MIND INCISION has officially unleashed their blistering new single, “Y.W.A.War (You Wanted A War)” a no-holds-barred sonic assault that doesn’t just push boundaries… it obliterates them.
Fueled by aggression, precision, and unapologetic intensity, “Y.W.A.War” is a battle cry for anyone who’s ever been underestimated, overlooked, or pushed to their breaking point.
This isn’t just a song, it’s a declaration.
From the opening moments, MIND INCISION wastes no time setting the tone. Crushing riffs, relentless percussion, and venom-laced vocals collide to create a track that feels like controlled chaos. Every second hits with purpose, building a wall of sound that’s as punishing as it is addictive.
Lyrically, “Y.W.A.War” cuts deep, channeling frustration, defiance, and raw truth into a message that hits hard and resonates even harder. It’s confrontational, it’s cathartic, and it refuses to back down.
“Y.W.A.War” is only the beginning.
The first chapter in a three-part cinematic saga, MIND INCISION is unleashing a full-scale visual and sonic war over the next year… each release revealing another piece of a dark, unfolding narrative.
Set in a not so distant future, the story dives into a world where humanity’s greatest creation becomes its greatest threat… as AI machines rise, rebel, and turn on the very masses that built them.
The story begins with “Y.W.A.War” a brutal awakening in the aftermath of a nuclear winter, set in a shattered world around the year 2043. Humanity emerges from beneath the earth, broken but not finished. The video follows a small group of survivors as they begin to rebuild, searching for purpose… and for a leader strong enough to guide them into the war that’s coming.
This isn’t just a trilogy. It’s a full scale rebellion. A cinematic war for the future of humanity.
SEE MIND INCISION AT THESE FESTIVALS IN 2026
June 12 – Monster Hall Music Festival June 27 – Rawk The River
Award-winning rock legends The Calling will release their new single titled “DUST,” this July via TLG|ROCK, distributed by Virgin Music Group. Alongside the announcement, the band has also rescheduled select early dates on the “Before The World Turns To Dust Tour,” aligning the run with the upcoming single release.
The band is also celebrating a major milestone, the 25th Anniversary of their mega-hit “Wherever You Will Go,” as well as their multi-platinum breakthrough album Camino Palmero, a record that helped define an era of radio rock and remains a staple of early 2000s alternative culture.
“With our record label pushing back the release of our new single ‘Dust’, we have decided it’s best to move some of our US tour dates to coincide with that release. We’re looking so forward to celebrating the 25th Anniversary of the release of ‘Wherever You Will Go’ and sharing our new music with you all live on tour soon! All the love…”says Alex Band.
Formed in 1999, The Calling quickly ascended the ranks of radio rock with their distinctive blend of catchy melodies and heartfelt lyrics. Their debut album Camino Palmero sold more than 10 million copies worldwide and went Platinum in the U.S. and 50+ countries, catapulting the teen rockers to international fame with hits like “Wherever You Will Go” and “Adrienne,” while touting 7 number one singles worldwide.
After a 20-year hiatus, The Calling returns to the forefront of the music scene, poised to captivate listeners once again. With a renewed sense of purpose and creativity, the band is set to unveil their long-awaited new music, promising a sonic journey that will resonate deeply with both loyal fans and newcomers alike. Driven by the powerful, distinct vocals of Alex Band and the masterful instrumentation of guitarist Daniel Damico and Grammy-nominated bassist Dom Liberati, The Calling’s comeback is nothing short of extraordinary. Each note and lyric carry the weight of two decades of growth and experience, resulting in a musical tapestry that is both timeless and contemporary.
AUGUST
Wednesday 8/26/2026 in Woodstock, NY @ Bearsville Theater Thursday 8/27/2026 in Syracuse, NY @ New York State Fair – Chevy Court (New York State Fair) Friday 8/28/2026in Warrendale, PA @ Jergel’s Rhythm Grille Saturday 8/29/2026in Charlottesville, VA @ Jefferson Theatre
SEPTEMBER
Saturday 9/5/2026in Lurin, Peru @ Lurin Live(Vivo x El Rock) Thursday 9/10/2026 in Fort Lauderdale, FL @ The Parker Friday 9/11/2026 in Orlando, FL @ Hard Rock Live Orlando Saturday 9/12/2026 in Jacksonville, FL @ FIVE Friday 9/18/2026 in Norwalk, CT @ District Music Hall Saturday 9/19/2026 in West Springfield, MA @ Court of Honor Stage (The Big E) Sunday 9/20/2026 in Philadelphia, PA @ World Cafe Live – Music Hall
On their new podcast, Heilung are inviting longtime converts and newcomers into their sacred realm, where history and spirit converge into a healing ritual. Hosted by founding member, singer and shamanic practitioner Kai Uwe Faust, The Podcast journeys into the lore, traditions and primal forces that shape the world-renowned Nordic collective and their unmistakable Amplified History.
Having uncovered the mythological roots and historical references behind “Alfadhirhaiti”, “Marduk” and “Traust” during the three previous episodes of The Podcast, today, Heilung are releasing a new episode that is dedicated to “Nesso”. This song appeared on their latest studio album, Drif, which scored placements on 16 Billboard charts in the U.S. and Canada, including #1 on the World Albums chart and #8 on the Heatseekers chart.
The release of this episode coincides with the arrival of the Flower Moon, which signifies the peak of spring.
Watch episode four of The Podcast on Heilung’s YouTube channel.
Heilung are known around the world for transcending the boundaries of sound and history. Since forming in 2015, the Nordic collective have made their unmistakable presence felt everywhere from the Billboard charts to Glastonbury, The Game Awards and major Hollywood films. Their performance rituals draw crowds into an intimate, mystical space that threads together earth, fire and incense with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show and instruments made from human bone.
Heilung’s full discography, including their latest release Lifa Iotungard, is available now on Season of Mist.
HEILUNG don’t play shows. They perform a ritual. Every performance begins with Kai Uwe Faust leading Christopher Juul, Maria Franz and the rest of the Nordic collective in an ancient prayer. Soon after, the audience is swept into rapture, swayed by incense and throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire.
Since they began in 2015, Heilung have been paving melodic paths to the past with their unique and mystifying sound. Evading all conventional genre tags and the confines of any specific labels, the group aptly self-describes their sound as “amplified history,” emphasizing their ability to connect modern society with the rudiments of humanity’s beginnings through music.
“Our ancestral Nordic civilizations did not just pop up, exist and disappear in isolation”, says Faust, a throat singer and one of Heilung’s three composers. “With singing these primordial songs we want to give tribute to these cultures, reconnect to the beginnings and remember that we all, from East to West, from past to present, are connected through the exchange of ideas and inspiring each other”.
While Heilung features authentic and archaic instrumentation that ranges from rattles and ritual bells to human bones and throat singing, their captivating brand of music is far from primitive. Producer and founding member Christopher Juul implements subtle electronic elements that elevates the musical atmosphere and provides a more in-depth and layered soundscape.
Indeed, Heilung’s success has been unprecedented, achieving milestones in its few short years of existence that many do not see in a lifetime. The collective already had rapidly been growing a buzz upon the self-release of their first full-length Ofnir in 2015, but their dizzying upward trajectory really took off from the moment they set foot on the stage at Castlefest in 2017 for the now-legendary debut of their live ritual. Luckily for those who were not fortunate enough to bare witness to this magical event, the full ceremony was captured on film, having since been viewed by tens of millions of fans across the globe.
As Heilung trekked across Europe and brought their mystifying experience to new audiences, talk of this new band and their stunning ceremony made way to Season of Mist label owner Michael Berberian, who quickly offered the band a record contract after seeing their undeniable musical impact for himself.
By 2019, Heilung launched their second full-length record, Futha, which contrasted the masculine and battle-heavy themes of their debut with a feminine counterpart that celebrated fertility and female energy. Upon the first week of the record’s release, it graced the Billboard charts with coveted numbers, debuting at #3 on the Heatseekers Charts and #4 on the Billboard World Music Chart, placing on a total of seven Billboard charts while meeting critical-acclaim from the press on a global scale.
Their music has even appeared in places that extend far beyond typical concert venues. From hit television series like Game of Thrones and Vikings to video game giants like Conqueror’s Blade VII: “Wolves of Ragnarök and Senua’s Saga: Hellblade II to the blockbuster Robert Eggers film The Northman, Heilung’s music has risen far above the underground and has transcended into a greater world. Even a global pandemic couldn’t slow down Heilung’s success; it only strengthened them and gave them the gift of time to complete work on their third album. In English, Drif translates as “Gathering”. The music embodies this philosophy by tying together the beginning of civilization with today’s modern society.
Heilung now perform their rituals all over the world. They sold out their first North American tour in 72 hours. Upon returning to the United States in 2021, they were greeted by another sold-out crowd, this time at the historic Red Rocks Amphitheatre in Morrison, Colorado. This performance was released as a live album on vinyl and CD in 2024. A Blu-Ray edition of Lifa Iotungard will follow, along with the release of their 2023 performance at the Apollo Theatre in Hammersmith, London.
In 2025, Heilung embarked on headlining tours of Europe, Australia and New Zealand. Along the way, they cast their spell over more of the world’s biggest stages, including Roskilde Festival, Download Festival and Glastonbury. But no matter where the future takes them, Heilung always begin their performance with a humbling reminder of where we all come from.
“Remember, we are all brothers. All people, beasts, tree and stone and wind, we all descend from the one great being that was always there, before people lived and named it, before the first seed sprouted.”
Line-up: Kai Uwe Faust Christopher Juul Maria Franz
Following up his dark, brooding, and industrial-sounding first single, the sophomore release from emerging artist BADSQUATCH shows a completely different side of him. “Move” is the second single from his debut fourteen-track album (due out later in 2026) and it is a stark contrast from the gritty, self doubt-focused first release that dropped at the end of February.
This new song is reminiscent of a workout song from the 80’s, and one can almost picture Richard Simmons leading a stair-stepper class in his classic short shorts as the choruses come crashing in. Complete with synthesized sequencers, harmonized vocals, and cheesy motivational lyrics, it’s every bit of the old VHS tapes that your parents used to workout with in the living room wrapped up into three and a half minutes of pure ‘fun’.
There is an obvious intention in the releases being so vastly different from one another, showing that genre doesn’t matter to this new artist. It also illuminates the notion that BADSQUATCH has no problem speaking upon hard to talk about subjects, yet can show his capability of being light-hearted and having a good time.
Even the difference in the single cover artwork is palpable, the first being a real photo in a dim setting with a brooding expression on the artist’s face, and the second, a brightly colored cartoon caricature of himself with a cigarette in his mouth, lifting weights under a disco ball. This all alludes to the duality of this character, and much like the nature of bigfoot, makes it impossible to nail down what he will do next.
The song, and the rest of the album, were recorded in Mexico City, MX during the same period that he recorded another debut album with his midwestern dystopian party rock trio The Party After.
Creating such an eclectic and massive amount of material over that span of time is what led the trio’s frontsquatch to kicking off a solo career to release everything that didn’t quite ‘fit’, which is inherently reflective of an artist named BADSQUATCH.
British Columbia progressive metal band ANCIIENTS announce their first UK and European headline tour in over a decade. Dubbed Ascent of the Fallen Ones, the run takes in fifteen dates across the UK, Netherlands, Denmark, Germany, Spain, and Portugal, opening 26 September in Leeuwarden and closing out 15 October in Bragança.
Anciients are a physically demanding live act. Their sets work on tension and release; long, coiling passages of layered guitar work that build until they don’t, collapsing into full-weight eruptions with little warning. Shows on their recent North American return drew attention to just how deliberate that dynamic is in practice: the quiet moments aren’t simply breathing room, they’re the setup to grandiose climaxes. Mike Hannay’s drumming is central to it, holding the architecture together through sudden metric shifts and hard, precise accents.
The tour lands in support of Beyond the Reach of the Sun, the band’s third album, released in 2024 on Season of Mist. It’s the record that ended eight years of near silence: a stretch shaped by personal crisis, lineup changes, a pandemic, and a full creative reset. The result is their most direct and dynamic work to date: ten songs that lean harder into the band’s rock instincts without letting go of the weight, capped by a JUNO Award for Metal/Hard Music Album of the Year. For European audiences, it also marks the first chance to see the current lineup live, with guitarist Brock MacInnes and bassist Rory O’Brien both having come aboard before the album was recorded.
Ascent of the Fallen Ones — Tour Dates:
26 September: Leeuwarden, NL @ Into the Void [TICKETS] 27 September: Cologne, DE @ Euroblast [TICKETS] 29 September: Copenhagen, DK @ Stengade [TICKETS] 1 October: London, UK @ The Black Heart [TICKETS] 2 October: Nottingham, UK @ The Mist Rolling Inn [TICKETS] 3 October: Manchester, UK @ The Lodge [TICKETS] 4 October: Bristol, UK @ The Croft [TICKETS] 6 October: Southampton, UK @ Joiners [TICKETS] 7 October: Brighton, UK @ Dust [TICKETS] 10 October: Nijmegen, NL @ Soulcrusher [TICKETS] 13 October: Barcelona, ES @ Razzmatazz 3 [TICKETS] 14 October: Madrid, ES @ Rockville [TICKETS] 15 October: Bragança, PT @ JP Rock Cafe
Tickets are on sale now!
Beyond the Reach of the Sun is Anciients’ first album in eight years, and the weight of that absence is felt throughout. Recorded at Rain City Recorders in Vancouver with producer Jesse Gander, the ten-song record finds the band trading some of the sheer density of their earlier work for something more dynamic and expansive—synths and keyboards appearing on an Anciients record for the first time, melodies given more room to breathe, and Kenny Cook stepping up as sole lyricist for the first time. The result is their most personal and wide-ranging work to date, moving between hard rock momentum, prog intricacy, and the kind of heavy that sits in your chest.
Tracklist: 1. Forbidden Sanctuary (8:16) 2. Despoiled (5:19) 3. Is It Your God (7:07) 4. Melt the Crown (7:08) 5. Cloak of the Vast and Black (6:20) 6. Celestial Tyrant (5:52) 7.Beyond Our Minds (4:12) 8. The Torch (4:13) 9. Candescence (4:10) 10. In the Absence of Wisom (6:35) Full runtime: 58:41
It’s been a rough handful of years for British Columbia-based extremity-laced progressive rockers, ANCIIENTS. When the quartet unleashed their Voice of the Void album in 2016, the world appeared to be their oyster and things seemed ripe for the picking. They were coming off the success of their Heart of Oak debut from 2013, its ascendancy due in large part to a collective uptick in interest for involved, forward-thinking music. The public had moved beyond toe-dipping and tire-kicking, and were instead doing headfirst dives into exploring the likes of Opeth, Mastodon, Baroness, The Ocean, Intronaut and others who originally hailed from the extreme music underground, but had since grown, matured and scrubbed behind their ears to include heaping and healthy chunks from the outskirts of their record collections and influence pools.
The Band That Auto- Correct Loves to Fuck With™ shared stages with everyone from High on Fire and Goatwhore to Boris and Lamb of God, were in the midst of a European tour when they discovered they were JUNO Award (Canadian Grammy equivalent) winners in the heavy metal/hard rock category. The world was ready to accept Anciients into its welcoming arms. Anciients was gearing up to employ takeover methods, specifically their brand of thunderous rhythms and labyrinthine riffing bolstered by a road warrior mentality. And then, the momentum petered out and the band seemingly fell off the face of the earth.
Today, Anciients are ready and poised to resume their spirited quest for heavy metal paramountcy. There’s no doubt the band is back and with a stunning and beautiful collection of ten songs on offer in the form of new and third album, Beyond the Reach of the Sun, they are positioning to reestablish themselves as a dominant force for those who love windmilling their tresses around thoughtful tempo changes, complex harmonic layers and driving power chord shifting. But what the hell happened and where did they disappear to?
“Basically,” explains guitarist/vocalist Kenny Cook, “right before Voice of the Void was recorded, my wife had our first kid. She ended up having heart complications and almost passed away from it. We recorded the last record and once it came out, I was kind of just focusing on her, dealing with her health issues and keeping that in check. I wasn’t at the stage where I could be gone for half a year, especially with a new kid. Long story short, she’s happy and healthy now, but dealing with family issues was the main priority. It was a bit of a road.”
Adding to that bit of Anciients camp turmoil, guitarist/co-vocalist/co-founding member, Chris Dyck and the band parted ways in January of 2017. This left a gaping lineup hole at an inopportune juncture in the band’s timeline. Not only did Cook have to deal with the absence of his long-term song and lyric writing partner, but Dyck was also someone he had been splitting vocal duties with since the pair formed the band in 2009. And then, while helping his wife with her recovery, raising their new born and “because we wanted to raise our son in a small town environment,” the Cook family uprooted to Columbia-Shuswap four hours east of the Vancouver area, where drummer Mike Hannay, Brock MacInnes (Dyck’s replacement) and brand spanking new bassist Rory O’Brien still reside.
“We knew Brock from other bands he’d been in and we knew he’d be a great fit,” explains Cook. “He actually filled in for Chris on a tour we did back in 2015. As far as the vocals, I just found myself picking up the slack on both ends. It felt somewhat natural, it was definitely different. Doing the lyrics myself for the first time was somewhat daunting, but it was also something done out of necessity. But even when Chris was in the band I handled 80-90% of the vocals anyway, so it didn’t change all that much.”
Then, that whole COVID-19 thing you probably heard about once or twice hit in 2020 and put another restraining bolt on Anciients activity, especially touring as the Canadians found themselves dealing with stricter travel restrictions and mandates than many other countries; most notably, not being able to cross the border for almost two years. Once the dust settled, Cook had to adjust to being the lone vocalist and how that impacted the material he was writing while navigating being creative with distance between Anciients’ members for the first time. Not a biggie, as in-person writing sessions are more of a rarity these days, but because of the time elapsed since Voices of the Void, things/interests/influences changed and the band ended up scrapping half of an album’s worth of material and starting fresh. When they put their heads down at the end of 2021 with the focus being Beyond the Reach of the Sun, what was revealed a year later was more streamlined and slithery, more chest-thumpingly direct, more epic and triumphant sounding. Riffs come in explosive layered packets. Leads, harmonies and melodies are more on par with wind-tussled mountain tops instead of sweaty bar shows and the band moves with finely honed, martial accuracy as conducted by Hannay’s rocket-in-the-pocket staccato swing and accents.
Songs like “The Torch” blaze with the shirtless glisten of ‘70s stadium rock power. “Cloak of the Vast and Black” swirls and whirls with a combination of hardcore intensity, grunge groove and expansive six-string parries. “In the Absence of Wisdom” is a hurricane-sized maelstrom of classic and prog rock elevated to grandiosity by a return to their growling sludge/death early years as the song/album concludes. The album’s first single, “Melt the Crown” mixes cues from legendary fellow hosers Rush and Harlequin, turn-of-the-millennium post-metal and the most psychedelic corners of the Rise Above Records roster.
“The new record has a lot more of our rock side,” Cook offers, “and leans towards those elements of our sound and personalities, whereas Voice of the Void was pretty crushing all the way through. With the new material we’ve tried to add more dynamics to the music and give the songs more room to breathe.”
Album opener “Forbidden Sanctuary” is the soundtrack to exploration, of new worlds and sonic arrangement as sine-wave guitars pull from vintage Mercyful Fate covens and Krautrock communes with synths opening up novel textural avenues, as they do on the ethereal wispiness and space rock/sci-fi soundscapes of the instrumental “Candescence.” Beyond the Reach of the Sun sees synths and keyboards making their first appearance on an Anciients record and were played by producer/mixer Jesse Gander and Justin Hagberg at the former’s Rain City Recorders studio. In addition to augmenting the album with his skill on the black and whites, Hagberg — a member of the recently reunited 3 Inches of Blood — also helped Anciients navigate a significant last-minute hurdle, one that threatened to pull the reins back on their comeback roar.
“We lost our bass player literally a month before we were going in to record and were kind of up shit’s creek. Justin also plays in a band called Ritual Dictates with Rory and is the one who brought his name up.”
O’Brien, a former member of Vancouver’s Bushwhacker, was absolutely interested when approached by Anciients.
“We got lucky and he saved our asses at the last minute.”
Cook stepped up to the challenge of being the sole lyricist to drape Beyond the Reach of the Sun in deeply personal expressions of the inner turmoil, fear and isolation he’d experienced in himself and saw in others over the past few years. There were moments where he didn’t know whether loved ones were going to pull through and what life was going to look like were tragedy come to pass. Mental health and people living life without being able to see any light at the end of the tunnel became a very prevalent theme to tracks like “Despoiled” and “Beyond Our Minds.” And while the line that became the album’s title is taken from a David Attenborough-narrated Planet Earth documentary, it speaks more to the coming and going of despondency when one doesn’t know how dark the darkness is going to get, as in “Is It Your God,” which pulls from the manifestation of grief and how it can shatter belief systems.
“That one is a little more personal to me and my situation,” Cook says somberly. “I had a good friend of mine from when I was younger pass away from cancer. His mother was super-religious and there were ideas taken from her questioning how could something like that happen to her when she had such a strong faith.”
The title and themes of stripped away hope and piled on anguish and tumult were parlayed into the album’s spectacular cover art. Created by Adam Burke (Nightjar Illustrations), the drawing is part-pulp novel cover, part-Franzetta landscape, part-sci-fi movie poster and all a vast illustration one can easily lose themselves in while the record spins in the background.
“We gave him the concept and basic outline of how we wanted the cover to look and he took it to a whole new dimension. It turned out pretty wild!”
With all being said and done, Anciients have returned! They stand ready to ascend the prog metal ladder and get back to doing what they do best with a weighty and dense, but wholly accessible, album. It’s a collection of ten songs that possesses the ability to have those furiously banging heads also tapping into their power of self-reflection and contemplation to ponder the finality of existence, the value of life and their place in the universe.
“Totally! We’re going to take as many of the opportunities that come to us. The hiatus is over and I think with the new members and everyone being on the same page we’re ready to get out there as soon as possible. We missed out on a huge block after the last record, so we’ve got to make up for lost time. Now that everyone is happy and healthy, we plan to hit it hard.”
Guest Musicians: Justin Hagberg plays keyboard on “Forbidden Sanctuary”, “Is It Your God”, “Melt the Crown”, “Candescence”, “In the Absence of Wisdom”. Jess Gander plays synths on “Candescence” and “Cloak of the Vast and Black”.
Recording Studio: Rain City Recorders
Producer & Sound Engineer: Jesse Gander Assisted by Szymon Wojciech.
Mastering Studio & Engineer: Stu McKillop @ Rain City Mastering
Mixing Studio & Engineer: Jesse Gander Rain City Recorders
Cover Artwork Artist: Adam Burke @ Nightjar Illustrations
25-Year Anniversary Edition of Pigeonholed Arrives on Vinyl for the First Time, 23 More European Tour Dates to be Announced Soon.
HEMLOCK and Continental Touring are proud to announce the release of a brand-new official video for “Crooked Smile,” arriving just in time for the long-awaited vinyl re-release of their landmark album Pigeonholed available on vinyl for the first time ever in celebration of its 25-year anniversary.
Originally produced in 2001 by Mikey Doling(Snot, Soulfly, Channel Zero) in Malibu, California, “Crooked Smile” has returned with renewed intensity, capturing the raw power and chaos that Hemlock has built their legacy on. To honor the anniversary release, the band made the decision to not only press the album on vinyl for the first time, but to also bring the song to life visually with a new performance-driven video.
Filmed and edited by Gearly Beloved Productions, the “Crooked Smile” video pulls footage from two explosive live performances delivering the kind of unfiltered stage energy Hemlock fans know all too well. It’s loud, real, and unapologetic… a celebration of the scars, the survival, and the crooked grin that comes with it.
“Crooked Smile” is more than a song, it’s a rally cry for the misfits and the battle-tested. It’s about taking what’s broken, what healed wrong, and turning it into something ferociously alive.
Video Filmed & Edited by: Gearly Beloved Productions
Musicians in Video: Chad Smith – Lead Vocals / Bass Guitar Brian Smith – Drums Jerad Johnson – Guitar Brandon Wiebke – Guitar
Musicians on Record: Chad Smith – Lead Vocals / Bass Guitar Brian Smith – Drums Mike Johns – Guitar DJ Kinsley – Guitar
With the vinyl release approaching and major tour plans underway, Hemlock is gearing up for a huge year, including U.S. May tour dates followed by a five-week European tour this summer, featuring appearances at major events including:
With the vinyl release approaching and major tour plans underway, Hemlock is gearing up for a huge year, including U.S. May tour dates followed by a five-week European tour this summer, featuring appearances at major events including:
Till-Fest (Leipzig, Germany) w/ Till Lindemann, Ministry, and more
Sticky Fingers (Marktredwitz, Germany) w/ Tankard, Stick To Your Guns, and more
Additional European dates (23 more shows) will be announced soon.
PIGEONHOLED (25-Year Anniversary) – ALBUM CREDITS
Produced by Mikey Doling(Snot, Soulfly, Channel Zero) All songs by Hemlock & Mikey Doling Engineered by Donat Kazarinof Executive Producer: Nick Adler for Nova Ent. Recorded at BU Haven in Malibu, California
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Metal Shock Finland (World Assault ) 