamada & Keisuke Hamada Produced by Yusuke Sumita Mixed & Mastered by Kenji Kikuchi at Studio Nest, Chiba, Japan
It is with profound reverence and anticipation that Season of Mist announces HELGA‘s ethereal performance at the ‘Rising Metal Talent Showcase’ during the IFF this year.
The mystical ensemble is set to unfurl their hauntingly beautiful melodies on a stage that craves their unique blend of dark, atmospheric, and melodic sounds. Born from the depths of the Swedish hinterland and the town of York, HELGA‘s music echoes with the luminescent spirits of birch forests and Nordic tales.
HELGA Live @ The IFF Metal Mixer 26 September London, UK @ Arch 33 [Register]
In November, the band will join the Icelandic metal cowboys Sólstafir for the second half of their European tour alongside Finnish black metal psychedelics Oranssi Pazuzu.
Nordic Descent Tour 2024: 13 Nov: Groningen, NL @ De Oosterpoort 14 Nov: Nijmegen, NL @ Doornroosje 15 Nov: Maastricht, NL @ Muziekgieterij 16 Nov: Brussels, BE @ Botanique 17 Nov: Bielefeld, DE @ Forum 19 Nov: Lille, FR @ Le Splendid 20 Nov: Brighton, UK @ Concorde 2 21 Nov: Manchester, UK @ Club Academy 22 Nov: Dublin, IR @ Opium 23 Nov: Glasgow, UK @ Queen Margaret Union 24 Nov: London, UK @ Electric Brixton 26 Nov: Paris, FR @ La Machine Du Moulin Rouge 27 Nov: Rennes, FR @ L’Antipode 28 Nov: Toulouse, FR @ Metronum 29 Nov: Pamplona, ES @ Sala Totem 30 Nov: Madrid, ES @ Sala Mon 01 Dec: Barcelona, ES @ Razzmatazz 2 03 Dec: Milano, IT @ Alcatraz 04 Dec: Pratteln, CH @ Z7 05 Dec: München, DE @ Technikum 06 Dec: Vienna, AT @ Simm City 07 Dec: Warsaw, PL @ Proxima 08 Dec: Leipzig, DE @ Taubchental 09 Dec: Berlin, DE @ Metropol
Today, the UK band are proud to announce that they’ve received another strong accolade. Their song Burden won the grand prize in the Rock category during the first session of this year’s John Lennon Songwriting Contest.
“Burden is a song that we’re very proud of”, HELGA says. “To win something like this means the world to us”.
Their prize includes a Taylor AD17e acoustic-electric guitar and other recording gear. Next April, Burden will compete head-to-head with the Session II winner in an online vote to determine the overall winner for the Rock category.
“Burden” recounts a tale of relinquishment and its complexity. Spectral strings and imposing drums converge into a reassuring mélange of emotions, as vocalist Helga Gabriel recognizes having finally found her place in this world.
“This was the first song written for Wrapped in Mist“, Helga says. “It was inspired by the pain of leaving my home in the Dalarna woods and the hope that comes with new connections and relationships”.
Wrapped in Mist is now available on Season of Mist.
Tracklist: 1. Skogen mumlar (4:23) [WATCH] 2. Burden (4:57) [WATCH] 3. Water (3:55) 4. If Death Comes Now (3:58) 5. Farväl (4:34) 6. Alive Again (3:35) [WATCH] 7. Vast and Wild (4:04) 8. Som en trumma (4:26) 9. Mountain Song (5:34) 10. Wrapped in Mist (6:41) Total runtime: 44:07
Hailing from the Swedish hinterlands of Dalarna and Halifax, West Yorkshire, HELGA amalgamated in 2019 in York, North Yorkshire. United by singer, Helga Gabriel, the quintet delve into a musical alchemy on their pursuit of darker manifestations.
“We draw on many different influences from Swedish folk to progressive metal to post-rock to black metal to pop. Distilling this into a single style is a challenge.” -Cai S.
Summoning this plethora of layers and genre, HELGA culminate their premier album Wrapped in Mist into dirgeful lamentations of mortality and mental health, punctuated by formidable drumming, spectral strings and chugging riffs.
The album’s opening track, Skogen mumlar (The Forest Murmurs), transcends forthwith into emotive dreamscapes that leave hairs trembling, Ennio Morricone echoing as the intro’s muse.
But as the journey through Wrapped in Mist transpires, songs such as Farväl (Farewell) reveal HELGA’s black metal and darker sensibilities. Bewitching through this myriad range, the album’s waltzing coda flirts with a melodic baroque that crescendos with Opeth-esque climax.
The inception of Wrapped in Mist promises to plunge HELGA deep into the spotlight of mesmerising live performances following release. From the hills and forests of rural dwelling, this is a band destined for a journey worth following.
Lineup: Helga Gabriel – Vocals Cai Sumption – Guitar Cameron Gledhill – Guitar Ryan Fairclough – Bass Sami Javed – Drums
Recording: Guitars and vocals recorded by Tom Peters at Trapdoor Studios Drums recorded by Bob Cooper at Chairworks Studios
Production: Produced and mixed by Luiz Felipe Netto Mastered by Brad Boatright at Audiosiege
Additional Musicians: Damian Bolotin – Violin on “Skogen mumlar”, “Vast and Wild” and “Wrapped in Mist”. Antonio Guerra – Grand piano on “Mountain Song” and “Vast and Wild”. Mafram do Maracanã – Percussion on “Skogen mumlar” and “Wrapped in Mist” Bruno Migliari – Double bass on “Mountain Song”, “Skogen mumlar” and “Wrapped in Mist” Luiz Felipe Netto – Acoustic guitar on “If Death Comes Now” & “Wrapped in Mist”, as well as additional electric guitars, keyboards and string arrangements. Ayran Nicodemo – Violin on “Mountain Song”, “Skogen mumlar”, “Vast and Wild” and “Wrapped in Mist” Bruno Serroni – Cello on “Farväl” and “Vast and Wild” Joe Zeitlin – Cello on “Farväl”, “Mountain Song”, “Skogen mumlar”, “Vast and Wild” & “Wrapped in Mist”
“This is your time to sacrifice.” Intense is only the starting baseline as Izzy Reign dives deep into the the psyche’s darkest corners. This latest offering blends elements of metalcore, alternative pop, and alternative metal, creating a unique soundscape that is both haunting and electrifying. The song captures the haunting experience of living in constant anticipation of one’s fate, a theme that resonates with Izzy’s personal struggle with religious-induced OCD and intrusive thoughts. Izzy Reign showcases her ability to blend brutal vocals with the ethereal, a diverse array of instruments, including synth, drums, guitar, and bass, seamlessly weaving together different musical styles to reflect a range of emotions, as she draws out an emotionally stirring and intricate soundtrack of her personal struggles.
“This song is about the Egyptian goddess of death, Ammit and the constant feeling of waiting to know your fate,” explains Izzy Reign. “I wanted to pull influences from a few different like My chemical romance, or Kim Dracula for their theatrical vocal styles but also draw interesting harmonies from artist like Imogen Heap. I wrote this song because one of the dark parts of myself stemmed from going to church and constantly being surrounded by religion and one of the major downfalls that lingered with me was the ultimate judgment. I thought about it so consistently that I became obsessive with everything I said or did, leading to severe OCD and horrifying intrusive thoughts.”
Bold. Eclectic. Rebellious. Izzy Reign thrives on originality and thinking outside the box. Her music is nothing short of a reflection of this. She grew up singing to Alanis Morissette, Jewel, and Madonna. Inspired by Enter Shikari’s music video “Sorry You Are Not A Winner” and the musical stylings of Imogen Heap, Izzy took the plunge into the industry and played her first live show when she was 15 years old.
Since then she’s taken a deeper dive into production, songwriting and performing, working with a variety of artists that come through the production house she shares with producers Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens) and Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!). Over the past four years she has released a myriad of covers, originals and music videos on her YouTube channel racking up millions of views. She has received notable attention for her popular The Nightmare Before Christmas cover of “This Is Halloween”, which has over 10 million streams across Spotify and YouTube along with 73,200 videos using the sound on TikTok.
In 2023 Izzy came to the attention of the US-based record label FiXT, through the discovery of her independent release, “Broken By Design”, which showcased a new edge to Izzy’s sound. Signing on for a multi-album deal, Izzy Reign is now set to release her debut album with FiXT in 2025.
CHRYSALÏD, the heavy metal powerhouse from Northern England, was founded in 1999 by the talented Emmanuel Thorsen. Their music is a passionate blend inspired by NWOHBM, power metal, and thrash metal. If you love a “straight to the point” attitude, that’s exactly what you’ll get from Chrysalïd. Their sound perfectly captures the energy, passion, joy, and chill of their metal roots.
They’re thrilled to announce their new upcoming album “Breaking The Chains” which features special guests like Tim “Ripper” Owens, Zak Stevens, Fabio Lione, and Henning Basse. This album is more than just a collection of songs; it’s a powerful message to the world about never giving up, always fighting for your dreams, and standing tall no matter how many times you fall. For fans of Savatage, Helloween, Judas Priest, Iron Maiden, and Angra, “Breaking The Chains” is a must-listen. Let the music of Chrysalïd ignite your spirit and fuel your passion for metal. They’re excited to announce the release of the second single and music video from their upcoming album; the track, called “Eternal Flame” feat. Tim “Ripper” Owens,it’s a song about bringing the heavy metal essence to your life and making your dreams turn into reality. This new album is an honest and passionate act of love for heavy metal music. With every aspect of the creation process like writing, recording, rehearsing, and live performance they are improving continuously, setting this second album as a testament to their dedication to their craft.
Watch and listen to the video for “Eternal Flame” feat. Tim “Ripper” Owens
Track Listing: 1-Overture ft. Zak Stevens, Fabrichio Rocha 2-Eternal Flame ft. Tim ‘Ripper’ Owens 3-Far Beyond The Sun ft. Henning Basse 4-Into The Night ft. Lisa Skinner, Andre Tulipano, Fabio Alessandrini, Cristiano Lopes 5-The King ft. Craig Carns, Simon Robertshaw, Jase Tyler 6-Breaking The Chains ft. Zak Stevens, Fabrichio Rocha , Kayo John 7-Blackstar ft. Nick Kariotis, Jase Tyler 8-War Of Illusions ft. Fabio Lione, German Madonado, Emirhan Yler, Jase Tyler 9-Another Day ft. Jase Tyler 10-My Way Home ft. Fabio Lione, Fabrichio Rocha 11-Under The Thumb ft. Eugene Simone, Jase Tyler 12-The End Of Chapter II ft. Zak Stevens, Ariel Perchuk 13-Sleepless Nights (Bonus Track) (King Diamond cover) ft.Paul Skinner, Guilherme Peixoto
SPECIAL GUESTS CREDITS: VOICES: ZAK STEVENS – OVERTURE/BREAKING THE CHAINS/THE END OF CHAPTER II TIM RIPPER OWENS – ETERNAL FLAME FABIO LIONE – MY WAY HOME/WAR OF ILLUSIONS HENNING BASSE – FAR BEYOND THE SUN CRAIG CAIRNS – THE KING LISA SKINNER – ANOTHER DAY ANDRE TULIPANO – ANOTHER DAY DRUMS: FABIO ALESSANDRINI – INTO THE NIGHT KAYO JOHN – BREAKING THE CHAINS PAUL SKINNER – SLEEPLESS NIGHTS GUITARS: FABRICIO ROCHA – OVERTURE/BREAKING THE CHAINS/MY WAY HOME EUGENE SIMONE – UNDER THE THUMB (SOLO GUITARS) CRISTIANO LOPES – INTO THE NIGHT (SOLO GUITARS) NICK KARIOTIS – BLACKSTAR (INTRO SOLO, RHYTHM GUITARS AND FINAL SOLO) GERMAN MALDONADO – WAR OF ILLUSIONS (RHYTHM AND LEAD GUITARS) EMIRHAN YELER – WAR OF ILLUSIONS (CHORUSES GUITAR SOLOS) BASS: SIMON ROBERTSHAW – THE KING GUILHERME PEIXOTO – SLEEPLESS NIGHTS KEYBOARDS: JASE TYLER – BLACKSTAR/ANOTHER DAY/WAR OF ILLUSIONS/THE KING ARIEL PERCHUK – THE END OF CHAPTER II TAMBORINE: JASE TYLER – UNDER THE THUMB
Chrysalïd Line Up: Emannuel Thorsen: Vocals Fabricio Rocha: Lead Guitars Ben Hurst: Rhythm Guitars Jase Tyler: Keyboards Wolf Deiuliis: Bass Guitars Mark Harrison: Drums
Reigning Phoenix Music, a rapidly ascending record label specializing in hard rock and heavy metal, is excited to announce a strategic, multi-year partnership with Maurizio Iacono’s Distortion Music Group. Founded by music industry leader Gerardo Martinez and avionics and tech entrepreneur Sven Bogner, RPM will manage the release, distribution, and marketing of DMG artists under the RPM umbrella.
Martinez brings over two decades of label experience to the partnership, highlighted by his collaborations with prominent bands like Slayer, and pivotal roles in the careers of Carcass, Dimmu Borgir, Kerry King, Kataklysm, Meshuggah, Machine Head, Deicide, Soulfly, and others.
“I met Maurizio back in 1995 while he was touring the US for the first time,” shares Martinez. “Years later I worked with him with Kataklysm, and other bands he manages such as Septicflesh and Fleshgod Apocalypse, and since have built a very strong career and relationship that has lasted over two decades. I’m very much looking forward at the prospect of this new partnership that will bring a lot of new talent and well established artists!”
Maurizio Iacono, not only the enduring frontman for death metal legends Kataklysm, but also a successful artist manager, has nurtured the careers of influential bands such as Septicflesh, Fleshgod Apocalypse, Wind Rose, and Unleash the Archers. With a keen eye for talent through his own record label, he first signed Wind Rose and has continued to discover and support rising artists.
“Gerardo and I have known each other for over 20 years,” adds Iacono. “From teenagers with a love for metal at concerts to working in many facets of the music industry together, we have grown in it for over two decades. Two years ago, I started Distortion Music Group, a label imprint designed to give the artist a voice and fighting chance to shine. When Gerardo approached me about partnering DMG with RPM and bring some fire power to the label, it was a no brainer for us to accept this new venture and bring it to the next level!”
About RPM: Currently headquartered in Los Angeles, the UK, and Hamberg, Germany, RPM’s main objective is to fully support localized market expertise by offering the best services and practices in the industry worldwide.
About DMG: Based in Orlando Florida, Distortion Music Group was formed in 2022 by Kataklysm frontman and Hard Impact Management (Wind Rose , Fleshgod Apocalypse, Septicflesh , Unleash the Archers, and more) owner Maurizio Iacono. DMG has released music from Scotland’s Death/Grind extremist Man Must Die, Germany’s surf grind outfit Stillbirth, American power metal sensation Seven Kingdoms, as well as back catalogue from world renowned dwarf metal titans Wind Rose.
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
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