Voodoo Tones, the red hot new rockabilly project featuring ex-Headcat alumni Danny B. Harvey, Slim Jim Phantom (Stray Cats) and Djordje Stijepovoc (Tiger Army), plus CM Wolf of The Delta Bombers, emerge today with a steaming new single, the tumultuous rockabilly stomp “Livin’ Ain’t Easy.”
Originally written by Wolf following his departure from the Deltas Bombers, the song was completed last year after Harvey got in touch, suggesting they work together.
Harvey explains, “I’ve been a fan of Chris Moinichen, aka CM Wolf, since I first heard his voice booming out of a stereo on a recording by his band the Delta Bombers. Chris sounded to me like a cross between Howling Wolf and Elvis Presley, one of the most soulful rockin’ voices I’d ever heard.
“First thing we did was finish ’Livin’ Ain’t Easy.’ Then we wrote a new song together, ‘Come On Let’s Dance’, and lastly worked out the arrangements for two iconic covers we both loved, ‘Sinister Purpose’ by CCR and ‘Break on Through’ by The Doors.
It was the perfect opportunity, too, for Harvey to reconvene Headcat, the shortlived but gloriously savage collaboration with Motörhead’s Lemmy that tore so many ears apart back in 2020. “Right away, I sent our demos to Slim Jim Phantom to ask him to play drums and to Djordje Stijepovoc to get him on the bass; they both loved what we were doing and the Voodoo Tones were born!
“I think you’ll agree that CM Wolf is a new, exciting voice in Rockabilly & Roots music, and the Voodoo Tones are the perfect alchemy of blues, rock’n’roll & rockabilly. It’s an honor and a privilege to be part of this EP.”
“To paraphrase Lemmy: ‘We are the Voodoo Tones and we play Rock’n’Roll!’”
Voodoo Tones hope to be on the road soon. In the meantime, however, Slim Jim will be touring this spring, including a number of shows sharing the bill with Belouis Some and Cleopatra labelmates Gene Loves Jezebel.
“THE ART OF DESTRUCTION” – THE ULTIMATE DOCUMENTARY ABOUT ONE OF THE MOST IMPORTANT THRASH METAL BANDS OF ALL TIME – World premiere on March 6, 2025 in Berlin with DESTRUCTION & guests – Get your ticket now!
For over 40 years, DESTRUCTION have stood for uncompromising thrash metal. As part of the legendary Teutonic 4, together with SODOM, TANKARD and KREATOR, they have created a musical legacy that is now being documented on film for the first time.
With “THE ART OF DESTRUCTION“, German filmmakers Ilja Jelusic and Denise Dörner bring the raw energy, passion and highs and lows of the band to the big screen. Originally planned as a documentary about the reunion of the Teutonic 4 for a world tour, the project was taken to a whole new level by the pandemic and fateful twists and turns. The film follows Schmier and his band up close through crises, changes and explosive live moments.Filmed over five years, “THE ART OF DESTRUCTION” delivers far more than classic interview documentaries: Unpublished footage, intimate insights behind the scenes and the unvarnished reality of a life between sweaty club shows and gigantic festival stages make this film a must-see for all metal fans.
The world premiere at CineStar CUBIX at Alexanderplatz will be a meeting point for the metal elite: DESTRUCTION – with Schmier, Randy Black, Damir Eskić and Martin Furia – on the red carpet together with the filmmakers and top-class guests from the metal scene. A unique event that brings fans and musicians together!
The film will be shown by film distributor UCM.ONE on the NONFY Documentaries label in selected German cinemas from March 6, 2025. Further information about the film: HERE
THE FILMMAKERS…
Denise Dörner (director, screenplay, camera
“This documentary is not a cheerful music clip, but a very serious story about passion and life. I could never have imagined in my wildest dreams that our idea could be realized so well, even though everything was completely messed up by the circumstances. I was allowed to look behind the scenes, travel with DESTRUCTION and put myself in their shoes. I met my idols and many interesting people and also felt the whole range of emotions. I’m very excited to see what people will think and feel about this trip.”
“As a film team, we had a really good relationship with Schmier and DESTRUCTION, who placed a lot of trust in us. The film was shot without a commission and without film funding, which means we had to finance everything ourselves, which also involved a big risk.
During the pandemic, none of us knew what would happen next and where the story of the film would lead. Of course, it was also a very moving time for us filmmakers. And then one adventure followed the next and suddenly we were off to Mexico. I am deeply grateful for the experiences we were able to gain through DESTRUCTION!”
Watch the trailer for “The Art of Destruction” HERE:
THE PREMIERE EVENT
The world premiere of “THE ART OF DESTRUCTION” will take place on March 6, 2025 at the premiere cinema CineStar – CUBIX at Alexanderplatz , Berlin.
METAL – HIGHLIGHT: The metal icons of Destruction – Schmier (Bass, Vocals), Randy Black (Drums), Damir Eskic (Lead Guitar, Backing Vocals) and Martin Furia (Rhythm Guitar, Backing Vocals) – are traveling to Berlin especially for the world premiere!
Together with the filmmaking duo Denise Dörner and Ili Jelusic, they will answer questions from the audience after the premiere. Moderated by Katrin Riedel (Metal Hammer), the film discussion promises deep insights into the band, the film and the music.
EXCLUSIVELY FOR FANS: After the premiere, there will be an autograph session with Destruction, where movie posters and autograph cards will be signed. Fan merchandise and – as a special highlight – the first copies of the brand new 16th studio album “THE BIRTH OF MALICE” will also be available before its official release on March 7, 2025 at 00:00!
ABOUT UCM.ONE and NONFY Documentaries
UCM.ONE GmbH, headquartered in Berlin with additional offices in Mannheim, Hamburg and London, is a media company specializing in the marketing of film and music rights.
With renowned music labels such as Noble Demon, Plastic City, Harthouse and Noom Records as well as film labels such as Darling Berlin, Artkeim2 and NONFY Documentaries, UCM.ONE serves a broad spectrum of genres and target groups.
The abbreviation UCM.ONE stands for “United Content Management.One” and reflects the philosophy of making high-quality content available worldwide and at any time.
Huge news from the Pupil Slicer camp! Just as they’re in the middle of recording their new album they’ve announced a co-headline run of the U.K. this November with Copenhagen’s heaviest, LLNN.
Both bands will be delivering headline sets, with LLNN performing their LP ‘Unmaker’ in full.
These two bands together are going to make for the perfect blend of chaos and heaviness!
Tickets are on sale today, Friday, February 28th at 10AM GMT.
The bands speak on this awesome upcoming tour…
“We can’t wait to come back to the UK in November. We screamed and sweated with you at the festivals and you welcomed us with a sold out London show, but it’s time now to bring the full LLNN show to the whole of the UK. It’s also time to bring you ‘Unmaker’ in full and really give that album a send off. What’s more, our new friends in Pupil Slicer will be joining us and we’re beyond excited to hook up with them.” – LLNN
“PUPIL SLICER are thrilled to be back touring the UK later this year with new music in the works and on the way. We’re excited to launch the new era of PUPIL SLICER in style on this co-headliner, playing in some of our favourite venues and cities across the UK alongside the phenomenal LLNN. We’ve been long-time admirers and they have been blowing the audience away when we’ve caught them, so this team up seemed like a no-brainer. This run is sure to leave faces thoroughly melted, so we can’t wait to see you all soon!” – PUPIL SLICER
25/11 – Bristol, The Exchange 26/11 – Nottingham, The Bodega 27/11 – Manchester, Rebellion 28/11 – Glasgow, Slay 29/11 – Leeds, Brudenell Social Club 30/11 – London, The Underworld
KIMMO KUUSNIEMI, pioneering musician and filmmaker, finally unveils the long-overdue release of “Collective Failure”—an album that was never properly released but feels more relevant than ever. Published under Kuusniemi’s ASA (Ancient Streaming Assembly) collective, this work stands as a haunting reflection of cycles of societal collapse, technological illusions, and humanity’s inability to escape its own self-destruction.
Unlike ASA’s latest instrumental work, “Collective Failure” remains the only ASA release to feature lyrics—a final message from a time when words seemed to matter. After this, even language is stripped away.
ASA – A Long-Term Vision Realized
ASA (Ancient Streaming Assembly) is the culmination of Kimmo Kuusniemi’s lifelong artistic exploration in music and film, expanding on themes of societal manipulation, technology’s control, and the illusion of progress. It is also deeply rooted in his long-standing environmental work, reflecting decades of activism and filmmaking that warned of humanity’s unsustainable trajectory.
While the music of Collective Failure was recorded long ago, its full audiovisual realization was not possible at the time. Now, with the tools finally available, Kuusniemi presents Collective Failure as a complete art piece, with every song accompanied by its own visual counterpart.
To mark the release, the first music video for “Collective Failure” has been unveiled, setting the stage for a full audiovisual experience. Each video is created by Kuusniemi using AI as a tool to expand and visualize his vision, forming a multi-sensory deconstruction of reality itself.
Watch here:
A Soundtrack to a World Trapped in Repetition
ASA’s work is built around Ancient Simulation Theory—the idea that humanity exists within a pre-programmed system, endlessly repeating loops of progress and collapse, memory erased each time, never breaking free.
This concept resonates deeply with tracks like:
“Collective Failure” – A warning about society’s amnesia, blindly repeating history.
“Synthetic Illusions” – A critique of escapism, where people numb themselves instead of confronting reality.
“Machine Faith” – A reflection on blind reliance on technology as a savior.
Critics noted that Collective Failure refuses to conform to any genre, mirroring the ethos of ASA: a project that challenges artistic and philosophical boundaries. In ASA, music and video are inseparable, creating a multi-sensory experience designed to provoke thought and inspire reflection.
“For me, ASA is not just another project—it is the realization of ideas that have been present in my work for decades,” says Kuusniemi. “When Collective Failure was recorded, it wasn’t possible to create the visual world it needed. Now, I can finally release it as it was meant to be—a complete audiovisual experience.”
This press release also serves as a call to experience Collective Failure—an album that was lost in time but whose message has only grown more urgent.
Rediscover. Decode. Escape.
The cycle will continue unless we break it. Are you ready to see the simulation for what it is?
Finnish-born visionary artist, Kimmo Kuusniemi stands at the intersection of art, music, film, and environmental advocacy. Currently, Kuusniemi is engaged in several cutting-edge projects that blend technology, art, and environmental activism. One of his latest initiatives, the Ancient Streaming Assembly (ASA), merges traditional wisdom with modern digital platforms to promote environmental sustainability and cultural preservation.
ASA: Collective Failure – A Lost Album Reborn
Alongside his latest instrumental ASA works, Kuusniemi has finally unveiled “Collective Failure”, an album that was never properly released but is now more relevant than ever. Unlike his recent instrumental works, Collective Failure remains the only ASA release with lyrics, a final message from a time when words still seemed to matter. This album is now being fully realized as an audiovisual experience, with every song accompanied by an individual video. Kuusniemi uses AI as a tool to expand and visualize his artistic vision, creating a multi-sensory deconstruction of reality. The themes of Collective Failure resonate deeply with ASA’s core ideas—humanity trapped in a cycle of societal collapse, illusions of progress, and the struggle to break free.
Godfather of Finnish Heavy Metal in the 70s
In the late 1970s, Kuusniemi established the legendary band Sarcofagus. Blending progressive and experimental elements with heavy rock, Sarcofagus crafted a version of heavy metal that was distinctly ahead of its time. Always at the cutting edge of innovation, Kuusniemi has consistently harnessed the latest technology to expand his artistic expression.
Music Video Pioneer in the 80s
In 1981, showcasing his forward-thinking prowess, Kuusniemi produced and directed a full album-length broadcast-quality music video for his third album, Kimmo Kuusniemi Band – Moottorilinnut. Coincidentally, this was the same year MTV launched in the USA, marking the beginning of a new era in music and visual media. Though MTV was launching on the other side of the Atlantic, Kuusniemi’s ambitious project positioned him at the forefront of the evolving music-video landscape.
Eco-Filmmaker Before It Was Cool
In the 1980s, Kuusniemi ventured into environmental filmmaking, producing a series of informational short films and documentaries aimed at raising public awareness of critical environmental issues.
Echoes from The Present in the 90s
This commitment to environmental consciousness culminated in 1991 with the “Dream On” project, a film and extended single produced for the International World Wide Fund for Nature (WWF) under his Double Vision production company. The project gained widespread visibility, airing on Music TV Europe and Asia. More than three decades ago, the Dream On music video warned of an impending environmental crisis. Disturbingly, the future once envisioned in “Dream On” has now become reality, proving humanity’s prolonged inaction.
Architect of Alternative Global Documentaries
Following Dream On, Kuusniemi continued to leave his mark in international film and television, producing several globally distributed TV documentaries. Among his most notable works is the groundbreaking 8-hour adventure/history TV series “Baltic Sea Adventure”, which was broadcast worldwide from Greenland to Australia. The series is a comprehensive exploration of the Baltic Sea region, covering its cultures, history, and environmental challenges. Notably, the Greenpeace Rainbow Warrior ship was meant to be part of the series, but due to an unforeseen delay, the planned meeting never took place.
The Visionary of Things to Come
Whether through documentaries, music, or multimedia projects, Kuusniemi’s work consistently reflects his deep concern for the environment and society. His ability to draw insights from the past and apply them to the present has shaped his artistic and philosophical approach, making him a true pioneer at the crossroads of music, film, and activism. His latest ASA project, Collective Failure, marks yet another milestone—a long-overdue release finally realized in its full audiovisual form. Through ASA, Kuusniemi continues his mission of challenging perceptions, questioning reality, and breaking the illusion.
Today, progressive death metal outfit DÅÅTH presents their rendition of “Run,” by French electronic duo Air, featuring Cynic‘s Paul Masvidal. The track comes in advance of the band’s European tour with labelmates Rivers Of Nihil as well as Cynic and Beyond Creation, set to begin later this week.
Elaborates guitarist Eyal Levi, “Our version of Air’s ‘Run’ has been a long time coming. It’s a creepy, weird song I’ve wanted to cover since I first heard it. Back in 2009, while touring with Cynic, I heard Paul Masvidal’s vocoder vocals every night and knew we needed him on this cover. He agreed, but by the time we started planning, DÅÅTH was on hiatus, and the idea was shelved.
“Fast forward to now: we’re touring with Cynic again on the Aggressive Progressive European tour with Rivers Of Nihil and Beyond Creation. Perfect time to revisit the song, and thankfully, Paul agreed. This is a weird song. If you haven’t heard it, listen to the original, then ours. To do it justice, we needed an unconventional mix that could also go full metal. Gautier Serre, of Igorrr, was the obvious choice. If he can handle Igorrr, he can handle this – and being French, he already knew the song. The result is truly unique. If you’re expecting pure extreme metal, you might be disappointed – and that’s fine, because we do what we want. See you on tour!“
DÅÅTH released their critically adored The Deceivers full-length via Metal Blade Records last Spring. The Deceivers earned the #11 spot on Billboard’s Current Hard Music Albums chart upon its first week of release. Blabbermouth lauded “a modern metal record aimed squarely at connoisseurs and tech freaks, but it also has some huge tunes and barrels of charisma.” MetalSucks gushed, “The Deceivers is destined to go down as a career highlight for DÅÅTH, a jewel in their crown if ever there was one. It really is that good, simple as that.” Metal Injection championed “an epic and rhythmic prog album,” while Knotfest observed, “Each track is a labyrinth of complex rhythms and searing melodies, offering a rich auditory experience. The technical skill and compositional daring make it a standout in the metal community.”
DÅÅTH w/ Rivers Of Nihil, Cynic, Beyond Creation: 2/28/2025 Essigfabrik – Köln, DE 3/01/2025 Zappa – Antwerp, BE 3/02/2025 La Machine – Paris, FR 3/04/2025 Slay – Glasgow, GB 3/05/2025 Academy – Dublin, IE 3/06/2025 The Fleece- Bristol, GB 3/07/2025 Engine Rooms – Southampton, GB 3/08/2025 Club Academy – Manchester, GB 3/09/2025 Electric Ballroom – London, GB 3/10/2025 XOYO – Birmingham, GB 3/12/2025 Patronaat – Haarlem, NL 3/13/2025 Gruenspan – Hamburg, DE 3/14/2025 Fryshuset Klubben – Stockholm, SE 3/16/2025 Tavastia – Helsinki, FI 3/18/2025 John Dee – Oslo, NO 3/19/2025 Pumpehuset – Copenhagen, DK 3/21/2025 Proxima – Warsaw, PL 3/22/2025 Columbia Theater – Berlin, DE 3/23/2025 Z-Bau – Nürnberg, DE 3/24/2025 Flex – Wien, AT 3/25/2025 Dürer Kert – Budapest, HU 3/26/2025 Backstage – München, DE 3/27/2025 Slaughter Club – Milan, IT 3/28/2025 Kiff – Aarau, CH 3/29/2025 Substage – Karlsruhe, DE
DÅÅTH began their journey in 1999 and stayed busy for just over a decade before its 2011 hiatus. In that time, the band released four studio albums – Futility in 2004, The Hinderers in 2007, The Concealers in 2009, and their self-titled LP in 2010. Tours with Slayer, Nile, Cattle Decapitation, Dark Funeral, Cynic, Dragonforce, Goatwhore, Chimaira, Dying Fetus, and Devildriver followed. DÅÅTH also landed a coveted spot on Ozzfest playing before tens of thousands of fans in outdoor amphitheaters across the US, in addition to the infamous and long-running metal tour Summer Slaughter.
After twelve years on hiatus, DÅÅTH found their ideal new home at Metal Blade, signing to the label and wasting no time creating new music, cover songs (Death‘s “The Philosopher” and Morbid Angel‘s “Where The Slime Live“) and reissuing previous albums. The first new song from the revitalized DÅÅTH, “No Rest No End” (released ahead of The Deceivers album in February 2023), features guest solos by Spiro Dussias and now-DÅÅTH member Trujillo, who impressed Levi so much while guesting on the track that he was invited to join the band.
DÅÅTH: Eyal Levi – guitar Sean Z – vocals Krimh – drums Jesse Zuretti – orchestration, synth, guitar Rafael Trujillo – lead guitar David Marvuglio – bass
Deathless Legacy has released a video for “Sanctified”, third single taken from the new concept album “Damnatio Aeterna” to be released on March 7 by Scarlet Records.
“Sanctified” is about trauma processing and the scars it leaves behind. A transformation of pain into strength, of wounds into perseverance. It speaks of faith shattered, silence endured, and the slow, sacred process of reclaiming oneself through the very marks left by suffering.
Directed by Frater Orion, the video for “Sanctified” conjures a ritualistic portrayal of suffering embraced as a passage to something greater. Through eerie aesthetics and visceral storytelling, it unveils a journey where torment is no longer a weight to bear, but a path to inner awakening.
video by Frater Orion
the seventh seal for the Italian masters of theatrical horror-dark metal;
concept-album featuring a satirical story with strong anticlerical and satanic connotations;
recorded at Eden Studios; mixed and mastered by Simone Mularoni at Domination Studio;
artwork and videoclips by visual artist and band’s leader & drummer Andrea Falaschi (Delain, Elvenking, Temperance);
first edition will be released in a 4-panel digipack;
over 3 million views on YouTube for the videos taken from the previous studio album “Mater Larvarum”;
over 500.000 streams on Spotify for the previous studio album “Mater Larvarum”;
FFO: Ghost, King Diamond, Death SS;
“Damnatio Aeterna” will be released in the following formats: digipack CD, digital
(the album will also be accompanied by a book, available in both Italian and English. For the most devoted fans, a collector’s edition will be unveiled in the coming weeks through the band’s channels)
“Damnatio Aeterna” tracklist:
1 Damnatio Aeterna 2 Miserere 3 Get On Your Knees 4 Communion 5 Indulgentia Plenaria 6 Oblivion 7 Spiritus Sanctus Diabolicus 8 Sanctified 9 Mother Of God 10 Nightshade 11 Gehenna
Total running time – 57:38
artwork by Andrea Falaschi
Driven by Steva’s unholy, malevolent and sexy voice, the ominous tones of a church organ, and the fierce occult metal riffs, Deathless Legacy deliver a sound that hits hard and stands apart. This is horror metal at its most unapologetic.
“Damnatio Aeterna” tells the thrilling story of the lesser demon Malchrum, who is challenged by Lucifer to ensnare a priest in an unspeakable sin, thereby ensuring his eternal damnation.
A dark and provocative journey faithful to the band’s signature style and filled with an atmosphere of mystery that grows progressively tense as the story unfolds, the seventh Deathless Legacy studio album will finally delve into sophisticated themes and explore the true nature of evil.
Deathless Legacy: Steva – vocals Sgt. Bones – guitar Alex van Eden – keyboards Deadwood Nick – bass Frater Orion – drums The Red Witch – performances
Chief Shock Video
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video