No Clean Singing hosts the premiere of ETERNAL MOURN’s debut EP, “Winds of Sorrow”, out on July 20th, 2026 via Terror From Hell Records.
Hailing from Italy, the band approaches death-doom through a sound deeply connected to the genre’s formative years, recalling the weight, atmosphere and emotional tension of the 1990s while avoiding a purely reverential approach.
Born from the collaboration between drummer Debla and guitarist/vocalist Gabriel (Black Oath, The Rite, Extirpation), and later completed by guitarist Eros (Extirpation, Funest) and bassist/vocalist Santo (Araphel, Demonomancy), ETERNAL MOURN emerged from a shared desire to channel feelings of melancholy, frustration, inner decay and loss into music steeped in darkness and emotion.
Drawing heavily from the great death-doom tradition of the 1990s, the band pays homage to genre-defining acts such as Paradise Lost, Katatonia and Cemetary while avoiding mere nostalgia. Instead, ETERNAL MOURN reinterpret those influences with remarkable confidence and authenticity, crafting songs that feel complete, memorable and emotionally resonant, without sacrificing the raw and rugged edge that lies at the heart of classic doom/death metal.
Recorded at Spvn Studio in Guanzate, Italy, “Winds of Sorrow” consists of three carefully crafted tracks that capture the essence of the band’s vision: mournful melodies, somber atmospheres and a pervasive sense of desolation intertwined with powerful riffs and heartfelt performances. The result is a debut that balances melancholy and heaviness with natural ease, establishing ETERNAL MOURN as a promising new name within the contemporary death-doom scene.
Tracklist:
01. Falling Tears 02. Embracing Tragedy 03. Winds of Sorrow
Power metal heroes GLORYHAMMER share the first single off of their upcoming album, Space 1993: Wrath of Kor-Virliath, coming October 16, 2026 via Napalm Records. “Ultimate Sacrifice” is a sweeping track filled with epic storytelling. Elder God Kor-Virliath is back to conquer the universe after Zargothrax’s failed ritual, and the Space Kingdom of Fife seems forsaken. But GLORYHAMMER are ready to fight and tell the tale of one of the biggest battles yet – the choirs and orchestral arrangements of “Ultimate Sacrifice” are a first glimpse into the more diverse range of influences and higher production value that the band brings to their catchy songwriting on Space 1993: Wrath of Kor-Virliath. The new track is accompanied by an animated video directed by Alex Henderson. In the style of a TV series, it follows the summoning of Kor-Virliath and the heroes’ quest to fight him – to the bitter end.
GLORYHAMMER about “Ultimate Sacrifice”: “Mighty warriors! Prepare for battles of galactic steel! Will Angus McFife V fulfill his dream of flying away on a unicorn? What was the true fate of the Hootsman after he imploded? Find out now, in the next episode of GLORYHAMMER!”
The enemies of Dundee tremble as exalted power metal heroes GLORYHAMMER announce their long-awaited fifth album, Space 1993: Wrath of Kor-Virliath! Due for release on October 16, 2026, via Napalm Records, the album is a direct sequel to 2015’s Space 1992: Rise of the Chaos Wizards, continuing the epic saga of the McFife dynasty. Space 1993: Wrath of Kor-Virliath follows Angus McFife V, the Crown Prince of Fife last seen in 2022’s single “Fly Away,” as he ventures into a perilous journey across spacetime that will lead him to the distant future of 1993, where his destiny lies.
Across eleven tracks, the band of heroes draws upon a more diverse range of influences than ever before, without ever compromising on the hook-driven, memorable songwriting that they are known for. From classic power metal to thrash, high energy synth rock to vast, sweeping orchestral soundscapes and more. Produced by the band themselves and mixed by Jacob Hansen (Volbeat, Amaranthe), this is GLORYHAMMER as you’ve never heard them before.
Will Angus and his allies prevail in this titanic struggle? Or will the galaxy plunge into demonic chaos? Join GLORYHAMMER and find out – For the Eternal Glory of Dundee!
GLORYHAMMER about the new album: “Mighty warriors, rejoice! The almighty GLORYHAMMER return triumphantly with a new chapter in the long and tumultuous history of the Intergalactic Empire of Fife. Multidimensional wormholes, abandoned space stations, and EPIC BATTLES await at the final frontier of Space 1993. FOR THE ETERNAL GLORY OF DUNDEE!”
Pre-order your copy of Space 1993: Wrath of Kor-VirliathNOW
“Ultra Portam Astralem” opens Space 1993: Wrath of Kor-Virliath with menacing drums and fanfare, shaping the cinematic setup of the album. The origin of the perilous undertone is explained in the following “Ultimate Sacrifice,” a sweeping power metal track: The Space Kingdom of Fife has been forsaken and Kor-Virliath seeks a new way to seize power after Zargothrax’s failed ritual. Previously released as a standalone single, “On a Quest for Aberdeen” shines anew in an album version; and the place of its vibrant story and rousing character, Angus V, is now fully revealed as it takes its place among the wider narrative of the album. At this point in the story however, peace isn’t an option yet: Aberdeen is overrun by demons in “Die with a Sword in My Hand,” and with a sentiment such as the one contained in this song’s title, epic battles will surely follow. With a chorus full of gang shouts, this track is certain to become a live favourite. “Silver Talon” keeps morale high by addressing the mighty galactic fleet, stunningly rendered on the album artwork against the backdrop of the pestilential Terrorvortex. Ser Proletius’ legendary Space Knights of Crail join their ranks with the ace pilots whose campaigns are illustrated amidst a stunning orchestral landscape in “Starfighters of Leuchars.” Afterwards, GLORYHAMMER expands upon the story behind birthplace of Zargothrax, where the battle hardened “Warriors of Auchtermuchty” swear their allegiance to their emperor with an inescapably catchy sing-along chorus. Elsewhere in space, majestic melodies echo through the derelict halls of an abandoned spaceship, as Angus is guided to an unexpected long-lost ally, taking him one step closer to the ultimate goal of “Pax Galactica.” Electronic soundscapes lead into energetic “Demonic Devotion” which has the song’s protagonist, long trapped in his own mind, trying to reconcile with the destruction in his wake while “Hammer of Fate” sets the scene for what’s to come, but is it the fate we have all come to expect? The story concludes with the bombastic monolith of “The Celestial Warhost of the Dundonian Empire Marches to Space Against the Dark Sorcerer: Final Assault on Battlemoon X-22,” an epic nearing 13 minutes of playtime, split into four ever-so-theatrical chapters. As previously seen with GLORYHAMMER, the narration is expanded through voice lines of a host of legendary characters, as they engage in mortal battle to change the fate of the galaxy…
Space 1993: Wrath of Kor-Virliath tracklisting:
Ultra Portam Astralem
Ultimate Sacrifice
On a Quest for Aberdeen
Die with a Sword in My Hand
Silver Talon
Starfighters of Leuchars
Warriors of Auchtermuchty
Pax Galactica
Demonic Devotion
Hammer of Fate
The Celestial Warhost of the Dundonian Empire Marches to Space Against the Dark Sorcerer: Final Assault on Battlemoon X-22
GLORYHAMMER Live 2026
Festivals 22.08.26 SE – Malung / Brothers Of Metal Open Air
Album Release Tour Support: Majestica + Arion 16.10.26 FR – Toulouse / Interference 17.10.26 ES – Villava / Sala Totem Aretoa 18.10.26 ES – Madrid / Sala But 20.10.26 ES – Barcelona / Razzmatazz 2 21.10.26 FR – Lyon / Rayonne 23.10.26 DE – Stuttgart / LKA Longhorn 24.10.26 DE – Hamburg / Docks 25.10.26 NL – Utrecht / Tivoli Vrendenburg 26.10.26 DK – Copenhagen / Amager Bio 28.10.26 FI – Helsinki / Tavastia 30.10.26 SE – Stockholm / Fryshuset 31.10.26 SE – Gothenburg / Pustervik 01.11.26 NO – Oslo / Rockefeller 03.11.26 DE – Berlin / Festsaal Kreuzberg 04.11.26 PL – Warsaw / Proxima 05.11.26 CZ – Ostrava / Club Garage 06.11.26 DE – Hanover / Capitol 07.11.26 DE – Oberhausen / Turbinenhalle 2 08.11.26 DE – Saarbrucken / Garage 10.11.26 AT – Vienna / Arena 11.11.26 DE – Nuremberg / Hirsch 12.11.26 DE – Frankfurt / Batschkapp 13.11.26 DE – Munich / Backstage 14.11.26 DE – Leipzig / Hellraiser 15.11.26 CH – Pratteln / Z7 17.11.26 FR – Paris / Machine du Moulin Rouge 18.11.26 BE – Antwerp / Trix 20.11.26 UK – London / Islington Assembly Hall 21.11.26 UK – Manchester / Academy 2 22.11.28 UK – Glasgow / Garage
GLORYHAMMER is: Angus McFife V, Crown Prince of Fife – Vocals Ser Proletius, Grand Master of the Space Knights of Crail – Guitars The Hootsman, The Barbarian Warrior of Unst, King of California – Bass Zargothrax, Dark Sorcerer of Auchtermuchty – Keyboards Ralathor, Mysterious Hermit of Cowdenbeath – Drums
Hard rock legends NIGHT RANGER are proud to share the newly remastered version of their classic power ballad, “Sister Christian (2026),” taken from their upcoming‘Best Of’ album, set for release on August 28th via Frontiers Music Srl. The new single arrives alongside an official visualizer, available below.
‘Best Of’ features newly remixed & remastered versions of classic hits spanning NIGHT RANGER’s illustrious career, alongside some standout tracks from the band’s more recent releases. The album will be released on both CD and Vinyl. The double LP is available in 3 different colors: black, gold, & orange splatter.
“The new ‘Best Of’ is a celebration of not only our classic hits but also what we’ve created over the last 20 years. And we’re just gonna keep cranking it cause we’re having too much fun to stop! So enjoy the ride and see ya on the road!” – Jack Blades
Few bands have defined the sound of American melodic rock quite like NIGHT RANGER. From the soaring anthem of “Sister Christian” to the thunderous riffs of “Don’t Tell Me You Love Me”, and fan favorites like “You Can Still) Rock in America” this album’s ‘Best Of’ collection captures the very essence of their decades-long career — now refreshed for 2026.
Featuring the classic hits alongside and standout tracks from their more recent albums, this compilation spans the full spectrum of NIGHT RANGER’s signature sound: anthemic choruses, blazing guitar solos, and unforgettable melodies. Highlights include the power-pop perfection of “(You Can Still) Rock in America,” the heartfelt balladry of “When You Close Your Eyes,” and the cinematic sweep of “Four in the Morning.”
But the ‘Best Of’ is not just a look back. It also celebrates the band’s creative output over the last 20 years, spotlighting tracks like “Time of Our Lives,” “High Road,” “No Time to Lose,” “Somehow Someway,” and “Truth,” proving that NIGHT RANGER’s energy, songwriting, and musicianship have only grown stronger with time. These songs show that the band continues to innovate while staying true to the melodic rock roots that made them legendary.
The band — Jack Blades (bass and vocals), Kelly Keagy (drums and vocals), Brad Gillis (guitars), Eric Levy (keyboards), and Keri Kelli (guitars) — delivers every track with the energy and precision that have kept NIGHT RANGER at the forefront of rock for more than four decades.
This ‘Best Of” album also features two bonus tracks that make this collection of songs truly special: a fresh take on “Wasted Time” recorded live off the floor at Sweetwater Studios, also accompanied by an exclusive music video, and a festive live performance of “Feliz Navidad” that showcases the band’s playful side.
Perfectly timed ahead of their summer 2026 tour, this ‘Best Of’ album serves as both a definitive introduction for new fans and a must-have collection for longtime followers. Whether revisiting the classics or discovering the new 2026 remasters, NIGHT RANGER’s ‘Best Of’ is a celebration of enduring melodies, electrifying performances, and the unforgettable spirit of one of rock’s most iconic bands.
1. Don’t Tell Me You Love Me (2026) 2. (You Can Still) Rock in America (2026) 3. Sister Christian (2026) 4. When You Close Your Eyes (2026) 5. Four in the Morning (2026) 6. Breakout 7. Tomorrow 8. Growin’ Up in California 9. Time of Our Lives 10. High Road 11. No Time to Lose Ya 12. Somehow Someway 13. Truth 14. Don’t Let Up 15. Only for You Only 16. Wasted Time (Sweetwater Studios) (Bonus Track) 17. Feliz Navidad (Live) (Bonus Track) 18. Hole In The Sun (Bonus Track Japan)
NIGHT RANGER Live on Tour:
7/18/2026 – St. Louis, MO @ Hollywood Casino 7/24/2026 – Mahnomen, MN @ Shooting Star Casino 7/25/2026 – Bay City, MI @ Veterans Memorial Park 7/26/2026 – Detroit, MI @ Sound Board inside Motorcity Casino 8/08/2026 – Lincoln City, IN @ Lincoln State Park Amphitheatre 8/14/2026 – Louisville, KY @ The Louisville Palace 8/15/2026 – Gibson City, IL @ Gibson City Summer Bash 9/04/2026 – Du Quoin, IL @ Du Quoin State Fair 9/06/2026 – Essex Junction, VT @ Champlain Valley Expo 11/13/2026 – Las Vegas, NV @ Kiss Kruise Landlocked in Vegas 2026
NIGHT RANGER is: Jack Blades: lead vocals, bass guitar Brad Gillis: lead guitars Kelly Keagy: lead vocals, drums Keri Kelly: lead guitars Eric Levy: keyboards
Hessian and YHWH have joined forces to unleash “Rapture and Perversion,” a new split EP out on July 24, 2026, via Wormholedeath.
Bringing together two uncompromising visions of black metal, Rapture and Perversion is a relentless journey through occult atmospheres, crushing riffs, and unfiltered aggression. Although the collaboration had been planned for nearly a year, both bands delayed its completion while focusing on other releases. The result is a perfectly timed union that highlights the strengths of both acts, creating a seamless listening experience that moves effortlessly from one band’s sonic assault to the next.
On this release, Hessian enters a new chapter. Following an exceptionally prolific period that saw mastermind Laremy Wade involved in more than forty releases within a single year, he now assumes both guitar and vocal duties, while Imperious Noctem returns behind the drums. Together, they deliver a fierce performance that stands alongside Belgian-Thai occult black metal force YHWH, whose ritualistic approach and atmospheric intensity make Rapture and Perversion a powerful statement from two bands pushing the underground forward.
Hessian traces back to 2002, when Wade’s project was recorded under the name Madame Durant. It became Utuk Xul Commands Worship in 2004 and went inactive, then returned in 2014 playing hardcore street punk. By 2016, the project had shifted back into extreme metal, recording collaboratively under the Hessian name. Hessian signed to Wormholedeath and released a self-titled album in January 2025, with Brandon Floyd on vocals (now running the solo DSBM project Nyvrosk), Wade on guitar, and Noctem on drums.
Since the self-titled album, Wade has run Hessian with a rotating cast of guest musicians from release to release: Frostmorner, also signed to Wormholedeath, on the single “Goetic Altars of Obsidian”; Thoth, of Thoth Nemesis and Internment, on the EP “Sworn to the Kult”; Frostmorner, Thoth, Crotalos of Gomold, and Dromo’ together on the EP “Celebrants of the Lunar Blood”; and, on the split EP “Primitive Adorations” with Death Invoker, Wade himself on vocals alongside drummer Wrath of Nunslaughter and Beelzebub Slaughter of Murder Records on the opening track. On “Rapture and Perversion,” Wade returns to vocals and guitar, with Noctem back on drums.
YHWH
YHWH is a Belgian/Thai occult black metal band formed in 2024 by brother and sister Schem HaMephorash and C. Bones, and S.M. Goatritual arrived in June 2024. S.M. Goat Ritual joined the band in June [YEAR TO CONFIRM]. YHWH released its debut EP, “Tetragrammaton,” through Wormholedeath in April 2025, followed by a second EP, “Khatha,” later that year. A third EP, “Baghavat,” is scheduled for October 30, 2026.
On their new album, Nowhere Speaks, experimental metal band Emptiness unlock an unheard dimension that’s governed by their own awe-inspiring logic.
“It may have taken many listens, but I’m now so immersed in the void of beautiful nothingness Emptiness have created”, Angry Metal Guy writes about Nowhere Speaks, “that it’s hard to remember I ever really had my doubts”.
“What a creative band”, Heavy Metallurgy proclaims in reviewing Nowhere Speaks. “If you’re a long-time fan, you’re going to love it”.
Metal Revolution agrees. “This is a solid contender for album of the year”.
Nowhere Speaks was released yesterday, July 17 on Season of Mist, and you can hear all ten absorbing songs by listening to the full album stream on the Season of Mist YouTube channel.
Save for vocals, keyboards and additional effects, Emptiness performed Nowhere Speaks live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album’s opening riff.
Tracklist: 1. Nothing but the Whole (Part 2) (01:19) 2. The Threat (04:07) 3. Nowhere Speaks (05:37) 4. Darkness Commands (01:02) 5. Words to Wind (08:24) 6. One Must See All (01:29) 7. When the Whole Arrives (05:43) 8. The Clash of Forces (03:08) 9. Next in Line (04:15) 10. All for Nothing (06:37) Full runtime: 41:44
With Nowhere Speaks, EMPTINESS descends into a dimension stripped of all human trace, a place governed by its own silent logic, where unfamiliar forces and energies move with intent that has nothing to do with the listener. The album does not narrate; it confronts. Its opening track, “Nothing But The Whole (Part 2)”, begins mid-riff, picking up exactly where Nothing But The Whole (2014) cut off, the abrupt ending that baffled fans for years and became one of the more discussed gestures in underground metal. The closing track of Nowhere Speaks then returns to the opening riff of that same 2014 record, completing a deliberate loop between the two albums, beginning and ending inside each other. It is the band’s central idea made structural: nothing and everything at the same time, a cycle with no fixed point. After the stark withdrawal of Vide (2021), distortion-free and sung in French, this is a return to density, weight and immersive intensity, recorded live in the studio after four years of preparation, and entirely unconcerned with making its listener comfortable.
Founded in Brussels, Belgium in 1998, EMPTINESS set out with a clear and uncompromising intention: to explore darkness not as aesthetic but as territory. Drawing from black and death metal as departure points rather than destinations, the band approached extreme music with an experimental orientation from the start, shaping a sound that resisted easy classification. Early demos established a presence in the underground, their reception confirming that something distinct was forming in the Belgian capital.
The debut full-length Guilty to Exist(2004) laid the foundation, establishing the band’s identity without yet fully realizing its potential. Oblivion(2007) was where that potential first arrived completely: a record of exceptional production depth, commanding guitar work and a heaviness of atmosphere that made it, in retrospect, one of the defining metal releases of that year.
Error (2012), released through Dark Descent Records, pushed further into dissolution and atmosphere, sacrificing structural clarity in favour of immersion. Menacing, dissonant and unrelenting, it cleared space for what came next.
Nothing But The Whole (2014) was the album that opened EMPTINESS to a broader critical audience and remains their most discussed and celebrated statement from that first phase. Strange, hypnotic and formally resistant to genre convention, it held the raw force of extreme metal while stripping back its mechanics, allowing texture, dread and silence to carry weight where blast beats and tremolo picking had previously stood. Its closing moment, a riff severed mid-phrase as though the record had simply ceased to exist, drew years of speculation from listeners. It was not an error. It was a promise deferred.
Not For Music(2017), the band’s first release through Season of Mist, represented a categorical departure. Moving away from extreme metal frameworks entirely, the album drew on goth rock, coldwave, industrial and post-punk, pursuing a palette of dark music that felt fully inhabited rather than borrowed. Recorded at the band’s own Blackout Studio in Brussels, its final form was shaped with the involvement of Jeordie White (MARILYN MANSON, A PERFECT CIRCLE, NINE INCH NAILS), with mixing and mastering by Sean Beavan (GUNS N’ ROSES, NIN, SLAYER). The resulting record reached audiences well beyond the metal world, confirming EMPTINESS as a serious proposition across multiple scenes.
Vide (2021) took the band’s trajectory to its most formally radical point. Recorded in isolation, across apartments, a cabin in the woods and a Brussels rooftop, sung entirely in French and stripped of all distortion, it was a claustrophobic document of confinement and perceptual dislocation. The surrounding global context only reinforced the collapse between the inner world being constructed and the one outside. EMPTINESS performed the album in its entirety at Roadburn Redux 2021, a pairing that confirmed their standing within the avant-garde and experimental underground as precisely as any review could.
From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.
Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album’s opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.
Line-up: Jérémie Bezier — Vocals, Bass Olivier J.L.W. — Guitars Simon L. — Guitars Dea Hydra — Synths Laye Louhenapessy — Drums
Ian Parry’s Consortium Project VI – the new chapter of the endeavour led by the renowned heavy metal vocalist – unveil today the new single and official video “A Kingdom For Heroes”, ahead of the upcoming album “Legacy Of Empires”, set for release on August 14, 2026, via Frontiers Music Srl.
Ian Parry commented: “The track features amazing performances from Stephan Lill on guitar (Vanden Plas) and the mighty Royal Hunt rhythm section / musicians Andreas Passmark (bass) and Allan Sorensen (drums). In the album’s epic fictional concept story, the song illustrates the moment when our ancestors envisaged “A Kingdom For Heroes” and a sanctuary for all peoples. A sacred place where no one shall be forsaken and protected by a guardian who taught his people the wonders of A.I. alien technology and ways to enhance the energy from the heavens and the sun.”
After years of anticipation, Ian Parry proudly returns with “Legacy Of Empires”, the powerful new chapter of the acclaimed Consortium Project series. An ambitious and cinematic work of progressive metal, the album represents a triumphant comeback for one of the genre’s most visionary and concept-driven artists.
Parry stated: “‘Legacy of Empires’ not only celebrates my 45th year as a professional singer-songwriter but also allows me to revisit and finally complete the sixth chapter of the Consortium Project saga. The challenge with every Consortium Project album is to match the quality of the previous releases while bringing something new to the music. I believe “Legacy Of Empires” achieves exactly that.” “Being able to reunite musicians who have been part of the Consortium Project journey for decades, alongside outstanding new collaborators, made this album a very special experience”, he added.
Combining epic storytelling, emotional depth and virtuosic musicianship, “Legacy Of Empires” explores themes of power, legacy, conflict and the rise and fall of civilizations through a rich and dynamic musical landscape. From majestic symphonic passages to crushing progressive metal riffs and soaring melodic arrangements, the album captures the spirit of classic concept albums while pushing the Consortium Project sound into bold new territory.
The record features an exceptional international lineup, including members of Vanden Plas, Kamelot and former members of Pain of Salvation, whose distinctive musical identities contribute to the album’s expansive and dramatic atmosphere. Their performances elevate the project into a truly immersive experience, balancing technical brilliance with raw emotional intensity.
At the center of it all stands Ian Parry, whose unmistakable voice and artistic vision continue to define the Consortium Project legacy. With “Legacy Of Empires”, Parry once again demonstrates his ability to unite world-class musicians under a singular creative direction, delivering an album that is both grandiose in scale and deeply personal in spirit.
“Legacy Of Empires” is destined to resonate with fans of sophisticated, melodic and emotionally heavy music. The album marks an exciting new era for Ian Parry’s Consortium Project, reaffirming its place among the most ambitious projects in the progressive metal scene.
“Legacy Of Empires” Tracklist:
1. The Constellation Of The Stars 2. Legacy Of Empires 3. A Declaration Of Independence 4. Gods From The Heavens Above 5. A Kingdom For Heroes 6. Pyramids Of Power 7. The Secrets Of Creation 8. Awake The Forgotten Souls 9. The Burden Of Truth 10. Nature’s Eyes
Line Up: IAN PARRY – Lead, harmony & choir vocals all songs. Midi synth strings & organ on tracks; 1 & 5. STEPHAN LILL – Rhythm, solo guitars on tracks 1, 3, 4, 5 & 8. Keyboards on tracks; 3,4 & 8. JOHANN CADOT – Rhythm, acoustic guitars & Keyboards on tracks 2, 7 & bonus 11. Backing vocals on tracks; 2,3,4,5,7, 8 & Japanese acoustic bonus track 11. LUCA SELLITTO – Rhythm, acoustic, solo guitar & strings on tracks; 6,9 &10. Backing vocals on tracks; 2,3,4,5,7 & 8. ALLAN SØRENSEN – Drums on all tracks (except track 10). ANDREAS PASSMARK – Bass guitars on tracks; 5 & 6. FRANKY RUMMLER – Bass guitars on tracks; 3,4 & 8.
GUEST MUSICIANS; Bass guitars – JAN BIJLSMA – performs on track 8. KRIS GILDENLÖW – performs on track 2. ROBERT FINAN – performs on track 10. CARMINE VIVO – performs on track 9.
Drums – CASEY GRILLO – performs on track 10.
Keyboards – PETER JAN KLEEVENS – performs Hammond organ on track 6. STEFAN WEISSMULLER – performs piano & strings on track 10.
Guitars – PATRICK RONDAT – performs solo guitar on track 2. MANOLO ARIAS – performs solo guitar on track 7.
Vocals – OMBELINE DUPRAT – Performs choir & harmony vocals on tracks; 2, 4, 5, 7 & Japanese acoustic bonus track 11. BRENDA DAVIS – Performs lead & harmony vocals on track 10.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
