Swedish melodic power metal act PRIME CREATION celebrate the release of their highly anticipated new studio album, “Souls Of The Fallen“, available now via ROAR – A Division of Reigning Phoenix Music.
Following a series of acclaimed singles and enthusiastic reviews from the international music press, the band’s fourth full-length album showcases PRIME CREATION at their most ambitious, combining powerful melodies, crushing riffs, and memorable choruses into their strongest work to date. Pre-order your album copy, one that belongs into every well-sorted power metal record collection, here: https://primecreation.rpm.link/soulsPR
Formed in Sweden in 2015, PRIME CREATION quickly established themselves as a driving force in modern melodic heavy metal. Rising from the ashes of the power metal band Morifade, the group brought together skilled and experienced musicians with a clear vision: combine technical precision with powerful songwriting and a contemporary edge.
Following their self-titled debut in 2016 and the critically acclaimed “Tears Of Rage” (2019), the band continued to evolve, culminating in “Tell Freedom I Said Hello” (2023), which gained strong international attention. Known for their dynamic live presence, PRIME CREATION have toured across Europe and shared stages with acts like Masterplan and appeared at festivals alongside Europe and W.A.S.P.
With “Souls Of The Fallen”, produced by Niels Nielsen (Ghost, In Flames), the band take another decisive step forward, pushing their sound into darker, more progressive territory while staying true to their melodic roots.
“Souls Of The Fallen” Tracklist:
Galactic Rebirth
Ghosts
Blood Harvest
Souls of the Fallen
Alliance
Lost Legacy
Legends Never Die
Ashes of Trust
PRIME CREATION is: Esa Englund – Vocals Robin Arnell – Lead Guitar Rami Tainamo – Rhythm Guitar Henrik Weimedal – Bass Guitar Kim Arnell – Drums
“Do you see our cities? Our constant struggle to earn a place in the front row and admire the glory of the powerful? Then pull your eyes out and look at what we truly are: we are the dream of a dying god“.
This is where the anticipations of the dystopian universe of “Il mondo aldilà”, the new concept album by INSANIA.11, lay deep.
It portrays a society where technological progress imposed a rigid discipline upon humanity that reduced human beings to a state of alienating servitude. The story unfolds through the eyes of a spiritual movement developed in this surreal reality. By using psychedelic drugs, the followers of this subversive cult force open the boundaries between the physical world and the astral plane.
The distortion of reality thins the veil separating humanity’s confined existence from other realms, making their perception possible. Fragile and undefined in some of these worlds, a clarified essence of our chronicle reflect a heightened and distorted version of our own reality, while others echo memories of ancient myths acknowledged in our childhood. Some are worlds of prisons, others are worlds of theshold and of a transition from embryo to chrysalis to butterfly. A flutter of wings that shakes the structure of reality itself.
“Il mondo aldilà” is a complex and nerdy work that plunges the listener’s ear labyrinths into the labyrinth of the film The Shining. It’s like a Rubik’s Cube of extreme metal that dismantles and reassembles death metal, black metal and progressive sound to serve its narrative by challenging both ears and mind. This is a multidimensional object whose most recognizable reflections recall Death, Coroner, Necrophagist and Necrophobic.
Bleak, claustrophobic, razor-sharp and liberating, “Il mondo aldilà” is now available on all digital platforms. Physical copies are available on Bandcamp.
INSANIA.11 emerged from the ashes of Insania, a thrash(core) band active between 1989 and 1997 with a demo and a handful of rough recordings. The project turned in 2008 into a studio-based entity led by Samaang, eventually materializing in 2010 with the EP “I Diari di Samaang: lo Stato Larvale”.
Following an attempted reunion with the original lineup, the project consolidated around the core duo of Samaang and Ethrum, leading to the release of “Di Sangue e di Luce” in 2017. Despite limited distribution, the album received positive feedback from the specialized press. In 2019, “L’Orrore” was released after a few setbacks and hardship.
New material emerged from 2019 and despite the difficulties encountered by the isolation of the pandemic period, the creative process expanded into a broader and more structured work. Alongside the songwriting, a unified conceptual framework took form, while vocal techniques were refined through the collaboration with Scream Studios. Once the arrangements and recordings were completed, “Il mondo aldilà” reached its final form with the contribution of Marco Allemandi who handled mixing and mastering at Triora Records.
Ibridoma has announced the title of their new album, due for release at the end of the summer! The band’s new chapter will be called “Sangue Innocente” and will feature guest musicians Giacomo Voli of Rhapsody of Fire and Chiara Malvestiti of Therion. Poet Walter Olivetti will also appear as guest lyricist.
Wanikiya Record/Promotion is proud to officially welcome Crystal Balls to its artist roster while simultaneously announcing the release of the band’s powerful new single, “Peace Of Mind,” available today on all major digital streaming platforms.
Formed between Isernia and Castel di Sangro in November 2021, Crystal Balls have quickly established themselves as one of the most promising emerging acts in the new Italian rock scene. Beginning their journey as a cover band paying tribute to the legendary hair metal and glam rock artists of the ’80s and ’90s, the group gradually developed its own distinctive musical identity, creating original compositions that successfully blend tradition with innovation.
The band’s name perfectly reflects its artistic vision: just as a crystal ball embraces the past, present, and future, Crystal Balls draw inspiration from the legacy of classic rock, reinterpreting it through a contemporary perspective while pushing it toward exciting new musical horizons.
With “Peace Of Mind,” the band delivers one of the most personal and emotionally profound songs of its career. The track explores delicate yet universal themes such as inner suffering, the search for one’s identity, and the daily battle against the demons of the mind.
More than simply a song, “Peace Of Mind” is an honest confession—a deeply personal wound transformed into music. Inspired by the songwriter’s own life experience, the track tells the difficult journey of living with bipolar disorder, yet it never becomes a clinical narrative. Instead, its story unfolds through powerful symbolic imagery representing loneliness, inner conflict, and the constant search for emotional balance.
The powerful refrain, “Looking for my peace of mind,” becomes the emotional centerpiece of the song: a cry cast into the void, expressing the desperate yet determined pursuit of an inner peace that often seems impossible to reach.
The song moves through the extremes of the human experience, ultimately condensed into the closing words “Dreams, Hope, Love, Death,” portraying a battle that goes far beyond a specific condition. It speaks to anyone who has ever struggled with their own vulnerabilities while searching for the strength to rediscover themselves.
“Peace Of Mind” tells the story of someone who continues searching for light even in life’s darkest moments. It is a message of resilience, authenticity, and courage that resonates deeply with every listener.
Crystal Balls’ addition to the Wanikiya Record/Promotion roster marks the beginning of an exciting new chapter for the band as they prepare to bring their music and message to an ever-growing international audience through promotional campaigns, media partnerships, interviews, reviews, and new artistic opportunities.
With their distinctive sound—born from the fusion of diverse musical influences and driven by a powerful expressive vision—Crystal Balls prove themselves to be a band capable of addressing profound subjects without sacrificing the energy and communicative power of rock music.
“Peace Of Mind” is available since June 26, 2026, on all major digital streaming platforms.
Wormholedeath is pleased to announce the release of “The Gap,” the new single from Sydney thrash/heavy metal band Decimator.
Musically unrelenting but emotionally complex, “The Gap” tackles the heavy duality of human struggle. Inspired by Sydney’s infamous coastal landmark, the track explores the thin line between tragedy and survival.
“It’s a song about despair and hope,” explains guitarist Caiseal Duncan. “The Gap is a tragic place where many people have gone to end their lives. But after decades, maybe some go there and think again about their decision? Maybe there’s a force that makes them reconsider and return to their life?”
“The Gap” is the first release from Decimator’s forthcoming album and marks the debut of the band’s new lineup, with Ash Pollard now behind the kit.
Founded in January 2021 by Lance Holland-Keen and Mike Le Macchia, Decimator was forged in a shared obsession with old-school thrash and uncompromising heavy metal. The band famously battled through COVID-era restrictions and revolving line-ups before cementing their reputation as a lethal live act, debuting on stage in September 2022.
Following the success of their raw, unfiltered debut album, ’Til The Enemies Are Gone’—recorded in a single session at Powell Lane Studios and released in October 2024 via Wormholedeath—Decimator has consistently proven themselves as one of the hardest-working bands in the modern Australian metal scene. “The Gap” signals an evolution in their sound, combining their signature old-school thrash grit with a massive, modern sonic assault.
Catch Up on Decimator’s Discography: Debut Album: ‘Til The Enemies Are Gone’ | Digital | Physical CD Warriors (Single): Stream Halloween Sematary (Single): Stream Downfallen (EP): Stream
Line up: Lance Holland-Keen – guitar/vox Riley Perry – bass/vox Caiseal Duncan – guitar/backing vox Ashley Pollard – drums
Ukrainian/German post black metal group Machukha have announced new European dates for the Summer of 2026. The run includes various festivals and direct support dates for prestigious acts, Amenra and Liturgy. Machukha will playing in support of their debut album Mochari, which was released in 2024.
The band comments on the run: “Mochari comes from the realization that pain doesn’t disappear when it’s ignored. This album is about resilience – it moves through pain by surrendering to it. This summer, we’re bringing it to places we’ve never played before. What excites us most is discovering how the emotions conveyed in the album resonate with people we’ve never met. We’re grateful for the chance to share something deeply personal, and those joining us to notice what emotions arise within them during these performances.”
European dates:
July 24 Neue Zukunft, Berlin (DE) *supporting Liturgy July 26 Klub Łącznik, Wrocław (PL) *supporting Liturgy July 29 Nemesis Art Club, Timișoara (RO) July 30 Rockstadt Extreme Fest, Râșnov (RO) July 31 Club Fest, Beograd (RS) August 1 Fekete Zaj Fesztivál, Gyöngyös (HU) August 2 Pink Whale Bar, Bratislava (SK) August 4 Beatpol, Dresden (DE) *supporting Amenra August 6 Cafe Glocksee, Hannover (DE) *supporting Amenra August 7 Neue Zukunft, Berlin (DE) PunXnKWeenZ Festival
UK dates: November 7 Daltons, Brighton November 8 Damnation Festival, Manchester November 10 Boom, Leeds November 13 B2 @ The Brickmakers, Norwich November 12 The Black Heart, London November 13 The Croft, Bristol November 14 Gnarfest vs Cruel & Unusual, Nottingham November 15 Core Festival, Glasgow
Machukha‘s sophmore album is scheduled for release in early 2027, with new music to be released later this year.
Machukha (Ukrainian: “step-mother”) gained notable attention in the short time that they have been performing live for their visceral approach to music. The intention of their music is to guide the listener through an continuously unfolding process of very specific emotions, which is starting from the very first note. During the songwriting process and when performing on stage, Machukha is pushing the range of expression, which results in the band weaving elements of various genres into the musical arc. Natalya (vocalist) sings exclusively in her native Ukrainian language, and uses her voice as an outlet for genuine anguish.
Machukha started performing live in late 2023. Since then, they have performed at Roadburn Festival (NL), Core The Festival in Scotland, Culthe Fest (DE), A Colossal Weekend (DK) and opened up the main stage at Complexity Fest (NL). Further festival bookings for 2026 include: Fekete Zaj (HU), Rockstadt Extreme Fest (RO) and Damnation Festival (UK). In 2025, Machukha was booked as the support act for Agriculture‘s three week UK and EU tour, for which they received a stipend from Musicboard. Since then, they have joined the roster of Atonal Music Agency (UK).
For their debut album Mochari, Machukha worked with Jan Oberg from Hidden Planet Studio and Jack Shirley from The Atomic Garden Studios, which was released via Consouling Sounds on 7th June 2024. Cvlt Nation listed Mochari on rank five of the top black metal releases of that year. Following the success of this album, they have received a grant by Initiative Music for the production and marketing of their second album, for which they have worked with Boris Wilsdorf from Andere Baustellen Tonstudio and drummer Pierre-Hugues Hadacek. The new album is scheduled for release early 2027.
Aside from their band roles, the members are working in several other projects connected to music and performing arts. Natalya organizes DIY underground music festival in Ukraine BACK TO YOUTH which is now suspended due to russian full-scale invasion. Bláthin (guitar) worked for LGBTQ+ icon Peaches during her 20th-anniversary tour of “The Teaches of Peaches” and recorded guitar on her newest album No Lube So Rude. Currently, Bláthin works as a performer and musician for award-winning choreographer Florentina Holzinger, who is representing Austria at the Venice Biennale 2026. Mykola Lebed (bass, saxophone) is an artist from Ukraine, working with music and sound art and is currently composing music for theatre productions and joined the group in late 2024. Leviana “Leva” Klette is a queer icon in the Berlin scene and has been drumming in many projects spanning various genres. She works as a session musician and is a fixed member of the group since 2026.
Machukha has self-produced a total of six music videos, three for their debut Mochari and three for their sophomore album. Natalya designed and handmade costumes and props for each video, and Bláthin developed the script and directed, using her background knowledge of theatre and contemporary dance. The visual narrative of these music videos stands out for its complex, folklore-inspired language, weaving themes of resilience and existentialism into an intense visual work. They collaborated with The Ljilja and other performance artists, and the directors of photography Chase Morhardt, Zoe Bassi, Talin Seigmann and Gil Cojujeira. While Mochari is about processing pain by finally allowing yourself to feel the whole weight of it, with the second album, the question is no longer just what is felt in the body, but what must be done with it; cut out, reflected until it breaks, or carried until it burns. It tells the story of how an outer force that begins as external imposition becomes internalized action. The violence softens into inevitability.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
