Svar is a one-man black metal project founded in 2020 in Krakow (PL) by Kamil “Hexed” Bolesta. By concept, it is melodic black metal thematically revolving around the pagan beliefs of the Slavs. In 2021, Svar released first EP called “Behind the Veil”. A year later, the second EP “Under a Sky Full of Thunder” – a concept record centered around the theme of the Slavic God Perun. After two years of working on new material comes the milestone of the project in the form of a first full album entitled “In the Land Called Night”.
This is Svar‘s first LP. The album consists of 7 songs and lasts about 40 minutes. Thematically, the lyrics as in the case of the first 2 EPs include mainly Slavic beliefs, as well as more philosophical topics, often referring to the struggle with nihilism. The album takes its name from the song that was written as first and also defined the musical direction of the album.
Kamil “Hexed” Bolesta comments: “After composing the first song, I decided that this time I would go more in the direction of the 90s Swedish melodic black metal. Musically, that was the idea behind this release and I think you can hear those inspirations quite clearly, lyrically, as I mentioned, not much has changed.“
Instruments and vocal were recorded by Kamil Bolesta. All was mixed and mastered by Mariusz Wołosz. Cover artwork was done by Yaggvh. Debut album titled “In the Land Called Night” will be released on November 29, 2024 on digital format, tape and CD by Polish label Via Nocturna (pre-order here).
Today, few days before official release together with Black Metal Promotion we invite you to exlusice pre-listening of SVAR upcoming debut album
Tracklist:
1. Through Lakes, Forest and Swamps 2. Expelling The Zmei 3. The Essence of Decline 4. Heart of Stone 5. In The Land Called Night 6. Venomous Words of Virtue 7. Lost In The Carpathian Forest
Today, November 25th, Ida Maria has released the single Black Eyed Hill via Indie Recordings. The release coincides with the International Day for the Elimination of Violence against Women, emphasizing the silent and often hidden violence that women are subjected to.
With a more intimate and raw tone than her usual work, Black Eyed Hill is a down-tempo track featuring Benny Borg on guitar. Its somber yet powerful message serves as a poignant reminder of the struggles women face, urging people to listen and reflect.
Recorded at Lydbroderiet by Rune Berg Music & lyrics: Ida Maria Artwork & Design: Hanna Evensen
About Ida Maria
Ida Maria is a Norwegian punk-rock powerhouse celebrated for her electrifying live performances and raw, melodic energy. Drawing inspiration from icons like Jimi Hendrix and Janis Joplin, as well as her contemporaries, Ida Maria’s music blends a rebellious rock attitude with sharp social commentary.
Ida Maria grew up in the small town of Nesna in the far north of Norway—a town that may seem an unlikely birthplace for a new female international rock star. But talent and willpower know no borders, and in 2008 she crashed onto the international scene with anthems like “I Like You So Much Better When You’re Naked” and “Oh My God” from her debut album, Fortress Round My Heart (2008).
Her powerful, raw voice and high-energy live performances led her to perform at major festivals, including Roskilde (Denmark), Reading (UK), and SXSW (US), as well as collaborate with legends like Iggy Pop and earn praise from artists such as Tom Waits. She has released several albums, including Katla (2010) and Scandalize My Name (2016), and her work has been featured in films, TV shows, and commercials, further solidifying her influence in pop culture.
In 2021, she released her Dirty Money EP, fortifying her reputation for fearless, unapologetic rock. Her work continues to captivate audiences worldwide, delivering music as bold and authentic as her performances.
Sofia-based progressive rock band Odd Crew is thrilled to unveil their latest single, “Stranger Things,” along with a captivating music video! “Stranger Things” serves as a preview of the band’s forthcoming, eighth studio album, ‘Dark Matters – Part III,’ that is set to be released on December 6, 2024.
The single’s evocative lyrics delve into the complex emotions of self-discovery and existential questions about time and the meaning of life, and the challenges of reconstructing one’s identity. The song, rich with introspective storytelling, takes listeners on a journey as the lyrical hero pieces together the fragments of his life, through the long journey he faces.
“‘Stranger Things’ is about finding yourself amidst the noise of life,” says vocalist Vasko Raykov.“It’s a song for anyone who’s ever felt lost but kept searching for the missing pieces.”
The accompanying music video enhances the narrative, bringing the song’s themes to life through stunning visuals and symbolic imagery. The video can be streamed here:
Following seven much acclaimed studio records, two DVDs and countless live shows over more than two decades, ‘Dark Matters – Part III’will see Odd Crew continue where they left off with Part II: Elevating their musical maturity on a new level, and one that doubles down on the band’s songwriting skills and exceptional talent! ‘Dark Matters – Part III’, the third chapter of their gloomy Dark Matters tetralogy, carries on to explore deep emotional landscapes and promises to be a fitting continuation to the series. The album was recorded, mixed and mastered in the band’s own ButcherHouse Studio in Sofia, Bulgaria.
“Dark Matters – Part III” track listing:
01 – Blaming Time 02 – New Waters 03 – Stranger Things 04 – Turning Tables 05 – Detox 06 – Still Alive 07 – The Sandman 08 – Change The World
ODD CREW is: Vasko Raykov – Lead Vocals Vasil Parvanovski – Guitar, Backing Vocals Martin Stoyanov – Bass, Backing Vocals Boyan ‘Bonzy’ Georgiev – Drums
Melodic black metal project FRAGMENTARY SOLID ABYSS, the brainchild of multi-instrumentalist Ömer Doğramacı, has inked a deal with Wormholedeath Records for the release of the upcoming album, “Concento Pavor Nocturnus,” arriving on December 20th, 2024.
“I feel incredibly lucky to be working with WormHoleDeath Records,” stated Ömer. “I set out to make music that expresses my feelings and thoughts about life and death, and honestly I did not care during the making of this album whether anyone would eventually hear it or not. Once it was completed I felt as if I would be satisfied with it for as long as time exists, because I felt that it resonated with the whole of existence. I believe that if not one person listened to this music I would still feel happy with it and listen to it myself.”
Tracklist:
The King’s Feast
Pray for Death
Fog of War
Deep Gaze into the Flames of Hell
Call to Prayer
Narcissistic Society
Inner Sanctum
Pain of Existence
Get a taste of Fragmentary Solid Abyss’s mesmerizing world with the official teaser for “Concento Pavor Nocturnus”:
A Universe of Influences Collide
Ömer Doğramacı is a multidimensional artist and musician who brings a unique blend of cultural and musical influences to his work. Born in the Bronx, New York, Doğramacı’s upbringing was shaped by a diverse range of experiences and cultural influences. From an early age, he was exposed to various traditional wisdom teachings, which ignited a deep interest in spirituality and mysticism that would come to influence his artistic and musical pursuits.
Throughout his life, Doğramacı has pursued a wide range of musical styles, drawing on the diverse cultural influences that have shaped him. He has studied and performed traditional Turkish and Middle Eastern music, as well as jazz, rock, and electronic music. His work is characterized by a fluidity that crosses boundaries and defies categorization, as he brings together elements of these diverse genres in his compositions and performances.
In addition to his musical pursuits, Doğramacı is also a visual artist whose work explores the intersection of the spiritual and the material. His art is characterized by a sense of transcendence, as he seeks to evoke the mystical experiences that lie beyond the physical realm. Drawing on a variety of mediums, including painting, drawing, and installation, Doğramacı’s work is deeply personal and reflective of his spiritual journey.
Throughout his career, Doğramacı has collaborated with a wide range of artists, musicians, and spiritual teachers, sharing his unique perspective and bringing his distinctive voice to a variety of creative projects. His work is a testament to the power of cross-cultural exchange and the transformative potential of art and music. As an artist and musician, Ömer Doğramacı continues to push boundaries and explore new frontiers, inspiring others with his innovative and visionary approach to creativity.
Nordic alternative folk group Kalandra are thrilled to announce the release of their song “Ghosts“. This single follows the latest album “A Frame Of Mind” in September this year. The track is out today via By Norse Music and available worldwide on all major streaming platforms.
Vocalist Katrine states: “We’re releasing a new song that didn’t’ quite fit on the album, so it’s coming out as a standalone single. This track is all about slowing down and reflecting a winter song for everyone, no matter what you believe (or don’t believe).
The song is inspired by the essence of this time of year: shorter days, time to pause, and remembering those who aren’t with us anymore. It’s about coming together and finding the strength to make it through another winter.
This is a song for anyone who finds meaning in the quiet of winter. Let’s light a candle, remember, and take care of each other.
Listen and let it bring some calm to your season.”
Kalandra live: 07/12 – TR Ankara, Club Mirador 14/12 – DE Dortmund, Fredenbaumpark 07/02 – TR Istanbul, If Performance Hall Beşiktaş 08/02 – GR Athens, At-a-Glance 30/04 – FR Bascala, Echoes & Merveilles 06 – 09/06 – DE Leipzig, Gothic Wave Treffen
It’s a paradox that the guiding principle that’s driven Oslo’s Kalandra through 13 years’ worth of hardship, sacrifice, determination and the nurturing of an ever-growing, devoted community of fans has been to ask a simple but potent question: where do I belong? It’s a question with many dimensions, be it spiritual, personal, our relationship with a world out of balance, or the space that exists for a band who have always defied easy categorisation.
Over the course of one EP, an exquisite debut album, “The Line”, that emerged after 10 years of line-up changes, musical refinement and the relocation from the Liverpool art school where they first met, as well as a deeply atmospheric soundtrack for the videogame, “Kingdom Two Crowns: Norse Land”, the Norwegian/Swedish quartet have used elements of Norse folk, Scandic pop and alt and progressive rock without being beholden to any of them. In the process, and aerated by frontwoman Katrine Stenbekk’s sublime, stratosphere-ruffled vocals that belong to the same rarefied realms as artists such as Eivør, Aurora and Gåte’s Gunnhild Sundli, they’ve woven their own restless yet immersive world. It’s one that fuses fragility and fortitude with a rare capacity for self-reflection, mapping out wholly individual internal terrain that resonates across genre and scene borders, and on both the most vast and intimate of scales.
In true Kalandra fashion, the band’s new album, “A Frame Of Mind”, doesn’t just tell a story, it embodies one. Emphasising both the delicacy and the dynamism of “The Line”, both sonically and lyrically it gives voice to a shared sense of displacement, and the strength needed to navigate circumstances that can feel open-ended and unsettled. From the first, elegantly acoustic cadences of the Tool-tinged “I Am”, it’s the sound of being drawn in to the most confidential of endeavours, Katrine’s self-reflective, gossamer-fine lilt searching for a way to deal with past wrongs and focus on one’s own narrative as a path towards healing, as the song meticulously brews up a storm of deliverance.
For all the space and scope it allows itself, “A Frame Of Mind” is a transformative experience, underpinned by a constant sense of motion and a feeling of one’s way towards resolution, as if new senses are emerging and being tested to their fullest extent. Through “Are You Ready?”s understated chant that ushers in a metallic crescendo, “Bardaginn”’s liberated Norse ritualism riven with tungsten-weight riffs ,the pastoral romanticism infusing lead single “The State Of The World” and “Segla”’s cinematic swells of neo-classicism to the closing acoustic campfire folk of “I Remember A Time”, “A Frame Of Mind” is an ongoing journey of self-discovery, with the organic sensation of unfolding in real time.
For all the plaudits Kalandra have now gained, the rapturously received tours with Wardruna, Leprous and A.A. Williams, their viral cover of Wardruna’s “Helvegen” coming close to 6 million views on YouTube and over 7 million streams on Spotify, the closely-knit four piece – completed by guitarists Jogeir Daae Mæland and Florian Döderlein Winter and drummer Oskar Johnsen Rydh – went back to the outlook of that first 2017 EP, “Beneath The Breaking Waves”, when they were still trying to find a foothold and stepping into the unknown, in order to stay true to themselves.
“It’s extremely important to remember the first time we created those songs,” says Katrine. “There was no expectation, and we just did it for ourselves. I need to make music for my own healing and expression and I’m so glad that we managed to find a way back to that mindset, and it’s absolutely crucial if you are going to continue and make music on your own terms. You need to be able to access that perspective of everything is allowed, no ideas are dumb and develop them as you go.”
“It’s the nature of creativity in that have to challenge yourself,” adds Jogeir, “and that is a state of restlessness in itself. It’s a hard balance to not let the inner critic become too strong, but not to silence it either, because you need it to grow. If you can manage to look at yourself and your issues without judgment and just curiosity it becomes much easier to bear.”
It’s that process of healing and working through, that willingness to face life’s storms in order to be released from them that’s given Kalandra such a close connection with their fans, and given many a means to deal with their own struggles. They’ve had feedback from health professionals who have used their music for therapy, and even used with psychedelics to help people overcome addiction and trauma. For Katrine and Jogeir, their own experiences of meditation, Eastern philosophy and psychoanalytic therapy all contributed to the process of writing “A Frame Of Mind”, and the far-sighted acceptance and perspective the album allows for itself, and for others.
Kalandra may still see themselves as outsiders, may still be persevering along a path that may be never fully mapped out, but theirs is the broadest, most challenging of ventures with the richest of rewards, and one whose sense of accommodation feels equally boundless.
Peru’s brutal death metal contingent INTESTINAL LACERATION has a new guitar and bass playthrough to unleash upon fans. The video is for their track “Abyss of Atrocities” off their latest album “Chaotic Eschatological Madness” released in 2022 from Gore House Productions.
The band adds about the track:
“This song is about a fight for the end of the world that ends with one’s autophagy reflecting itself in the narrative as a mirror, but it is oneself.”
Watch the visceral brutality via its premiere on Technical Music Review HERE.
Formed in 2009, Intestinal Laceration is for thetwisted minds obsessed by the extreme, ancestral eschatology, existential cosmology, anti-Christianity, cannibalism, genetic mutation, and pathological malformations.
Conceived in the underworld of Lima, Peru, Intestinal Laceration began rehearsals where compositions of fast and rotten riffs, extreme blast beats, and overwhelmingly chaotic guttural vocals converged. Grinding the local scene over the next five years, the band unshackled their debut EP “Species of Ptrid Minds” in 2015 on Coyote Records (RU).
Their follow-up and first full-length “Chaotic Eschatological Madness” ischaotic, forceful, heavy, and gutturally raw for a brutal and pleasurable listening experience. An evolution from their EP, the album is high energy and nods to true old-school death metal with its elaborate and complex riffs.
The lyrical theme of “Chaotic Eschatological Madness” deals with the cosmological existential anguish as an answer to the absurdities of the world, searching for the true essence of nature in the phenomenological subjective experiences and cosmological knowledge, manifested in the cult of ancestral eschatologies as a symbolic cognitive cultural legacy that is shown in its original way of conceiving the universe (cosmological prefiguration). The album also talks about catastrophic natural phenomena, the regeneration of time, and the extinction of the human race as a misanthropic seed because of its self-destructive nature.
Recommended for fans of Guttural Secrete, Deeds of Flesh, Arsebreed, Gorgasm, and Defeated Sanity.
“Chaotic Eschatological Madness” was released on May 20, 2022, on Gore House Productions and is available on CD, Cassette, and Digitally at https://orcd.co/chaotic-eschatological-madness
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video