Canadian death metal stalwarts LAST RETCH return with their most explosive material yet: the second full-length album “Abject Cruelty”, set to be released on September 26th 2025 via Time To Kill Records.
Hailing from Hamilton, Ontario, LAST RETCH have been hard at work crafting a new chapter that promises to command the attention of underground death metal fans worldwide. Blending the bulldozer-like march of war masters Bolt Thrower with the bone-crushing stomp of Cannibal Corpse at their most muscular, the band has forged a sound that’s primed for the chaos of the pit and the raw aggression of the genre’s most punishing traditions.
“Abject Cruelty” stands as a testament to LAST RETCH’s dedication to relentless riffing and unflinching heaviness.
“The track is about a swamp-dwelling murderer who constructs a polder in his bog to conceal the bodies of his victims. Over time, the corpses rot and break down, emitting a disgustingly potent gas that envelopes his abode. As the years pass, he begins to feel remorse for his many atrocities. Over time, guilt for his crimes begins to consume him, and he turns to inhaling the putrid fumes as a means of escape. In his intoxicated state, the urge to kill resurfaces, trapping him in an endless cycle—murdering for the high, again and again”.
Tracklist:
1. Abject Cruelty 2. Beasley Meth Merchants 3. Dissecting the Leper 4. In the Polder They Reek 5. Resinous Drip of Decay 6. Dissolved in Lye (Down to Rot) 7. Oozing Pustules 8. Gatling Gun
LAST RETCH is a death metal band hailing from Hamilton, Ontario, Canada.
They first made their mark in early 2021 with a well-received demo that captured their raw, unfiltered sound and quickly drew the attention of underground death metal fans. In September 2022, LAST RETCH released their debut full-length album, “Sadism and Severed Heads”, a savage collection of nine tracks that pushed their sound to new levels of intensity and featured cover artwork by renowned painter Paolo Girardi. Building on this momentum, the band released the “Ergotism” EP in April 2024, showcasing their evolution with a tighter, even more aggressive sound.
LAST RETCH continues to refine their approach to death metal, never shying away from brutality while adding new layers of depth and atmosphere to their music. In 2025, the band will return with a new album, an even more structured and well-produced effort that promises to be their most impressive work to date.
Line-up:
Finlay Blakelock – Vocals Matt Fyke – Bass Spencer Robson – Drums Derek Brzozowski – Guitar John Russell – Guitar
Like smoke from a shaman’s pipe, Mawiza have risen as a guiding force for indigenous metal. Integrating tribal rhythms and ancient instruments into groove metal has won these modern day Mapuche warriors respect from the Chilean Grammys and scene elders like Mercyful Fate, Mastodon, Slipknot and Gojira. Now, with their third album and first for Season of Mist, the band are summoning a towering defense of their ancestral land.
“Sung entirely in Mapudungun, it’s as thematically enlightening as it is musically distinct”, Metal Hammer UK writes about ÜL in an 8/10 review. “…these up-and-comers feel close to fully formed and vital to listen to”.
“In a genre that too often forgets its own roots, Mawiza are digging deep into language, into legacy, into land and returning with something eternal”, writes Metal Lair. “Not just a great Latin American metal record. One of the year’s most important”.
ÜL was released, Friday, July 18, and you can hear all nine defiant anthems by listening to the full album stream on the Season of Mist YouTube channel.
“ÜL is the voice of the land, the origin of feeling, the first call to connect with emotions”, Mawiza says. “Our new album is the materialization of a part of the spirit that, for a few seconds, becomes one with the wind – a force we can hear, feel resonating, communicate with, and return to. It is our indigenous chant, and like smoke, it rises as a message to the skies”.
Hear Mawiza perform ÜL during their ongoing European tour with fellow Chilean metalheads Ater.
Immortal Flame 2025 European Tour July 19 – Targu Jiu, Romania @ Piano July 20 – Sibiu, Romania @ Rock & Bike July 21 – Timisoara, Romania @ Nemesis July 22 – Brasov, Romania @ La Templarie Pub July 23 – Arad, Romania @ Club Flex July 24 – Budapest, Hungary @ Riff July 25 – Szeged, Hungary @ Varosi Club July 26 – Pecs, Hungary @ Vararok July 27 – Ostrava, Czech Republic @ Barrack July 31 – Pinerolo, Italy @ Spazio Nino August 1 – Barberaz, France @ Brin De Zinc August 2 – Ostend, Belgium @ B52
Mawiza are a force of nature on ÜL. With sky-scraping riffs and earthshaking grooves, these nine chants call for the protection of Mapuche territory. Opening ceremony “Wingkawnoam” stomps to an industrial groove, but the song’s bounding rhythm mirrors the way a deer dances while eluding its predators. “History is normally written by the colonizers”, the band says. “We have to show the indigenous vision”.
Mawiza have seen the Mapuche Nation endure tremendous hardships. With its storming leads and blood-pumping chants, “Ngulutu” echoes the ancient battles between the Spanish and Mapuche by channeling the strength of the Mapocho and Maipo rivers. Half of the video for “Mamüll Reke” was filmed on Mapuche territory in southern Chile, outside the city of Valdivia, that is now controlled by two timbre companies.
But the band are steeled by the resistance of not only their Mapuche ancestors but also their land. Soaring above the clouds with brightly piercing flute, “Mamüll Reke” draws its harmonious energy from a mournful Afafan war cry. “Mamüll reke / Lhalu witxan / Afafalen / Lhayaiñ ka (Just like the tree / that dies standing / chanting the war cry / we will die too)”.
“The Mapuche are still standing”, Mawiza’s vocalist and guitarist Awka says. “You can cut us down, but if one falls, ten shall rise”.
For the album’s climactic harp-strung defense, Mawiza bring together allies from across their community. Gojira frontman Joe Duplantier joins forces with Mapuche tribesmen on “Ti Inan Paw-Pawkan”, which comes roaring down with the rushing force of a waterfall. “We wanted this song to sound like nature resisting the advancement of the city”, says the band’s drummer Txalkan. “Even when crushed by industrial pollution, nature is always pushing up from beneath the concrete”.
On ÜL, Mawiza summon ancestral spirit with modern groove metal.
“I love Mawiza! For their music, for who they are as individuals and for what they stand for”, Joe Duplantier says. “They represent and honor their powerful Mapuche heritage, amplifying its relevant message of connection with our roots and the universe as a whole. And they do so with determination and in the most modern way, with heavy riffs and an openness to new ideas and to the world. A conversation between past, present and future. Don’t give up the fight!”.
“I have been working with Mawiza for several years,” says Andrés Hetzler, who filmed all three videos for ÜL. “It’s always an honor to continue our collaboration. Their message deserves a strong and powerful visual”.
“This was a profound experience”, says the band’s photographer Kata Ulloa. “I would like to thank the Mapuche community for opening their doors to me, welcoming me so warmly and allowing me to get to know their culture from the inside. I would also like to thank Mawiza for trusting my aesthetic and vision for their album cover. I deeply love the band’s honesty and character, as subtle as it is expansive”.
Tracklist(English Translation) 1. To Decolonize (3:38) [WATCH] 2. Hummingbird Dream (4:29) 3. Western Storm (3:50) 4. Become a Cougar (5:06) 5. Just Like The Tree (4:24) [WATCH] 6. The War of the Sky (6:13) 7. Dead of the Sun (4:08) 8. Let It Die (3:58) 9. The Last Harp Call (featuring Joe Duplantier from Gojira) (4:42) [WATCH]
ÜL means “chant” in Mapuzugun. The album represents the voice of the land, the origin of feeling, the first call to connect with emotions. It is the materialization of a part of the spirit that, for a few seconds, becomes one with the wind—a force we can hear, resonate, communicate with, and return to. ÜL is Mawiza’s indigenous chant, and like smoke, it rises as a message to the skies.
Like their Mapuche ancestors, Mawiza always look back. ÜL chants to awaken the energies that have fallen asleep in the land, using the power of the great cities to resist the noise of imbalance. In this way, the album becomes another element of nature, a force defending itself, speaking in its own language to keep fighting and condemning those who continue to futilely subjugate their own strength.
With ÜL, Mawiza present themself to the world with a decolonizing and empowering mission. The album proclaims that nature possesses consciousness and spirit. Opening song “Wingkawnoam” emphasizes the importance of indigenous Mapuche thought by following dreams as precise guides for one’s path in life.
“Pinhza ñi pewma” is a dream that Mawiza’s vocalist Awka had during a time when hummingbirds were nowhere to be seen. Their chant was absent and the chilco plant was disappearing. In Awka’s dream, four hummingbirds came to feed on the blood from his fingertips, as if it were nectar flowing from the flowers of the chilco.
ÜL pays tribute to nature and Mawiza’s ancestors. “Ngulutu” recalls ancient battles between the Mapuche and the Spanish in Santiago, Chile. “Mamüll Reke”, “Wenu Weychan”, “Lhan Antü”, and “Kalli Lhayay” are filled with rhythms and sounds reminiscent of the most hermetic rituals of the Mapuche people. They were used by shamans to induce trance and heal the sick, to communicate with and greet the spirits of the mountains.
Closing song “Ti Inan Paw-pawkan” features chants from members of Mawiza’s indigenous community, as well as Gojira frontman Joe Duplantier. It is here, during the album’s finale, that the band stake their claim as both indigenous and urban. The song acknowledges the mission entrusted to Mawiza by Mapuche authorities and by the land itself: to raise awareness about balance on Earth in an empowered way and to call for greater attentiveness to Mapuche territory. Otherwise, the consequences will be dire.
Rising Steel are pleased to unveil their new single and official music video, “Black Martin”, taken from the upcoming new studio album “Legion Of The Grave”, set for release on August 29th, 2025, via Frontiers Music Srl.
The band said: “Black Martin” is a dark and emotional journey through the mind of a tormented soul. Caught between crime, poverty, and a cursed fate, the character battles inner demons, seeking redemption in a world that shows no mercy. It’s a haunting confession – part nightmare, part desperate prayer – from someone lost in the shadows, but still searching for a way out”.
“At its core, Black Martin tells the story of a professional killer who, despite his thirst for violence and the blood on his hands, longs to escape eternal damnation. Torn between his deadly instincts and a fading hope for salvation, he walks a doomed path where forgiveness feels forever out of reach”, they added. “Musically, the track is steeped in the spirit of doom metal legends like Candlemass and Black Sabbath – heavy, slow, and soaked in despair. Massive riffs, haunting melodies, and an atmosphere thick with dread carry this tale of a soul trapped in its own darkness”.
Talking about the album, the band commented: “Sharpened in both sound and spirit, we returned to a more old-school heavy metal approach – without losing the raw energy and intensity that have long defined our style. Every track hits with precision, driven by razor-sharp riffs, commanding vocals, and an organic production that channels the true passion of real metal.”
“The album explores darker and more introspective themes, focusing on lost identity, inner struggles, and the strength to rise again. With a mix of raw emotion and powerful imagery, we aim to take the listener on a journey through personal battles that reflect broader human experiences. It’s both a statement of resistance and a search for meaning”, they continued.
Rising Steel’s new album, “Legion Of The Grave” is their fourth full-length studio effort and it sees the French metallers playing as ferociously as ever, while continuing to evolve their heavy and aggressive sound.
The album was recorded in France by Mathieu Gaud and Steel Zard at Studio de la Plaine (KNT) and Lezard Studio. Mixing duties were handled by Staffan Karlsson and Rickard Bengtsson at Sweetspot Studio in Sweden, known for their work with bands like Meshuggah and Arch Enemy. It was mastered by the renowned Mika Jussila at Finnvox Studios in Finland, ensuring a production that’s as powerful and precise as the music itself.
Based in Grenoble, France, Rising Steel deliver a “not so” classical heavy metal experience, drawing strong influence from the ‘80s NWOBHM movement, as well as elements of hard rock and thrash. With nods to iconic bands like Judas Priest and Iron Maiden, their music also appeals to fans of Metallica, Accept, Saxon, Grand Magus, Nevermore, and Slayer.
Following the release of their debut EP “Warlord” (2014) and the full-length album “Return Of The Warlord” (2016), the band gained traction by sharing stages with acts such as Jaded Heart, Sister Sin, Nightmare, ADX, Nashville Pussy, and Annihilator. This helped increase their international visibility.
Their second and third albums, “Fight Them All” and “Beyond The Gates Of Hell”, both released via Frontiers Music Srl, further cemented their reputation in the European metal scene.
Now, with “Legion Of The Grave”, Rising Steel return with an explosive offering full of crushing riffs, high-speed rhythms, and no-compromise heavy metal power. It’s a must listen for headbangers seeking pure, unfiltered metal mayhem.
“Legion Of The Grave” Tracklist:
1. Betrayer 2. King Of The Universe 3. Black Martin 4. Legion Of The Grave 5. Nightmare 6. Venomous 7. Messiah Of Death 8. Dead Mind 9. Trapped In A Soul’s Garden 10. Night Vision Line Up: Emmanuelson – Vocals Steel Zard – Drums Tony Steel – Guitars Steff Leadmaster – Lead guitars Stone warrior – Bass
Holler has released a video for “Chandelier”, taken from the new album “Next In Line” released in May by Scarlet Records.
The idea of covering Sia’s massive global hit came from the mind of Matteo Chimenti, Holler’s keyboardist and main composer. He completely overturned and rewrote the music, minus the vocal line – a real challenge for Terence Holler! The end result is a heavy blues track with a strong impact: a hommage to a great artist & performer, and an amazing ‘new song’ on its own!
video by Jimmy Burrow
“Next In Line”:
sophomore album for the hard rock/AOR project of the former Eldritch frontman;
Brooklyn-born Terence Holler keeps revealing his very own American classic rock influences;
featuring a cool hard rock cover version of Sia 2014’s hit “Chandelier”;
1 A Miracle 2 Stormy 3 Chandelier 4 Don’t Fool Me 5 The Ocean 6 24Seven 7 Crystal Eyes 8 Trust 9 Away 10 The Leader 11 Perfect Place
Total running time – 50:00
artwork by Luca ʻZEEROʼ Zironi
After the successful 2024’s debut album “Reborn”, Terence Holler keeps digging into his 70s and 80s hard rock/AOR DNA and releases ten refreshing new songs that once again celebrate the absolute mystery of love.
Backed by a sensational band of technical masters, the Italian American singer is finally free to fully express his storytelling vein. “Next In Line” is a precious collection of memories and feelings: at times cocky and sensual, at times tender and moody, always heartfelt, sincere and honest.
Love is a funky & groovy affair according to the Holler recipe!
In support of their latest, critically-acclaimed studio album “Plead The Fifth” (released last week via ROAR here), Austrian glam metal rockers Mädhouse have shared a brand new music video for the high voltage track “It’s A Monster In My Head”!
Mädhouse founding member and guitarist, Mikky Stixx, tells us about the song: “Nothing clouds your brain like the unfiltered consumption of nonsensical information. On the trip of being increasingly influenced by the media, we lose control over ourselves. You might as well take a noseful of mycotoxin.
– On the prowl for satisfaction oh no, it´s a crying shame On the run from counteraction Insane is my middle name!”
Formed in 2017 by Mikky Stixx, Mädhouse‘s origins trace back to a spontaneous Hard N’ Heavy show, where 18 rock musicians gathered, leading to the band’s creation. Drawing inspiration from legendary acts like Mötley Crüe, Skid Row, and Ratt, Mädhouse blends the raw energy of classic glam metal with a modern hard rock edge. Their sound is unmistakable—gritty riffs, anthemic choruses, and an unapologetic attitude that demand attention. Since their debut, the band has continuously evolved while staying true to their wild, rebellious spirit.
The band’s first album, “Money Talks Bullshit Walks” (2019), introduced their high-energy style, followed by “Bad Habits” (2021), a more polished and aggressive follow-up. They further refined their sound with “Down ‘N’ Dirty” (2022), and now, their latest release, “Plead The Fifth”, pushes the boundaries even further with heavier riffs, bolder lyrics, and an electrifying presence!
Known for their explosive live performances and larger-than-life stage presence, Mädhouse continues to captivate audiences worldwide. The current line-up features Tommy Lovelace on vocals, Mikky Stixx and Thommy Black on guitars and backing vocals, Rickey Dee on bass, and Bobby B Bastard on drums. Together, they keep the spirit of glam metal alive, delivering high-octane rock that never backs down. With “Plead The Fifth”, they prove once again that glam metal is far from dead — it’s louder, bolder, and wilder than ever. Turn up the volume, join the madness, and let rock ‘n’ roll reign!
01 – Midnite Fever 02 – We Run Riot 03 – Bring On The Night 04 – Shotgun Rider 05 – Wicked Hearts 06 – Get A Grip 07 – Live And Tease 08 – It’s A Monster In My Head 09 – I’ll See You In My Dreams 10 – Mad To The Bone 11 – Loveplace 12 – I Die Alone 13 – You Got The Tail Down
MÄDHOUSE is: Tommy Lovelace – Vocals Mikky Stixx – Guitars Thommy Black – Guitars Rickey Dee – Bass Bobby B. Bastard – Drums
Finnish heavy rock band I.F.A released the fourth and last single ‘Tiimalasi’ from their forthcoming eponymous second studio album which is set to be released on August 8th 2025 via Inverse Records. A music video has also been made for the track, which can be viewed below.
The band comments: “The composition of the album’s title track has been a long-standing idea of a versatile slower piece, the different sections of which have found different chord progressions for the guitar strings while meditating. When the composition was completed, it began to sound suitable for lyrics like this.
People have often heard talk about the passing of the sands of life, and the theme of the song reflects this. It feels like in today’s world, perhaps even more people are trying to fight aging and gain more years of life at any cost, but the grim reaper will find even the best escapees.”
I.F.A was founded in 1985 in Vihti. Aapo McMillan and Timo Supperi were the founding members, and Jouni Kaunisto was brought in as a singer. The band’s name was derived from the East German Industriverband Fahrzeugbau (IFA) car brand, whose cars were manufactured between 1948 and 1956.
The music of the early days of I.F.A was punk-influenced. Over the years, the sound took shape into the current heavier form without forgetting the band’s roots. The band’s activities took a break in 1989, until it was reactivated in 1999. The current line-up took shape when guitarist Tom Heskell joined in 2019 and drummer Herra Koivuniemi in 2023.
The band released their first album of their long career, which was named Ifandia, self-published for streaming in 2021. Albums 17 songs have been collected over the band’s long career.
Kumarra, Panssarimorsian, Pimeää and Taiteilija singles released in 2023 – 2024 gathered promising streaming numbers as a self-published artist and received airtime on Radio Rock, among others. In 2024, the band signed a recording contract with Inverse Records. The new album is scheduled to be released in 2025.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
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