Emerging from the depths of their 90s rock nostalgia, FREE MACHINE has released the official lyric video for their heavy-hitting single, Newborn Wreckage, taken from their recently launched debut album, Dead Echoes. The track embodies the band’s raw, unapologetic tribute to the grunge era, drawing on influences from Soundgarden, Alice in Chains, Pearl Jam, and Temple of the Dog.
Formed as a passion project between two sets of longtime friends, Free Machine is not just a band — it’s a collaboration born purely out of love for the music that shaped them. Featuring Glenn Bradford (vocals, mixing), Clint Jurgens (guitar), Bryan Nicol (drums), and Brendan Haupt (bass), the band’s approach to writing and recording has been entirely remote. Without ever being in the same room together, they have crafted an EP that feels as cohesive and authentic as any live jam session.
“Newborn Wreckage was the first song written for this project, and its success was what ultimately pushed us to expand from a single track into a full-fledged EP,” says guitarist Clint Jurgens. “That evil, heavy, trudging main riff came first—maybe as a result of all the pent-up frustration during the Covid lockdowns. It just had this weight to it, a burden that needed to be carried.”
Lyrically, Newborn Wreckage explores the turmoil of doomed relationships—whether personal or creative. The song captures the universal struggle of trying to fix what’s broken, even when deep down, one knows it’s beyond repair. “You always think you can make it work. You always try. But sometimes, you have to face the truth—you were part of the wreckage too,” reflects vocalist Glenn Bradford.
Sonically, the track embraces the essence of 90s grunge with a deep, sludgy main riff and open-C guitar tuning, a nod to Soundgarden’s Pretty Noose and Burden in My Hand. “I wanted that suffocating heaviness in the verses to set up the chorus—a moment of self-reflection,” adds Jurgens. “It needed that release, that fleeting sense of clarity.”
With Newborn Wreckage, Free Machine delivers a track that can be described in five words: A trudging burden of doom and gloom.
NASTIRIFF, the South African alternative punk rock band unapologetically rooted in chaos and catharsis, is making waves again with the release of their highly anticipated new single, Bed By Seven. Accompanying the track is a visually captivating music video that promises to be as raw, energetic, and unconventional as the band itself.
Known for their audacious approach to music, Nastiriff describes themselves as stemming from “deep, rotten roots” with their sound delivering a “comically violent rock ‘n’ roll package, placing offence right in the face of where it belongs.” True to form, Bed By Seven is as confrontational as it is thought-provoking, blending raw emotion with humor and self-awareness.
“Inspiration is a funny thing. Some tracks don’t need inspiration to exist—they just fall out,” says Nastiriff when discussing the origins of Bed By Seven. The song is about “making sense out of something senseless,” transforming scattered thoughts into a high-energy anthem that listeners can both mosh and reflect to.
Lyrically, the track is a symbolic exploration of aging and self-acceptance. “You wake up one day to discover you’ve become the adult you swore you’d never be. And then, you just learn to be cool with it and move on,” they explain.
What began as a lighthearted attempt to roast an overconfident “asshole” turned into something far more introspective. “By the second verse, I realized I was talking about myself. Faking confidence to be more confident does have its drawbacks,” Vocalist Gavin Wilmers admits. Ultimately, Bed By Seven became a truce with ego, a negotiation of self-perception set against a backdrop of electric guitars and pounding drums.
If you’re wondering what Bed By Seven sounds like, Nastiriff encapsulates it in five words: Raw. Dynamic. Energetic. Upbeat. Weird. True to their signature style, the track offers a blend of gritty riffs, infectious rhythms, and an undeniable sense of rebellion.
After two decades of silence,Stretcher roars back with Information Overdose, a six-track EP set for release on April 4, 2025. The new collection showcases an evolved yet aggressive sound, blending elements of metal, punk, thrash, and hard rock.
Out now, Stretcher’s cover of The Weeknd’s Blinding Lights, reimagined with Stretcher’s signature intensity, marks the first single of the upcoming EP.
Founding members Joe McGowan (bass) and Tom Stuart (drums) have joined forces with Mower vocalist Brian Sheerin and Relevance guitarist Chris Hartjen to bring this new era of Stretcher to life.
The seeds for Information Overdose were planted during the pandemic, with early song ideas forming in California while Sheerin split time between the East Coast and South America. The tracks came to fruition in Los Angeles with Emmy Award-winning producer Eddie Wohl (Anthrax), who helmed production and mixing. Drum recordings were engineered by Eric Emery(Blink-182, Periphery) and Eddy Garcia (Pissing Razors), while mastering was handled by Maor Appelbaum (Faith No More).
The first single, Blinding Lights, comes paired with a high-energy music video directed by award-winning filmmaker Tyler Jordan, shot on location in San Diego.
“Mower and Stretcher were tight in the ‘90s, playing countless shows together,” says Sheerin, “Mario (Israel, original Stretcher vocalist) would always have me jump up and trade vocals, and when we met up on tour, it was pure chaos. This record channels that same raw energy.”
Information Overdose delivers a powerful message— break free from the cycle of media-driven division, and reconnect. Sonically, the EP is a melting pot of styles: Chosen One drives with alternative rock vocals over crushing metal grooves, while Salvation layers hypnotic melodies over doom-inspired riffs. Thematically, the songs focus on awakening, unity, and empowerment.
“After years of writing with different guitarists, Joe and I found a natural fit with Chris. His style sparked something new,” adds Stuart. “Then Brian randomly texted one day and started writing before a visit to San Diego, and it all fell into place. We’re pumped to keep making music for the fans who live and breathe this.”
About Stretcher and Mower: Stretcher built their reputation with high-energy performances at Metalfest and alongside legends like Marilyn Manson, Machine Head, and Cannibal Corpse. Mower gained international recognition with Road Rage, featured on Sirius XM and MTV’s Headbangers’ Ball, and has shared stages with Slayer, Disturbed, System of a Down, and Linkin Park. Both bands emerged from San Diego’s thriving scene, which also produced P.O.D., Blink-182, and Unwritten Law.
The band’s reformation in 2023 was driven by McGowan and Stuart embracing Hartjen’s self-taught riff mastery and Sheerin’s dynamic vocal approach of melody with controlled aggression. Their influences range from Slayer, and Snot to Mötorhead, Gojira, and The Bronx.
Song Credits:
Producer & Mixer: Eddie Wohl
Drum Recording Engineers:
Eddy Garcia (Pissing Razors) – Chosen One, Information Overdose, Kill The Power
Eric Emery (Blink-182, Periphery) – Blinding Lights, Salvation, Skitzo
Mastering: Maor Appelbaum (Faith No More)
Writers & Performers (Original Tracks):
Chris Hartjen – Guitar
Joe McGowan – Bass
Brian Sheerin – Vocals
Tom Stuart – Drums
Additional Writer: Jason Hodgdon (guitar composition-Chosen One, Kill The Power)
Blinding Lights (Cover) Writers: The Weeknd, et al.
Vallorch continues their journey into the world of folk and symphonic metal with their latest single, “Drink Some More!”, a raucous celebration of music, camaraderie, and revelry. Taken from their upcoming album “The Circle”, out next March 14th, 2025 from RockShots Records, this track embodies the band’s signature blend of folk traditions and symphonic grandeur delivering an irresistibly energetic and immersive experience.
With galloping rhythms, soaring melodies, and powerful folk instrumentation, “Drink Some More!” brings the listener straight into the heart of an ancient, fire-lit revelry. The combination of driving riffs, triumphant choruses, and spirited flute melodies captures the essence of Vallorch’s sound—balancing the raw energy of folk metal with the epic atmospheres of symphonic and power metal. The song is a perfect example of the band’s evolution, refining the elements introduced in “Neverfade” (2013) and “Until Our Tale Is Told” (2017) into a polished, dynamic, and immersive sonic experience.
Lyrically, the song draws from Alpine folklore and ancient traditions celebrating the timeless ritual of gathering together to share stories, drinks, and moments of uninhibited joy. “Drink Some More!” invites listeners to let go of worries, embrace the present, and lose themselves in a whirlwind of melody and rhythm. Vallorch is also thrilled to announce the release of the official music video for “Drink Some More!”, visually bringing to life the song’s vibrant energy and celebratory spirit. This video perfectly complements the track’s infectious atmosphere, immersing viewers in the amazing and high-energy world that Vallorch has crafted with its music.
Fans of Eluveitie, Alestorm, Wind Rose, and Korpiklaani will find much to love in Vallorch’s vibrant fusion of folk instrumentation and symphonic power. This track is a call to revelry, a toast to the enduring spirit of folk metal, and a preview of the grand musical landscapes that “The Circle” promises to unveil.
Raise your glass, let the music take over, and “Drink Some More!” with Vallorch as they prepare to unleash their most refined and exhilarating work to date.
Track Listing: 1. To the Silver Summit – 3:53 2. Hellpath – 3:52 3. Circle of the Moon – 3:34 4. Drink Some More! – 3:42 5. Antermoia – 5:00 6. Röte Löon – 4:39 7. Salbanéo – 3:59 8. The Wild One – 4:10 9. Dyssomnia – 9:08 Album Length: 42:01
VALLORCH was born in December 2010, when Marco Munari (NewSun), Matteo Patuelli (Alzhagoth), and Massimo Benetazzo came up with the idea right after attending a concert together. Inspired by the energy and spirit of the event, they decided to form their own band, and the name VALLORCH—taken from a small Cimbrian village on the Cansiglio plateau—was quickly chosen as a tribute to their cultural roots.
For the first year, VALLORCH experimented with different sounds and musicians, searching for the right lineup. By January 2012, the group solidified with the addition of vocalist/flutist Sara, vocalist/bassist Leonardo Dalla Via, multi-instrumentalist Andrea ‘Demetrio’ Rampin (playing tin whistle, bagpipes, accordion), and violinist Francesco Salviato. This seven-member ensemble debuted live in March 2012, promoting their newly released EP Stories of North. Their captivating blend of folk metal quickly gained traction, earning them recognition in the Italian scene and leading to performances at events like Fosch Fest, where they opened for major bands.
However, the summer of 2012 brought changes. Violinist Francesco parted ways with the band, and Martina Mezzalira took his place. Around the same time, VALLORCH signed a record deal with Moonlight Records and entered the studio to work on their first full-length album. Released in 2013, Neverfade was met with critical and fan acclaim, blending fast-paced, melodic jigs with guttural and clean vocals, alongside powerful death metal riffs. This success landed them performances at major international festivals like Metaldays.
2014 saw further lineup shifts. Andrea Demetrio Rampin left the band, replaced by Paolo Pesce on accordion, hurdy-gurdy, and keyboards. Meanwhile, vocalist Sara took over tin whistle and bagpipe duties. Founding member Matteo Patuelli also stepped down, making way for guitarist Mattia Buggin to join. Despite these changes, VALLORCH pressed forward, embarking on their first European tour with Artaius. They played in Germany, Czechia, France, Belgium, and Slovakia, culminating in a performance opening for Mägo de Oz at the Metal for Emergency festival.
Later that year, they returned to the studio to record their second full-length album, Until Our Tale Is Told (2015). The album reflected the band’s growing compositional maturity and led to more festival appearances and live shows over the next two years.
In 2016, Riccardo Gianni briefly joined the band as a violinist, performing at several major local festivals. However, by 2019, the band was once again at a crossroads. After a series of lineup changes and creative challenges, founding member Marco Munari decided to leave the group. The remaining members—Massimo, Sara, Leo, Mattia, and Marco—faced a difficult choice: either disband or evolve. They chose to reinvent themselves as a five-piece band.
The global restrictions from 2020 to 2022 made live performances difficult, but the band used this time to focus on writing new material. By 2023, VALLORCH returned to the stage, opening for renowned acts like Alestorm, Wind Rose, and Rhapsody Of Fire.
Now, in 2025, VALLORCH is set to release their highly anticipated new album, “The Circle”, marking a triumphant return. Reborn from the ashes of their former selves, they are ready to take the world by storm once again.
Vallorch Line Up: Sara Tacchetto: vocals, choirs, tin whistle, bagpipe Leonardo Dalla Via: vocals, harsh vocals, choirs, bass, programming Marco Povolo: vocals, choirs, keyboards, bouzouki, programming Massimo Benetazzo: Drums Mattia Buggin: electric and acoustic guitars Guests:
Serena Zucco (Adgarios): violin Glorya Lyr (Eard): Celtic harp in “Antermoia”
The Swedish blues rock band CIRKUS PRÜTZ have improved from album to album in their career. In order to top their previous achievements once again, they have brought producer, multi-musician, bandleader and songwriter Peter Tägtgren (Pain, Hypocrisy, Lindemann, Sabaton and many more) on board for “Manifesto”.
‘We had the feeling that we wanted to take our music further into the future. We needed a push forward and a new sound,’ explains the band’s singer and guitarist Christian Carlsson.
‘I’ve known Peter for quite a long time and have been a fan of his work over the years, especially with Pain. We talked about working together a few years ago and now it’s finally happened,’ says the band’s bassist Jerry Prütz, adding that Peter has really inspired the band both musically and lyrically.
‘It shouldn’t sound old school or like an old blues album,’ was Peter Tägtgren’s motto for the entire process.
The ten songs on “Manifesto” talk about everything from drag racing to casino visits in Las Vegas, from stalking like in the Netflix series “Baby Reindeer” to an homage to Peter Stormare’s iconic character Karl Hungus in the film “The Big Lebowski”.
Sound and songwriting are right up to date. All the songs were written by the band together in the rehearsal room and were then given the necessary finishing touches by Peter Tägtgren in his studio. The mastering was in the hands of Jonas Kjellgren, who was also responsible for the production of the last “Sabaton” albums.
In a musical genre where most things follow tradition, Cirkus Prütz stand out and dare to challenge themselves, but also their audience.
Manifesto is a blues rock album with many facets!
TRACK LISTING
White Knuckle Blues Drinking Muddy Water Handyman Boogie Walking In The Rain The Blues Is The Cure Living Like A God Twenty4seven Blues Pack Your Bags Highroller (Try Me Out) Water Into Wine
LINE UP
Cristian Carlsson – lead vocals, guitar Franco Santunione – guitar, vocals Jerry Prütz – bass, vocals Per Kohlus – drums
Boundary-pushing Grammy-nominated rock outfit NOTHING MORE will release a deluxe edition of their acclaimed 2024 album CARNAL via Better Noise Music on March 28 across digital platforms followed by a physical release on CD and vinyl on May 16. CARNAL saw the band achieve two #1 Active Rock radio singles—“ANGEL SONG (feat. David Draiman)” and “IF IT DOESN’T HURT”—and has to date amassed 100 million streams. The album received praise for being “one of the band’s most eclectic releases to date” (Blabbermouth) and having 15 “energized rock anthems that capture the band’s infectious live prowess” (Knotfest).
CARNAL (DELUXE) will include five bonus tracks: a new version of “FREEFALL” featuring 6x Platinum-certified rock artist Chris Daughtry; a live version of the #1 single “ANGEL SONG” recorded from the band’s set at Aftershock Festival 2024 where NOTHING MORE was joined onstage by guest vocalist David Draiman of Disturbed; two remixed tracks from Matt Good (Hollywood Undead, Asking Alexandria) and Justin “JD” Deblieck (Ice Nine Kills, Motionless In White); and a new song, out today, February 7, “WE’RE ALL GONNA DIE.” Find the full track listing below. Pre-order CARNAL (DELUXE) now at https://nothingmore.ffm.to/carnaldeluxe
“WE’RE ALL GONNA DIE” is a blend of existential reflection and rebellious defiance, delivered with galvanizing vocals and NOTHING MORE’s signature anthemic hooks. When asked about the meaning behind this previously unreleased track, the band replied:
“This song is for the rich and for the poor. This song is for the ones we hate and the ones we adore. In the end, one thing is true… I’m gonna die, and so are you. :)”
3/28 Chattanooga, TN – The Signal % 3/29 Cincinnati, OH – Heritage Bank Center # 3/31 Cleveland, OH – Rocket Mortgage FieldHouse # 4/2 Philadelphia, PA – Wells Fargo Center # 4/3 Albany, NY – Empire Live % 4/4 Buffalo, NY – KeyBank Center # 4/5 Pittsburgh, PA – PPG Paints Arena # 4/7 Toronto, ON – Scotiabank Arena # 4/8 Flint, MI – The Machine Shop % 4/9 Indianapolis, IN – Gainbridge Fieldhouse # 4/10 Knoxville, TN – The Mill & Mine % 4/12 Charlotte, NC – Spectrum Center # 4/13 Norfolk, VA – The NorVa % 4/14 Raleigh, NC – Lenovo Center # 4/16 Birmingham, AL – Legacy Arena at The BJCC # 4/17 Jacksonville, FL – FIVE ^ 4/18 Sunrise, FL – Amerant Bank Arena # 4/19 Destin, FL – Club LA ^ 4/21 Mobile, AL – Soul Kitchen ^ 4/22 New Orleans, LA – House of Blues ^ 4/23 Duluth, GA – Gas South Arena # 4/25 San Antonio, TX – Frost Bank Center # 4/26 Fort Worth, TX – Dickies Arena # 4/27 Fayetteville, AR – JJ’s Live % 4/28 Oklahoma City, OK – Paycom Center # 5/5 Seattle, WA – Climate Pledge Arena # 5/6 Boise, ID – Knitting Factory % 5/7 Portland, OR – Moda Center # 5/9 Sacramento, CA – Golden 1 Center # 5/10 San Francisco, CA – Chase Center # 5/13 Inglewood, CA – Kia Forum # 5/15 Phoenix, AZ – Footprint Center # 5/17 Las Vegas, NV – MGM Grand Garden Arena # 6/4 Soelvesborg, SE – Sweden Rock Festival * 6/6 Nurbrgring, DE – Rock Im Park * 6/6 Nurbrgring, DE – Rock am Ring * 6/12 Nickelsdorf, AT – Novarock * 6/13 Hradec Kralove, CZ – Rock For People * 6/15 Derby, UK – Download* 6/22 Dessel, BE – Graspop Metal Meeting* 6/27 Ysselsteyn, NL – Jero On Air * 6/29 Helsinki, FI – Tuska Festival *
#with Disturbed and Daughtry %with Kingdom Collapse ^with Mike’s Dead * festival date
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
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