The Amblers have never been a band to play it safe. Known for their raw grit, honest songwriting, and uncompromising ethos, the South African duo now step into bold new territory with the release of their upcoming EP, Never the Two Shall Part — out now via Mongrel Records.
The bands evolution is striking but never contrived. For the first time, they incorporate synth textures and layered production elements into their sound. Yet, true to form, the music retains the weight, soul, and signature tones that have earned them a dedicated following.
“We’ve branched out a bit,” the band shares. “There’s a lot more synth work and some new production techniques in the mix. But it all still fits. It’s undeniably The Amblers — just more of what’s always been there, waiting to come out.”
Unlike many contemporary releases that are designed around marketing strategies or big concepts, Never the Two Shall Part emerged organically. The band describes the process simply: songs written out of instinct and necessity.
“We were simply writing again — letting songs come naturally. There was no major concept or theme. Just a continuation of the work. When it’s time to create, we create.”
And while they resist being pinned down to politics or identity narratives, The Amblers acknowledge that the world’s divisions inevitably seep into their work. “It’s not South Africa specifically — more the state of the world. It’s divided. Always has been. Maybe always will be. That’s why art matters. Artists push back. They interrogate. They speak when everything else is noise.”
Still, this isn’t music built to deliver easy answers. Never the Two Shall Part is about expression, not resolution. Every song is personal, yet open for interpretation, inviting listeners to derive their own meaning.
“We don’t have a formula. Songs come how they come. No desired outcome. We don’t create with an audience in mind. It’s for us — and always has been. That authenticity is what people connect to in the end.”
The EP was brought to life with help from trusted collaborators. Drums were recorded at High Seas Studios with Jacques Du Plessis, while much of the band’s unmistakable guitar tone comes from gear crafted by Benjamin Craig of Craig Amps. Both remain integral to The Amblers’ sonic identity.
With Never the Two Shall Part, The Amblers once again prove that they are more than just a band — they are artists who push boundaries while staying true to themselves. And, as they hint, this is only the beginning.
“We’re already writing. More music is definitely on the way.”
Electronic metal group SOLENCE are as bold as ever on their new single “Angels Calling,” an anthemic song about living out loud and in the moment. Released on September 26, it’s the title track of, and fourth single from, their ANGELS CALLING album, now due October 31 via Better Noise Music. Listen to the track HERE and view the video HERE. Pre-orders for the album are available HERE.
SOLENCE—frontman Markus Videsäter alongside guitarist David Strääf, keyboardist Johan Swärd, and drummer David “Viking” Vikingsson—is based out of Los Angeles and originally hail from Sweden. They deploy big pop hooks and electro savvy with the heavy yet melodic intensity of trailblazing Swedish metal into a distinctive international sound equal parts hypnotic and uplifting.
“We started writing ‘Angels Calling’ while on tour with The HU back in 2024, inspired by Eastern European folk music,” explains singer Markus Videsäter. “When we had the vocals and the song started to come together, it instantly felt like a perfect title track. This song has everything—the lyrics, the energy, the chorus, the breakdown—everything we wanted the album to include. We really hope the fans enjoy it as much as we do!”
“Angels Calling” follows up on the August 8 release of “Wish You The Worst.” Listen to the track here HERE and watch the video HERE. “Where Were You..?” came first on May 13, available for streaming and downloading HERE, and the lyric video can be viewed HERE. “Dead_Alive” followed June 27. Listen to it HERE and the watch the lyric video HERE. All the videos released so far have amassed over 222k views.
SOLENCE returns on ANGELS CALLING with fresh visuals, a new look, and a retrofitted sound that combines the best of their past with a look into the future for both the group and the genre. “For some reason, I’ve always felt like my time on earth is limited, as if I might die young,” Videsäter explains. “Our music is about making the most of life, relationships, and passion before heaven calls us home.”
With songs like “Monsters in My Head,” “MESS,” “All of the Pain Must Go,” and the title track, the band forms a diverse collection of their most highly charged material yet. “We are now the hype squad and the party train,” smiles guitarist David Strääf.
Each member began playing music at a young age: Markus played the trumpet, David the violin, Johan the bassoon, and Viking the drums. “I knew music was what I wanted to do when I was seven,” Markus says. “I went to music school, where I met the band. We shared the drive to create. That’s the spirit that started this band. The goal was to keep moving, no matter what direction we went.”
Lauded as one of Pandora’s “Rising Rock Artists To Watch In 2023,” SOLENCE have, to date, garnered over 378 million cumulative streams with as many as 862k monthly Spotify listeners and over 100 million video views since their formation in 2012. The band started by releasing heavy renditions of well-known pop hits from the likes of Imagine Dragons, Fall Out Boy, Ed Sheeran, Britney Spears, and Queen before breaking out with their 2019 debut album BROTHERS. It was quickly followed by their sophomore album, DIRECTION, which saw them achieve their first Active Rock radio charting with “Animal In Me” which became SiriusXM Octane’s most-played track in 2020. Octane’s Sr. Director, Music Programming Vincent Usuriello described SOLENCE’s sound as “a dynamic fusion of rock, metal, and pop elements, with powerful vocals, electrifying guitar riffs, and infectious melodies, creating an immersive sonic experience.” In 2021, SOLENCE released their third album, DEAFENING, which showed their range of inspirations from music to anime, gaming, sci-fi, and even philosophy and soon followed with their fourth album HOPE IS A CULT in 2023. Amidst writing new material for SOLENCE, Videsäter and Strääf have lent their songwriting skills to pop acts including Jason Derulo and Bebe Rexha.
In 2025, SOLENCE continues to spread its life-affirming message. “‘Until I hear the ‘Angels Calling’ reminds us that life is way too short to worry about doubt or making mistakes,” Markus points out. “We never know when our time is up, so let’s make the most of it while we can!”
SOLENCE will hit the road later this year for a European tour opening for NOTHING MORE, which launches November 7 in Finland, along with Catch Your Breath and Ankor. General tickets are available now on their official website.
Check out SOLENCE’s tour with Nothing More at any of the following stops:
Fri 11/7 Tampere, Finland Tavara-Asema Sat 11/8 Lahti, Finland XXL Mössö 2025 Mon 11/10 Stockholm, Sweden Fryshuset Arenan Tue 11/11 Oslo, Norway Vulkan Arena Wed 11/12 Copenhagen, Denmark Amager Bio Fri 11/14 Hamburg, Germany Große Freiheit 36 Sat 11/15 Berlin, Germany Astra Kulturhaus Sun 11/16 Warsaw, Poland Progresja Tue 11/18 Prague, Czeck Republic Archa+ Wed 11/19 Vienna, Austria Arena Fri 11/21 Munich, Germany Backstage Sat 11/22 Stuttgart, Germany LKA Longhorn Sun 11/23 Zurich, Switzerland Komplex 457 Tue 11/25 Tilburg, Netherlands O13 Wed 11/26 Paris, France Elysee Montmarte Fri 11/28 Frankfurt, Germany Batschkapp Sat 11/29 Cologne, Germany Essigfabrik Sun 11/30 Antwerp, Belgium Trix Tue 12/2 Glasgow, Scotland SWG3 Thu 12/4 Manchester, U.K. O2 Ritz Fri 12/5 London, U.K. O2 Forum Kentish Town Sat 12/6 Bristol, U.K. O2 Academy
Arizona, extreme metal trailblazers SOULFLY will deliver their tribally fueled thirteenth album CHAMA on October 24th 2025 via Nuclear Blast Records. Once again, a remarkable testament to the Brazilian songwriter’s natural affinity for slamming yet rhythmic riffs that defined his signature sound to listeners around the world. A true return to the spiritual upbringing of SOULFLY that somehow bears a modern-day edge and vitality. Something that could only be attained by a true master of the craft, and Max has stunned us all again.
The latest song from SOULFLY ‘Nihilist‘ continues the Cavalera family legacy with a track that is a testament to raw aggression. The song features the bands legendary sound enhanced by the evolving role of Zyon Cavalera as producer. The track not only delivers on the band’s hallmark sound but it injects a modern, vital, sonic assault onto the listener and features Todd Jones of NAILS.
Max Cavalera comments, “My lyrics are inspired by LG of Entombed and Nihilist. He left this earth in 2021 and he was always a big influence on me. This is one of the heaviest songs on the record and I love the fact that we went to Bulgaria to make the video. Todd Jones is the special guest on the song, delivering the hardest line on the record. ‘I don’t believe in anything!’”
Mike De Leon states, “From the depths of the deepest tribes, we bring you the new Soulfly. This being my first official video ever with the guys, is a complete honor. Enjoy it, crank it up and start the living room mosh pits!”
Metal Titans KREATOR have announced that their sixteenth studio album, KRUSHERS OF THE WORLD, will be released on January 16th, 2026 via Nuclear Blast Records. Following the recent releases of the KREATOR documentary film Hate & Hope as well as Your Heaven, My Hell, the autobiography of front man Mille Petrozza, KRUSHERS OF THE WORLD will be the next step in the evolution of KREATOR – a band that is still at its peak more than forty years into their career.
KRUSHERS OF THE WORLD is not a shy title, it is a statement, an expression of pride and self-awareness knowing how long and hard the band’s path has been and knowing what they still have to say and share with their ever growing following. After the buzz around the movie and book, it is time for KREATOR to let the riffs, the roaring vocals, and thunderous drums do the talking.
Rounded off by a triumphant production courtesy of Jens Bogren at Fascination Street Studios, who previously worked with the group on Phantom Antichrist (2012) and Gods Of Violence (2017), KREATOR return in perfect shape. The stunning cover artwork was created by none other than Polish genius Zbigniew Bielak (Ghost).
Furthermore, KREATOR have announced a massive EU & UK Headline tour with Carcass, Exodus and Nails for March and April 2026. Tickets are on sale NOW! You can find all confirmed dates at the bottom. Please be aware that strictly limited ticket + album bundles for the German live dates are exclusively available via the Nuclear Blast online store:
Mille Petrozza commented: “We are beyond excited to kick off the new year with the release of our brand-new album KRUSHERS OF THE WORLD, dropping January 16, 2026!
But that’s not all! On March 20th, we’re hitting the road to bring you our biggest tour production ever. This will be a night of unrelenting metal mayhem, featuring our brothers-in-arms Carcass, Exodus, and the mighty Nails.
This marks an exciting new chapter for the band, and we can’t wait for you to experience the new music live plus a selection of classic Kreator, old and new.
Hail to the hordes!
Alongside the album and tour announcement, KREATOR have unleashed a krushing new single called ‘Seven Serpents‘, accompanied by a cinematic music video, which you can watch below.
For the German shows of this tour, a strictly limited amount of album plus ticket bundles is exclusively available through the Nuclear Blast store: https://www.nuclearblast.com/collections/kreator
Fresh off of their successful recent European tour, FLOTSAM AND JETSAM are thrilled to announce their brand new partnership with Napalm Records! The American thrash metal legends have signed a worldwide contract with the premier rock and metal label, and are preparing to release new music soon.
A new era is dawning for the Arizona metal icons. With their iconic mascot Flotzilla growing more menacing with each release (just like the band themselves!), FLOTSAM AND JETSAM‘s work on their upcoming 16th studio album keeps the heavy momentum moving. Currently in production and slated for a 2026 release, it’ll mark nearly 40 years since the band’s groundbreaking debut, Doomsday for the Deceiver—one of the only albums to ever receive a 6K rating from Kerrang! Magazine. Though bassist Jason Newsted departed to join Metallica, the band pushed forward, following up with 1988’s unstoppable No Place for Disgrace. Since then, they have continued to evolve, showcasing some of their best work to date with recent releases Flotsam and Jetsam, The End of Chaos, Blood in the Water, and I Am The Weapon.
The band’s current lineup is arguably its strongest ever. Frontman AK Knutson continues bringing the magic, steadily improving his craft with every album and tour. He’s backed by the incredibly talented, exceptionally brilliant guitar duo of co-founder Michael Gilbert and Steve Conley, the powerful, precise and lightning fast magic of drummer Ken K Mary (Alice Cooper, Accept), and the “fresh blood”, extraordinary technical skills and prowess of bassist Bill Bodily.
Michael Gilbert of FLOTSAM AND JETSAM offers about the signing: “We are extremely excited about working with Napalm! They are an amazing company that is very passionate about metal music, just like FLOTSAM AND JETSAM is. Everyone in the band looks forward to a great relationship with a very like-minded company!”
Napalm Records Senior A&R Sebastian Münch adds: “We’ve been very impressed by Blood In The Water and I Am The Weapon, the two amazing Power/Thrash Metal albums that FLOTSAM AND JETSAM have released in recent years. Due to that and their legendary metal status, we are absolutely thrilled and proud to work alongside the band as they continue their legacy! Welcome to the Napalm family!”
With this powerhouse lineup and new label partnership, FLOTSAM AND JETSAM are primed to deliver another onslaught of relentless aggression in 2026!
FLOTSAM AND JETSAM is: Eric “AK” Knutson (Vocals) Steve Conley (Guitar) Michael Gilbert (Guitar) Bill Bodily (Bass) Ken K Mary (Drums)
Daedric continues the journey to their album As The Light Left with their latest single “Dreamweaver“, out now across all platforms from FiXT.
Daedric continues to push sonic boundaries with their latest hard-hitting single, “Dreamwaver” a blistering fusion of hard rock, electronic rock, and alternative metal. Powered by fierce energy and immersive storytelling, the track is a late addition to the band’s album that quickly proved itself essential.
Originally sparked by an undeniable demo “Dreamweaver” emerged as a spiritual sequel to fan-favorite “Alien Skin,” expanding its themes of paranoia, existential dread, and reality distortion. The song’s protagonist finds themselves trapped in an endless nightmare, questioning whether they ever truly escaped or if something dark still stalks them from the shadows.”It’s like, ‘Am I still in this nightmare? Did I ever escape? Or is something still after me?'” – Daedric
Musically, “Dreamweaver” is one of Daedric’s heaviest tracks to date. Crushing guitars, thunderous drums, and deep synth layers collide in a cinematic storm of aggression and atmosphere. The eerie, sci-fi horror tones are complemented by ominous whispers and soaring vocal hooks that dig into the listener’s psyche. The breakdown, originally intended as an instrumental moment, took on a life of its own with the addition of vocals, transforming into a climactic peak of intensity.
Lyrically, the track explores self-doubt, fear, and the terrifying possibility of being haunted by something unseen. The chorus hits with piercing existential questions: “Can you see the perpetual night? Do you know that it’s never alright?”
With its fierce mood, heavy instrumentation, and haunting narrative, “Dreamweaver” stands as a defining moment on Daedric’s record, cementing the band’s ability to blend storytelling with sheer sonic force.
As The Light Left is an album forged in both chaos and catharsis. With an unrelenting blend of nu-metal grit, cinematic darkness, and raw vulnerability, Daedric pushes their sound further than ever before—channeling pain, nostalgia, and primal fury.
The album opens with “The Other Terror,” fueled by a mental breakdown and relentless guitar riffs keeping the chaos sharp and direct. With unnerving screams and a tempo that mirrors the energy of fan-favorite “Nirn,” it sets the tone for an album that refuses to hold back. “Sand Tiger” stomps onto the scene like a nu-metal time capsule from the early 2000s, gritty, groovy, and scratched to hell. Inspired by the Cave of Wonders from Aladdin and built from a Linkin Park-esque synth loop, the track fuses live and electronic drums with existential lyrical weight. Then there’s “Callous”, a song that almost didn’t survive. The track was set to be delivered to the mixing engineer when the band collectively decided to tear it apart and rebuild it from the ground up. What emerged was a modern, emotionally devastating anthem about betrayal and self-inflicted retribution. It’s Daedric at their most emotionally and sonically unpredictable. “Night Mother”, is the song that truly marks the start of the album’s creation and all the turbulence that came with it to become a cornerstone of the album’s tone: brooding, cinematic, and deeply human.
Throughout As The Light Left, Daedric strips away polish in favor of pain, letting raw emotion bleed through genre-bending production and ferocious vocals. It’s not an album of easy answers or tidy resolutions. It’s the sound of collapse and creation, of dancing on the edge of the fire, torn between fury and fragility. Born from breakdowns, creative tension, and fearless reinvention, As The Light Left is both a cathartic purge and a statement of artistic intent: Daedric refined, but still untamed.
Daedric is an alternative rock and metal project led by vocalist and artist, Kristyn Hope, alongside producers, Clay Schroeder and Geoff Rockwell.
Daedric draws inspiration from an eclectic array of sources including the open world role-playing game series, The Elder Scrolls, from which the Daedric name is derived. The musical soundscape can best be described as “all killer, no filler” (according to Metal Epidemic) with a dance of hypnotic synths, elaborate grooves, and intensely dynamic vocals.
Kristyn launched the Daedric project in 2021 through a partnership with electronic rock label FiXT. With the debut full-length album, Mortal, and a May 2025 tour supporting TesseracT under Daedric’s belt, the project has solidified its hold on the line between rock and metal, with promises to tighten its grip on listeners’ ears. The band continues forward with a new album slated for release in late 2025.
Daedric has collaborated with labelmates Celldweller, Fight The Fade, Andromida, Void Chapter, and Highsociety for a gamut of well received singles that have also pulled in more fans from across the world. After dropping a variety of singles, music videos, and collaborations Daedric has amassed nearly 500K followers across all platforms, scored interviews in Outburn’s issue #112, mentions on Louder Sound, Punk Rocker, Metal Hammer, Metal Injection Spotify’s official “Women Of Metal” playlist, and recognition from Cristina of Lacuna Coil in a Spotify Women of Metal roundtable discussion between Lacuna Coil, Spiritbox, and Halestorm. They’ve also gained notoriety as Daedric’s track “Abandon,” a collaborative effort with Andromida, found its way into the spotlight when Ubisoft chose it for inclusion in a promotional trailer for Rainbow Six Siege.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video