Solo pagan black metal project SERPENT LORD will be releasing its debut album, ‘The Once Forgotten Ways of Old,’ on May 29, 2026 via Eisenwald Records. The project is now releasing the title track of the offering. Unlike the previous two singles, which were Bandcamp exclusives, “The Once Forgotten Way of Old” is now available on all streaming services and can be found at THIS LOCATION.
SERPENT LORD first slithered into existence in 2003, emerging as a solitary pagan black metal vessel forged by Jake Superchi (UADA, Ceremonial Castings). Though the project’s first true album was recorded in 2005, the work was abruptly shelved and lay dormant for twenty years. Now, in the Year of the Snake, the ancient offering has been reborn and reimagined as ‘The Once Forgotten Ways of Old,’ preserving every note of its primordial conception.
The album was re-recorded in the cold heart of the Pacific Northwest between 2022 and 2025, engineered and mixed by Jake Superchi, and mastered by Arthur Rizk. The release features new artwork and the original logo created by Kris Verwimp, along with photography by Peter Beste.
The artwork was created by Kris Verwimp and can be found below along with the tracklisting.
Originally formed over two decades ago, SERPENT LORD existed largely in the shadows, issuing only a handful of demos before entering an extended period of dormancy. Yet, the creative force behind the project never faded. Ideas, fragments, and compositions endured across the years, shelved for the right moment, only fully taking shape and being realized in the Year of the Snake, when the vision was finally forged into its definitive form.
Early demo material already hinted at what SERPENT LORD would become: a severe balance between melodic grandeur and unrestrained aggression, with transitions between atmosphere and brutality, produced to enhance rather than obscure its intensity.
Founded by Jake Superchi (known for its creative force in UADA and CEREMONIAL CASTINGS), SERPENT LORD channels the spirit of ’90s pagan black metal. The album stands as a triumphant and immersive work – melodic, fierce, and steeped in ritualistic energy. Expansive riffing, evocative passages, and a dynamic interplay between harsh and atmospheric elements, both timeless and fully awakened.
The album was recorded and mixed by Jake Superchi, and mastered by Arthur Rizk, achieving a sound that retains raw edge while delivering clarity and depth. The cover artwork, created by Kris Verwimp, along with photography by Peter Beste, further underscoring the album’s mythical and arcane atmosphere.
With ‘The Once Forgotten Ways of Old,’ SERPENT LORD emerges from decades of silence with a work that fulfills the promise of its early recordings; it’s an album shaped by time, and driven by an uncompromising vision of black metal.
Lineup: Jake Superchi – all instruments & vocals
Cover Art & Logo: Kris Verwimp Mixing & Engineering: Jake Superchi Mastering: Arthur Rizk
Time To Kill Records proudly announces the release of the debut full-length from HOC EST BELLUM, titled “Filth Majesty”, set for June 26, 2026.
Conceived as an act of ruthless sonic warfare, “Filth Majesty” descends with the force of dive bombers cutting through the sky, unleashing wave after wave of black-death devastation. Each track hits like a strafing run, relentless and unyielding, carving through silence with bursts of violence and scorched intensity.
Rejecting the sterile precision of modern production, HOC EST BELLUM embrace a warm, organic sound that feels immediate and physical, closer to the ground, closer to impact. The result is an album that breathes fire and dust, evoking hostile terrains and collapsing frontlines rather than polished surfaces.
There is no room for restraint in “Filth Majesty”. The record advances with militant purpose, channeling pure extremism into a barrage of riffs and percussive artillery. It is an uncompromising statement, where black metal’s venom and death metal’s crushing force converge into a single, destructive campaign.
“Where temples of blood reach towards the skies, spells of old are uttered. The material for the video was shot in a national park in Southern Finland. A ritual of blood and madness took place, as the primitive nightside of man stepped forth”.
Tracklist:
1. The Desolator (Intro) / Deify, Degenerate 2. Black Metal Terror 3. Vomit Black Ecstasy 4. Passion of the Antichrist 5. Blood of the VVytches 6. Nightside Necromancy 7. Winds of Decay 8. Serpent of the Black Pit 9. The Goatborn Ones 10. Beast Ejaculate / Spiral of Sodomy (Outro)
Burning with Luciferian hunger and baptized in nuclear horror, HOC EST BELLUM rose from the ashes in 2022. Based between Helsinki and Turku, the power trio unleashes a savage blend of grinding and bestial black/death chaos, channeling a sound that is both primitive and devastatingly direct. Their music thrives on raw aggression and ritualistic intensity, forged in an atmosphere of apocalyptic dread, satanic hostility and visions of mankind’s imminent extinction.
The band’s first release, the aptly titled “Demo 2023”, introduced this extermination squad to the underground with a display of feral brutality and uncompromising violence. The recording quickly established HOC EST BELLUM as a force devoted to the most extreme and unrelenting expressions of black/death metal, delivering warlike hymns steeped in filth, blasphemy and destructive fervor.
The band’s debut full-length will be released by Time To Kill Records in 2026. The album continues on the path of the bestial onslaught paved on the aforementioned demo, while adding to the relentless attack elements of dark atmospheric passages seeping with malevolent and poisonous aura.
Antichrist elitists rise. This is black metal terror.
Line-up:
Devouring Doommouth of Lunar Extinction and Nuclear Propaganda – Black vomit prophecies of homo sapiennihilation & aural low frequency desecration Rituäl Vömitist – Bonegrinding hellsaw sodomy R. Charon – Morningstars of putrefaction & doom ritual chants
Nashville blues-infused Southern rockers Parker Barrow return with their first new music of 2026 with their latest single “Blinded” released Wednesday April 29th. From today, the single is available on all streaming platforms HERE. Watch the official music video on YouTube HERE.
The track is part of the band’s upcoming highly anticipated sophomore album Hold the Mash, due for release on Friday July 17th. The album is available to pre-save HERE.
The new album features songs from last year’s Hold the Mash E.P., including the singles “Make It,” “Novocaine,” “The Healer,” and “Glass Eyes Cryin’,” alongside four new songs.
“Blinded” was written by Parker Barrow drummer and founder Dylan Turner, along with guitarist and musical director Alex Bender. Parker Barrow will be on the road in the U.S. for much of the summer, before heading to the U.K. in July for the band’s first headline tour, plus performances at the Steelhouse and Maid of Stone festivals.
“It was one of the first tracks written and recorded for the new album,” says guitarist Bender about the new single. “It helped to give a bit of direction to where we hoped to go with the tracks that were to follow. The main riff sounds very Stonesy. I approached the rhythm guitar parts how I would imagine Keith Richards would play them if he was in the band. Blinded is a good example of the less is more approach where the beauty lies in its simplicity.”
Regarding the lyrics, Turner adds, “It’s so easy for us as musicians to be enthralled by the world we live in, seeking validation from likes and comments that feed the flesh rather than the spirit. I wrote this as a reminder to myself to first seek the kingdom and to not forget the bigger purpose.”
Parker Barrow are led by husband-and-wife duo Megan Kane (lead vocals) and Dylan Turner (drums). The band name is taken from Bonnie Parker and Clyde Barrow – the infamous American bank robbers during the early 1930’s Great Depression.
A random encounter in 2019 paired Kane with Turner, who was on the hunt for a new singer. Two weeks later they were on the road together, driven by one goal: making their musical dreams a reality. In 2023 Parker Barrow expanded with the full-time inclusion of guitarist and musical director Alex Bender.
Turner lays down a heavy groove while Kane’s electrifying, soulful vocals soar high over the top. Bender’s inventive riffs and fiery playing pull it all together, creating Parker Barrow’s signature sound. The band is rounded out by Will Tipton (guitar), Kyle Priber (bass guitar) and Eric Safka (keyboards).
Parker Barrow’s ‘vintage-shop rock’ sound contains elements of rock, southern rock, blues and soul; but the band’s brand of music is unmistakably and distinctly their own.
You will find an impressive mix of influences both old and new threaded throughout the band’s sound, including the Rolling Stones, Blackberry Smoke, Allman Brothers Band, Aerosmith, Tedeschi Trucks, the Black Crowes, Whiskey Meyers and Led Zeppelin.
Parker Barrow’s debut album Jukebox Gypsies was released in 2023 to glowing reviews from music press and fans around the world; with the single “Back To Birmingham” racking up over 1 million YouTube views.
Parker Barrow has earned a reputation for their powerhouse live shows – blending hard-hitting blues, classic rock swagger and modern Southern firepower. The band thrives on connecting with their fans and will continue bringing their message to the people across the US and Europe throughout 2026. Parker Barrow’s music and live shows channel the spirit and rebellion that defines true rock and roll – with no apologies.
What they’re saying about Parker Barrow
“Bluesy 70s classic rock with a strong southern kick and a rolling boil of juicy riffage… Nashville gang Parker Barrow have drawn from the wells of the Allmans, Led Zeppelin, Blackberry Smoke, and Tedeschi Trucks, leaning into both the sweet and oomphy, biting sides of those blues-infused heroes. Nice.” – Classic Rock (UK)
“Parker Barrow is a band you’ll want to see live. Fresh and exciting, their songs borrow from the 70s with their own contemporary spin. Their superpower though, is Megan’s fearless vocals and Turner’s steady but enthusiastic drumming.” – Rock and Blues Muse (USA)
“Since forming in 2019, the band have steadily built a reputation for high-energy live shows and classic rock songwriting rooted in Southern rock, blues and soul.” – Blues Matters (UK)
“In a musical landscape where authenticity often feels rare, Parker Barrow deliver with warmth, depth, and unrelenting passion. ‘Hold The Mash’ is more than an EP — it’s a celebration of musicality, storytelling, and the enduring power of Southern rock infused with heart and soul.” – The Sound Café (Canada)
“Parker Barrow is loud, honest, and proudly uncompromising. If you appreciate the hard-hitting sound of bands like Rival Sons or The Black Keys, Parker Barrow delivers a compelling blend of soul and swagger.” – Rock ‘N Force (France)
The Gig Cartel and Planet Rock Presents
PARKER BARROW JULY 2026 UK TOUR SPECIAL GUEST: GEORGIA NEVADA
German progressive metal masters OBSCURA have officially shifted into high gear with a double-pronged assault on the global metal scene. Ahead of their The Sun Eater Asia tour—which kicks off on May 1—the band has unleashed a brand-new music video for the track ‘The Sun Eater,’ perfectly capturing the technical precision and atmosphere of their live show.
The Sun Eater video has been produced by OBSCURA’s long term director Mirko Witzki (Arch Enemy, Powerwolf, Electric Callboy).
Building on this momentum, OBSCURA is proud to announce “Shred Fest 2027,” a massive headlining run set to tear through Europe and the UK. This monumental tour marks the band’s return to European soil with their most ambitious production to date, ensuring that 2027 will be a landmark year for progressive death metal.
Mastermind Steffen Kummerer comments: “2027 marks the 25th anniversary of OBSCURA, and we are kicking off the year with the longest European & UK run we have ever undertaken. 39 shows with no days off — a true statement. Remember: it’s not a tour if there’s a day off. SHRED FEST 2027 brings together some of the finest representatives of European extreme metal, featuring bands from France, Denmark, the United Kingdom, the Netherlands, and Germany. Joined by the legendary Dutch Pestilence, the UK’s avant-garde force Cryptic Shift, Denmark’s progressive/melodic death metal act Thus, and France’s relentless DVRK, we will perform across the continent for weeks, culminating in a hometown show in Munich, Germany. Spread the word, bring your friends, and support all bands from start to finish — see you all in 2027.”
SHRED FEST Europe & UK 2027 w/ Pestilence, Cryptic Shift, Thus & Dvrk
01/20 DE – Aschaffenburg – Colos-Saal 01/21 NL – Utrecht – TivoliVredenburg 01/22 DE – Dresden – Club Puschkin 01/23 DE – Dortmund – Junkyard 01/24 DE – Berlin – Lido 01/25 PL – Warsaw – Proxima 01/26 CZ – Ostrava – Barrák Music Club 01/27 AT – Vienna – Szene 01/28 AT – Salzburg – Rockhouse 01/29 CH – Frauenfeld – Eisenwerk 01/30 CH – Geneva – Usine 01/31 IT – Treviso – New Age 02/01 IT – Rome – Orion 02/02 IT – Milan – Legend Club 02/03 FR – Grenoble – L’Ilyade 02/04 FR – Montpellier – Victoire 2 02/05 ES – Barcelona – Wolf 02/06 ES – Madrid – Revi Live 02/07 ES – Sevilla – Sala X 02/08 PT – Lisbon – República da Música 02/09 PT – Porto – Mouco 02/10 ES – Portugalete – Groove 02/11 FR – Toulouse – Le Rex 02/12 FR – Limoges – CCO John Lennon 02/13 FR – Angers – Le Chabada 02/14 FR – Paris – Petit Bain 02/15 UK – Southampton – The Brook 02/16 UK – Birmingham – O2 Institute 02/17 IE – Dublin – Opium 02/18 UK – Glasgow – Slay 02/19 UK – Manchester – Rebellion 02/20 UK – London – The Underworld 02/21 BE – Kortrijk – DVG Club 02/22 FR – Nancy – L’Autre Canal 02/23 NL – Leeuwarden – Neushoorn 02/24 DE – Hamburg – Uebel & Gefährlich 02/25 DE – Trockau – Music Center 02/26 DE – Lindau – Club Vaudeville 02/27 DE – Munich – Feierwerk
The Sun Eater — Asia 2026 w/ Dvrk, Japan dates incl. Fallujah*
06/20 FR – Clisson – Hellfest 07/18 NL – Tilburg – Tilburg Metal Fest 07/24 IT – Kaptura Festival 08/15 IT – Frantic Fest 08/29 CZ – Březovská Metalová Noc 19
SHRED FEST Australia & New Zealand 2026 w/ Fallujah, Ashen, Anoxia + Guests
09/03 AU – Perth 09/04 AU – Adelaide 09/05 AU – Brisbane 09/09 AU – Canberra 09/10 AU – Sydney 09/11 AU – Melbourne 09/13 AU – Darwin 09/15 NZ – Auckland 09/16 NZ – Wellington 09/17 NZ – Christchurch 09/19 AU – Hobart
BEYOND THE SEVENTH SUN // Mexico 2026 w/ Abysmal Dawn, Thulcandra & Orion Rise
10/08 MX – Morelia – Salon Arena 10/09 MX – Leon – Rockstar Burger 10/10 MX – Guadalajara – C3 Stage 10/11 MX – San Luis Potosi – Bunker 57 10/15 MX – Chihuahua – Pistoleros Bar 10/16 MX – Mexico City – Foro Veintiocho 10/17 MX – Monterrey – Terraza Sultan 10/18 MX – Durango – Leyenda De Analco
When Powerman 5000 broke through in 1999, with their third album Tonight The Stars Revolt! and the single “When World’s Collide,” the Boston band was already close to celebrating its tenth anniversary.
Now they’re bearing down on the fortieth, but Powerman 5000 continue living up to their name, with a further dozen albums to their credit, and some of the most instantly appealing album titles in music history – from The Blood-Splat Rating System to Somewhere On The Other Side of Nowhere, and on to the still-resonant Anyone For Doomsday, Powerman 5000’s nomenclatural ingenuity is just one more reason to love this band.
Now another of their titular triumphs prepares to come back beneath the microscope as Cleopatra Records prepare a very special reissue of The Noble Rot, the ever-adventurous industrial metal mavericks’ much-praised 2020 album, and one that is already loaded down with major hits… a spellbinding rerecording of “When Worlds Collide” made for a very well-chosen bonus track, but elsewhere on the disc, a dark reimagining of The GoGo’s “We Got The Beat!” joined the band’s own classics-in-waiting “Black Lipstick” and “Cannibal Killers That Kill Everyone”
Streeting on May 29, this new edition of the album includes two further tumultuous tracks, as German industrial legends Die Krupps deliver fresh, dynamic remixes of both “When Worlds Collide” and “Black Lipstick.”
“Black Lipstick” premiered a few weeks back, but today sees the one we’ve all been waiting for, as “When Worlds Collide (Die Krupps Remix)” spin off as Powerman 5000’s latest single. The biggest song in Powerman’s repertoire is now among their most powerful, as well.
1. Cannibal Killers That Kill Everyone 2. Brave New World 3. Play God Or Play Dead 4. Black Lipstick 5. Special Effects 6. Let The Insects Rule 7. Movie Blood 8. Strange People Doing Strange Things 9. We Got The Beat 10. VHS
With their bluesy riffs, swampy rhythms and haunting vocals, Wailin Storms are one of the hottest bands in Southern gothic rock. The Durham, North Carolinians have received high praise from NPR, The Needle Drop, Brooklyn Vegan, Decibel and Metal Hammer. Thunderous applause has greeted them on both sides of The Atlantic during shows and tour dates with everyone from City of Caterpillar and This Will Destroy You to Acid Bath and Eyehategod. Now, with their upcoming fifth album,The Arsonist, the band are fanning their flames with reckless abandon.
Today, Wailin Storms are announcing The Arsonist with a music video for the album’s simmering title track. While slowly engulfed in flames, amidst their new single’s fiery throes of passion, the band howl like the hounds of hell.
“The Arsonist was forged in the fires of our hearts”, Wailin Storms vocalist and guitarist Justin Storms says. “The title track was the initial spark for the album. It’s about the fear of losing the person you love most in life, a love that is so consuming that it takes on many forms: a car crash, a tumultuous sea, vines wrapping around a tree, a house fire”.
The video for “The Arsonist” was directed and edited by Reid Haithcock (@reidhaithcock)
Wailin Storms are igniting the stage this summer with a headline U.S. tour. The band will perform songs off The Arsonist for the first time, along with crowd favorites from across their critically-acclaimed discography.
Wailin Storms 2026 The Arsonist U.S. Tour
July 17 – Durham, NC @ Stanczyk’s [Album Release Show] July 29 – Johnson City, TN @ The Hideaway July 30 – Atlanta, GA @ Star Bar July 31 – Knoxville, TN @ The Pilot Light August 1 – Cincinnati, OH @ Motr August 2 – Youngstown, OH @ Westside Bowl August 3 – Columbus, OH @ Dirty Dungarees August 4 – Pittsburgh, PA @ The Government Center August 5 – Baltimore, MD @ Metro Gallery August 6 – Brooklyn, NY @ The Gutter August 7 – New Hope, PA @ John and Peter’s
“I’ve always been fascinated with fire”, says Storms, who was raised by a church pianist and a Baptist preacher. As a child, growing up in Corpus Christi, Texas, he came dangerously close to accidentally burning his family’s house down. “I was young and made a stupid mistake, but I was also being destructive as a way to escape. Fire speaks to our inherent attraction to danger and annihilation, but also, our hope for transformation”.
The Arsonist can also be traced back into Wailin Storms’ past. Recorded by Matt Talbott of Hum in full analog, the album rekindles the band’s roots in raw-to-the-bone blues punk. The title track simmers over a shivering riff and oily slide guitar before bursting into a noisy seance that rages deep into the night.
“Some of these songs are more primitive and stripped down, hearkening back to the four-track recordings that the band started with”, Storms says. “The title track was the first one written for album. I started playing the opening riff and the rest just flowed right out of me”.
Wailin Storms throw heavier splashes of surrealism into the fires of The Arsonist. David Lynch and René Magritte were both wellsprings of inspiration, but the album is inflamed by real life anxieties. Its cover art, which is heavily shadowed except for a tiny house gone up in flames, was painted by Storms himself. “Our homes burn every night”, he croons as the title track’s gentle sway shifts into a torrential gust of flames. “We burn so bright”. The thunderous climax surges with such feverish intensity that it threatens to send the night of passion up in smoke.
“‘The Arsonist’ is a very intimate song, about love and heartbreak and loss”, Storms concludes. “It’s romantic, but also scary. I was so obsessed with fire back in the day that I worry me and my partner are going to die in a flaming car crash or in a house fire together”.
Tracklist 1. Dead End (4:48) 2. Heart of Mine (5:13) 3. You Never Answered (4:53) 4. The Arsonist (4:52) 5. Never Rest (4:59) 6. Saved (4:24) 7. Patient Night (3:22) 8. The Wind (6:01) 9. It’s All Dark Now Where Your Eyes Used to Be (6:30)
Since migrating to North Carolina’s inland coast circa 2014, Wailin Storms have caught fire with noisy, bluesy explosions of Southern gothic rock. Hot on the heels of critical high praise and thunderous applause from crowds on both sides of the Atlantic, the band’s fifth album and first for Season of Mist fans their flames with reckless abandon. While surrounded by darkness from the outside world, The Arsonist burns with all of our heart’s desires.
“I’ve always been fascinated by fire”, Wailin Storms vocalist and guitarist Justin Storms says before alluding to a time when he came dangerously close to accidentally burning his family’s house down. “It speaks to our inherent attraction to danger and annihilation, but also, our hope for transformation”.
Born the son of a church pianist and Baptist preacher, Justin Storms converted to the church of rock ‘n’ roll after listening to the teachings of his older brother. “He was responsible for getting me into outsider music”. After forming Wailin Storms in his home state of Texas and a pass through New York City, Storms hunkered down in Durham, North Carolina, where he was joined in 2014 by the band’s current drummer Mark Oates (Bats & Mice) and bassist Steve Stanczyk.
Debut full-length One Foot in the Flesh Grave laid a solid foundation for Wailin Storms in 2015 with an East Coast and Midwest tour that led to their first appearance at The Fest. 2017 follow-up Sick City infected more ears with coverage spreading from CVLT Nation to NPR. It was their third album, though, that really opened the floodgates. Rattle was featured by The Needle Drop and named one of the best albums of 2020 by Treble, Riff Magazine, Angry Metal Guy and Machine Music. More attention from Decibel and Metal Hammer came two years later around The Silver Snake Unfolds, which was followed by the arrival of guitarist Ben Melton, as well as shows and tour dates with everyone from City of Caterpillar, pageninetynine and This Will Destroy You to Acid Bath, Eyehategod and Young Widows.
“If Bauhaus, Killing Joke, and Black Sabbath had a child, this would be it”, Metal Injection proclaimed about Wailin Storms.
Brooklyn Vegan concurred. “It’s just loud, heavy, dark rock music, and it’s awesome”.
The Arsonist can be traced back through Wailin Storms’ past. Recorded by Matt Talbott of Hum in full analog, the album rekindles the band’s roots in raw-to-the-bone blues punk as a heated response to today’s vat of overproduced music and AI slop. By experimenting with swoons of Rhodes organ, “Heart of Mine” recalls the Roadhouse from Twin Peaks. “Some of these songs are more primitive and stripped down, harkening back to the four-track recordings that the band started with”, Storms says. “The recordings contain flaws but remain human in all the right ways. They could be a murder ballad or an old folk song that’s sung around the campfire”. Other early influences soak into the songwriting’s weathered fabric: Flannery O’Conner’s grotesque sensibility, Cormac McCarthy’s unflinching fatalism, Old Regular Baptist hymns. With its sideways gust of riffs and moaning chorus, “The Wind” blows loud enough to wake the entire cemetery.
“Because the heart wants what the body wants and the mind wants what the eyes want”, Storms gravely intones. “Won’t you take me through hell”.
Wailin Storms throw heavy splashes of surrealism into the fires of The Arsonist. “Many of the lyrics draw from the same imagery and emotions conjured by David Lynch, especially his film Wild at Heart”,Storms says. “Dead End” opens the album by taking a harrowing turn of its own when the drum’s rattle leads straight into a waking nightmare. “Calm night / Birds keep plucking out our eyes”.
While shrouded by a doomy and dreamy atmosphere, The Arsonist is inflamed by real life anxieties. Taking inspiration from René Magritte, the album’s cover art, which is heavily shadowed except for a tiny house gone up in flames, was painted by Storms himself. “These songs are steeped in the trials and tribulations of everyday life”, he says. The title track is slowly engulfed by love’s eternal flame. “Like the wind controls the sea”, he croons over the gentle sway of his guitar. “You always had a hold on me”. The thunderous climax surges with such feverish intensity that it threatens to send the night of passion up in smoke.
Amidst the wreckage of The Arsonist, Wailin Storms do find a semblance of peace. “It’s All Dark Now Where Your Eyes Used to Be” ends the album with a ghostly flicker of gothic romance. “I know a place where we can sit and grow old”, Storms offers with grim assurance. A piano tolls like death’s bell as he glimpses up at a church that resembles a skull. “There’s a sliver of hope in coming to terms with death”, he concludes. “Life is temporary and that’s where its beauty lies”.
On The Arsonist, Wailin Storms deliver a fiery baptism of Southern gothic rock.
Lineup Justin Storms – Lead vocals, rhythm guitar Ben Melton – Lead guitar, backup vocals, Rhodes organ, piano Steve Stanczyk – Bass Mark Oates – Drums
Recording credits Recorded at Earth Analog in May 2025
Production Credits Produced and engineered by Matt Talbott Mixed by Mike Lust at Phantom Manor (“Dead End”, “Heart of Mine”, “You Never Answered”, “The Arsonist”, “Never Rest”, “The Wind”, It’s All Dark Now Where Your Eyes Used to Be” Mixed by Dave Downham at Gradwell House (“Saved”, “Patient Night”) Mastered by Dave Downham at Gradwell House
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
Metal Shock Finland (World Assault ) 