In a thrilling display of blackened deathcore prowess, OV SULFUR is proud to announce the release of their latest single “Hivemind,” featuring Lukas Nicolai of MENTAL CRUELTY. This release precedes their highly anticipated co-headline “Beyond the Eternal Tour” across North America with MENTAL CRUELTY. “Hive Mind” can be streamed on any of your favorite platforms HERE.
“Hivemind” showcases OV SULFUR’s consistent stance against conventional religious narratives and herd mentality, a theme that aligns seamlessly with MENTAL CRUELTY’s established defiance in their music. Chase Wilson, OV SULFUR’s guitarist, describes the track as a blend of intricate technical riffs and a unique swing, emphasizing its departure from traditional metal norms. “‘Hivemind’ is Ov Sulfur’s rallying cry against the herd mentality that has turned religion from hopeful to hateful for centuries—to the point where it’s basically part of its ethos,” Wilson explains. “The song takes a cue from its celebration of avoiding the typical, stylistically, by taking a left-hand path: embracing off-kilter swing in its dramatic chorus, contrasted with some of their most technical riffing. Lukas Nicolai of Mental Cruelty really elevated the brutality. It’s an honor to have our Century Media labelmates and fellow blackened deathcore leaders on a song with us ahead of our co-headlining tour across North America.”
Lukas Nicolai, MENTAL CRUELTY’s vocalist, expressed his enthusiasm for the collaboration: “I said it before and I’m going to say it again: joining Mental Cruelty has been an awesome journey so far. Furthermore, having two Century Media heavy hitters join forces on a co-headline tour in North America is the biggest highlight of this journey so far. I am so stoked to go on tour with the guys in Ov Sulfur, Ghost Bath and Extermination Dismemberment.” “And now to have the opportunity to feature on ‘Hivemind’ is a cherry on top. It was really fun to record this one! I can’t wait to go berserk with Ricky live—though I might try to get up there for ‘Stained in Rot’ haha.”
OV SULFUR and MENTAL CRUELTY are barreling toward the first dates of their “Beyond the Eternal Tour,” marking a significant moment for both bands. This tour will be OV SULFUR’s inaugural co-headlining venture and MENTAL CRUELTY’s first in North America.
The tour will kick off on February 7th in Mesa, AZ, and conclude on March 9th in Las Vegas, NV. Joining them will be the haunting GHOST BATH and the intense EXTERMINATION DISMEMBERMENT. Revolver is running an exclusive giveaway for tickets and VIP passes. Enter HERE.
OV SULFUR comments on the tour: “This tour is not just a series of shows; it’s a demonstration of blackened deathcore’s evolution. We’re honored to share the stage with MENTAL CRUELTY, GHOST BATH, and EXTERMINATION DISMEMBERMENT. Expect a night of unrelenting metal.”
MENTAL CRUELTY adds: “We’re thrilled to bring our latest work, ‘Zwielicht,’ to North American fans. Teaming up with OV SULFUR, GHOST BATH, and EXTERMINATION DISMEMBERMENT ensures a diverse and intense experience for all attendees.”
Tickets are on sale now so go secure your spot in the pit for the “Beyond the Eternal Tour.” Tickets can be found HERE.
Dates: 02/07 Mesa, AZ @ Nile Underground 02/08 Albuquerque, NM @ Launchpad 02/09 Ft. Worth, TX @ Haltom Theater (Side Stage) 02/10 Austin, TX @ Come And Take It Live 02/11 Houston, TX @ Scout Bar 02/13 Orlando, FL @ Conduit 02/14 Atlanta, GA @ Masquerade (Purgatory) 02/15 Greensboro, NC @ Hangar 1819 02/16 Baltimore, MD @ Metro 02/17 Manchester, NH @ Jewel 02/18 Brooklyn, NY @ Brooklyn Meadows 02/20 Montreal, QC @ Fairmount Theatre * 02/21 Toronto, ON @ Hard Luck * 02/22 Cleveland, OH @ The Foundry 02/23 Pittsburgh, PA @ Preserving 02/24 Detroit, MI @ Sanctuary 02/25 Chicago, IL @ WC Social Club 02/27 Lawrence, KS @ Bottleneck 02/28 Denver, CO @ Roxy Theater 03/01 Salt Lake City, UT @ Aces High Saloon 03/02 Richland, WA @ Ray’s 03/03 Spokane, WA @ The Big Dipper 03/04 Seattle, WA El Corazon 03/05 Portland, OR @ Dante’s 03/07 San Francisco, CA @ Neck Of The Woods 03/08 Los Angeles, CA @ 1720 03/09 Las Vegas, NV @ The Usual Place *No EXTERMINATION DISMEMBERMENT
Century Media Records is proud to announce the signing of Sweden’s modern metal standard bearers, ORBIT CULTURE. Hailing from the small town of Eksjö, Sweden (located between the revered metal cities of Gothenburg and Stockholm), the quartet (guitarist and vocalist Niklas Karlsson, guitarist Richard Hansson, bassist Fredrik Lennartsson and drummer Christopher Wallerstedt) has grown into a global force, melding together, riffs that are equal parts thrash, death metal and industrial with arresting hooks and a layered atmosphere that invites comparison to GOJIRA, METALLICA and STATIC-X while carving out something that is uniquely their own.
ORBIT CULTURE’s 2023 album, Descent and its subsequent EP release, The Forgotten topped many recent year-end lists including Metal Hammer who described the album as: “a formidable entwining of modern metal’s most effective and exciting strands into an impressive milestone.” Exhaustive worldwide touring and a steady stream of crowd-pummeling festival slots across the globe, have set the stage for something much larger.
Says ORBIT CULTURE: “Century Media is home to some of today’s biggest metal bands out there and we couldn’t be any happier to be part of their roster. We look forward to bringing you new music in the future and working closely together with Century Media’s world class team!”
“Watching ORBIT CULTURE’s rise to becoming one of the greatest new metal bands in the world and now working with them is inspiring,” states Philipp Schulte, Century Media Vice President and Global Head. “I’ve personally been a fan since the beginning. They are part of both metal and Century Media’s future in a very exciting way.”
Before initiating work on their next LP and Century Media debut, ORBIT CULTURE will tour North America with legendary metal acts, MACHINE HEAD and FEAR FACTORY as well as newcomers GATES TO HELL on the “Slaughter The Martout” tour. The US and Canadian run will continue the Swedish band’s exhaustive work in the territory which has included tours with IN FLAMES and AVATAR and won ORBIT CULTURE a rabid fan-base and high placement on Sirius XM’s Liquid Metal “Devil’s Dozen” year-end chart. At the time of this announcement, the band is #1 on Sirius XM’s Liquid Metal Following the U.S. tour, ORBIT CULTURE will then embark on an extensive tour of Europe, fittingly titled, the “Descending Into Madness” tour.
“We are beyond excited to be working with ORBIT CULTURE and their team at 5B (Management),” adds Mike Gitter, Century Media Vice President of A&R, North America. “They’ve carved an indelible mark on the worldwide metal scene through vision, determination, and hard work. They’re not merely a band leading the charge for extreme music right now – they’re a band that will lead that charge for many years to come.”
SLAUGHTER THE MARTOUR NORTH AMERICAN TOUR W/MACHINE HEAD, FEAR FACTORY & GATES TO HELL JAN 18 SAN DIEGO, CA @ Brick By Brick (No Machine Head or Gates to Hel w/Thrown Into Exile) JAN 19 SAN FRANCISCO, CA @ The Warfield JAN 20 RENO, NV @ Virginia Street Brewhouse (No Machine Head or Gates to Hell) JAN 21 PORTLAND, OR @ Roseland Theater JAN 22 SEATTLE, WA @ Showbox JAN 23 VANCOUVER, BC @ Commodore JAN 25 EDMONTON, AB @ Midway Music Hall JAN 26 CALGARY, AB @ Grey Eagle Casino JAN 27 SASKATOON, SK @ Coors Event Centre JAN 28 WINNIPEG, MB @ Burton Cummings Theatre JAN 30 MINNEAPOLIS, MN @ Skyway Theatre JAN 31 CHICAGO, IL @ Concord Music Hall FEB 01 PITTSBURGH, PA @ Roxian Theatre FEB 02 NORTHFIELD, OH @ MGM Northfield Park FEB 03 DETROIT, MI @ St Andrews Hall FEB 05 TORONTO, ON @ The Opera House FEB 06 MONTREAL, QC @ M Telus FEB 07 QUEBEC CITY, QC @ Theatre Capitole FEB 08 BOSTON, MA @ Paradise Rock Club FEB 09 BETHLEHEM, PA @ Wind Creek Event Center FEB 10 NEW YORK, NY @ Palladium Times Square FEB 12 SILVER SPRING, MD @ The Fillmore Silver Spring FEB 13 KNOXVILLE, TN @ The Concourse (No Machine Head) FEB 14 ATLANTA, GA @ Masquerade (Heaven) FEB 15 ORLANDO, FL @ House of Blues ** FEB 17 AUSTIN, TX @ Emo’s FEB 18 SAN ANTONIO, TX @ Aztec Theatre FEB 19 HOUSTON, TX @ House of Blues FEB 20 RENO, NV @ Virginia Street Brewhouse (No Machine Head) FEB 21 ENGLEWOOD, CO @ Gothic Theatre FEB 22 ALBUQUERQUE, NM @ Sunshine Theater FEB 23 MESA, AZ @ Nile Theater FEB 24 LOS ANGELES, CA @ The Bellwether FEB 25 FRESNO, CA @ Strummers (No Machine Head or Gates to Hell w/ Thrown Into Exile)
DESCENDING INTO MADNESS EUROPEAN TOUR MAR 06 GLASGOW, UK @ The Cathouse MAR 07 BRISTOL UK, @ Exchange MAR 08 MANCHESTER, UK @ Rebellion MAR 09 BIRMINGHAM, UK @ Asylum MAR 10 LONDON, UK @ The Underworld MAR 12, ANTWERP, BE @ Zappa MAR 13 KOLN, DE @ Kantine MAR 14 EINDHOVEN, NL @ Dynamo MAR 15 BERLIN @Frannnz MAR 16 HAMBURG, DE @ Headcrash MAR 18 MUNICH DE @ Hansa 39 MAR 19 MILAN, IT @ Santeria MAR 20 ZURICH, CH @ Dynamo MAR 21 VIENNA, AT @ Flex MAR 23 DRESDEN, DE @ Club Puschkin MAR 24 PRAGUE, CZ @ Futurum MAR 25 WARSAW PL @ Hydrozagadka MAR 27 COPENHAGEN, DK @ Pumpehusset MAR 28 MALMO, SE @ Plan B MAR 29 KARLSTAD, SE @ Nojesdfabriken MAR 30 OSLO, NOR @ Inferno Festival APR 02 HELSINKI, FI @ Vanha Ylloppilasta APR 04 STOCKHOLM, SE @ Debaser APR 05 OREBRO, SE @ Frimis APR 06 GOTEBORG, SE @ Valand
VLTIMAS are legends of the underworld. Any good Satanist knows to bow down and worship at the horned feet of David Vincent (ex-Morbid Angel), Rune Eriksen (ex-Mayhem) and Flo Mounier (Cryptopsy). Their debut was greeted with a rapturous procession of devil horns. But with their new album, these gods of dark, extreme metal have ascended to truly epic heights.
Today, VLTIMAS are releasing “Scorcher”, the album’s hellacious second single.
Some metal songs prefer to slowly unfold before blowing out your ear drums. But rest assured, “Scorcher” is not a slow burn. Sure, the guitars lure you in with a smoky seance. Once Rune tightens those chords into icy black tremolo picking though, VLTIMAS take off like a bat out of hell. The amps crank up; Flo fires off blast beats that are hot enough to singe an angel’s wings, while David Vincent unleashes a miles-long battle cry.
“Satan laughs as worlds collide!“
His growl is so massive, so heartless, you’d better believe that he’s talking about himself.
“‘Scorcher’ brings to life a fantastic story of the great purge that’s coming our way”, says Vincent. “Humanity has been sleepwalking toward this reckoning for centuries. There will be no refuge, nor mercy granted”.
Cover art by Daniele Valeriani – Additional artwork and layout by Adrien Bousson
VLTIMAS have been making grand declarations of war for more than 30 years, but the lead single off EPIC isn’t just another offering at the altar of madness.
“I spread my misery, biblically evolved”, David Vincent sings on “Miserere” in a baritone that’s so monstrous it could summon an army of the dead.
The drums speed ahead mercilessly, mowing down all onlookers under a barrage of surgical blast beats, as riffs hail from all directions with enough firepower to shatter bulletproof glass.
Tracklist 1. Volens Discordant (1:02) 2. EPIC (4:35) 3. Miserere (3:51) [WATCH] 4. Exercitus Irae (4:01) 5. Mephisto Manifesto (05:05) 6. Scorcher (03:21) [WATCH] 7. Invictus (5:30) 8. Nature’s Fangs (3:52) 9. Spoils of War (5:54) Total runtime: 37:16
Extreme metal powerhouse VLTIMAS (pronounced ‘uhl-tuh-mas’) assault metaldom once more with their highly-anticipated sophomore album, EPIC, through Season of Mist. Featuring Norwegian guitarist Rune “Blasphemer” Eriksen (ex-Mayhem, RUÏM), American vocalist David Vincent (ex-Morbid Angel), and Canadian drummer Flo Mounier (Cryptopsy), the multinational quintet, rounded out by Dutch bassist Ype TVS (ex-Dodecahedron) and Portuguese guitarist João Duarte (Corpus Christii), continue to venture down their path. Moored by strength and integrity, VLTIMAS fortified their signature with wicked invention, as applauded by Decibel Magazine, BangerTV, Louder, and many others, on their debut, Something Wicked Marches In (2019). Singles “Miserere,” “Scorcher,” and “Invictus” showcase a band of musicians at the top of their game, united in their pursuit of oneness.
“We wrote every bit of EPIC together at my ranch in Dime Box, Texas,” offers Vincent. “The writing sessions were as organic as they could be. There were times when, at the end of the night, Rune would take his guitar and play something ridiculous. Flo would play something even more ridiculous on top of it. I’d say to the guys, ‘I need to capture this.’ So, the magic [of VLTIMAS] is being in the same room together, discussing, playing, and recording music and everything else we’re doing together. We have unbelievable camaraderie.”
While the members of VLTIMAS are not atavists, their preferred creative methods are time-tested and battle-hardened. Technology has its place, but the group thrive when they’re together, not separated by the world. Eriksen, renowned as a riff innovator, is more effective when he’s got a highly capable sideman like Vincent or Mounier, whose drumming in Cryptopsy and his celebrated instructional Extreme Metal Drumming 101 DVD has proven to be a no-limits player, by his side. Whether it’s the moody, angular attack of “Miserere,” the wicked groove of “Mephisto Manifesto,” or the dark fury of “Nature’s Fangs,” the chemistry and enterprise of VLTIMAS is undeniable.
“The main goal [of VLTIMAS] is to be real,” Eriksen reveals. “To channel the very moment, to let true inspiration out. I don’t believe I ever set myself a goal on what an album should or needs to sound like before I or we write it because that means I have to compromise during the process. For EPIC, we focused on more direct songs, trimming the fat, as opposed to Something Wicked Marches In, which had a progressive and ‘playful’ flair.”
VLTIMAS was a profane concept—a constellation of riffs against a modest frame—when formed by Eriksen in 2015. After departing Mayhem in 2008 and putting his gothic doom outfit Ava Inferi to rest in 2013, the Norwegian’s fingers still itched with infernal fury. VLTIMAS was his vent, and when Mounier and Vincent joined, he finally had the cadre of professionals to make it a reality. Together, they devised complementary schemes and themes rooted in rightness. In a world gone mad, VLTIMAS had a vision. On Something Wicked Marches In, they commanded attention with metaphors about the apocalypse, the ancient goddess Lilith, and truth. Lyrically, EPIC spears into the very nucleus of strength through Vincent’s brio of double entendre and clever wordsmithing. The songs are designed to be heard, read, and interpreted—there are no shortcuts.
“Everything we’re doing and messaging is about strength and honor,” says Vincent. “These are the fundamentals that I incorporate into my life, which I believe in. I want to share with others, hoping they’ll incorporate strength and honor into their lives. I wouldn’t say I like spelling lyrics out. I use a lot of double meanings on purpose because I want to inspire the listener to think. I’m not a short attention span guy, and I don’t appreciate it. EPIC is holistic and meant to be experienced that way.”
EPIC was recorded by producer Jaime Gomez Arellano (Paradise Lost, Grave Miasma) with engineer Jonathan Mazzeo (First Fragment, Sickening) at Arda Recorders in Porto, Portugal. VLTIMAS tracked the album throughout May 2023. Arellano also handled the mix and master. Like everything the band does, the main goal was to be honest. The maxim of no sample replacement or re-amping—EPIC was captured on outboard gear—was adhered to and enjoyed by the team. The result is a sonic expression that sounds like nothing else. From the crushing title track to the epic musicality of closer “Spoils of War,” EPIC is an absolute beast.
“Stress, long walks, too much alcohol, yet very focused once in the recording mode,” Eriksen says of the sessions. “We booked a month, but somehow, that flew by instantly. We worked up until the very end. I even added a few solos at my local Soundscape Studio in Almada, Portugal. Art unfolds, and once you think you are done, there’s always another idea popping up.”
VLTIMAS brought Italian artist Daniele Valeriani (Mayhem, Unanimated) to visualize EPIC. The aesthetic, as illuminated by music and message, was iconic boldness. The three-eagle head crest with three different crowns, accompanied by transfigured symbols of the Passion and the “impossible triangle,” projects effortlessly. In EPIC, the group will dominate. There’s no escape from “Miserere,” “Mephisto Manifesto,” “Scorcher,” and “Invictus.” Together, they thrust, by resolve and inventiveness, VLTIMAS into the uppermost echelons of extreme metal.
“[EPIC is] old meets contemporary, a symbiosis of all the great things we love about extreme metal,” offers Eriksen. “All combined into one album.”
“I want to be as emotional and honest [with VLTIMAS],” Vincent adds. “I want to tell stories; I want to have the themes that appeal to me; I want to have some messaging that someone can take away, in this case, strength. EPIC is strength.”
Lineup David Vincent – Vocals Rune Blasphemer Eriksen – Guitars Flo Mounier – Drums Ype TVS – Bass João Duarte – Guitars
Recording studio ARDA Recorders
Producer Jamie Gomez Arellano
Sound engineer Jonathan Mazzeo
Mixing and mastering engineer Jaime Gomez Arellano
Mixing and mastering studio Arda Recorders, Orgone Studio
All things have a beginning, a middle and an end, and so it is with the fantasy trilogy by Norwegian Prog Rockers THE CHRONICLES OF FATHER ROBIN, who follow the adventures of the mystical creature Father Robin over the triple concept album “The Songs & Tales of Airoea”.
Starting out with “Book I: The Tale of Father Robin (The State of Nature)” which was released in September of 2023 and is set on the land , followed by the December release of “Book II: Ocean Traveller (Metamorphosis)”, which takes place on the sea, we now come to 2024 and the much-anticipated release of “Book III: Magical Chronicle (Ascension)” which takes place in the Cloud Lands in the Sky and is due to hit the streets on the 23 February.
And today, Karisma Records have released the opening track from the album as a single. Titled “Magical Chronicle”, it is a vocal driven track full of lush harmonies and clear references to prog classics such as GENTLE GIANT, YEZDA URFA and the Canterbury Scene.
The lineup of THE CHRONICLES OF FATHER ROBIN (or TCOFR for short) draws its members from some of the most respected bands on Norway’s Prog Rock scene, and as a result you will find musicians from WOBBLER, JORDSJØ, TUSMØRKE and seasoned post-rockers THE SAMUEL JACKSON FIVE in its ranks.
Emerging during 1993-94 from what was left of the band FANGORN, and inspired in large part by the classic bands and albums that were part of the 1970s progressive music scene, it took thirty years for TCOFR to complete “The Songs & Tales of Airoea”, trilogy.
The result of these thirty years of work is the creation of a whole fantastical world through which Father Robin travels and undergoes a whole series of adventures spanning three decades and told through 18 songs spread out over the three albums.
Contributors to the Trilogy include Thomas Kaldhol (MT. MELODIÉ, THE SAMUEL JACKSON FIVE), Lars Fredrik Frøislie (WOBBLER, IN LINGUA MORTUA, WHITE WILLOW), folksinger Aleksandra Morozova (MT. MELODIE, OSLO PHILHARMONIC CHOIR), Kristoffer Momrak (ALWANZATAR, TUSMØRKE, LES FLEURS DU MAL), Håkon Oftung (JORDSJØ) and illustrator Lars Kvernberg.
Tracklisting on “Book III: Magical Chronicle (Ascension)” (which follows on directly from Books I and II) is as follows:
13. Magical Chronicle 14. Skyslumber 15. Cloudship 16. Empress of the Sun 17. Lost in the Palace Gardens 18. Epilogue
“Book III” makes a fitting closing chapter to the trilogy, starting off as it does with the upbeat “Magical Chronicle”, followed by the atmospheric “Skyslumber”, and “Cloudship”, the soaring prog ballad that YES never wrote. The album then explodes into the dynamic psych-rocker “Empress of the Sun”, a song full of energy and contrast that eventually slides into a keyboard lead middle part that is reminiscent of THE DOORS at their most adventurous.
The closing part of “Book III” begins with “Lost in the Palace Gardens” a track that starts off with a beautiful acoustic guitar part that not only brings to mind British folk bands such as STEELEYE SPAN, but also the guitar work of a certain JIMMY PAGE. The track follows up with vocal parts where the voices of Andreas Prestmo and Aleksandra Morozova flawlessly complement each other, making it a perfect culmination of this highly ambitious body of work.
THE CHRONICLES OF FATHER ROBIN are set to appear at the 21st International Art Rock Festival Minnuendö at the Peralta Auditorium in Navarra, Spain on the 11th May.
On January 17th, Seigmen released “Kollaps” (Collapse). Their second single is taken from the upcoming album “Resonans,” which is set to be released this April.
It may be hard to believe that the songs on “Resonans” were written pre-COVID. Before the conflicts in Ukraine and Gaza escalated, and with the United States in a looming darkness forced to choose the lesser of two evils yet again.
Through their devotion to details and their immediate environment and the people populating it. Through their strong use of words and powerful dramaturgy, Seigmen’s lyrics become universal and timeless. The result are songs where love is always at the core, veiled and twisted in a blend of desperation and hope, but always accessible and unmistakably Seigmen.
Seigmen’s universe is filled with clues to their source of inspiration. This is not often brought to light, but on “Kollaps,” the initiated listener will recognize text references in both verses and choruses to West German industrial pioneers; «Min venn, was glaubst du denn?»
Some of the sonic elements in “Kollaps” are the recording of an angle grinder used by Kim Ljung’s father in law while assembling shelves for old tape decks, effects, and synthesizers in his home studio. The sound of strings heard in the chorus is generated by almost 50-year-old synthesizers, purchased at Supersonic (a legendary Norwegian music store) before the band recorded their classic album “Radiowaves” in ’96.
“Kollaps” was recorded at Velvet Recording studio in Spydeberg, with Christer Krogh at the console. The mix was done with an un-Norwegian and steady hands of Adam Noble (UK), perhaps best known for his work with Biffy Clyro.
“Kollaps”’s artwork follows the style of the first single, “Berlin,” with a beautiful, but disfigured object, as the centerpiece. This time, a broken lamp that caught Kim Ljung’s eye in an underpass on his way home during a heavy snowfall. The shards of glass positioned like angel wings, was shot just as they were found. A resonance of “The Light that Shines In.”
MILE is a melodic metal band from Sweden that has a modern sound mixing heavy metal and hard rock, combining heavy riffs and attractive melodies. In 2015 they released their debut album ‘Lost’ which streamed over 1 000 000 times during its first year. The sequel ‘The World In Focus’ was released in 2018 and contained the hit single ‘Crying in Your Sleep’ which ended up on several major playlists. The second album was followed by a release tour in Brazil and a Swedish festival summer.
The band is known for their dominant stage presence and have an energy that never leaves the crowd unaffected. Throughout the years MILE has played festivals where giants like Twisted Sister, Alice Cooper, Sabaton, and Hammerfall have been present and they have also supported Smash into Pieces, Chyra and Dynazty to mention a few.
MILE concluded their 2023 by signing a deal with Fifth Island Music/GAIN, preparing for a new year full off exciting releases. Together with the label, they have developed a long-term plan, with a single release being the first in line. ‘Flashing Before My Eyes‘ is set to be released February 23rd and will be followed by a full-length album later this year
”We’re really excited to start working with GAIN and take the band to new heights! We hope and believe that this collaboration will help us take the next step as a band and that we can deliver great music to more listeners.” – MILE
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video