Finnish progressive thrash metal band Krateros is set to release their debut EP ‘Lost in Translation’ on January 30th 2026 via Inverse Records. The second single ‘Uticensis’ is unleashed today and it’s available on all essential streaming services: https://push.fm/fl/krateros-uticensis
The band comments: ” “As the second single from our upcoming EP “Lost in Translation,” “Uticensis” showcases the band’s more aggressive output with fast, precise riffing and all-out screaming, without compromising on musicality or finesse. As is often the case, the music was written long before the lyrics came to be. This time, inspiration was found in an unexpected place, as the song got its subject from a book of collected and translated philosophical texts by Seneca the Younger that our songwriter Saku received as a birthday gift from a friend. Some of these writings were about the trials and tribulations of Cato the Younger (also known by the epithet “Uticensis”), which sparked an immediate idea for the lyrics. This song is also a favorite of the whole band.”
–Composed & lyrics by Saku Rekonen –Cover art by All4band Design
Krateros is an emerging metal band from Helsinki, Finland, founded in 2023 and led by vocalist/guitarist and main songwriter Saku Rekonen. The band’s music combines influences from old-school thrash metal bands such as Annihilator, Exodus, and Megadeth with more contemporary acts like Trivium, Machine Head, and Stam1na — all the while being filtered through a progressive lens.
The band’s first EP, “Lost in Translation,” released through Inverse Records, is a response to a perceived lack of riffs that seems to plague the metal scene of the 2020s.
Glasgow Kiss are a Norwegian female-fronted Alternative Metal band with a power-rock vibe that will rattle the windows and shake the foundations of your soul! The band just premiered a new music video for the title track off their new full-length album, Down In Flames. The music video was directed by Bård Leite at USF Verftet and Kalandseidet, Norway. This is the third music video taken from their brand new full-length album Down In Flames which was released on December 12, 2025 via Eclipse Records. The album was produced by Glasgow Kiss, and mixed/mastered by Peter Michelsen (Rat City, Madelene, Byting) at The Norwegian Sound studio, with tracking by Dan Mikal Ultang at Secret Location Studio, w/ vocal tracking at Elephant Studios.
Watch their “Down In Flames” hard rock music video right below.
“We chose to shoot a video for “Down In Flames” because of the song’s theme of pressure, struggle, and unity which felt naturally visual, and also because it’s the title track off our new album” says lead vocalist Charlotte Marlen Midtun. “Our first idea was a dark, minimal performance setting, but it evolved into using a circle formation to symbolize fellowship, contrasted with isolated shots of myself to show the ‘back against the wall’ feeling of the lyrics. The aesthetic was inspired by darker alternative rock videos that use light and space to create emotional tension. We focused on simple, strong imagery of shadows, limited light, and confined spaces to mirror the song’s emotional weight.”
The band’s debut full-length album, Down in Flames, is a burst of sweet dichotomy, altered reflections, foils, doppelgangers, and visions of the self through enchanting and fractured perspectives. First off, the lyrics are devastating portraits of loneliness, toxicity, grief and loss, desire and darkness. The contrast; however, is the rhythm guitar sound: a bold power-rock groove that launches us into the stratosphere, almost as if the band first tempts us to make love with our own misery, just to shake it off and rock ‘til we drop. In conjunction with the band’s overall theme of aesthetic duality, lead vocalist Charlotte Marlen Midtun puts on a clinic of tonal dynamics and emotional depth. From captivating soaring high range to powerful gritty belting to delicate passages in the mid-range, her remarkable range makes for a compelling emotional performance. Moreover, and more specifically, one cannot listen to this record without appreciating the mix on the vocals. Charlotte is produced sonically to be right in our ear, deep in our minds straight down through the heart, and when harmonies are added, they are produced as elegant backdrop, a whisper, like lace. This technique would, at first, seem like the natural “go-to” for most projects, but the effect is quite new compared with the latest trend in the industry to bring the harmony tracks equal in volume and tonality, creating what some might refer to as a “choral wash.” Glasgow Kiss; however, do not “wash” or dilute a darned thing. They write our stories, raw and unedited. All things considered, Glasgow Kiss offer us Down in Flames so we can relate to their sorrow and share in their joy. They prove to us that the two opposite viewpoints can live simultaneously, that both can be true, that both make a beautiful, delicate balance. We can confide in Glasgow Kiss. We come to them with our demons, and they give us a safe space. We include them in our victories and they high-five us when we all reach the top of the mountain. The album was produced by Glasgow Kiss, and mixed/mastered by Peter Michelsen (Rat City, Madelene, Byting) at The Norwegian Sound studio, with tracking by Dan Mikal Ultang at Secret Location Studio. Vocal were tracked at Elephant Studios. Artwork for the album and singles was created by Frode Andreassen and Sveinung Sveen. Down In Flames by Glasgow Kiss was released on December 12, 2025 via Eclipse Records.
Listen to Down In Flames on all platforms at this location.
Down In Flames track listing 01. Destiny 02. Down In Flames 03. On Your Own 04. The Wall 05. One Last Time 06. Forsaken 07. Those Wasted Years 08. Put the Blame On Me
Glasgow Kiss lineup Charlotte Marlen Midtun (Vocalist), Daniel Anker-Goli (Guitarist), Frode Andreassen (Drummer), John Erik Soltvedt (Bass), Sveinung Sveen (Guitarist)
After nearly three and a half decades of brutal, technical supremacy, Cryptopsy are more insatiable than ever. The most vile band in death metal are cracking year-end lists at Decibel, Metal InjectionNo Clean Singing and other outlets with their latest Billboard-shaking album An Insatiable Violence. Now, as they prepare for their upcoming European headline tour with 200 Stab Wounds, Inferi and Corpse Pile, the Canadian legends are proud to announce a new milestone in their accomplished career.
Today, Cryptopsy are announcing that they are performing at Decibel Magazine Metal & Beer Fest: Philly 2026. The band’s set at the Fillmore on Sunday, May 3 marks their first time performing at the world’s heaviest and headbangingest craft beer event. They will celebrate the 30th anniversary of their Decibel Hall of Fame inducted album None So Vile and perform fresh cuts off An Insatiable Violence.
“We are so excited to celebrate the 30th anniversary of None So Vile while also showcasing An Insatiable Violence and the new era of Cryptopsy at the world’s most prestigious metal and beer fest”, the band’s vocalist Matt McGachy says.
Tickets for Decibel Magazine Metal & Beer Fest: Philly go on sale this Friday, December 19 at 10 am Eastern Time.
Cryptopsy’s new album An Insatiable Violence, Blasphemy Made Flesh, None So Vile and other albums from their fearsome discography are now available through Season of Mist
Catch Cryptopsy on their current tour of Australia and next year’s European headlining tour
Cryptopsy 2025 Asia, New Zealand & Australia All So Vile Tour Dates December 18 – Brisbane, AU @ Crowbar [TICKETS] December 19 – Sydney, AU @ Crowbar [TICKETS] December 20 – Melbourne, AU @ Croxton [TICKETS]
Cryptopsy All So Vile European Tour 2026 with special guests 200 Stab Wounds, Inferi and Corpse Pile
January 15 – Germany, Hannover @ Béi Chéz Heinz January 16 – Germany, Dortmund @ Junkyard January 17 – Belgium, Antwerp @ Zappa January 18 – UK, Southampton @ Engine Rooms January 19 – UK, Bristol @ The Fleece [LOW TICKETS] January 20 – UK, Glasgow @ Slay [LOW TICKETS] January 21 – UK, Nottingham @ Rescue Rooms January 22 – UK, Manchester @ Club Academy January 23 – UK, Plymouth @ The Quad Theatre January 24 – UK, London @ O2 Academy Islington [LOW TICKETS] January 25 – The Netherlands, Nijmegen @ Doornroosje [SOLD OUT] January 26 – Germany, Hamburg @ Logo January 28 – Sweden, Stockholm @ Kollektivet Livet [LOW TICKETS] January 29 – Norway, Oslo @ Goldie [LOW TICKETS] January 30 – Denmark, Copenhagen @ Pumpehuset January 31 – Germany, Leipzig @ Hellraiser February 1 – Germany, Berlin @ Hole44 February 2 – Poland, Warsaw @ Proxima February 3 – Czech Republic, Prague @ Rock Cafe February 4 – Austria, Vienna @ Szene February 5 – Hungary, Budapest @ Barba Negra February 6 – Germany, Munich @ Backstage February 7 – Italy, Milan @ Legend Club February 8 – Switzerland, Aarau @ KiFF February 9 – France, Lyon @ Club Transbo February 10 – Spain, Barcelona @ Wolf February 11 – Spain, Madrid @ Revi Live February 12 – Spain, Portugalete @ Groove [LOW TICKETS] February 13 – France, Toulouse @ Metronum February 14 – France, Nantes @ Le Ferrailleur February 15 – France, Paris @ Petit Bain
More dates announcing soon.
Tracklist 1. The Nimis Adoration (4:10) 2. Until There’s Nothing Left (3:59) [WATCH] 3. Dead Eyes Replete (3:57) [WATCH] 4. Fools Last Acclaim (3:26) 5. The Art of Emptiness (4:16) 6. Our Great Deception (4:21) 7. Embrace the Nihility (3:50) 8. Malicious Needs (5:52) [WATCH]
More than 30 years into their storied career, Montreal death metal innovators Cryptopsy return with their ninth studio album, An Insatiable Violence, set for release on June 20, 2025 on Season of Mist.
Revered in extreme metal circles for such groundbreaking classics as 1994’s Blasphemy Made Flesh and the 1996 magnum opus None So Vile, Cryptopsy find yet another gear on An Insatiable Violence, which further solidifies the band’s place in the upper echelon of death metal. Coming out of the pandemic, the band dedicated themselves to staying on top of their game more than ever before, with the intention of consistently putting out a new record every two years. That started with 2023’s acclaimed As Gomorrah Burns, and continues 21 months later with An Insatiable Violence.
“We had to write the majority of An Insatiable Violence while on the Death to All tour, which was something we’d never done before”, vocalist Matt McGachy says. “Flo [Mounier, drums] and Chris [Donaldson, guitar] really put their hats on. It was a feat”.
“Ever since COVID our focus is clearer, a lot of work gets done faster, and we push each other to get it done.”, Mounier says.
In addition to featuring some of the fastest passages Cryptopsy has ever recorded – keen listeners will even hear the odd gravity blast from Mounier, a rarity from the virtuoso drummer – the controlled chaos of their signature sound is offset by well-timed passages that ease off the gas pedal enough to allow listeners to come up for some air. That dynamic rage on An Insatiable Violence in turn makes the more aggressive moments hit even harder, which is immediately noticeable on the harrowing “Until There’s Nothing Left” and the chugging closing track “Malicious Needs”. Olivier Pinard anchors “Fools Last Acclaim” with stunning authority (keeping pace with Mounier is an unenviable task) while Donaldson offsets gnarly, atonal riffs with melodic passages throughout the record. “It’s a continuation of As Gomorrah Burns,” McGachy says, “We really wanted to make a groovy record, and we think we’ve done it.”
It seems as though nothing is scarier than real life right now, and An Insatiable Violenceis a commentary on today’s society as though filtered through the transgressive, countercultural perspectives of J.G. Ballard and David Cronenberg.
“It all came to me in a dream in August 2023,” elaborates McGachy. “I woke up, I took my phone, and I wrote down the title of the record. It’s about a person that wakes up every day and fixes a machine. Tinkers with it, tries to make it better all day long, sweating in the sun, and then at night, they strap themself into this machine and the machine tortures them, and they love it. Then they wake up the next day and fix it again to make it more efficient, to keep harnessing it, and then just keep doing it over and over again.
While fantastically twisted, An Insatiable Violence mirrors our toxic relationship with social media. “We’re continuously trying to feed this algorithm of the machine while it’s totally tearing us apart socially and psychologically”, McGachy continues. “’The Nimis Adoration’ is about mukbang, these Korean people that eat too much food on the Internet. Piles and piles of food. A poor girl died on a live cam”.
At the center of the album is the mind-boggling percussion skill of Mounier, arguably the most imposing Canadian drummer not named Peart, who dominates such standout tracks as “Dead Eyes Replete”, “Fools Last Acclaim”, and “Embrace the Nihility”. “I look at Flo as an Olympic athlete,” says McGachy. “I want to push this guy to go a lot faster than Cryptopsy’s previous releases. We have so much more to give, and I wanted just drain it all out of him while he’s still at the top of his game, because he is. He’s crushing.”
“I mix up a lot of a physical activity, like resistance training into the drumming,” Mounier says. “I recently developed new techniques that make it easier to go even faster, so I tried to push that on this album. My focus is now more on dynamics and the touch of the snare, a certain snap of the snare, a rim shot on the snare, the toms, a light touch or a hard touch. Live, I can really let go, you know, give the sound guy a hard time,” he adds with a laugh.
For McGachy, who has always boasted a powerful, guttural death growl, the rigors of touring have enabled him to evolve as a vocalist, and he turns in a revelatory performance on An Insatiable Violence. In addition to ear-scraping screams that rival George “Corpsegrinder” Fisher, McGachy unleashes the deepest, filthiest death growls of his career. “Gomorrah was the first album that I recorded with my full false chord scream, which is something that I’d only just touched on The Book of Suffering: Tome II in little sections,” he says. “We did at least 140 shows since Gomorrah. I exclusively did my false chords during all the songs that we performed on None So Vile and Blasphemy Made Flesh. And then, when we did go into the studio for An Insatiable Violence, Chris would be like, ‘Deeper, you must go deeper!’”
Another fearsome vocalist from Cryptopsy’s lore pops back into the booth on An Insatiable Violence. “When we were recording the vocals for ‘Embrace the Nihility’, Chris had the idea of ending the song with the same vocal pattern as the end of ‘…and Then It Passes’”, McGachy remembers. “We figured if we were going to rip ourselves off, then we may as well get the real thing. We were honored that Mike DiSalvo accepted. We are all huge fans of Cryptopsy’s DiSalvo era. His vocals on this album are an ultra Easter egg for our fans”.
In addition to the effusive praise As Gomorrah Burns received from within the metal scene, the 2023 album achieved a first for Cryptopsy: earning them their first ever JUNO Award in 2024 for Metal/Hard Music Album of the Year. “We had little-to-no expectations of winning” says McGachy. ”We didn’t even go to the ceremonies because we were on tour in Europe with Atheist. On the day we found out that we won, we had a crazy 18-hour drive from Derby to Germany, plus a ferry ride. But we still partied for 48 hours. Flo bought an expensive bottle of champagne”.
Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix. “The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother”.
With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.
Lineup Flo Mounier – Drums Matt McGachy – Vocals Christian Donaldson – Guitar Oli Pinard – Bass
Guest Musicians Mike DiSalvo performs vocals on “Embrace the Nihility”
Recording, Mixing & Mastering Studio Christian Donaldson’s Studio
Production, Sound & Mixing Engineer Christian Donaldson
Today, rock icon JOHN CORABI is proud to announce his debut full-length solo album ‘New Day,’ due out on April 24, 2026 via Frontiers Music Srl. To celebrate, JOHN offers fans a first glimpse of the upcoming album with the release of it’s title track, alongside an official music video, available below.
A trip down memory lane with a nostalgic mood, the lead single “New Day” moves from intimate acoustic moments to richly layered rock arrangements. It’s a journey through the heart of rock, infused with soul and blues sensibilities and inspired by the melodic grandeur of early Boston and Queen.
On the title track, JOHN shares:
“‘New Day’ is a positive, upbeat song with a message of enjoy life!!! Stop whining and complaining about how unfair life is, and enjoy the ‘little beautiful things, life offers’ and make the changes you need to make your life better!!! Change happens WITHIN…”
Watch the Official Video for “New Day”:
‘New Day’ marks JOHN CORABI’s first full-length solo album of original material. Recorded in Nashville during the summer of 2025 and produced by multi-platinum songwriter and producer Marti Frederiksen (Aerosmith, Ozzy Osbourne, Buckcherry), the album fuses classic ’70s rock, soul, and blues influences into a sound that feels both timeless and deeply personal.
The record features the previously released singles “Così Bella (So Beautiful)” (2021) and “Your Own Worst Enemy” (2022), now presented as part of a rich collection of tracks that spotlight his commanding vocals, heartfelt lyrics, and masterful songwriting. Throughout the album, CORABI is joined by Marti Frederiksen, who adds backing vocals, guitars, piano, and percussion; Evan Frederiksen on drums, bass, B3 organ, electric guitar, mandolin, and programming; Richard Fortus (Guns N’ Roses) on lead guitar; Paul Taylor (Winger, Steve Perry) contributing piano, organ, and clavinet, as well as Charlie Starr (Blackberry Smoke) offering guitar solos. Together, they create an organic, instrument-driven sound built on real performances, melodic interplay, and soulful energy.
With a European tour planned for February/March 2026 and additional shows running through late spring and summer, CORABI is poised to bring this new music directly to fans, delivering both powerful live energy and genuine emotional resonance.
More than just a solo debut, ‘New Day’ serves as CORABI’s personal testament to rock’s enduring spirit—an exploration of melody, soul, and authenticity, played with passion and conviction at every turn.
JOHN shares:
“I’m very excited for everybody to hear this new collection of songs! I wanted to put together an album of eclectic, organic songs that are reminiscent of the music I grew up listening to, and I truly believe the mission was accomplished! This is a 60’s-70’s sounding classic rock and roll record…Turn it up, and enjoy!!!”
1. New Day 2. That Memory 3. Faith, Hope And Love 4. When I Was Young 5. One More Shot 6. 1969 7. Laurel 8. Good To Be Back Here Again 9. Love That’ll Never Be 10. Cosi´ Bella 11. Your Own Worst Enemy 12. Everyday People
Reigning Phoenix Music, in collaboration with Hasbro, is proud to announce the most chaotic Christmas anthem ever to slither down a chimney: COLD SLITHER’s new single “Cobra Claws Are Coming To Town.” Fresh from the momentum of their self-titled album, released earlier this year, the Dreadnok-driven metal outfit returns with a holiday track packed with sleigh bells, sabotage, and seasonal pandemonium. The track is accompanied by a high-octane holiday video produced by none other than Torch himself (whose alter ego is known as Ross Sewage).
“Well… Along with the persistent pestering by Torch and Ripper, Cobra Commander now has a new scheme to ensnare the masses with a… Ugh… Christmas song. I, being the consummate professional, and of course gold being an easy persuader, was only too happy to oblige the dear Commander with the most shredding of holiday mayhem you’ll ever hear! I give you, “Cobra Claws are Coming Town”. You all remember the siege upon Keystone City right?! Hahahaha!!!” – Zartan
“All’s I wanted for Xmas was to see the USS Flagg sink like a stone into the briny deep – well, that and maybe a new piledriver, but instead, the boss wanted us to sing a Christmas song, of all things! Then I thought, who am I to refuse our legions of screaming fans a little ‘oliday brainwa- er ‘eadbanging!” – Ripper
“It’s a bloomin’ treat to once again show the yobbos why we’re the best heavy metal band in the world!! Bludgers thought we was washed up, but we put out the best album of 2025! Didn’t think we could nail a Chrissie song, and we turn in a bloody ripper! And wait till you read the lyrics!! Least, I’ve heard they’re good. Reading ain’t me strong suit.” – Torch
“Ehh, he’s not really a Joe guy like us. Maybe just something like “I likes me choo choo train… And me chainsaw too!” Ross, is that what you have him playing at the beginning of the video?” – Buzzer
“Cobra Claws Are Coming To Town” arrives as both a gift and a warning. This is holiday spirit the COLD SLITHER way: loud, unhinged, and ready to storm every playlist from now until the new year. Lock your chimneys. The Cobra Claws ride tonight.
Fronted by the enigmatic Zartan alongside his ruthless Dreadnok bandmates Torch, Ripper, and Buzzer, COLD SLITHER is a declaration of war. Their sound combines old-school heavy metal with anarchic energy, venomous vocals, punishing riffs, and an atmosphere steeped in apocalyptic chaos. Also, a special thank you to Frank Todaro who serves as the enigmatic voice of Cobra Commander.
Featuring 10 original tracks and a remastered version of their cult-classic single “Cold Slither,” the album plunges into dystopian metal with themes of swamp-born menace and Cobra-fueled power. The Cold Slither album is available across digital and vinyl formats.
Melodic metal band Stråle are pleased to share their revisited edition of “Blinding Lights”, the chart topping hit by Canadian singer-songwriter The Weeknd, originally released in 2020. The track is taken from their new EP “Reformation”, digitally available now via Frontiers Music Srl.
“The original song’s brilliant melodies and Stråle’s heavy yet energetic approach make this a perfect live song. And I just love singing “Blinding Lights” on stage. It’s kind of perfect for my voice and the audience always starts dancing and singing along. For me that’s worth everything. That is why I do this. To give the audience a chance to be in the moment and enjoy music”, said singer Daniel Jakobsson.
Teemu Aalto, who both mixed and produced the song, added: “I was pretty sceptical about the song’s potential because there were already a million different versions of it out there. But… When I first heard the demo the guys had done I was sold!! It’s gonna be huge!! Daniel had done the vocal tracks before anything else, and those tracks were totally amazing!! It was very easy to build up the rest of the song on them with other guys. Like in a go-with-the-flow mindset. Everything came together very easily! And of course it was pure joy to mix it all up! Svante Forsbäck also did a wonderful job finishing up the sound! We really have done something special”.
Stråle is a melodic metal band from Helsinki, Finland, combining Scandinavian melancholy, modern metal power, and cinematic emotion. Formed in 2009, the band has steadily evolved from underground beginnings to become one of Finland’s most exciting metal acts, known for their explosive live energy and massive choruses.
After their debut album “Bourbon Souls” (FDA Records, 2020), mixed by the renowned Jens Bogren (Opeth, Katatonia), Stråle entered a new chapter with a refreshed lineup and creative energy. The arrival of vocalist Daniel Jakobsson and guitarist Jaakko Suomalainen brought new color and emotion to an already solid foundation, and together the band refined their signature sound – melodic, heavy, and deeply emotional.
The new EP “Reformation” captures this evolution. Produced by Teemu Aalto (Insomnium, Omnium Gatherum, Ginger Evil) and Jani Autero, and mixed/mastered by Jacob Hansen (Volbeat, Amaranthe), it blends intensity with introspection. Songs like “Resist & Reform (feat. Björn “Speed” Strid, Soilwork)” and “Close Is Not Enough” showcase the band’s emotional range, while their acclaimed cover of “Blinding Lights” and the cinematic ballad “The Flame” display both versatility and soul.
The band commented: “Reformation” marks a new era for Stråle – musically, emotionally, and as a band. These songs have already proven themselves live, especially “Close Is Not Enough” and “Resist & Reform”, which have become real fan favorites on stage. It truly feels like a reformation for us; the sound, the energy, and the connection within the band are stronger than ever. We’re thrilled that Frontiers is now taking these songs under their wings and giving them the chance to fly as high as they can”.
In 2024, Stråle completed a 16-date European tour with Orphaned Land, performing in iconic venues such as The Underworld (London), Razzmatazz (Barcelona), and Petit Bain (Paris). With over 250,000 total streams and a growing fanbase across Europe, Stråle’s sound stands as a powerful statement of emotion, melody, and contemporary Nordic metal.
“Reformation” Tracklist:
1. Resist and Reform (featuring Bjorn Strid) 2. Close Is Not Enough 3. The Heart You Tore Apart 4. Destined For Desire 5. Blinding Lights (The Weeknd Cover) 6. The Flame
Line Up: András Lehtinen Daniel Jakobsson Rasmus Bruun Sakari Komulainen Janne Jääskeläinen Jaakko Suomalainen
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Kimmo Kuusniemi's Ancient Streaming Assembly - 'Perpetuae Memoriae', ft. Tuomas Rounakari + Steve Di Giorgio - Click image to watch the video
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Metal Shock Finland (World Assault ) 