After roaring back onto the scene with last year’s Catalyst EP, Boston hard rock band Prospect Hill unleashed their new single “Victim” today via Oktapus Rights Management / Red 13 Records . This heavy, hard-hitting track channels a nu-metal influence and takes aim at toxic blame culture with unflinching lyrics. “Victim” was produced by Shaun Lichtenstein, Derek Rousseau, and Mark Roberge; co-written by Rousseau, Roberge, Lichtenstein, Zach Gamache, and frontman Edgar Troncoso; and mixed by Lichtenstein.
Blending downtuned guitars, aggressive grooves, and a fresh nu-metal edge, “Victim” stands out as one of Prospect Hill’s most intense and personal songs to date. The track’s confrontational theme targets the toxic blame culture of those who dodge accountability. “‘Victim’ is a call to action for anyone who makes excuses for their problems instead of taking meaningful steps to fix them,” says drummer and co-founder Mark Roberge, voicing the song’s core message. “Too many people are out there playing the victim, and it’s not a good look. The real solution is taking ownership of your struggles and making the necessary changes to rise abovethem.”The band’s passion behind these lyrics is palpable, delivering both a sonic punch and a rallying cry for personal responsibility.
Back from Hiatus with New Lineup and Momentum
“Victim” arrives as the latest milestone in Prospect Hill’s triumphant return to the rock scene. After nearly a decade-long hiatus, the band made a powerful comeback in late 2024 with the Catalyst EP—a three-song release that introduced fans to Edgar Troncoso as the band’s new lead vocalist. Troncoso, formerly the group’s bassist, stepped up to the mic and brought a commanding new voice to Prospect Hill’s sound. Longtime guitarists Derek Rousseau and Johnny Roberge, along with drummer Mark Roberge, remain at the core of the lineup. The band celebrated their return with a sold-out EP release show in New England, proving that their fanbase’s enthusiasm is as fierce as ever. Building on their legacy, Prospect Hill boasts an impressive track record from their earlier years. The Boston-based quintet has shared the stage with rock heavyweights like Disturbed, Slipknot, and Breaking Benjamin, earning their stripes on national tours. They also scored a Billboard-charting single with “Come Alive,” a breakout track that climbed into the Top 50 of the Active Rock charts and became a fan favorite. With the release of “Victim,” Prospect Hill continues a series of new singles leading up to a full-length album due later in 2025 – a clear sign that this comeback is just getting started.
Electrifying Live Performances and Acclaim
Renowned for their high-octane live performances, Prospect Hill delivers an electrifying stage show that leaves audiences sweat-drenched and exhilarated . The band’s incendiary live energy and passionate delivery have earned acclaim from peers in the rock scene. Here’s what some notable artists have to say:
Elias Soriano (Nonpoint): “The first time I saw Prospect Hill play I became an instant fan. They tear it up live and have the music to back it up… Sweat, energy and songs… What else do you need?”
Phil Lipscomb (Taproot): “Prospect Hill is a hard working, energetic, passionate, and engaging band that deserves to be heard/seen.”
Paul McCoy (12 Stones): “They write songs that speak to everyone and that are full of passionate lyrics and gripping music.”
Fans can experience Prospect Hill’s revered live show in person later this month. The band will headline a release celebration on June 28, 2025 at Wally’s in Hampton Beach, NH, joined by close friends Shallow Side, Blameshift, Chasing The Devil, and DJ Chris Drake. This concert follows the band’s recent sold-out hometown events and promises to be another high-energy night showcasing new material like “Victim” alongside classic favorites.
With “Victim” dropping on June 6 and more new music on the horizon, Prospect Hill’s resurgence in 2025 shows no signs of slowing down. The band is reclaiming their spot in modern rock – louder, bolder, and determined to inspire audiences to rise above the victim mentality and take control of their narrative.
“Victim” is available on all major streaming platforms now. For more information on Prospect Hill’s music and upcoming announcements, visit their official website and social media pages.
British blues-rock guitarist and singer-songwriter Joanne Shaw Taylor has officially released her highly anticipated new album Black & Gold today via Journeyman Records. To mark the occasion, she’s also sharing the album’s latest single, “Love Lives Here”—a soulful reinterpretation of the classic Faces track and a fitting final chapter in the album’s rollout.
“I’m a huge Rod Stewart fan. This is one of my favourite Faces songs,” Joanne shares. “Again, moving forward into what I see as another chapter in my life and music after ten albums, I wanted to put a lot of things behind me, but I also wanted to move forward on a positive note. Love lives here, says it all really.”
STREAM the New Album Black & Gold Get The Black & Gold Album NOW
Produced by Kevin Shirley (Black Crowes, Journey, Aerosmith), Black & Gold finds Joanne pushing her sound into bold new territory, balancing fiery blues-rock with elements of soulful pop, introspective songwriting, and sweeping cinematic textures. The 10-track album features a mix of originals and covers—including a shimmering take on Sam Sparro’s “Black & Gold”—and showcases Joanne’s evolution as a songwriter, guitarist, and vocalist.
“I went into writing and recording Black & Gold knowing it was my tenth studio album,” Joanne explains. “For me, it felt like a really exciting chance to creatively close the first chapter in my recording career and intro into the next decade of writing and recording. For that reason, I welcomed the chance to not only write some songs that were maybe different to styles I’ve tried before but also I used it as an opportunity to write songs that I needed to write for myself—to address some relationships and topics that I hadn’t before so I can move forward creatively and personally into an exciting new chapter in my career. I also included two covers that I’d always loved and wanted to record. I hope this is a very exciting album for the fans, and once again, I want to thank them for joining and supporting me on this ridiculously fun journey.”
Early reviews of Black & Gold have been overwhelmingly positive, praising both its musical breadth and emotional depth. Classic Rock hailed it as a “9/10” release, declaring “blues chanteuse strikes gold,” while Powerplay Magazine also awarded it 9/10, calling the title track “warm and welcoming, with a smoothness as silky as its name suggests.” Guitarist Magazinecelebrated Joanne’s range, writing, “From the opening acoustic Americana of ‘Hold Of My Heart’ to the stomping rock of ‘I Gotta Stop Letting You Let Me Down,’” the album, “reinforces Joanne’s place in the firmament of today’s brightest stars.” American Blues Scene added, “Each track tells a story that stands on its own. Yet taken as a whole, they reflect a deeply personal experience, showcasing the depth of Joanne’s artistry.”
Black & Gold by Joanne Shaw Taylor Track Listing 1. Hold Of My Heart 2. All The Things I Said 3. Black & Gold 4. Who’s Gonna Love Me Now? 5. I Gotta Stop Letting You Let Me Down 6. Summer Love 7. Grayer Shade Of Blue 8. Hell Of A Good Time 9. Look What I’ve Become 10. What Are You Gonna Do Now?
The new album arrives as Joanne prepares for a busy touring season. Following a successful U.S. spring run, she’ll hit the road throughout the summer with appearances at major festivals and venues across North America and Europe, including Pori Jazz Festival, Blues From The Top, Chenango Blues Festival, and more. This fall, she’ll return to the U.S. for a coast-to-coast headline tour running from October through mid-November—and today, she’s also announced a new run of European dates hitting in late September and October.
Known for her commanding stage presence and fiery musicianship, Joanne continues to deliver electrifying performances that blend fan favourites with new material from Black & Gold, affirming her place at the forefront of modern blues and guitar-driven rock.
2025 Summer Tour Dates & Festivals June 13 – Henderson, KY – WC Handy Festival June 28 – Winter Park, CO – Blues From The Top July 12 – Salamanca, Spain – Festival Blues Béjar July 17 – Pori, FI – Pori Jazz Festival July 18 – Kent, UK – Maid Of Stone Festival July 26 – Brezoi, RO – Live Music Summer Camp August 5 – Ridgefield, CT – The Ridgefield Playhouse August 6 – Riverhead, NY – Suffolk Theater August 8 – Salisbury, MA – Blue Ocean Music Hall August 9 – Holyoke, MA – De La Luz Soundstage August 10 – North Truro, MA – Payomet Performing Arts Center August 12 – Arden, DE – Arden Concert Gild August 14 – Newton, NJ – The Newton Theatre August 15 – Bethlehem, PA – Summer Series Festival August 16 – Norwich, NY – Chenango Blues Festival
2025 European Fall Tour ** September 24 – Bath, UK – The Forum September 25 – York, UK – York Barbican September 27 – Wolverhampton, UK – Wulfran Hall September 28 – Eastbourne, UK – Devonshire Park Theatre September 30 – Arnhem, NL – Luxor Live October 1 – Tilburg, NL – Poppodium 013 October 3 – Leipzig, DE – Anker October 4 – Torgau, DE – Kulturbastion October 5 – Berlin, DE – Columbia Theater Octover 7 – Mainz, DE – Kultursentrim Mainz October 9 – London, UK – Cadogan Hall ** Tickets on Sale now
2025 Fall U.S. Tour October 17 – Bonita Springs, FL – Arts Bonita Performing Arts Center October 18 – Clearwater, FL – Bilheimer Capitol Theatre October 21 – Asheville, NC – Diana Wortham Theatre October 22 – Raleigh, NC – Fletcher Opera Theater October 24 – Wilmington, NC – Kenan Auditorium October 25 – Savannah, GA – District Live October 27 – Atlanta, GA – Variety Playhouse October 28 – Hopewell, VA – The Beacon Theatre October 31 – Old Saybrook, CT – The Kate November 1 – Nashua, NH – Nashua Center for the Arts November 4 – Cleveland, OH – TempleLive @ Cleveland Masonic November 7 – West Bend, WI – The Bend Theater November 8 – Viroqua, WI – Historic Temple Theatre November 9 – Minneapolis, MN – The Parkway Theater November 11 – Madison, WI – Atwood Music Hall November 13 – Bloomington, IL – The Castle Theatre November 14 – St. Louis – Delmar Hall November 16 – Wichita, KS – The Cotillion
Chicago metal legends Aftermath have unveiled a new version of their critically praised 2019 concept album with the release of There is Something Wrong – Redacted. This leaner, more direct version of the record features eight songs, omitting the intros, interludes, and outros.
Released 25 years after their groundbreaking debut Eyes of Tomorrow, There is Something Wrong marked Aftermath’s return with a bold and disturbing message—one that challenged listeners to confront uncomfortable truths. The album’s dark themes and intense lyrical content proved polarizing at the time of its release.
𝑻𝒉𝒆𝒓𝒆 𝒊𝒔 𝑺𝒐𝒎𝒆𝒕𝒉𝒊𝒏𝒈 𝑾𝒓𝒐𝒏𝒈 is a dark concept album meant to disturb the listener.
“Back in 2019, the lyrics and concept were too much for some listeners, but for some that feeling has changed since Covid. Regardless, we always intended on releasing a version with only the songs,” says the band.
The Redacted edition strips the album down to its core—eight explosive tracks delivered without preamble. It offers a new way to experience the raw energy and pointed social commentary that define There is Something Wrong.
Currently, the band is in the studio recording their fourth studio album. Aftermath promises to deliver 11 tracks of pure, uncompromising metal.
The band states, “We are excited to be back in the studio. We can’t wait for everyone to hear this album. It’s heavy, it’s catchy, and in typical Aftermath fashion it sounds totally different from our previous albums.”
The new album is being recorded at Electrowerks Recording, with engineering and mixing by Chuck Macak. Additional details, including the album title, tracklist, and release date, will be announced in the coming months.
Chicago based Aftermath, fronted by Kyriakos “Charlie” Tsiolis, formed in October 1985 when Charlie and his schoolmate Steve Sacco (Guitar) got together. This early incarnation with Adam (Bass) and Ray Schmidt (Drums) released their first demo in 1986 featuring “Sentenced to Death”, “Revenge”, “Shotgun” and “The Aftermath”.
In 1987, they unleashed their second demo entitled Killing the Future featuring the tracks “When Will You Die”, “Going No Place”, “Chaos”, “Meltdown” and “War for Freedom”. The band pursued a mind-blowing speed and technical brand of thrash that soon set them apart from the pack and in the process made them a pioneering crossover thrash band.
The tracks “War for Freedom” & “When Will You Die” were both featured on the British Metal Forces magazine_compilation LP Demolition: Scream Your Brains Out in 1988. Their appearance on the Metal Forces compilation further expanded the band’s international appeal.
By 1988, the band’s musical direction was changing, and Adam’s raw and simple bass lines would soon be replaced with complex and technical bass parts handled at first by John Lovette. Ironically, John never played bass on any Aftermath recording and was not even a bass player. He wanted to join the band so badly, however, that he came to the audition with a friend’s bass he had just started to play. The speed and complex playing he displayed were like nothing the members had ever seen before on bass. He landed the gig that day. When the band decided it was time to add a second guitarist, Lovette told his bandmates of his desire to switch to guitar and for the first time he came clean he was a guitar player pretending to be a bass player all along. His bass playing was surpassed by his guitar skills and the band found its second guitar player, but unfortunately the search for a bass player was forced to resume. Luckily, the search (for the time being, anyway) ended with Danny Vega. His warm and precise playing was the perfect complement to the guitar playing of Lovette and Sacco and worked amazingly well with Schmidt’s powerful drumming. With Lovette handling most of the song writing duties, Aftermath was about to make an unbelievable musical change.
By 1989, that change brought on by Lovette’s writing and the band’s musical tastes and stylings had slowed and matured as evidenced by the release of the underground classic demo Words That Echo Fear. Danny Vega was replaced on bass by Chris Waldron. The band went onto to become a trailblazing progressive/technical thrash band in the years that followed.
In 1990, based on the huge international success of the Words that Echo Fear demo, the metal label RoadRacer Records (a subsidiary of Roadrunner Records) approached the band for a demo deal, which resulted in a live four track demo featuring the songs “Eyes of Tomorrow”, “Afraid Of Time”, “The Act Of Unspoken Wisdom” and “Reflecting Pictures”. Negotiations eventually broke down and Aftermath signed to New York’s Big Chief Records. The label’s collapse halfway through the recording sessions led to a long delay in finishing the record. While the band struggled to pay the studio bill, the album the band started to record in 1990 would not see the light of day for four years. The experience left the band reeling and forced them to issue the album under their own imprint with the help of their manager through Zoid Recordings in 1994. Four long years had passed since the initial recordings for the record Eyes of Tomorrow and the scene had dramatically changed.
The album was subsequently re-released on Thermometer Sound Surface / Zoid and released yet again four years (1998) later on Black Lotus Records in a re-mastered version.
Quite famously, Aftermath, in a notable court case Tsiolis v. Interscope. Records. Inc., 946 F.Supp. 1344, 1349 (N.D.III. 1996) sued high-profile millionaire rapper DR. DRE over the ownership of the Aftermath name. The Rapper tried to buy the name for $50,000, which the band rejected. The band sued him. As part of the settlement, Interscope Records signed the band. To the label’s surprise, the band delivered a record under the moniker Mother God Moviestar. Its eponymous Electro-Metal debut was released in March 1998. The case has been studied in law schools around the US related to the issue of trademark dilution.
Aftermath has continued to receive critical acclaim as one of the major influences in the genre. The band was featured on pages 9 and 10 of Gary Sharpe-Young’s A – Z of Thrash Metal, available on Cherry Red Books. Aftermath is also given an entire feature section in Alexandros Anesiadis’ 2019 book Crossover the Edge: Where Hardcore, Punk, and Metal Collide.
Twenty-five years after its formation, Aftermath’s music made its return in 2011 with the release of the Box Set 25 YEARS OF CHAOS on Area Death Productions and the vinyl When Will You Die on F.O.A.D. The reemergence of one of the most original thrash bands ever continued in 2014 with their decision to reunite for several concerts in 2015.
Coming off their first show in 20 years at Ragnarokkr Metal Apocalypse in their hometown of Chicago, the band ripped the stage apart at Headbanger’s Open Air in Hamburg, Germany that summer. In the Fall of 2015, the reunion continued with the reissue of Eyes of Tomorrow. With an expanded booklet and remastered by Paul Logus (Pantera, Steel Panther), Shadow Kingdom Records released the band’s debut along with bonus material. Following this release was the Killing the Future reissue on Divebomb Records. Once again Paul Logus remastered the tracks from their original source and created a wall of sound in the process. Killing the Future, along with the expanded booklet and bonus tracks from the band’s 1986 first demo completed the celebration of the band’s 30th anniversary.
In 2017, the band started writing the material for their new album. There is Something Wrong is an 11-song opus recorded by Chuck Macak. mastered by Ted Jensen and released through Ingrooves by Zoid Entertainment and The Label Group. A concept record in the truest sense of the word, the album features a mix of old-school crossover thrash and technical/progressive metal and is a commentary on what is wrong with the world today. A calling out of the masses to wake up and know the real enemy. The music is urgent, and the lyrics challenge the listener to seek the truth. Aftermath went back to its early days and revived its crossover thrash stylings on several songs, but those are only samples of what the listeners have in store for them once they put on their headphones and listen to There is Something Wrong in its entirety.
In 2020, Aftermath released a re-imagined version of the John Lennon classic, “Give Peace a Chance”. The song was remixed and remastered for the new album and included on the record because of the message.
“John Lennon’s urgent call for peace in Give Peace a Chance is more important today than ever, and our call for peace with this cover is the perfect message to follow up our previous album. We released a dark concept album with a bleak message and felt it was important to follow that up with something positive. The visuals in the video are as important as the lyrics in a way. We live in a visual world today and this video needed to get out the message of HOPE. Having a young girl be the focus of the video was our way of getting that across. Seeing only positive acts when she puts on Lennon’s famous glasses was the perfect visual metaphor. Lennon’s message is transmitted not only through his lyrics but also through the perspective created by his unique lenses” says the band.
The video was directed by critically acclaimed video director Steven Nathan in New York City.
Aftermath unleashed their highly awaited masterpiece, No Time to Waste, through Zoid Entertainment/TLG/INgrooves on March 17, 2023. This release stands as the triumphant conclusion to a powerful trilogy, representing a notable departure from the somber tones of its predecessor.
In an exclusive statement, Kyriakos “Charlie” Tsiolis shared, “We take immense pride in this album, a culmination of a trilogy that commenced with our debut. Crafted during a challenging era in contemporary history, ‘No Time to Waste’ emerges as an anthem of hope. In contrast to our previous dark conceptual endeavor, we’ve refined this record. The ten tracks within are both weighty and charged, delivering a potent metal experience coupled with a profound message – that collectively, we can overcome, but time is of the essence.”
AFTERMATH is: Kyriakos “Charlie” Tsiolis – Vocals Steve Sacco – Guitar Ray Schmidt – Drums George Lagis – Bass
Hot off the heels of winning “Young Artist of the Year” at the UK Blues Awards 2025, Kent rockers the Zac Schulze Gang hare pleased to announce their 8-date headline UK tour in September and October 2025. Tickets on sale now from alttickets.com and www.zacschulzegang.rocks/tour.
The tour includes a special album release concert at London’s legendary 100 Club on Thursday September 25th.
The news of the autumn UK tour follows the band’s recent singles “I Won’t Do This Anymore” and “Woman” that were playlisted on the UK’s classic rock radio station, Planet Rock. Both songs will appear on the Gang’s highly anticipated debut album released Friday September 26th.
Known for their old-school blend of 70s classic blues rock and modern alternative influences, the Kent-based band have steadily built a loyal following who are fans of energetic, raw-to-the-bone live shows. Their exciting sound combines classic British R&B with punk energy, great musicianship, and dynamite.
Released on Friday September 26th, the Gang’s highly anticipated debut album sees the band collaborating with producer Ian Sadler at Really BIG Audio. Ian has captured the band’s raw-to-the-bone live energy whilst pushing them to their absolute limits especially when it comes to Zac’s signature ripping solos and the band’s songwriting ability as heard on “I Won’t Do This Anymore.” Sadler is also responsible for the production on the band’s previous single “Woman” which was played on Planet Rock for 15-consecutive weeks.
Fronted by guitarist/vocalist Zac Schulze and backed up by bassist Anthony Greenwell and drummer Ben Schulze; the Gang’s sound and work ethic harks back to the much-loved live dynamic and relentless touring schedules of 70s icons including Rory Gallagher and Dr Feelgood. Their unique sound also embodies elements of heritage classic rock acts including AC/DC and Thin Lizzy, while giving a firm salute to contemporary influences like Royal Blood and Queens of the Stone Age.
The Gang have made lasting impressions at esteemed festivals including Eric Clapton’s Crossroads in LA, Planet Rock’s Winter End in 2023 and Fairport’s Cropredy Festival, and the Rory Gallagher Tribute Festival in Ballyshannon where the band first exploded onto the scene.
The Zac Schulze Gang won ‘UK Emerging Artist of the Year’ at the UK Blues Awards 2024 and followed this by winning “Young Artist of the Year” at the UK Blues Awards 2025. With sold out shows in Netherlands, Germany, and most recently sold-out shows on their first headline UK tour, it’s clear the band are going places. Forthcoming headline festival appearances include Rory Gallagher Festival in Ballyshannon, Ireland, and the UK’s Broadstairs Blues Bash.
DHP and Friends in Association with The Main Thing present
Death metal legends CANNIBAL CORPSE are pleased to welcome Full Of Hell to their previously announced US headlining tour this Fall. The trek begins on September 15th in Nashville, Tennessee and makes its way through over two dozen cities, the tour drawing to a close on October 22nd in Charlotte, North Carolina. Additional support will be provided by Municipal Waste and Fulci.
Tickets are on sale now at: cannibalcorpse.net. See all confirmed dates below.
CANNIBAL CORPSE w/ Municipal Waste, Full Of Hell, Fulci: 9/15/2025 Marathon Music Works – Nashville, TN 9/17/2025 The Mill & Mine – Knoxville, TN 9/18/2025 Louder Than Life – Louisville, KY 9/19/2025 Roxian Theatre – Pittsburgh, PA 9/20/2025 NE Metal and Hardcore Fest – Worcester, MA 9/22/2025 Buffalo RiverWorks – Buffalo, NY 9/23/2025 Agora Theater – Cleveland, OH 9/24/2025 The Intersection – Grand Rapids, MI 9/26/2025 The Rave – Milwaukee, WI 9/27/2025 Epic Event Center – Green Bay, WI 9/28/2025 First Ave – Minneapolis, MN 9/29/2025 The Truman – Kansas City, MO 9/30/2025 Diamond Ballroom – Oklahoma City, OK 10/02/2025 Van Buren – Phoenix, AZ 10/03/2025 Ventura Theater – Ventura, CA 10/04/2025 House Of Blues – Anaheim, CA 10/05/2025 Soma – San Diego, CA 10/07/2025 Rialto Theater – Tucson, AZ 10/09/2025 The Aztec Theatre – San Antonio, TX 10/10/2025 House Of Blues – Houston, TX 10/11/2025 The Hall – Little Rock, AR 10/12/2025 Mars Music Hall – Huntsville, AL 10/14/2025 The Ritz – Raleigh, NC 10/15/2025 The National – Richmond, VA 10/17/2025 The Paramount – Huntington, NY 10/18/2025 Starland Ballroom – Sayreville, NJ 10/19/2025 The Fillmore – Silver Spring, MD 10/21/2025 The Norva – Norfolk, VA 10/22/2025 The Fillmore – Charlotte, NC
CANNIBAL CORPSE released their critically adored Chaos Horrific full-length in 2023 via Metal Blade Records. Produced again by guitarist Erik Rutan, who has now produced six of the band’s albums, Chaos Horrific is, without question, a full-on, CANNIBAL-style death metal outing, straight down to the themes, which include zombie warfare, resetting the human race through mass mutilations, and the violent revenge of victims of human trafficking, and its cover art by longtime collaborator Vince Locke. Wrote Decibel Magazine upon its release, “Chaos Horrific manages to be easily digestible while also being honeycombed with nuance and is a nearly perfect record.” Revolver concurred noting, “They’re one of the hardest working bands in the game, their sound has never gotten a drop less brutal, and their coolness factor has never waned.” Added Metal Hammer, “This band is an imperious, tweaked-to-perfection wrecking machine at this point.”
Chaos Horrific slaughtered Billboard charts upon its first week of release, earning the #7 position on the Billboard Album Sales chart, #2 on the Hard Music Albums chart, #3 on the Rock Albums chart, #5 on the Independent Label Albums chart, and more!
The record is available on digipak CD, cassette, and digital formats as well as vinyl in multiple limited color variants.
Total Chaos, the long running – and so aptly-named – Pomona CA hardcore band, return to Cleopatra Records with a wholly unexpected celebration of the enormously popular, tragically departed Tejano legend Selena.
Via The Ramones!
This song is a tribute to the lovely memories of Selena after her 30 year Anniversary of her passing – Rob Chaos.
Marking the 30th anniversary of Selena’s murder on March 31, 1995, “Selena Was A Punk Rocker” is classic Total Chaos, razor sharp, buzzsaw fast and electrifyingly contagious, but cut through with genuine affection and sadness.
“She just couldn’t stay, she was taken away….”
Reworking, of course, The Ramones’ 1977 hit “Sheena Is A Punk Rocker,” it’s Total Chaos’s first new release since 2023’s Mind Warfare album, and their first for Cleopatra since 1999’s In God We Kill – itself reissued on CD and red vinyl in 2022.
Fresh from a deliriously exciting US tour with Murphy’s Law, Total Chaos head out on their next European tour in July, with further US dates lined up for the fall.
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
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