Five Finger Death Punchwill bring their 20th Anniversary Tour to fans around the world with a free global live broadcast from Colorado’s iconic Red Rocks Amphitheatre on Tuesday, September 8 at 9pm Mountain Time (MDT), available exclusively on the livestream platform, Veeps. With epic new production and visuals, the show will feature a career-spanning set packed with the band’s biggest anthems alongside new music from their 10th album, Legacy. Watch the trailer here.
Legacy celebrates two decades of Five Finger Death Punch and stands as both a tribute to the band’s journey and a bold statement of what’s still to come. The album, released digitally on July 31, is streaming now on all platforms and will be available on CD, vinyl, and cassette on September 18.
Alongside the stream, fans can pre-order merchandise, including multiple variants of Legacy vinyl, as well as CD and cassette configurations, plus a special 5FDP vinyl carry case. With several previously announced vinyl variants already sold out, the offerings include:
*Legacy LP (Clear Vinyl) *Legacy LP (Amber Wave Vinyl) featuring alternate art gatefold packaging *Legacy CD *Legacy CD (Gold Disc) featuring alternate cover and disc art
All merch is available now at the VEEPS event page and will be featured during the livestream broadcast. Fans are invited to tune in and enjoy the show free of charge. For more information, visit the event page HERE.
The North American leg of Five Finger Death Punch’s 20th Anniversary World Tour with support from Cody Jinks and Eva Under Fire continues through October 23 in Bristow VA before the band will get ready to head over to Europe in January 2027 for a massive run of arenas with Special Guest Lamb Of God and Bleed From Within. For tickets and more info, visit here.
ABOUT FIVE FINGER DEATH PUNCH: Five Finger Death Punch is a multi-platinum, chart-topping hard rock band from Las Vegas, NV known for their high-energy performances and impactful music. The band has accumulated more than 15 billion global streams and achieved 13 consecutive #1 singles on Billboard’s Mainstream Rock Airplay chart. Their catalog includes 30 Top 10 rock hits, 18 Active Rock #1 singles, and more than a dozen RIAA certifications, including seven Gold or Platinum albums and a 2x-Platinum single. Throughout their career, Five Finger Death Punch has collaborated with a diverse range of artists, including Brian May of Queen, Rob Halford, Rob Zombie, Steve Aoki, Kenny Wayne Shepherd, Jamey Jasta, and Brantley Gilbert. The band’s impact extends beyond music. Founding guitarist Zoltan Bathory was featured as a playable character in Call of Duty. Five Finger Death Punch has also supported numerous charitable causes, donating more than $1 million to organizations focused on veterans’ and first responder issues, suicide prevention, youth homelessness, and more. The Association of the United States Army presented the band with its Soldier Appreciation Award, an honor only bestowed upon Elvis Presley before 5FDP. The City of Las Vegas proclaimed November 1 as “Five Finger Death Punch Day,” while frontman Ivan Moody received the Key to the City of Cheyenne, Wyoming, for his charitable work in the community. Following extensive global touring for two decades, including appearances on Metallica’s M72 World Tour, the band continues to expand its global reach. Their #1 collaboration with BABYMETAL, “The End,” became the first song featuring Japanese lyrics to chart at U.S. rock radio. In 2026, Five Finger Death Punch released their tenth studio album, Legacy.
Upon signing with Season of Mist in 2022, after crawling through the Italian underground, Miscreance were likened to Death, Sadus, Voivod and other immortal beings who have shaped the alternate timeline that is the history of extreme metal. The band’s thrashing riffs and blistering tempo shifts recall death metal’s golden age, but their upcoming second album, Reminiscence, is quickly proving itself to be far from just another blast from the past.
“What we have here is innovation, classicism, power and talent unmatched”, MetalBites writes in a 9/10 review, “but above all else, Miscreance is a group of musicians who understand the importance of those good ole days and the impact that they are still and should always be having on today’s Scene”
“[…] a four-piece set to stun the world through their progressive thrash/death blend of technicality that continually pushes the parameters of the genre as well as the individuals composing/playing this music”, Dead Rhetoric writes in another 9/10 review.
“On Reminiscence, the Northern Italian quartet take the old-school technical death metal blueprint – Death, Atheist, Coroner, Sadus, all the good stuff – and drag it through a prehistoric hallucination full of tribal percussion, psychic violence, alien ritual and fretboard abuse”, writes Decibel, who are premiering the full album stream today.
Reminiscence comes out this Friday, August 28 on Season of Mist, but you can hear all nine mind-altering songs today by listening to the full album stream on Decibel Magazine’s website, HERE.
“After meandering through the sands of time, we are finally unearthing our new album Reminiscence”, Miscreance says. “Each of the nine songs on the album take a look into a forgotten past. Together, they merge into a mind-altering experience”.
“Reminiscence is a concept album that tells the story of a lost civilization, suspended in time”, the band continues. “Gifted with psychic powers and driven by an insatiable hunger for prey, this civilization once lived in symbiosis with nature, only for their age of splendor to give way to inexorable decline.
“While writing, we pushed ourselves toward a state of total neural unity, just as the lost tribe at the heart of our story once did. We became so deeply captivated by the concept that we decided to reinterpret the lost album as coherently and faithfully as possible, bringing its sound to life again through an array of tribal and unconventional instruments, unearthly time signatures and ritualistic chants.
“Lose yourself into the abyss and find your true self beyond the edge of reality!”
Reminiscence isn’t one band’s attempt to recall death metal’s glory days. Opener “Trait d’Union’ begins with funky, bouncing, tribal percussion that one associates with a time long before the dawn of Charvel guitars. “We still play old-school tech-thrash” Miscreance guitarist Andrea Granauro assures. But through a collective hallucination, on their new album, the band venture into dark territory that the genre has yet to travel. Lead single “Scalp Ceremony” shreds at a blood-thirsty pace before banging heads with a flurry of bongos.
“We are all very happy with how our first album turned out, but we wanted to go bigger by tying Reminiscence to a specific concept”, guitarist Tommaso Cappelletti explains. “Adding the tribal instruments to certain songs deepens the connection to the overall story that the album is telling”.
“What we’ve created is a ‘lost album’”, bassist Jean-Claude Rossignol continues. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”.
While recorded in their native Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with tech-thrash riffs and proggy tempo shifts, the band uncover didgeridoo, berimbau, telepathic surgeries, strange tongues and a burning celestial corpse. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.
“You’ve never known the face of death / But now it becomes yours”, drummer Andrea Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.
With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.
Tracklist
1. Trait d’Union (4:31) 2. Vision (3:59) 3. Scalp Ceremony (3:14) [WATCH] 4. Synaptic Cortex Dissection (5:02) 5. Oracle’s Rift (5:06) [LISTEN] 6. The Moaning Hill (2:45) [LISTEN] 7. Symbiosis (4:12) 8. Zenith of a Dying Sun (4:19) 9. Mirage (4:27)
As is the custom in Italy, even the most obscene artists are well-versed in the classics.
Upon signing with Season of Mist in 2022, Northern Italia’s Miscreance were likened to Death, Sadus and other undying greats from the alternate timeline that is the history of extreme metal. Fashioned in high-top sneakers and sleeveless band shirts, bassist Jean-Claude Rossignol, guitarists Andrea Granauro and Tommaso Cappelletti, and drummer/vocalist Andrea Feltrin proudly reflect the genre’s old-school spirit. But while its tech-thrash riffs and proggy tempo shifts will remind battle-tested heshers of the golden years, their second album isn’t just another blast from the past.
“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, the band says about the far-out path they took to their new album. “Reminiscence is a testimony of what we have seen, heard, perceived and imagined, told through our own perspective on old-school, thrashy, technical death metal”.
In 2018, Miscreance quickly emerged onto the metal scene as a welcome mutation. While their initial incubation period under prior name Atomic Massacre fit the mold of Slayer, Kreator and Sodom, the band turned their morbid fascination with classic horror films and late ‘80s to early ‘90s tech-thrash into a debut that, while faithful to both Atheist and Dark Angel, gave the OSDM revival a much-needed jump scare. Convergence not only drew the favor of France’s premiere metal label but also attention from Decibel, New Noise and other international press.
“We’re left wondering how band members who look so young also seem so well-steeped in so many different genre influences, and how technically masterful and wildly inventive they are in their songwriting”, No Clean Singing wrote upon the album’s release in 2022. “They seem inherently resistant to taking the easy way forward, and equally resistant to just mimicking their most prominent thrash metal forebearers”.
Reminiscence isn’t an attempt to recall metal’s glory days. Opener “Trait d’Union’ doesn’t begin with blast beats but funky, bouncing, tribal percussion one associates with a time long before the dawn of Charvel guitars. “We still play old-school tech-thrash”, assures Granauro. With its eerie handcam footage, the music video for the album’s lead single will give tape collectors warm and fuzzy memories. However, while the band shred at a blood-thirsty pace, “Scalp Ceremony” bangs the long-haired heads of their captive audience with a flurry of bongos.
“We are all very happy with how our first album turned out, but we wanted to go bigger by tying Reminiscence to a specific concept”, Cappelletti explains. “Adding the tribal instruments to certain songs deepens the connection to the overall story that the album is telling”.
While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with splintering riffs and trippy tempo shifts, the band uncovered a hidden world where jungle-dwelling hunters and digeridoo coexist with strange tongues, telepathic surgeries and a burning celestial corpse. As imagined by Iranian artist Mona Shiraz, the album’s cover art is a modern interpretation of the kind of painting that was all the rage during the Stone Age. “What we’ve created is a ‘lost album’”, Rossignol says. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.
“You’ve never known the face of death / But now it becomes yours”, Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.
With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.
Lineup Andrea Feltrin – Drums and Vocals Jean-Claude Rossignol – Bass Tommaso Cappelletti – Guitars Andrea Granauro – Guitars
Guest musicians Leo Di Angilla – Percussion, Digeridoo, Flute, Berimbau
Recording and Production Credits Recording Studio – Bridge Produzioni Audio in Susegana, Italy Mixing and Mastering Studio – Majestic Studio in Silea, Italy Producer – Marino De Angeli Mixing, Mastering and Sound Engineer – Marino De Angeli
German power metal force Iron Savior share today their new single and official video, “The Creature’s Tale”, the second taste of the upcoming album “Deathbringer”, out on November 13,2026, via Frontiers Music Srl.
Vocalist Piet Sielck said: “Of course the classic Frankenstein story has been told in many ways before, but it appears to never loose it’s fascination, especially in our modern world with biogenetic manipulation and artificial intelligence. What it’s life? This question hasn’t been answered yet sufficiently… I was really inspired by the Netflix movie in 2025, especially from the last part when the story is narrated by the creature… The Creature‘s Tale.”
Hamburg-based Iron Savior have long established themselves as one of Europe’s most consistent and productive power metal bands. With their monumental new studio album “Deathbringer”, the band around Piet Sielck has more than one reason to celebrate: following the third instalment of the “Reforged” series, for which Iron Savior completely re-recorded the songs from their Noise Records era, as well as a covers album, the band now presents a brand-new studio album.
This next chapter in the band’s history finds Iron Savior in outstanding form – full of energy, punch and soaring anthems. In support of “Deathbringer”, the band will also hit the road together with Mystic Prophecy. And this certainly should not go unmentioned: the band is celebrating 30 years of Iron Savior.
As usual, Piet Sielck once again produced the album himself – at his own Powerhouse Studio, a well-established name in the field of powerful metal productions and a place that has long been inseparably connected to the sound of Iron Savior. With “Deathbringer”, the band delivers the perfect successor to their successful 2023 album “Firestar”.
What unites all songs on the new album is their anthemic character – always one of Iron Savior’s greatest strengths. “Climbing Higher” provides a powerful motivational boost, excursions into melodic speed metal territory such as “Light In The Dark” are present as well, and the fast, high-energy title track “Deathbringer” immediately grabs the listener’s attention. The stomping, relentless “Creature’s Tale” also stands out as another highlight of the album.
With “Deathbringer”, Iron Savior also return to the concept album format. After 200 years of peace, the galaxy once again stands on the brink: the Shadows, an insectoid species and ancient enemy of mankind, have returned. Aboard the gigantic Deathbringer vessel, their immortal Queen has preserved the last remnants of her species inside an eternal digital hive – sustained by the life force of countless worlds. Now the Iron Savior and the Alliance must face an enemy more powerful than ever before.
Musically and narratively, “Deathbringer” brings together everything Iron Savior have stood for over the past three decades: powerful power metal, huge choruses, sci-fi grandeur and a band that, even after 30 years, has lost none of its energy.
“Deathbringer” Tracklist:
1. Shadows Of Neverness 2. Deathbringer 3. Light In The Dark 4. The Creature’s Tale 5. Back From The Fires Of Hell 6. To Boldly Go 7. Climbing Higher 8. No Deal (bonus track) 9. Dawn Of Deliverance 10. Gunslinger 11. Never To Yield 12. Forever And A Day 13. Fever (bonus track) – Judas Priest cover
IRON SAVIOR – TOUR DATES 2026: 29.08.2026 ES Puerto De Vega – Unirock Fest 04.09.2026 NL Amstelveen – Heavy Metal Maniacs Festival 13.11.2026 DE Siegburg – Kubana 26.11.2026 DE Nürnberg – Hirsch 27.11.2026 DE Lindau – Club Vaudeville 28.11.2026 DE Freiburg – Crashclub 03.12.2026 DE Aschaffenburg – Colos-Saal 04.12.2026 DE Bochum – Matrix/Rockpalast 05.12.2026 DE Oldenburg – MTS 10.12.2026 BE Kortrijk – DVG Club 11.12.2026 DE Osnabrück – Hyde Park 12.12.2026 DE Köln – MTC 13.12.2026 DE Mannheim – 7er Live Club
Line Up: Piet Sielck – lead vocals & guitars Joachim “Piesel” Küstner – guitars Patrick Opitz – bass Patrick Klose – drums
Produced, mixed and mastered by Piet Sielck All songs: Music & lyrics: Piet Sielck
Following the massive wave of anticipation sparked by their recent album announcement and the chaotic first track “Raivotarjonta,” Finnish industrial metal pioneers TURMION KÄTILÖT are doubling down. Today, the band strikes again with ‘Lunastakaa,’ the fiercely energetic second single from their upcoming twelfth studio album, Resodance, arriving globally on October 23, 2026, viaNuclear Blast Records.
Known for blending heavy industrial metal, pulsing electronic music, and wicked dark humor into a genre completely their own, the band continues to push creative boundaries with ‘Lunastakaa.’ The high-octane track arrives with an epic, visually striking music video that reflects the band’s trademark theatrical intensity and unmatched ability to turn extreme metal into a relentless dancefloor party.
Composer of the song, RunQ, comments: “Various demos have usually ended up waiting for the right moment to be released. When I was doing this, I immediately felt that this might not end up on the waiting list, at least not for a very long time 😉 “
Shag-U adds: “I often write songs by looking in the mirror, but with ‘Lunastakaa’, the mirror became a window. The lyrics grew out of news stories about the abuse of power and exploitation, and questions about how deeply a person can be broken and whether there can ever be justice or compensation for what has happened. I love the contrast between the song’s upbeat, energetic feel and the way the lyrics twist that world into something grotesque – that’s one of the things I love most about Turmion Kätilöt. Later, someone also found a more self-ironic interpretation in the lyrics: artists turning themselves into commodities in exchange for money, visibility or approval. That fits this world frighteningly well, too.”
The album comes in following formats:
CD jewelcase
1 LP sleeve red & black marbled vinyl
1 LP sleeve transparent red & black marbled vinyl
Tracklist: Nostajat Kunnioita Pöytäviinaa Ja Pimeitä Naisia Amon-Ra Hallelujah! Näe Minut Lunastakaa Karma Levolle Laske Teloitus Raivotarjonta In Our Dreams (to be continued 1)
The Ultimate Live Spectacle: Colossal Disco
The strategic release of Resodance serves as the perfect fuel for the band’s most massive headlining milestone to date. On October 24, 2026—just one day after the full record drops—TURMION KÄTILÖT will host their monumental “Colossal Disco” event at the legendary Helsinki Ice Hall (Helsingin jäähalli).
Several thousand fans are set to pack the arena, ready to bring the ice-ring to a definitive boil.
Next Live Date: 07.11. FI Lahti – XXl Mössö
Line up: MC Raaka Pee – vocals Master Bates – bass Run-Q – keyboard DQ – drums Shag-U – vocals Bobby Undertaker – guitar
Time To Kill Records is proud to announce the signing of WHIPLASH, welcoming one of American thrash metal’s most enduring underground forces to its roster. Led by true underground warrior Tony Portaro, the New Jersey veterans have spent more than four decades keeping the raw spirit of thrash metal alive, inspiring generations of musicians and fans who still believe in the power of riffs, sweat and genuine passion.
The partnership will see WHIPLASH release their new album, “ROAR”, on November 27th, 2026. Recorded at Studio Mozart and Concrete Island Studio, produced by Tony Portaro and mixed by Jamie King Audio, the album delivers ten explosive tracks that capture the raw energy of the band’s live performances while reflecting Portaro‘s continued evolution as a songwriter and musician.
Songs such as “Sonic Asylum”, “Bullet Train” and “Who Stole My Whiskey” hit with full-force precision: this is thrash crafted for the mosh pit, not the algorithm. “ROAR” offers exactly what one should expect from WHIPLASH: real metal built around riffs, songs and attitude, with no interest in unnecessary embellishment or whatever fashionable nonsense happens to be circulating outside the pit.
The album was initially made available in a strictly limited form during WHIPLASH‘s European “Campaign for Musical Destruction Tour” with Napalm Death. A small number of CD promos were distributed independently during the tour under the original title “THRASHQUAKE”.
The album now receives its official worldwide release through Time To Kill Records, with a new title, brand-new artwork by legendary illustrator Ed Repka, and a global campaign befitting its status.
Tony Portaro comments:
“THRASHQUAKE was the original title, and we made a limited number of copies available independently while we were touring earlier this year. As things developed and we started looking at the bigger picture for the worldwide release, ROAR just felt like a stronger title and a better representation of the album as a whole.
Partnering with Time To Kill Records gives us the opportunity to take this record far beyond that initial tour release and give it the international campaign and worldwide distribution it deserves. With the new title, the new Ed Repka artwork and TTK behind the official release, ROAR represents the definitive version of this album and the beginning of its real worldwide campaign.”
For Time To Kill Records, bringing WHIPLASH into the fold is a genuine pleasure: few bands embody the idea of uncompromising underground metal quite like Portaro’s long-running institution.
Tracklist:
1. Thrashquake 2. Bullet Train 3. Can’t Take Back a Bullet 4. Sword Meet Skull 5. Who Stole My Whiskey 6. When the Deadman Calls 7. Red Tape Riot 8. Mother’s Kill Club 9. Sonic Asylum 10. Graveyard of Good and Evil
Current touring lineup:
Tony Portaro | vocals, guitar William Winton | bass Mitch Hull | drums
Formed in Passaic, New Jersey, in 1984, WHIPLASH quickly established themselves as one of the defining forces of the 1980s East Coast thrash metal scene. Led by guitarist and vocalist Tony Portaro, their combination of melodic speed metal, vicious riffs and raw energy produced the cult classic “Power and Pain” (1985), released through Roadrunner’s Road Racer imprint.
Followed by “Ticket to Mayhem” (1987) and “Insult to Injury” (1989), the band’s early records helped establish a distinctive identity within a New York scene dominated by punk and hardcore. After further releases, lineup changes and a period of inactivity, WHIPLASH returned with “Thrashback” (1998) before a long hiatus.
The band re-emerged with “Unborn Again” in 2009, reconnecting with both old-school devotees and a new generation of thrash fans. Through every incarnation, Tony Portaro has remained the band’s constant driving force, preserving the power-trio spirit at the heart of WHIPLASH.
In 2026, that uncompromising approach continues with “ROAR”, the band’s eighth studio album and their new worldwide release through Time To Kill Records.
Legendary rockers Sha-Boom release the video for their infectious new single, ‘One More Drink for the Road’ featuring Linnéa Vikström from Thundermother and Tomas Vikström and Rosalia Sairem from Therion. the track is taken from their highly anticipated new album, Another Nail In The Coffin due for release this Friday, August 28th via Silver Lining Music. Pre-orders are available now at this location.
‘One More Drink for the Road’ is a feel-good rock ‘n’ roll party anthem driven by swaggering guitars and an unforgettable sing-along chorus. The track captures the spirit of the rock ‘n’ roll adventure: there’s always another night to live, another thrill to chase and another drink to share. It’s a rock ‘n’ roll confession about freedom, living in the moment and making every second count.
“‘One More Drink for the Road’ is a real rock ’n’ roll stomper, where the ’70s meet the ’80s, with that patented Sha-Boom sound running right through it” exclaims Dag. “It’s packed with energy, attitude and plenty of rock ’n’ roll humour. It was great to have Tomas Vikström and Rosalia Sairem from Therion, as well as Linnéa Vikström from Thundermother, join us on the track. Tomas and Rosalia also appear in the video, it’s a kick-ass rock song and I can’t wait for people to hear it!
Watch/Listen to ‘One More Drink for the Road’here – video filmed and edited by Boom-Nasty Production.
Sha-Boom burst out of Stockholm in 1987 and, within months, were sharing festival bills with Scandinavian hard-rock royalty such as Europe and Treat. Their debut single, the fist-pumping anthem “R.O.C.K.,” shot straight to No. 1 across Sweden and Norway, and the self-titled album that followed confirmed them as one of the era’s defining melodic-rock acts. Now, decades later, Dag Finn – always the driving force behind Sha-Boom – has returned at the helm with renewed energy and purpose, ready to pick up exactly where the band left off.
Watch/Listen to the first and second singles ‘Never Stop’ and ‘Walk (Far Away)’here. Videos filmed and edited by Boom-Nasty Production.
Sha-Boom are firing on all cylinders and the band is ready to reignite stages around the world and reclaim their place in the international spotlight. Sha-Boom performed at Sweden Rock Festival in June 2026. The show was a resounding success and the band received fantastic response for their performance. Live dates are listed below, with more dates to be announced soon.
2026 Dates
August 27, Biblioteket Live – Stockholm (SE) September 5, Musikhuset – Gävle (SE) September 25, Carlsson på Kajen – Västerås (SE) September 26, Kulturhuset Tio14 – Falun (SE) October 16, Vara Konserthus – Vara (SE) October 17, Scalateatern – Karlstad (SE) October 24, Backstage Rockbar – Trollhättan (SE) November 6, Bomber Bar – Motala (SE) November 7, Lindas Kula – Norrköping (SE) November 27, Brygga Kultursal – Halden (NO) December 11, Far & Son – Västervik (SE) December 12, Platens Bar – Linköping (SE)
Produced and mixed by renowned producer Erik Mårtensson (Eclipsed), Another Nail In The Coffin is a trip back to the halcyon ‘80s, when songs and melodies truly mattered, with Sha-Boom standing ready to remind the world why their name still echoes in Scandinavian rock history.
Another Nail In The Coffin is out this Friday, August 25th on Vinyl, 12” CD Digipak, Digital Download, Streaming and special D2C bundles. Pre-order the album and stream the singles now at this location
Another Nail In The Coffin Track Listing:
Never Stop
Another Nail in the Coffin
Walk (Far Away)
The Sun, the Moon, the Stars
Let’s Go (88)
Out of Control
Farewell, Goodbye
Back on the Streets
A Million Miles Away
One More Drink for the Road (Feat. Linnéa Vikström)
Emergency
Recording Artists on Another Nail In The Coffin: Dag Finn – Lead Vocals Erik Mårtensson – Guitars, Bass and Backing Vocals Thomas Broman – Drums Jonas Öijvall – Keys Thomas Vikström – Backing Vocals
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
