One of Norway’s most creative black metal bands DIMMU BORGIR released the groundbreaking Puritanical Euphoric Misanthropia in 2001. DIMMU BORGIR celebrate this seminal album by releasing a brand-new sonic experience. The band are now releasing the rehearsal version of ‘Puritania’ from the bonus album Dust Of Cold Memories.
Puritanical Euphoric Misanthropia (Remixed & Remastered) is available as a 3 LP Box, CD Digipak and digital. Dust Of Cold Memories includes extensive bonus material, which includes the pre-production of Puritanical Euphoric Misanthropia and instrumental rehearsals.
Side A 1. Fear And Wonder (Remixed & remastered) 2. Blessings Upon The Throne Of Tyranny (Remixed & remastered) 3. Kings Of The Carnival Creation (Remixed & remastered)
Side B 4. Hybrid Stigmata – The Apostasy (Remixed & remastered) 5. Architecture Of A Genocidal Nature (Remixed & remastered) 6. Puritania (Remixed & remastered)
Side C 7. IndoctriNation (Remixed & remastered) 8. The Maelstrom Mephisto (Remixed & remastered) 9. Absolute Sole Right (Remixed & remastered)
Side D 10. Sympozium (Remixed & remastered) 11. Perfection Or Vanity (Remixed & remastered) 12. Burn In Hell (Remixed & remastered) 13. Devil’s Path (Remixed & remastered)
Side E 1. Hybrid Stigmata – The Apostasy 2. Blessings Upon The Throne Of Tyranny 3. IndoctriNation 4. Architecture Of A Genocidal Nature 5. Absolute Sole Right
Side F 6. Fear And Wonder 7. Blessings Upon The Throne Of Tyranny 8. Kings Of The Carnival Creation 9. Puritania 10. The Maelstrom Mephisto 11. Sympozium
Conceived in the heart of the Norwegian black metal scene in 1993, DIMMU BORGIRquickly broke free from the boundaries of the genre, daring to combine a traditional raven black sound with opulent symphonic orchestration. Soon they turned into pioneers of their field, forging groundbreaking albums such as Enthrone Darkness Triumphant(1997), Spiritual Black Dimensions (1999), or Death Cult Armageddon (2003), invading the entire world with headline tours and eventually turning into the most influential act of their genre after nine full-length studio releases. After their last two successful albums Abrahadabra and Eonian, new music from DIMMU BORGIR follows with their remixed & remastered version of Puritanical Euphoric Misanthropia which was originally released in 2001.
Two weeks ago, DIMMU BORGIR also released their album Northern Forces Over Wacken which wasoriginally available on the Forces Of The Northern Night DVD, on a range of limited edition vinyl avialable via Nuclear Blast.
PURPENDICULAR feat. Ian Paice have released the official lyric video for “Human Mechanic”. The song is the first single and title track of the upcoming new studio album which will be released on September 23rd by Metalville Records.
PURPENDICULAR’s success story is amazing. In their first year on tour, the band already completed a short European tour with Deep Purple drummer Ian Paice.
“This band is one of the top bands I work with, you’re going to love them, these guys are so good I only have myself to worry about” – Ian Paice 2012
Over the years PURPENDICULAR have collaborated with such great musicians as Roger Glover, Tony Carey, Paul Morris and also Neil Murray.
Musically, “Human Mechanic” offers the typical Ian Paice grooves and funky bass lines, but without neglecting the heavy hard rock sound.
You won’t find a copy of Deep Purple here, but you will find many different musical influences. But nevertheless: Hammonds and guitars still stand out strongly.
TRACK LISTING The Nothing Box Ghost No One’s Getting Out Alive Something Magical Human Mechanic TV Stars & Internet Freaks Made Of Steel Soul To Soul Four Stone Walls Passing Through
LINE UP Ian Paice – Drums Nick Fyffe – Bass Robby Thomas Walsh – Vocals Christoph Kogler – Hammonds Keyboards Herbert Bucher – Guitars
THE NEW ROSES are back with their fifth studio album Sweet Poison, to be released on October 21, 2022 via Napalm Records! After their previous record, Nothing But Wild, hit the Top 10 on the German album charts, the quartet went on to share stages with rock legends like the Scorpions, Saxon and Accept. This summer, they even had the chance to tour with genre giants KISS and were the first German band invited to KISS Kruise! Sweet Poison bottles this potent energy on record, convincing with authentic hard rock and enormous hit density. THE NEW ROSES are on the way to the top of rock!
Get a taste of Sweet Poison with the first single “The Usual Suspects”, straight off the new album. Let the catchy chorus take you on an unforgettable ride on the highway of rock, while frontman Timmy Rough’s voice catapults you to new spheres. The amazing live performance shown in the official music video is just a glimpse of their latest touring experience – convince yourself and dive into the world of THE NEW ROSES.
THE NEW ROSES on the new single: “’The Usual Suspects’ was one of the first songs we recorded for Sweet Poison and kind of paved the way for all the songs that came after that. We all realized that we don’t wanna write about the disappointments and struggles we had to deal with during all these lockdowns and being banned from the stage. No, ‘The Usual Suspects’ made us look ahead, It helped not to forget what and who we are: A damn Rock’n’Roll band! The title says it all: We’re the usual suspects and our fans are the usual suspects. We haven’t changed, we’re not bitter. We’ll be back on the road and we keep on rocking right where we had to stop…“
Their latest effort, Sweet Poison, opens with the guitar-driven anthem “My Kinda Crazy,” which kicks off the album in a worthy manner. In addition to rousing anthems, Sweet Poison features authentically rocking Americana tracks like “Playing With Fire” and “Sweet Gloria.”“Warpaint” is undoubtedly a massive track in which the band unleashes its intangible energy with hard guitar riffs and powerful drums, while “The Usual Suspects” and “1st Time For Everything” impress with their catchy choruses. Tracks like “Dead Of Night” build on a distinct melody and develop into strong stadium rock anthems. With songs like “All I Ever Needed”, THE NEW ROSES also show their softer side. The strong mid-tempo rock ballad revives the atmosphere of Guns N’ Roses’ moving ballads, while front man Timmy Rough passionately presents the full range of his voice, which can also be heard impressively on the touching acoustic track “True Love“.
Sweet Poison is an outstanding rock album with an impressive hit density, seeing the band outdo themselves again and again, reviving true 80s rock. Hold on tight, because THE NEW ROSES shift up a gear and take you on a journey to the horizon of American rock grandeur!
Timmy Rough on the new album: “When we recorded Sweet Poison, we took all the bad vibes, all our struggle and disappointments of the last two years and turned them into this incredibly positive, high energy Rock n’ Roll album. We don’t bitch at all, we wanna move forward and take our audience along with us. We stayed on our musical path, in fact I’d say we even went back closer to our roots and added some more of our Blues and Southern spirit while still keeping the catchy melodies of our last records. But hey, talk is cheap, so turn it up and have some fun!“
Sweet Poison tracklist: 1. My Kinda Crazy 2. Playing With Fire 3. All I Ever Needed 4. The Usual Suspects 5. Warpaint 6. Dead Of Night 7. True Love 8. 1st Time for Everything 9. Sweet Gloria 10. The Lion In You 11. Veins Of This Town
THE NEW ROSES live: 20.10.22 GE – Bochum/Zeche 21.10.22 GE – Osnabrück/Rosenhof 22.10.22 GE – Aschaffenburg/ Colos-Saal 27.10.22 GE – Nürnberg/ Hirsch 28.10.22 GE – Berlin/Hole44 29.10.22 GE – Leipzig/ Hellraiser 04.11.22 GE – Stuttgart/ Im Wizemann 05.11.22 GE – Munich/ Backstage Werk 11.11.22 AT – Vienna /Szene 12.11.22 AT – Wörgl/Komma 18.11.22 GE – Cologne/ Kantine 19.11.22 GE – Wiesbaden/Schlachthof 25.11.22 GE – Hannover/Musikzentrum 26.11.22 GE – Hamburg/ Markthalle
Progressive rock collective CRIPPLED BLACK PHOENIX will be releasing a brand new album, ‘Banefyre,’ on September 9 via Season of Mist! The band is now sharing the third new single from the offering, “Bonefire,” which can be heard at THIS LOCATION.
Singer/percussionist Belinda Kordic explains,“‘Bonefire’ is targeted at the politicians, who’re some of the wealthiest people around, and also the most un-empathetic sons of bitches towards the poorest and most vulnerable in our society. These people in government have the power to change things around, make a difference, but they choose not to. It’s an ideological choice they make. The bottom line is.. these people just don’t give a hoot about anything but themselves. They are not all bad. But there sure are some rotten eggs. Chuck em on a fire of bones and let them contemplate on their actions for a while.
“Ps! No politicians were hurt during the making of this song.”
Mastermind Justin Greaves adds, “This song makes so much sense to me. When Belinda told me what it’s about and sent me the lyrics, i saw how pissed off she is at the way things are with the ruling class. And so am I. And so are a lot of people. I mean, the song was written two years ago, and it was bad then, but now, especially here in the UK it has reached a new low when it comes to the massive class divide and the utter contempt the dumb government scumbags show to people. The people who are supposed to be taken care of. I personally think we should burn the whole damn political system down. Throw the politicians on the fire and cleanse the energy of the world.”
Pre-orders for ‘Banefyre’ are now live HERE while the album can be pre-saved across digital streaming services HERE.
Track-list 1. Intro/Incantation For The Different (2:49) 2. Wyches And Basterdz (4:57) 3. Ghostland (5:43) 4. The Reckoning (6:49) 5. Bonefire (4:36) [LISTEN] 6. Rose Of Jericho (13:47) 7. Blackout77 (7:37) [WATCH] 8. Down The Rabbit Hole (10:32) 9. Everything Is Beautiful But Us (4:36) [WATCH] 10. The Pilgrim (6:19) 11. I’m OK, Just Not Alright (10:05) 12. The Scene Is A False Prophet (15:13) 13. No Regrets (4:30)
Original paintings created for this album by Lucy Marshall
CRIPPLED BLACK PHOENIX previously announced new European tour dates in support of the new album, together with label mates IMPURE WILHELMINA and MØL. A full list of confirmed shows can be found below.
CRIPPLED BLACK PHOENIX – BANEFYRE EUROPE MMXXII Special Guests: MØL, IMPURE WILHELMINA
25.08.22 Germany Hannover @ Faust 26.08.22 Germany Hamburg @ Bahnhof Pauli 27.08.22 Denmark Copenhagen @ Hotel Cecil 28.08.22 Germany Berlin @ SO36 29.08.22 Germany Leipzig @ Täubchenthal 30.08.22 Germany Munich @ Backstage 31.08.22 Hungary Budapest @ A38 01.09.22 Austria Vienna @ Chelsea 02.09.22 Italy Bologna @ Link 03.09.22 Switzerland Winterthur @ Gaswerk 04.09.22 France Paris @ Backstage 05.09.22 Germany Cologne @ Essigfabrik 06.09.22 Netherlands Zoetermeer @ Boerderij 07.09.22 UK London @ The Dome 08.09.22 UK Bristol @ The Fleece 09.09.22 UK Manchester @ Rebellion 10.09.22 UK Glasgow @ Classic Grand
It was December 2019, Sao Paulo Brazil, the last time we set foot on any stage of any kind anywhere in the World. Little did any of us know this same “World” was about to dramatically change… for all of us!
At that time we were busy preparing for what was to be the “1984 To Headless” World Tour. In late January 2020 James Hetfield was premiering his Custom Car Collection at the Petersen Car Museum in L.A. and being a vintage “car guy” myself I was keen on going to check it out. There was a record amount of people attending the show. After taking pic’s with a lot of the people there and talking music and cars it all seemed a great time was had by all…. until about a week later. One week later I thought I had come down with the flu and was feeling pretty rotten for about 4-5 days, but then it got worse every day for about 4 more days. Each day seriously worse than the one before. I’d never had anything like this ever happen before. And then I lost all sense of taste and smell for about 10 days. This too had never happened before. So I fought it for about 9 weeks and slowly over the news we start hearing about this strange new illness that nobody really knows what it is. Fast forward a few months and find I’d unknowingly been selected to become a “Beta Tester” for this horrible new thing that didn’t yet even have a name.
Well everyone now knows how tragically it all played out all over the World. So let’s recap the last 2 1/2 years. One global pandemic, One serious worldwide recession with gas prices spinning out of sight, and a monster sitting in the Kremlin deciding now is his time to retake and remake the old Russian Empire.
Every single persons life was upended and quarantined into mass isolation with literally no where to go but sit and wait.
But slowly life, as resilient as it has always been, reared its bloodied head and pushed forward one more time.
So that brings us to Saturday night, July 23rd in Stockholm, Sweden. It’s now been 2 1/2 years since we stood and played in front of an audience. We were seriously concerned about actually getting there. With all the flight cancellations, moving a band and crew and gear is challenging in the best of times. But now there are nightmare scenarios going on out there right now with airlines. But the flight could not have been better and band and crew and gear all arrived safe and ready to make sound.
The longest break between shows I had ever done before in my life was a 3 year gap after touring the Crimson Idol in 92-93 and then to K.F.D. in 1996. But that was by design, this time it was not. But the funny thing was, when we got ready to do the rehearsals for the K.F.D. tour I had not played live or even been a rehearsal room with a band. I remember putting on the guitar for that first day of rehearsal and I thought, ’I have no idea how to do this anymore’. It was like I was in someone else’s body with no clue how to play much less try to sing. That whole first day it was like I was walking around bumping into walls and the simplest of things was like I’d never done it before. But the 2nd day I started getting the hang of it again and the muscle memory returned pretty quickly.
But although I expected it to be much the same as the K.F.D. rehearsals had been this time was totally different. Don’t ask me why. This time the first day in rehearsals I put on the guitar and said to the guy’s, ‘wow, this is the first time I’ve stood up with a strap on since Sao Paulo’. Meaning all the guitar playing I’d done during the pandemic was sitting down in a studio. But then I ran back in my head what I had just said. I thought. ‘I need to seriously rephrase that’ and I told them, ‘when I said I had not stood up with a strap on’, it sounded like I said ‘I hadn’t stood up with a Strap-on since Sao Paulo’. Or sit down with one either for that matter. Talk about the ultimate Freudian Slip!
Everybody in the room fell over laughing and from that moment forward playing all the songs was joy like I had not experienced in many, many years. Even when we got out on stage in Stockholm and being still totally jet lagged it was joy. The thing I’ll remember the most was looking at peoples faces in the crowd. It’s something I’ve seen so many times before but this time it was different. I saw happiness I had not seen in a long, long time and I don’t think it was just me. What I believe I was seeing was a collective reaction by the everyone there and it was not like people who had been locked away for a long time, it was more of a collective sense of just joy.
That’s the best way I can describe it, just pure joy! I’m sure there’s a lot to be said about “absence makes the heart grow fonder” and I’m sure deep down on some phycological level we all knew it. And when I say “we” I mean the band and the whole audience. But that’s not what it looked like. It was almost like we were all doing it again for the first time and remembering what all those early shows we saw were all about.
I’ll take your faces with me for the rest of my life. And for that priceless gift…. Thank You Stockholm!
After the first show in Stockholm we felt pretty good. Considering we had not been on stage in 2 1/2 years it all went pretty smooth. I don’t care what anybody says, any Band, and I mean any Band, is going to feel that kind of hesitancy and apprehension after that long of a layoff. You wouldn’t be human if you didn’t feel that. But within just a song or two it was like we never left. The reviews were positive and the audience all seemed to dig it so we up and running once again.
I would like to take a moment to explain that these 2 shows, as well as they were received, were never meant to be a representation of what the upcoming tour is going to be. They were festivals and our intention was to treat them as such. The upcoming 40th Anniversary Tour will look, sound and feel different than anything we’ve ever done before. That’s not hype, THAT’S A FACT !
We’ve been working on this presentation for a while now and I give you my word, this will be different than any other Rock Show we’ve ever done. On that note, I can say it’s been a while since I was as excited about the elements of a show like what we’re going to do this Fall. For the two Sweden shows we did not want to reveal anything that’s going to be in this coming tour. I don’t wanna keep you in suspense, but I’m sure you understand and I promise it’ll be worth the wait. Personally I can’t wait to get into rehearsals for this new show.
The Skogsrojet Show was great. It was a little cold when we took the stage, but I like that because it’s way easier to perform when it’s cooler than being in a swampy sauna. It was also good to talk to some of the other Bands on the bill that we had not been able to run into in a long time.
And then came the trip home. We got off stage at 1 AM in the morning and had to leave for the airport at 5:30 AM. After a 2 hour ride back to the airport in Stockholm and an 11 hour plane ride, from the time we got up the day before and the combined trip, we had gone 37 hours with zero sleep before we got back to L.A.
It’s like Ray Charles used to say, “I don’t get paid for playing, I get paid for traveling!”. Truer words have never been spoken.
So Good Night Sweden – We’ll See You Next Year.
BUT – Look out America – Very Soon….We’re Coming to Hurt You!!
On September 9th, progressive death metal outfit REVOCATION will release their eighth full-length, Netherheaven, via Metal Blade Records. For a preview of the album, the new single, “Re-Crucified” – featuring Trevor Strnad (The Black Dahlia Murder) and George ‘Corpsegrinder’ Fisher (Cannibal Corpse) – can be heard now here:
Revocation songwriter/front-man Dave Davidson comments: “Normally we tend to close our albums with a more epic style of song, but with this record, I wanted to go in the opposite direction and end with a complete ripper. Inspired by ‘Dante’s Inferno’, this song is meant to feel like a journey through hell, and due to the story-like nature of the lyrics, I enlisted the vocal talents of Trevor Strnad and George ‘Corpsegrinder’ Fisher to aid in our journey into the abyss. Tragically, I received word of Trevor’s passing immediately after we had finished filming the music videos for ‘Netherheaven’, and I was completely devastated by the news. Trevor was a close, personal friend of mine, and his passing was a terrible loss, not only for myself, but for the entire metal community. I’m proud that I could be a part of Trevor’s immense and storied legacy in some small way. His performance along with George’s are two of the highlights of the record for me. Rest in power Trevor, you will be sorely missed but your legacy will never die.“
A video for the previously released single, “Diabolical Majesty” (directed by David Brodsky // mgenyc.com), can be viewed at: metalblade.com/revocation – where Netherheaven is also available for pre-order in various formats.
Four years in the making, the Billboard-charting trio that is Revocation – Dave Davidson (vocals/guitars), Ash Pearson (drums), and Brett Bamberger (bass) – meticulously explore the allegorical and literal aspects of Hell as they dig deeper into the darker, more diabolical side of death metal. In short, where the previous album, The Outer Ones (2018), jettison Revocation into the horrific maw of the cosmos, Netherheaven bores deftly through the nine rings of Hell to directly confront Lucifer and his multitudinous faces. “We’re definitely in more of a death metal mindset than on earlier albums in our catalog,” asserts Davidson. “We’re focusing on how we can write the best death metal-centric album that we possibly can while still pushing our boundaries. The new songs on ‘Netherheaven’ are evil and sinister but also have a progressive element to them to keep things interesting. It’s got our stamp on it, no question.“
Netherheaven was written during downtime after the album cycle for The Outer Ones was complete. The album’s nine tracks were written solely by Davidson, who spent his time between genuflecting at the altars of Luc Lemay (Gorguts), Chuck Schuldiner (Death), Marty Friedman (Megadeth), and celebrated jazz guitarists Wes Montgomery and Kurt Rosenwinkel. Between writing killer riffs and absolutely wild solos, the seven-stringer also practiced (technique), studied (theory), and taught guitar. Revocation truly changed gears when Davidson picked up audio engineering (with Apple’s Logic Pro) to use the pandemic-era lockdowns effectively. It made perfect sense for him to helm the engineer and producer’s chair at his newly-built HeatWave Studios for Netherheaven. Revocation then sourced Swedish studio ace Jens Bogren (Opeth, Kreator) to mix and master at Fascination Street Studios.
“We put a lot of blood, sweat, and tears into the album,” says Davidson. “We want people to be inspired. It’s brutal. We brought our A-game on ‘Netherheaven’.“
Netherheaven track-listing 1. Diabolical Majesty 2. Lessons in Occult Theft 3. Nihilistic Violence 4. Strange and Eternal 5. Galleries of Morbid Artistry 6. The 9th Chasm 7. Godforsaken 8. The Intervening Abyss of Untold Aeons 9. Re-Crucified [feat. Trevor Strnad (The Black Dahlia Murder) and George ‘Corpsegrinder’ Fisher (Cannibal Corpse)]
Album artwork by: Paolo Girardi (Firespawn, Power Trip)
Upon record release, Revocation will kick off a North American headlining tour with Krisiun, Alluvial, and Inoculation as support, before heading to Europe for another headliner in early 2023, this time featuring special guests Goatwhore, Alluvial, and Creeping Death. See below for all dates!
Revocation tour dates w/ Krisiun, Alluvial, Inoculation Sept. 9, 2022 – Lee’s Palace – Toronto, ON Sept. 10, 2022 – Les Foufounes Electriques – Montreal, QC Sept. 11, 2022 – La Source de la Martinière – Québec City, QC Sept. 13, 2022 – Elsewhere Brooklyn – Brooklyn, NY Sept. 14, 2022 – Middle East Restaurant & Nightclub – Cambridge, MA Sept. 15, 2022 – Lovedraft’s Brewing CO – Mechanicsburg, PA Sept. 16, 2022 – The Metro Gallery – Baltimore, MD Sept. 17, 2022 – Elevation 27 – Virginia Beach, VA Sept. 18, 2022 – The Blind Tiger – Greensboro, NC Sept. 19, 2022 – The Masquerade (Purgatory) – Atlanta, GA Sept. 20, 2022 – Brass Mug – Tampa, FL Sept. 21, 2022 – Respectable Street – West Palm Beach, FL Sept. 23, 2022 – Come And Take It Live – Austin, TX Sept. 24, 2022 – Amplified Live – Dallas, TX Sept. 25, 2022 – Rockhouse Bar & Grill – El Paso, TX Sept. 27, 2022 – Nile Theater – Mesa, AZ Sept. 28, 2022 – Brick By Brick – San Diego, CA Sept. 29, 2022 – 1720 – Los Angeles, CA Sept. 30, 2022 – Goldfield Trading Post – Roseville, CA Oct. 1, 2022 – Santa Cruz Vets Hall – Santa Cruz, CA Oct. 3, 2022 – Dante’s – Portland, OR Oct. 4, 2022 – El Corazon – Seattle, WA Oct. 6, 2022 – Metro Music Hall – Salt Lake City, UT Oct. 7, 2022 – Bluebird Theater – Denver, CO Oct. 8, 2022 – The Royal Grove – Lincoln, NE Oct. 9, 2022 – Bigs Bar – Sioux Falls, SD Oct. 11, 2022 – Turf Club – St. Paul, MN Oct. 12, 2022 – Reggie’s Rock Club – Chicago, IL Oct. 13, 2022 – The Sanctuary 2 – Hamtramck, MI Oct. 14, 2022 – No Class – Cleveland, OH Oct. 15, 2022 – Montage Music Hall – Rochester, NY Oct. 16, 2022 – Enclave – Pittsburgh, PA
Revocation tour dates w/ Goatwhore, Alluvial, Creeping Death Jan. 19, 2023 – Schlachthof – Wiesbaden, DE Jan. 20, 2023 – Matrix – Bochum, DE Jan. 21, 2023 – Doornroosje – Nijmegen, NL Jan. 22, 2023 – Logo – Hamburg, DE Jan. 23, 2023 – Valand – Gothenburg, SE Jan. 24, 2023 – John Dee – Oslo, NO Jan. 25, 2023 – Pumpehuset – Copenhagen, DK Jan. 27, 2023 – SO36 – Berlin, DE Jan. 28, 2023 – AJZ – Chemnitz, DE Jan. 29, 2023 – Hirsch – Nürnberg, DE Jan. 30, 2023 – Futurum – Prague, CZ Jan. 31, 2023 – Akvárium Klub – Budapest, HU Feb. 1, 2023 – Viper Room – Vienna, AT Feb. 2, 2023 – Backstage – Munich, DE Feb. 3, 2023 – Kofmehl – Solothurn, CH Feb. 4, 2023 – Alchemica Music Club – Bologna, IT Feb. 5, 2023 – Le Rex – Toulouse, FR Feb. 6, 2023 – Bóveda – Barcelona, ES Feb. 7, 2023 – Copernico – Madrid, ES Feb. 8, 2023 – Stage Live – Bilbao, ES Feb. 10, 2023 – Trabendo – Paris, FR Feb. 11, 2023 – The Black Lab – Lille / Wasquehal, FR Feb. 12, 2023 – Islington Assembly Hall – London, UK Feb. 13, 2023 – Rebellion – Manchester, UK Feb. 14, 2023 – Whelans – Dublin, IE Feb. 15, 2023 – Mama Roux – Birmingham, UK Feb. 16, 2023 – The Fleece – Bristol, UK Feb. 17, 2023 – Zappa – Antwerp, BE Feb. 18, 2023 – Faust – Hannover, DE
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video