Summoning the beguiling spirit of Laurel Canyon, employing analogue recording techniques, and recording songs in one or two takes to achieve something with a real human touch, California Irish are a new seven piece group hailing from Belfast that working their own niche within the world of folk and Americana, and everything in between.
This new group showcase a unique sound formed from a combination of players that initially came together briefly to perform a Neil Young-inspired theatre show production called “Re-Harvest”, in which the musicians who now make up California Irish very successfully performed the classic albums ‘Harvest Moon’ and ‘Harvest’ back to back.
The brainchild of the group is lead singer and chief songwriter Cormac Neeson. The band were hand-picked by Neeson based on long standing friendships, as well as experiences with numerous musical projects within the thriving Belfast music scene.
Cormac states his reason for starting the band, and wanting to harness this fabulous sound: “This album is the opposite of boring AI generated no soul perfection. We recorded this album in a room together over four days allowing the music to breathe when it needed to, looking at each other for our cues and feeding off each other’s energy. It felt like a dream…but it’s the most real thing I’ve ever done in music. That Laurel Canyon sound of the late 60s, epitomised by the early Crosby Stills Nash and Young stuff, and the first few Joni Mitchell records, has always felt otherworldly and magical. On our album we’ve tried to access some of that beauty and create our own magic by combining brand new music with an old school recording process.”
The Laurel Canyon influence also extends to the band’s recording technique, adhering rigidly to the analogue 16 track recording method circa 1969; namely recording live straight to tape at the world famous Middle Farm Studios under the watchful eyes and ears of producer Pete Miles. The resulting sound of California Irish flies in the face of modern techniques that often lose the warmth of the original compositions. Instead, the group opted for a one off and unique shared human experience with musicians who feed off each other’s energy, and create compelling four-part vocal blends around one single microphone in a warm alt-folk celebration. The creative process in turn led to an album’s worth of songs titled ‘The Mountains Are My Friends’.
The band also announce their show on 16th May at the Empire in Belfast: “Need some colour in those Cali Irish cheeks?? Well we’ve got some gig news to brighten up your day. On Friday 16th May California Irish will be gracing the legendary boards of the @belfastempire making our Belfast debut and continuing to bring the good vibes to the masses. Ticket link is live, and we are excited!!!”
In a world of dissent and dissatisfaction, up pops a man who claims to lead you to the promised lands. ‘Evel Mann’ is that man’s story – a cautionary tale wrapped in distortion, fury, and the defiant raw energy of Infamous Stiffs. Brash in tone and uncompromising in message, the band tears down the illusion of salvation with blistering punk chaos. The new single drops June 6 via Golden Robot Records and is available for pre-save now.
With gritty vocals, driving riffs, and a haunting narrative, ‘Evel Mann‘ dives headfirst into the psyche of a twisted figure who manipulates truth, fuels fear, and plays a game no one can win. The track serves as both a sonic warning and a powerful reflection on power, control, and deception.
Infamous Stiffs continue to carve out their place in the punk and rock underground with unapologetic energy and razor-sharp songwriting. Known for their no-holds-barred performances and thought-provoking tracks, ‘Evel Mann’ stands as another bold chapter in their growing legacy.
Don’t miss ‘Evel Mann’ when it hits all major streaming platforms on June 6 via Golden Robot Records.
Infamous Stiffs are: Scott Wilkins – Vocals: AKA “Snotty Scotty” the former voice and snarl in front of Verbal Abuse, Electric Frankenstein, Hollywood Hate & CD2 (Condemned to Death). Troy Takaki– Bass: Bass slinging from Bay Area now LA, currently riding with the Boneless Ones & Infamous Stiffs Mark Pananides – Guitar: Also a Hollywood Hate Alumni. Other previous bands include, Nardcore’s Rat Pack, The Living End (U.S. band pre-dating the Australian one), Cynical. He also did a string of dates with Junkyard sitting in on guitar. Dave Bach – Banging on the drums since a we lad. Formally with The Afflicted, House of Wheels & currently sitting in with SF’s very own The Avengers and cracking snare drums with Infamous Stiffs
Long-running punk rock tricksters The Dickies are back, and they’re looking back as well.
Earlier this month, the current lineup of the band released a red vinyl 7-inch coupling a brand new recording of their hilarious and massively popular title song from the 1988 cult horror/comedy film Killer Klowns From Outer Space, backed by fresh assaults upon two primal Dickies favorites, “Give It Back” and “Silent Night.”
And it’s joined today by a tumultuous take on “Gigantor,” caught live in 1980 and setting the scene for What Once Was, a live album that founder Leonard Graves describes as their best concert recording ever!
Featuring the original line-up of Leonard Graves, Chuck Wagon, Billy Club, Karlos Kaballero and Stan Lee, What Once Was was recorded live at Euphoria Tavern, Portland, on March 13, 1980, and captures the band tearing through highlights from their first two albums, The Incredible Shrinking Dickies and Dawn of the Dickies, released on A&M in 1979.
It’s as breakneck a performance as you could imagine, with The Dickies powering through uniquely manic versions of favorites “Give It Back,” “You Drive Me Ape (You Big Gorilla)” and “Hideous,” alongside their unforgettable covers of Black Sabbath‘s “Paranoid,” the Moody Blues’ “Nights in White Satin,” plus monster hit “Banana Splits,” “Eve of Destruction,” and so much more!
All wrapped up in an original cover painting from pop-surrealist master KRK Ryden, who has also designed artwork for Michael Jackson, Aerosmith, Tyler The Creator and others!
First, however, “Gigantor” – not only the band’s latest single but also their current release at the time this show took place, the latest in that manic stream of ferocious 45s that, by way of introducing the Dickies to the world, included all of the above and then some.
With precedents that date back to the mid-1980s cassette-only (!) We Aren’t The World, this is not the first live Dickies album. But Graves reckons this is the best of them all.
“I’ve never been that happy with the live recordings that have been released over the years. That is to say, until we happened upon this. The sound quality is fine and the performances are spot on.
“If anyone asks me about a Dickies live record, this is the one I recommend.”
The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — have gone from strength to strength to strength over the past several years.
There’s the critically acclaimed, 2023-released album Dance Devil Dance, which included rock chart topper The Dirt I’m Buried In.
There have been scores of sold-out headline shows across the globe and an actual fossil named after them. The list goes on and on.
But the band is looking forward to an even brighter future with today’s release of the brand new song “CAPTAIN GOAT.”LISTEN HERE
“I think it will be very clear to people hearing ‘Captain Goat’, that the rules once again have changed,” states vocalist Eckerström. “It will always be metal. It will always be Avatar. We will never do the same song twice and we will always find ways to reinvent ourselves. It’s the only way we know how to do this, and the only way to give ourselves a shot at being the best we have ever been. ‘Captain Goat’ uses the
motif of Satan and the spirit’s journey through the underworld as a meditation. It is a negotiation with the harsh state of being and finding acceptance as you navigate the ruthless darkness of life.”
Regarding the accompanying visual, he furthers, “In the video, we find a way to play with that, shamelessly lending imagery from various myths, folklore and legends. Besides, any day I get to see the boys undress for a part is a good day for all of us.”
Additionally, there are forthcoming tours supporting Iron Maiden and Metallica, along with the band’s biggest show EVER in Mexico City — see below for a complete rundown of the band’s planned tour activity for the next two years.
Avatar show no signs of pausing to take a breath in their quest for absolute world domination — much less stopping. There is more new music on the way, as well.
But for now, bow down to the Captain. Captain Goat, that is.
AVATAR ON TOUR:
WITH IRON MAIDEN: 7/3 — Belfort, FR — Eurockéennes 7/5 — Madrid, ES — Cívitas Metropolitano 7/6 — Lisbon, PT — MEO Arena 7/9 — Zurich, CH — Hallenstadion 7/11 — Gelsenkirchen, DE — Veltins Arena 7/13 — Padova, IT — Studio Euganeo 7/15 — Bremen, DE — Bürgerweide 7/17 — Vienna, AT — Ernst Happel Stadium 7/19 — Paris, FR — Paris La Défense Arena 7/20 — Paris, FR — Paris La Défense Arena 7/23 — Arnhem, NL — GelreDome 7/25 — Frankfurt, DE — Deutsche Bank Park 7/26 — Stuttgart, DE — Cannstatter Wasen 7/29 — Berlin, DE — Waldbühne Berlin 7/30 — Berlin, DE —Waldbühne Berlin 8/2 — Warsaw, PL — PGE Narodowy 8/9 — Kortrijk, BE — Alcatraz Festival*
2026 EUROPEAN HEADLINE TOUR: 2/5 — Stockholm, SE — Fållan 2/7 — Helsinki, FI — Kulttuuritalo 2/9 — Oslo, NO — Sentrum Scene 2/10 — Copenhagen, DK — Vega 2/11 — Osnabrück, DE — Die Botschaft 2/12 — Brussels, BE — A.B. 2/14 — London, UK — Exhibition 2/15 — Manchester, UK — Academy 2/16 — Glasgow, UK — Barrowland 2/17 — Nottingham, UK — Rock City 2/18 — Bristol, UK — O2 Academy 2/20 — Amsterdam, NL — AFAS Live 2/21 — Esch-Sur-Alzette, LU — Rockhal 2/22 — Zürich, CH — Komplex 2/24 — Barcelona, ES — Razzmatazz 2/25 — Madrid, ES — La Riviera 2/27 — Lisbon, PT — LAV 2/28 — Bilbao, ES — Santana 27 3/2 — Lyon, FR — Le Cube 3/3 — Milan, IT — Alcatraz 3/4 — Vienna, AT — Gasometer 3/5 — Munich, DE — Tonhalle 3/6 — Cologne, DE — E-Werk 3/7 — Paris, FR — Le Zenith 3/9 — Wiesbaden, DE — Schlachthof 3/10 — Zlin, CZ — Sports Hall Datart 3/11 — Warsaw, PL — Stodola 3/12 — Berlin, DE — Columbiahalle 3/13 — Hamburg, DE — Docks
SUPPORTING METALLICA — SUMMER 2026: 5/24 — Frankfurt, DE — Deutsche Bank Park 6/11 — Budapest, HU — Puskas Arena 6/19 — Dublin, IE — Aviva Stadium 7/5 — London, UK — London Stadium
ABOUT AVATAR:
As a strange light in the sky beckons you towards something forbidden, far away, you see a robed, horned ferryman, rowing across a restless sea at the end of days. Back home a strange sound rolls through your house. It comes from the basement. The news talks about a beautiful corpse, lauded for her magnificent demise on a dance floor by men who could have fixed her. You catch the last broadcast from an outpost succumbing to flames on a distant moon. Its inhabitants try to outrun their own madness. Outside there is a place you’re not allowed to go, no matter how intoxicating the gaze of the eyes among the trees.
You lay awake at night, yet you dream thousand dreams more real than any waking moment.
Strange times call for a strange band. With a life long commitment to the misfit arts, Avatar delves deep into the collective subconscious. They travel beyond the realms of flesh and far past the spiritual barriers broken in past works. No matter how many times they were warned, they keep treading deeper into the woods. There is sense to be made out of the senseless. They lay a soft gaze upon terrifying, almost shapeless inner landscapes, and they have a damn good time doing it.
Don’t go in the forest is a warning said by others, heeded as a challenge for a certain kind freak who just can’t fight the urge to seek truth and feel alive. It is a collection of strange tunes emerging from a circus tent in a meadow in a faraway valley. You can only ever get there by accident, walking a path impossible to remember and map out. Two eyes closed, one eye open.
Formed by John Alfredsson and Jonas Jarlsby as teenagers, soon joined by Johannes Eckerström, Henrik Sandelin and Simon Andersson, Avatar started an evolution that would see a group always looking to connect what you hear with what you see. Once Andersson left and Tim Öhrström joined, they had all the ingredients to a brew so potent it would forge their names into the souls of millions. More than a band, Avatar has evolved to concept art. In order to keep going with the same drive as they had on day one, they make sure that what is made must be done. Every single time must matter more than ever before. No matter how far they get, they are sworn to remain underdogs. There is so much to do, to try. So many ways to rediscover the simple yet sublime power hidden inside an electric guitar.
It’s all about trying new things, on and off stage. Choirs, brass instruments, Moogs, piano, cellos and violas. As long as it all worships at the altar of the riff, the possibilities are as vast as the universe. Don’t go in the forest once again stretches, bends and breaks the boundaries of what Avatar is and can be by providing both the most introspective as well as their most explosive moments. It is all done in a way that can only be achieved after a lifetime in servitude to the madness where all your gathered experiences are used to be reborn. In other words, by embracing discovery as the core tenet for what they do, every new release is as fresh and exciting as their very first time in a rehearsal room.
While the studio experience is becoming a more and more powerful tool for self expression, it is on the stage where Avatar truly comes alive. Every testimonial makes the same claims in all caps. Avatar is a MUST SEE experience. Every album cycle has provided record breaking milestones. A few of the more recent ones being kicking the door in on Latin America, first with Iron Maiden, and then with sold out shows all throughout Mexico and beyond. They have also become the talk of countless festivals across Europe and the United States, being a surefire stage closer and show stealer everywhere they go, all while setting attendance record after attendance record for their headline shows. From Australia to Brazil. From Scandinavia to the Mediterranean Sea. From the Pacific Northwest to the Deep South. Everywhere they go, their unique blend of suggestive theatrics and unabashed, unapologetic good heavy metal times, they have proven that there is only one Avatar and everyone else is playing for second place. Their impact is shown with chart toppers such as “The Dirt I’m Buried In” reaching heights that are hard to imagine from a band that has stepped into the craziest era in music history, taking matters into their own hand with their own independent label, Black Waltz Records.
For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.
Celestial Wizard has released a video for “Pale Horse”, first single taken from the new album “Regenesis” to be released on July 11 by Scarlet Records.
The track opens on an outlaw riding through the desert, fleeing from the figure of death that pursues him. As the song continues on, the outlaw is forced to confront death and his own mortality. He emerges forever changed, and the cycle of rebirth continues. It’s the opener of the album, and teases the concept of endings and beginnings that is ever present throughout the record.
video by Kyle Lamar
“Regenesis”:
third studio album for the Colorado relentless unit blending power metal melodies, aggressive riffing and gritty vocals;
produced by Celestial Wizard and Nick Nodurft at Rusty Sun Audio;
cover artwork by Dan Goldsworthy (Alestorm, Gloryhammer, Orden Ogan);
FFO: (early) In Flames, Soilwork, Dark Tranquility, Galaktikon, Killswitch Engage, Carcass (“Heartwork”-era);
“Regenesis” tracklist: 1 Muerte 2 Pale Horse 3 Fangbearer 4 She Is The Blade 5 Shores Of Eternity 6 Into The Abyss 7 Ride With Fire 8 Wicked Master 9 Emerald Eyes 10 Regenesis
Total running time – 45:56
artwork by Dan Goldsworthy
Celestial Wizard burst forth from the Colorado heavy metal scene in 2018 with all guns blazing, and is now an uncompromising sonic force looking to make its mark in the age of modern power metal with a melodic dual lead sound mixed with a death metal vocal styling.
Their third studio-album, “Regenesis” is a heavy, epic, vibrant offering that digs deep with its lyrical approach too. While sonically akin to the classic Swedish melo-death plot, the songs still stay true to the power metal-esque sound that truly defines the band.
The guys from Denver looked inward for their conceptual themes, wanting every track to feel as close-to-the-heart and culturally relevant as possible: from outlaws of the Wild West to cosmic rebirth, this effort covers an incredible amount of ground.
Each episode gives the listener a spirited and emotional experience: featuring a wider dynamic range of material than ever before, “Regenesis” has something for everyone!
Celestial Wizard: Nick Daggers – vocals, guitar Amethyst Noir – vocals William Perkins – guitar Soren Bray – bass Tim Gillman – drums
Calva Louise continues their frenetic vision on the explosive new single, Impeccable. It pulls you with both hands into their complex cinematic sci-fi universe with a mesmerizing blend of punk, metal and electronica. They’ve dropped another incredibly hypnotic video, once again directed with visual effects by singer/guitarist Jess Allinac. Watch it HERE.
Calva Louise will also be performing on 12 July at 2000Trees Festival.
The sprawling story of Calva Louise is captivating. The band that found each other from opposite corners of the world—Venezuela, New Zealand, and France—found their home and community in the UK. Their combined influences and experiences create an incredible melting pot of musicality, and with Jess Allinac’s compelling narrative vision, they’ve conceived something truly unique.
Their new studio album, Edge of the Abyss, which is co-produced by Pendulum’s Gareth McGrillen, will be released on 11 July via Mascot Records.
Set in 1994, Impeccable is a direct sequel to W.T.F., which introduced the protagonist, Louise, who is experiencing bizarre happenings inside her home and encounters a feeling of dread signalling danger: someone is inside her house and stalking her. She catches glimpses of what has been stalking her: an uncanny version of herself, her “double.” “It is about that feeling of powerlessness that occurs when we are in situations beyond our control, ” said Jess Allanic.
Another high-energy collision of futurism, riffs, apocalyptic drums, and haunting electronics, Impeccable continues its journey down the rabbit hole and tells the story of a young man called Jonnie, who has been deadly poisoned and has no choice but to act impeccably to survive.
“I follow you anywhere you go. Death spoke to the warrior, Who was looking for a chance. I follow you anywhere you go. He said to the abyss, On the edge of life, ” the lyrics hypnotically yearn.
“For this, he has to follow his double into another world, the Fractalworld, or death will strike him,” the band says. “Jonnie will have to quickly understand who his double is and cross over the threshold to overcome his fate. Impeccable is the direct sequel of W.T.F., where we meet the main character Louise and her own encounter with her double.”
‘The Edge of the Abyss’ sees characters travelling between different dimensions, with people who mysteriously resemble doubles of each of us, like shadows that seem to stalk us but who, in reality, seek to communicate. Who are these beings? What do they want from us? How can we reach them?
The recent single Lo Que Vale – translated into English as ‘What is Worth,’ became the latest frenzied instalment of the album following Aimless – a reflective catharsis of human communication. The cinematic sci-fi videos for the album singles show different times and worlds where some characters have encounters with their ‘doubles’. W.T.F is the prequel of the previous singles, La Corriente and Under The Skin – all directed and VFX by Jess.
You can trace the Calva Louise project—the ‘origin’ story, if you will— back to ten-year-old Jess Allanic, drawing in her home in Guarenas, on the outskirts of Caracas, Venezuela. There, the genesis of the idea for her story about a hidden world intertwined with our world began.
Growing up during Venezuela’s most disastrous economic and social crisis, the alternative scene was disappearing. She dreamt of living in the UK. Just before her 16th birthday, she made the courageous decision to move more than 7,500km from Caracas to Rouen in France – because it was close to the UK. She was to live in a convent, where she would be told off by nuns for playing guitar along to System of a Down in her bedroom.
Next door was a 1600s “Hogwarts” like school, where she met Alizon Taho. They would travel to the UK to play shows with limited English and without knowing anyone. This is where they met New Zealand drummer Ben Parker. They took every experience presented to them – and the consequences that came with them. They took on jobs, stayed in garages, sofas, and with “friends of friends”. Robbed, scammed and taken advantage of, they stayed in £10 motels that were sometimes surrounded by rats. They would often have to move at very short notice. “I had one suitcase and my guitar,” Jess says.
“Our album is called Edge of the Abyss because that’s how we live. One misstep and everything could fall apart,” Jess says. “I emigrated twice, so I’ve already had a culture shock twice. This hurts a little less because this is where I want to be. I have nowhere to go back to,” she says.
They built an impressive DIY spirit and formidable reputation on the UK live circuit through performances at Download and 2000Trees, a headline performance on the BBC Introducing Stage at Reading and Leeds festival, and tours with Psychedelic Porn Crumpets, Razorlight, Boston Manor, and Bloodywood. The US saw a co-headline tour with Vukovi and festival slots at Welcome to Rockville, So What?, Sonic Temple, Riot Fest, SXSW, and Shiprocked.
“Our willpower never dies, that’s the thing. It’s been hard learning every day, but look at our friendship. We say that it’s like the path of the warrior”. Jess exclaims.
Calva Louise is Jess Allanic (Vocals/Guitar/Keyboard), Alizon Taho (Bass/Backing Vocals) and Ben Parker (Drums/Backing Vocals).
Track Listing
1. Tunnel Vision 2. W.T.F 3. Aimless 4. Lo Que Vale 5. Impeccable 6. Barely A Response 7. The Abyss 8. El Umbral 9. La Corriente 10. Hate In Me 11. Under The Skin
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video