Hull’s 60s-infused garage-psych outfit The Velvet Tuxedo return with their blistering new single ‘Buzz The Scuzz’, recorded at Magic Garden Studios with acclaimed producer Gavin Monaghan (Editors, The Sherlocks, Ocean Colour Scene, The Twang).
‘Buzz the Scuzz’ is a furious garage-psych rallying cry about dropping out of the system and rejecting the “9-to-5 brainwash machine. The track opens with an eastern tambura drone and a swirling reversed-guitar line that builds a tense psychedelic mood before the full riff kicks in, tearing through the speakers with pounding drums, snarling vocals, and a valve driven riff made to ignite a riot. ‘Buzz The Scuzz’ is a made-up phrase symbolising the band’s ethos: fuck the plan, ditch the script, dig the fuzz, and follow your own road.
‘Buzz The Scuzz’ channels the wild electricity of The Who, the proto-punk bite of MC5, and the acid-drenched swirl of The Seeds, The Pretty Things, and 13th Floor Elevators and drags it kicking and screaming into present day. Frontman Will Reid calls it: “Our drop-out anthem – two fingers up to conformity. It starts with that hypnotic drone and then erupts into something driving and defiant. It’s about breaking free from the conveyor-belt life we’re sold and choosing your own path really.”
The Velvet Tuxedo fuse 1960s Freakbeat, Garage, Psych and R&B into a sound steeped in nostalgia yet free from pastiche. They stand as torchbearers of a style that is both timeless and refreshingly alive. Often described as a “word-of-mouth band,” The Velvet Tuxedo thrive on the underground scene, where their explosive, high-octane live shows have earned a reputation for unpredictability, rawness and a guitar-driven attack that hits with ferocity.
As a statement of intent, this new single announces The Velvet Tuxedo as a band rooted in the spirit of ’68, yet fearlessly committed to pushing that energy into the present.
Upcoming shows: 13th Jan – Rescue Rooms Nottingham, supporting The Molotovs. 25th January – Headline show at Sidney & Matilda Sheffield, superiors TBA 31st January – TPR, Hull for Dayrider festival during independent venue week. 14th Feb – Hull Adelphi, support for China Shop bull 7th March – March of the Mods day festival in Redcar
The Velvet Tuxedo are: Will Reid – frontman/guitar Jimmy Rustill – lead guitar Robert Frost – drums Alfie Snow – bass
Ukrainian metalcore band SPACE OF VARIATIONS delivers another powerful strike with “GHOST TOWN”. The riff-heavy single is the latest single leading up to their third album, Poisoned Art, which will be released on February 13, 2026 via Napalm Records. With this new track, the explosive four-piece again raises the bar, delivering both furious brutality and heartfelt emotion, their ever-evolving style signifying a new era for the band. Furious verses, an explosive chorus, and some infectious, earworm hooks—SPACE OF VARIATIONS are raising the bar for the genre!
SPACE OF VARIATIONS about “GHOST TOWN”: “‘GHOST TOWN’ is a about the feeling of waking up from a dream while still carrying it inside you—as if it were real. In that dream, you lost someone important, and no matter what you do, you can’t find them again. It’s the sense of loss that seeps from the dream into reality.”
Explosive Ukrainian metalcore force SPACE OF VARIATIONS returns with Poisoned Art, out on February 13, 2026 via Napalm Records. Blending furious brutality with heartfelt emotion, the four-piece band sheds their skin and continues to push the boundaries of modern metal, their new record showing a new facet of their ever-evolving sound—a new era.
Bold as ever, Poisoned Art explores the boundaries of modern sounds. SPACE OF VARIATIONS directs the way into the future of metalcore: unbroken, unapologetic—unstoppable.
SPACE OF VARIATIONS about Poisoned Art: “Our third full-length album, Poisoned Art, was written during the darkest period of our lives. The war in our country changed everything dramatically, and the full spectrum of emotions we experienced during that time is reflected in this album. It’s angry, melodic, honest, and fatalistic.”
Mercilessly honest, the opening track “TRIBE” sees the band battle existential fears in both English and their native Ukrainian. Driving in the urgency are diverse stylings, ranging from djent in “HALO” to fitting sirens in “MAYDAY”, showing that SPACE OF VARIATIONS doesn’t shy away from adding a certain edge to their catchy choruses. “PARALLEL REALITIES” cleverly combines soft melodies with brutality, staging captivating desperation and neck-snapping breakdowns as parallel realities. Explosive outburst “DOPPELGÄNGER” powerfully blends groovy distorted guitars and unrelenting intensity, contrasted by haunting melodic passages and subtle electronic textures, making this song especially hard-hitting. The mix of pummeling ferocity with emotional depth continues throughout “GODLIKE” and “GHOST TOWN”, before “COLDHEAVEN” stands out from Poisoned Art through its exploration of hip hop elements and cold industrial grain. “BACK TO DIRT” continues the djent vibe, while “SNAKE SKIN” delves into electronic territory. Emotionally driven “LIES” smoothly transitions from a beautifully arranged verse to a melancholic chorus, with frontman Dmytro Kozhukhar intensely switching from soothing clean vocals to aggressive shouts, before atmospheric outro “ECHO” pulls the album to a close.
Poisoned Art tracklisting:
TRIBE
HALO
MAYDAY
PARALLEL REALITIES
DOPPELGÄNGER
GODLIKE
GHOST TOWN
COLDHEAVEN
BACK TO DIRT
SNAKE SKIN
LIES
ECHO
SPACE OF VARIATIONS Live 2026
Support for Dymytry Paradox’ “Born From Chaos” Tour: 16.01.26 DE – Stuttgart / Kulturquartier 17.01.26 DE – Cham / L.A. 18.01.26 DE – Nuremberg / Hirsch 22.01.26 DE – Berlin / Frannz 23.01.26 NL – Haarlem / Patronaat 30.01.26 DE – Leipzig / Hellraiser 31.01.26 DE – Cologne / MTC 06.02.26 DE – Essen / Turock 07.02.26 DE – Bremen / Tower 13.02.26 DE – Aschaffenburg / Colos-Saal 14.02.26 DE – Munich / Backstage 15.02.26 CH – Pratteln / Z7
Headline Tour 19.03.26 FR – Nimes / Paloma 20.03.26 FR – Rodez / Le Club 21.03.26 FR – Romans-sur-Isère / La Cordonnerie 25.03.26 FR – Angoulins-sur-Mer / Le Crossroad 26.03.26 FR – Rouen / Fury Defends 28.03.26 FR – Angers / MJC des Hauts de St Aubin 30.03.26 FR – Barberaz / Brin de Zinc 04.04.26 FR – Fontenay-le-Comte / Festival On n’a plus 20 ans 07.04.26 CZ – Prague / Rock Cafe 10.04.26 CZ – Jablunkov / Southock Rock Cafe 11.04.26 AT – Vienna / Core FEST 12.04.26 CH – Zurich / Werk21 15.04.26 PL – Warsaw / VooDoo 16.04.26 SK – Bratislava / Randal 17.04.26 CZ – Brno / Melodka 23.04.26 RO – Arad / Flex 24.04.26 RO – Cluj-Napoca / Flying Circus
SPACE OF VARIATIONS are: Dmytro Kozhukhar – vocals Olexksii Zatserkovnyi – guitar, vocals Anton Kasatkin – bass, backing vocals Tymofii Kasatkin – drums
LORD OF THE LOST’s latest journey comes to a brilliant close: with OPVS NOIR Vol. 3, the band announces the finale of their ambitious album trilogy. A direct continuation of OPVS NOIR Vol. 1 and Vol. 2, which were both unveiled in 2025, it releases on April 10, 2026 and gloriously expands on the genre-defying band’s opus. The most out of the box of the three, the third and final part of their latest voyage has the six-piece end this chapter of their career on a triumphant high note, intertwining heavy guitars and dark electronica with compassionate messages and cinematic orchestrals. On OPVS NOIR Vol. 3, another 11 enchanting songs extend the Hamburg-based band’s colorful repertoire. The final part of the trilogy is released in several editions, among them strictly limited collectibles.
The first song unveiled is “I Hate People”. Showing yet another side of themselves, LORD OF THE LOST team up with WEDNESDAY 13 for the first single off the new record. The stomping industrial metal duet sets off fireworks with its theme of equality that fans love from the band. LORD OF THE LOST and WEDNESDAY 13 are aptly starting their joint North American tour on January 19, playing 16 shows across the USA and Canada, together with The Birthday Massacre. Find the list of dates below!
Get Your Copy Of OPVS NOIR Vol. 3 NOW – Available in Many Formats Including Strictly Limited Collector’s Editions!
OPVS NOIR Vol. 3 tracklisting:
Kill The Lights
I’m A Diamond (feat. Saltatio Mortis)
My Funeral
I Hate People (feat. Wednesday 13)
The Shadows Within
La Vie Est Hell (feat. Kissin’ Dynamite)
Square One
When Did The Love Break? (feat. Xandria)
Your Love Is Colder Than Death
Take Me Far Away (feat. Cats In Space)
The Days Of Our Lives
Following the captivating BLOOD & GLITTER, which brought them to the grand final of the Eurovision Song Contest 2023 and a #1 chart entry in their native Germany to go along with it, LORD OF THE LOST once again demonstrate their unmatched diversity. Initiated by beautiful cello melodies, “Kill The Lights” is an overture like no other, setting a dark mood, but also unafraid to switch it up to make room for catchy and reassuring “I’m A Diamond” featuring Alea, frontman of German medieval metal torchbearers SALTATIO MORTIS. “My Funeral”, despite the name, picks up the positive message, expanding the near-gothic soundscapes while sprinkling in tongue-in-cheek lyrics, promoting black as a happy color – wear pink to their funeral! Stomping “I Hate People” invites horror punk icon WEDNESDAY 13 to an industrial duet about equality, after which gentle “The Shadows Within” hits twice as hard with its symphonic arrangement. Next, Chris Harms and parting KISSIN’ DYNAMITE frontman Hannes Braun deliver the bombastic “La Vie Est Hell” (based on Charles Baudelaire’s influential book of poetry, “Les Fleurs du mal”) partly in French language, before going back to “Square One”. “When Did The Love Break?” is a heartfelt song of lost love – the addition of whimsical vocals by Ambre Vourvahis of XANDRIA drives the emotions of this universal topic right home. After “Your Love Is Colder Than Death”, LORD OF THE LOST team up with Damien Edwards of British glam rock band CATS IN SPACE for the captivating duet “Take Me Far Away”, before the album closes with a ballad, “The Days Of Our Lives” – the sweeping track simultaneously being the closest LORD OF THE LOST have ever been to a cinematic soundtrack. The happy ending is skipped, almost making it sound like a goodbye…
OPVS NOIR Vol. 3 continues to walk LORD OF THE LOST’s unpredictable journey without settling for the familiar. Rounding off an impressive trilogy, this record takes you by the hand and guides you along your darkest paths.
OPVS NOIR Vol. 3: the trilogy is finally concluded.
LORD OF THE LOST Live 2026
DARK WINTER TOUR – USA & CANADA 2026 w/ THE BIRTHDAY MASSACRE & WEDNESDAY 13 19.01.26 US – Baltimore, MD / Baltimore Soundstage 20.01.26 US – Philadelphia, PA / Theatre of Living Arts 21.01.26 US – New Haven, CT / Toad’s Place 23.01.26 US – New York, NY / Irving Plaza 24.01.26 US – Worcester, MA / The Palladium 25.01.26 CA – Montreal, QC / Beanfield Theatre 26.01.26 CA – Toronto, ON / Danforth Music Hall 28.01.26 US – Cleveland, OH / House of Blues 29.01.26 US – Cincinnati, OH / Bogart’s 30.01.26 US – Detroit, MI / St. Andrews Hall 31.01.26 US – Chicago, IL / Concord Music Hall 02.02.26 US – Minneapolis, MN / First Avenue 04.02.26 US – Denver, CO / Summit Music Hall 05.02.26 US – Salt Lake City, UT / The Complex 07.02.26 US – Los Angeles, CA / The Fonda 08.02.26 US – Berkeley, CA / UC Theatre
Australien 2026 19.02.26 AU – Brisbane / Crowbar 20.02.26 AU – Melbourne / Max Watts 21.02.26 AU – Sydney / Crowbar 22.02.26 AU – Adelaide / Lion Arts
TOVR NOIR 2026 w/ AD INFINITUM [∞], DOGMA [†] & LEAGUE OF DISTORTION [x] 12.03.26 NO – Oslo [∞] 13.03.26 SE – Gothenburg [∞] 14.03.26 SE – Stockholm [∞] 16.03.26 FI – Tampere [∞] 17.03.26 FI – Helsinki [∞] 19.03.26 EE – Tallinn [∞] 20.03.26 LT – Vilnius [∞] 21.03.26 PL – Warsaw [∞] 22.03.26 PL – Kraków [∞] 24.03.26 AT – Vienna [∞] 25.03.26 HU – Budapest [∞] 27.03.26 GR – Athens [∞] 28.03.26 BG – Sofia [∞] 29.03.26 RO – Bucharest [∞] 09.04.26 NL – Amsterdam [†] [X] 10.04.26 FR – Paris [†] [X] 11.04.26 FR – La Roche-sur-Yon [†] [X] 12.04.26 FR – Toulouse [†] [X] 14.04.26 ES – Madrid [†] [X] 15.04.26 ES – Barcelona [†] [X] 17.04.26 FR – Lyon [†] [X] 18.04.26 BE – Durbuy Rock [†] [X] 24.04.26 DE – Hexentanz [†] [X] 25.04.26 CH – Pratteln [†] [X] 26.04.26 IT – Milan [†] [X] 06.05.26 CZ – Prague [†] [X] 07.05.26 DE – Herford [†] [X] 08.05.26 DE – Cologne [†] [X] 09.05.26 DE – Stuttgart [†] [X]
Festivals 2026: 22.-23.05.26 DE – Eichstätt / Open Air am Berg 03.-04.07.26 DE – Mülheim an der Ruhr / Castle Rock 13.-16.08.26 FR – Carhaix-Plouguer / Motocultor Festival 21.08.26 DE – Oelde / Oelde Open Air
LORDFEST 2026: w/ NACHTBLUT, NOTHGARD, WISBORG & VELVET RUSH 18.&19.12.26 DE – Hamburg / Große Freiheit 36
LORD OF THE LOST are: Chris Harms – Vocals, Guitar Pi Stoffers – Guitar Benjamin “Benji“ Mundigler – Guitar, Synths Klaas Helmecke – Bass Gerrit Heinemann – Piano, Synths, Percussion Niklas Kahl – Drums
Paul Gilbert has released the official video for his latest song, taken from his ambitious new conceptual album, WROC, which will be released on 27 February via Music Theories Recordings. You can watch the official video for “Show Not Yourself Glad (At The Misfortune of Another)”HERE.
WROC, which stands for “Washington’s Rules of Civility,” could very well be the guitar superstar’s most outlandish offering to date. Using George Washington’s Rules of Civility as a conceptual homing beacon, Gilbert has dared himself to think outside the box and use an etiquette guide dating back to the late 1500s as his main source of inspiration.
The first track to be born from the rule was “Show Not Yourself Glad (At The Misfortune Of Another).” For Gilbert, there was a palpable excitement in resurrecting these 16th Century guidelines for the hyper advanced social order of today’s world. “I’ve never in my life had such a good time writing songs,” he admits. “I would look through the rules, sing them out loud and see which ones worked. Sometimes I’d have to flip something around or grab another rule for a bridge, but a lot of these songs are word for word.”
As we launch into a new year, Paul talks about the new song, saying, “Happy 2026! In case you haven’t found a worthy New Year’s resolution, how about: “Show not yourself glad at the misfortune of another”? This Washington rule is easier than it looks, as it doesn’t forbid you from feeling glad at an enemy’s misfortune. It just tells you not to show it!”
Continuing, he adds, “If you listen to this new song and my older song, ‘Enemies (In Jail),’ next to each other, they’ll likely cancel each other out, as their messages are pretty much the opposite of one another. In any case, enjoy the crazy chords, the sweeps in the slide solo, and the layered vocal harmonies. This song also contains a second possible New Year’s resolution: “Spit not in the fire.” I predict 2026 will have much less spitting in fires. Happy New Year!”
Paul Gilbert knows a thing or two about which rules to follow — and when to break them. In Mr. Big, he was responsible for pioneering pop rock anthems. In Racer X, he pushed the electric guitar to its furthest limits, in a more metallic direction, and as a solo artist, he’s traversed both instrumental and vocal-led sonic landscapes that have crossed over from blues, classical and jazz to straight-up rock.
Track listing 1. Keep Your Feet Firm and Even 2. Show Not Yourself Glad (At the Misfortune of Another) 3. Maintain a Sweet and Cheerful Countenance 4. Go Not Thither 5. Orderly And Distinctly 6. If You Soak Bread in the Sauce 7. Let Thy Carriage 8. Speak Not Evil of the Absent 9. Turn Not Your Back (To Others) 10. Conscience is the Most Certain Judge 11. Every Action Done in Company 12. Spark of Celestial Fire 13. George Washington Rules
Without breaking, Bizarrekult continues to bend black metal’s traditions by honing its mastermind’s singular, tortured vision. Much like Roman V.’s two previous retreats into the studio, his upcoming third album slowly and painstakingly emerged from a deeply personal crisis. Only this time, he’s not alone in confronting all there is.
Today, Bizarrekult is releasing the second advanced single from Alt Som Finnes (All There Is). While hounded by a familiar sense of dread, “Drøm” (Dream) escapes by following the mysterious call of Predatory Void and Cross Bringer vocalist Lina R. before the darkness closes in once more.
“Chased like a hunted beast, you run in haste, all your life, only to lose that crazy race”, Roman says about the inspiration behind “Drøm”. “It’s only in your dreams that you remember who you are and what your purpose is. Only in dreams are you yourself. But there is no place to hide when you are awake”.
In keeping with Norwegian tradition, Alt Som Finnes (All There Is)maintains the manic energy of old-school black metal. Chased by frantic riffs and horrified screams, there’s no escaping “Drøm”. The song’s video brings its mental prison to life. A woman breaks free from her captor, only for him to hunt her down through the woods. But in a strange twist of fate invoked by Lina R.’s heavy, sighing incantations, she escapes once again. Or does she? As blast beats pound away at the dreamy passage carved out by the guitar melody, she’s left to ponder whether her scars will ever heal.
“I was not ready for all this”, Roman says about Bizarrekult’s new album. “None of us are, when the time comes. But at the end of this journey, it seems to have all been worth it. The music gave me hints as to where to go and what can be”.
The video for “Drøm” was directed by Natalia Drepina (@mourneress). It stars Pavel V. Boldyrev (@somebodyawful) and @dustofreason.
Tracklist
1. Hun (02:58) 2. Blikket Hennes (06:18) [WATCH] 3. Avmakt (06:10) 4. Håp (06:22) 5. Drøm (04:42) [WATCH] 6. Verdens Verste (04:22) 7. Aversjon (05:24) 8. Tomhet (06:27) Full runtime: 42:45
Picture the ocean from inside the eye of a storm. Each rising wave presents its own unique threat, churned by the changing of the tides. But no matter how far you sink below the surface, all there is to see is one continuous expanse of water. This is the tortured yet piercingly clear headspace from which post-black metal curio Bizarrekult slowly and painstakingly emerged with its absorbing third album Alt Som Finnes.
“I was not ready for all of this”, says Bizarrekult’s sole mastermind Roman V. “None of us are, when the time comes. But at the end of this journey, it seems to have all been worth it. The music gave me hints as to where to go and what can be”.
In keeping with black metal’s fiercely individual spirit, Roman began his life as Bizarrekult as a lone wolf. The one-man project started in 2006 as a musical accompaniment to the poetic verses he’d written since childhood. However, it’s official recorded debut didn’t come until fifteen years later, after he moved from Siberia to Norway. Living closer to the genre’s birthplace inspired him to bend but not break with tradition. Bizarrekult can be as cold and raw as early Darkthrone, as eerily melodic as Enslaved, or as blistering in its beauty as Borknagar.
“Norway has become my second home”, Roman says upon reflection. “The years that led to the revitalization of Bizarrekult were spent reflecting on myself and reuniting with the things that are important – art and creativity”.
On Bizarrekult’s first album, Roman looked back on his childhood and family life while also examining his changing relationship with the world at large. Released in 2021, Vi Overlevde (We Survived) was perceived as a beacon of hope amidst the second trying year of the pandemic. Charting near the top of Sweden’s biggest newspaper’s year-end list attracted the attention of Season of Mist, who released 2023’s more expansive follow-up Den Tapte Krigen (The Lost War) to further critical acclaim.
“…as Bizarrekult matures, so does its songwriting” wrote Angry Metal Guy. “The result is an album that flows like a stream through a dark forest”.
Alt Som Finnes (All There Is) maintains the classic energy of the old school. “Drøm” seeks to escape into the comfort of dreams, chased by frantic riffs and hallucinatory screams. “It’s in our dreams that we can finally relax from everything that happens during the daytime”, Roman says. “You can grasp at who you actually are, the meaning of yourself”. While Bizarrekult remains rooted in Norwegian black metal, the album strips away all defenses while adding more post-metal ambience. “Verdens verste” rails against consumerism with blistering grooves, while “Avmakt” surges and seethes in a fight for control before losing power amidst melodies that fall then fade like dying pinpricks of light.
As with Bizarrekult’s two previous retreats into the studio, Alt Som Finnes emerged from a deeply personal crisis. Only this time, Roman is not alone in confronting all there is. He’s joined in his struggle by guest vocalists from Predatory Void, MØL and Dødheimsgard. Behind a steady pounding of double bass, lead single “Blikket Hennes” buzzes with the all-consuming darkness of a guilty conscience, only for Yusaf “Vicotnik” Parvez to enlighten with soothing cleans.
“I wrote to Yusaf not about music, but life and its difficulties”, Roman says. “It became a connection”.
No one emerges unscathed from Alt Som Finnes. But while riddled with regrets, album closer “Tomhet” breaks new ground as the first Bizarrekult song sung in English. “Am I alone like this? No, we are many”. It’s a damning realization, but also a call for all of us to become something greater.
Line-up Roman V. — Vocals Ignat P. — Guitars & Bass Alexander P. — Drums
Production Credits Recorded at Seaside Room. Produced, mixed & mastered by Miguel Tereso at Demigod Recordings, Portugal.
Guest Musicians Yusaf “Vicotnik” Parvez (Dødheimsgard) — Vocals on “Blikket Hennes” Lina (Predatory Void / Cross Bringer) — Vocals on “Drøm” (Recorded by Tim De Gieter) Kim Song Sternkopf (Møl) — Vocals on “Tomhet”
Secfremist was founded in 1996, but in reality, the band has risen like a phoenix from the ashes for some time now. Many people of different backgrounds have passed through the band, hence the long road to what the band represents today. Secfremist‘s goal is to reach the listener’s heart with their music, to make them feel the spirit of ancient native beliefs. Today, the band is made up of wonderful people, and Huzik, conducting along with the Slavic gods, gives them rhythm along with the rustling trees of the forest.
In 2020, the band released their debut album, “Whispers of Death,” and in two days they will release their long-awaited second full-length album, “Twój król, mój wróg” (en. Your King, My Enemy).
The material for the new album was recorded in 2025. The drums were recorded at Arkadiusz Niziołek‘s (Three Eyes of the Void, ex-Sacrilegium) home studio, while keyboards were recorded by Sitre De Sitirin (XificurK). The album cover was created by the band, and the layout was created by Temira De Temirin (XificurK). The lyrics were written by Łukasz Pluta. The band’s photo was taken by Wiktor Kulesa. Mix & mastering was done by Piotr “Shaman” Łuczyszyn from Odium Humani Generis.
This is how Huzik comments upcoming album: “The album “Twój Król Mój Wróg” was a painstaking creation, despite lineup instability. The characteristics and the underlying themes of the songs on the album were our goal to return to the roots of both Rodnovery and the genre of metal itself: black metal“.
Album will be released on January 9, 2026 in digital format and CD by Polish label Via Nocturna (pre-order).
TRACKLIST:
01. Mglisty Wschód 02. Kurhan / Kaduk 03. W zgniłej północy blask 04. Mroczny świat 05. Przebudzenie Leszego 06. Pogański chłód 07. Pani śmierci 08. Jaźń bytu pradawnych prawd 09. Twój Król, Mój Wróg
Stream “Twój król Mój Wróg” at Black Metal Promotion:
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Ads
Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video