ANANDA MIDA are proud to announce the celebration of their tenth anniversary. On Friday, December 5, 2025, the Italian psychedelic rock collective will mark this milestone with a unique and memorable concert at Astro Club in Fontanafredda, Italy. The event will feature not only the current lineup, but also a number of musicians who have contributed to the band’s ever-evolving sound over the years.
From its inception, ANANDA MIDA was conceived as an open musical project—an ensemble that grows, transforms, and adapts to the shifting rhythms of life. Built on this fluid foundation, the group has crafted a trilogy of concept albums inspired by G. I. Gurdjieff’s philosophical work Beelzebub’s Tales to His Grandson. These albums were recorded with the support of a wide array of musicians and released via the renowned Italian label Go Down Records.
This spirit of collaboration has defined the band’s live presence as well, leading to the creation of sixteen different live set-ups, many of which will be showcased during the anniversary concert in a dynamic and immersive performance.
In 2024, ANANDA MIDA partnered with Heavy Psych Sounds Records to release Live at Duna Jam, an album that captured the essence of the project and served as a fitting conclusion to the band’s first decade.
Looking ahead, ANANDA MIDA are currently writing new material and preparing for a series of live dates across Europe this fall, including their anniversary show. The tour will bring their distinctive blend of heavy psychedelia to the following cities:
European Tour Dates 2025: 24 Oct. – Dresden, GER – Heavy Psych Sounds Fest @ Chemiefabrik 25 Oct. – Berlin, GER – Heavy Psych Sounds Fest @ Urban Spree 01 Nov. – London, UK – Heavy Psych Sounds Fest @ Hackney Bridge 05 Dec. – Fontanafredda, IT – Astro Club (10th Anniversary Show) 06 Dec. – St. Julian’s, MALTA – Tigullio
Multi Instrumentalist SNOWY SHAW teams up with MAGNUS DAUN (Mad Architect) to form new project “GOD”, and offers a “self interview” to best describe the new project!
GOD: Official release on all streaming platforms: Friday 17th October.
Preview Trailer:
Snowy interviews himself!… Taking the concept of the split personality between whom an artist is on and off stage, or in and out of the studio to another level, Snowy Shaw has provided the following “self interview” to best describe the new project, which is available on all streaming platforms this Friday the 17th October.
“GOD” by Magnus Daun & Snowy Shaw.
What can be said about this debuting new release?
“If you like real heavy kick ass rock n’ roll or just love brutal fucking true metal that makes you wanna bang your head bloody against a brick wall. – Well, then I suspect this kind of music might not be for you.
OK, nicely put. So what the hell is this thing then. Emo, Indie-pop, Skate-Punk or what?
No, well this dark, cinematic and epic filmscore music project is not so much a band as a collaboration between two individual composers & musicians. For lack of better comparison, imagine if Danny Elfman and Ennio Morricone would team up to create grand dramatic music for a big Hollywood movie, that never existed,.. yet! Something like that, although I’m certainly not saying we’re in the same league as these masters but instead of coming up with yet another band name or do another Mad Architect album we opted to approach this new concept a little differently and use our own names with highlighted focus on the song title and concept at hand, meanwhile us the creators are subordinated.
Mad Architect? please tell me a little more about that band.
Yeah, well me and Magnus have a recorded history under the moniker of Mad Architect, with whom we put out 2 albums some odd 10 years ago. From the get go it was always more of a studio project, than a live act from when I was first contacted via email to do guest vocals on one single track, which I agreed to. Then later came the request to do yet another song, which I thought a bit strange but as it turned out, they had no singer and there was no “they” at all. In reality it was just Magnus hiring people to record his songs, more or less. And I ended up doing all the vocals. The first album recording took place around the time I was out touring the world with Sabaton during 2012-2013 and I tracked the vocals either in my own home studio whenever I had a short break in touring or in the tourbus or backstage somewhere with my laptop, a microphone and a simple recording device. Modern technology is pretty fantastic isn’t it? Pretty damn bizarre actually. So it was a rather strange birth one might say. As a matter of fact I had never met or even talked to the guy (Magnus) over the phone until after the first album had been out for months. Take into consideration that this although we both live in the same city (Gothenburg, Sweden)
Hahaha! That’s hilarious! And that’s when you decided to team up?
Like I said, it wasn’t so much of a band as Magnus´solo album with the difference that, especially on the second album I ended up doing about 95% of all the work. This because all the other musicians had somehow dropped off once the debut was released, and neither him nor I managed to find proper replacements for each position respectively based on his so-called demos, of chorus drenched incoherent instrumental guitar backgrounds. So in the end I figured the only way to make this project to work at all, is if I take charge of the situation and handle the rest of the instruments. Really insane when you think about it. Allow me to be a little witty here, Magnus sure is the “Mad Architect”.
If what you’re saying is correct then it’s more like your solo album isn’t it?
Naw, in a way I guess you could say that it was but that’s not the point and I don’t wanna take credit for it because I was hired to do a job and I did my very best and all in my power to make this thing fly and live up to my quality standards given what I had to work with. We’re talking writing, arranging, producing, recording, mixing, designing, promoting etc. And that on top of all vocals and playing the drums and bass etc. Magnus is a great guy and I don’t wanna make it sound like he’s totally incompetent or anything. I saw a guy whose dream & ambition was to make his own music & band although at the time….he didn’t necessarily possess the right kind of skills, competence nor experience required to do so. Very much like myself in my younger days, so I could relate and felt compassionate for him. However, what matters is that I was able to fill in the gaps and help out fulfilling his dream, and I was happy to oblige. (and of course be richly compensated for my work.)
Nice of you to help out this young kid though
I never said he was young. He’s 3 years older than me I think.
Anyway, if you’d ask me if I would willingly do it all again under those circumstances and conditions the answer would be a loud and definitive No, not in this lifetime. Which is also why it has taken over 10 years. Whenever approached I have repeatedly explained to Magnus that I was super adamant towards the whole idea and that I simply can’t nor won’t work or operate under such conditions again. I don’t really wanna use the derogatory phrase “You can’t polish turds” but then again I can’t think of a better more suitable term. If it’s ever gonna happen it has to be under the right circumstances.
So how did this new thing come about then, what made you change your mind?
He learned his lesson and got his shit together, let’s say. Earlier this year Magnus released short pieces of new atmospheric instrumental music under his own name which I thought was a 100 times better than anything I had previously heard from him, and I was really impressed and uttered – Wow! Now we’re talking! This I really, really like. This has harmonic substance and something to build on with a distinct theme which offers tons more possibilities.
Truth be told, I applaud him for having really have made a quantum leap in improvement over the decade that has now passed. I’m mighty impressed with his newfound technical skills and understanding. I dare say that the biggest difference was that now he had composed it all using keyboards with great sounds which was a huge improvement as opposed to all the generic guitar riffing and directionless set of chords that he used to present in the past.
This was more bombastic symphonic filmscore music, just the way that I love it and I immediately got all these images in my head and envisioned how we could arrange it with voices and menacing dark narration, chimes, marching snares, strings, heavy downtuned distorded bass and shit. And I also added heavy mean guitars to the mix for effect, and personally I think it turned out fantastic.
Maybe it’s just me who’ve been doing this for too long and have become jaded and disillusioned but to be perfectly honest with you, I haven’t been inspired or influenced by metal or rock bands since I was a teenager. More than anything I’m drawn towards composers like John Barry (James Bond) Danny Elfman, John Carpenter, Vangelis among others. I’m not an adept consumer but that’s the kind of music that triggers me, and over the years I’ve often found out in retrospect that ‘s the kind of music that subconsciuosly influenced me.
So is this a one off thing or can we expect a full length album any time soon?
Hell yeah! We just signed a massive 4 album recording deal with Universal Studios worldwide.
By mid November we’ll be recording our new material with New York philharmonic orchestra for an upcoming 2026 blockbuster Hollywood movie and,… No, I’m just kiddin’, obviously.
First of all, it’s 2025 and the album format is obsolete and dead for starters, not just physical but overall, which is deeply tragic and immensely sad I think. The world in general is fucked, and not just the music industry and the movie industry but every-fucking-thing that we know of and everything that we all grew up loving is all dead and gone. But yes, let’s try to be a little positive here shall we. We’ll surely be putting out more new music. When and if we feel like it. That’s really all that matters at the end of the day, isn’t it?
THE ASTRONAUTS release their video for new single ‘Ease Up‘, out now on Flip Flop Records.
New single ‘Ease Up‘ is a mellow, guitar soaked rocker that drifts between the indie/alt rock sound of today with a kick back to the likes of the ever inspirational Velvet Underground. A truly stunning single, and with more music to come over the following months on Flip Flop Records, this really is a band to watch.
The Astronauts are Benjamin Fox and Gordon Cooper, American musicians collaborating transatlantically between Detroit and Ireland. In addition to their work as The Astronauts, Fox and Cooper also compose and record under the name Irish Lights, an ambient instrumental project inspired by the timeless beauty and solitude of Ireland’s lighthouses.
Beyond their own music, the duo operates Sleeping in Space LLC, a boutique Detroit-based label dedicated to releasing independent and forward-thinking music.
“We make songs through satellites. Music is our rocket ship. Time to launch. We are ordinary citizens. Midwest till we die”
New York City offers a world of collisions of cultures, sounds, and attitudes; and the latest scorching offering from the city’s underground veins proves that this legacy lives on. Hardcore legends AGNOSTIC FRONT have teamed up with Darryl “DMC” McDaniels of RUN-DMC for a new single and music video, “Matter Of Life & Death”, to reignite the flames of New York hardcore.
On “Matter Of Life & Death”, AGNOSTIC FRONT and DMC prove that they have far more to offer than mere nostalgia. In a refreshingly modern take on genre-blending, the single charges into a snarling street fight between hardcore punk and old-school hip-hop swagger. Blasting out with razor-sharp riffs, thunderous beats, and DMC’s unmistakable cadence, the music hits harder than a Queens-bound freight train. Producer and New York Hardcore stalwart Mike Dijan keeps the sound raw and relentless, while director Blake Farber turns the video into a non-stop adrenaline reel. With mosh pits meeting boom boxes, fists in the air, and sweat flying off the walls, it’s New York grit distilled into less than 3 minutes of pure energy.
In an era of overproduced and predictable genre mash-ups, “Matter of Life & Death” feels alive, dangerous, and necessary. AGNOSTIC FRONT and DMC are the perfect unlikely pairing: two giants from different musical worlds finding common ground in aggression, defiance, and their New York roots.
And this is just the 2nd shot fired, leading into AGNOSTIC FRONT‘s highly-anticipated upcoming album, Echoes in Eternity, dropping November 7th via Reigning Phoenix Music. If you needed a reminder that the spirit of crossover still has teeth, this is it. Pre-order the album here: https://agnosticfront.rpm.link/echoesPR
“Echoes In Eternity” Tracklist:
Way Of War
You Say
Matter Of Life & Death (feat. Darryl “DMC” McDaniels of RunDMC)
Tears For Everyone
Divided
Sunday Matinee
I Can’t Win
Turn Up The Volume
Art Of Silence
Shots Fired
Hell To Pay
Evolution Of Madness
Skip The Trial
Obey
Eyes Open Wide
AGNOSTIC FRONT is set to tour the Western United States with a stacked line-up including STRUNG OUT (playing Exile In Oblivion in its entirety), MURPHY’S LAW and LA ARMADA. The tour is set to kick off on Wednesday, October 15th in Denver CO and will continue to pummel audiences across the West Coast until ending on November 2nd in Garden Grove CA.
In support of Echoes in Eternity, AGNOSTIC FRONT have also just announced a European tour with special guests WISDOM IN CHAINS and RAW BRIGADE, kicking off in early February in Germany. Find all upcoming dates listed below!
EAST MEETS WEST TOUR DATES:
October 15, 2025 – The Oriental Theater – Denver, CO October 16, 2025 – Metro Music Hall – Salt Lake City, UT October 17, 2025 – The Shredder – Boise, ID October 18, 2025 – Hawthorne Theatre – Portland, OR October 19, 2025 – El Corazon – Seattle, WA October 21, 2025 – The Ritz – San Jose, CA October 22, 2025 – Goldfield Trading Post – Sacramento, CA October 23, 2025 – Cornerstone Berkeley – Berkeley, CA October 24, 2025 – Ventura Music Hall – Ventura, CA October 25, 2025 – The Glass House – Pomona, CA October 26, 2025 – Swan Dive – Las Vegas, NV October 28, 2025 – The Rock – Tucson, AZ October 29, 2025 – The Nile Theater – Mesa, AZ October 30, 2025 – Transplants Brewery – Palmdale, CA November 01, 2025 – House of Blues – San Diego, CA November 02, 2025 – Garden Amp – Garden Grove, CA
East Coast American Tour 2025:
Dec. 4 Cambridge, MA@ The Middle East Dec. 5 Atlantic City, NJ @ Anchor Rock Club Dec. 6 NYC, NY @ Irving Plaza Dec. 9 Richmond, VA @ The Canal Club Dec. 10 Columbia, SC @ New Brookland Tavern Dec. 11 Atlanta, GA @ The Masquerade (Hell) Dec. 12 Melbourne, FL @ Pineapples (Moon Room) Dec. 13 Miami, FL @ Gramps Dec. 14 Tampa, FL @ The Orpheum Dec. 15 Jacksonville, FL @ The Albatross Dec. 16 Greenville, SC @ Radio Room Dec. 17 Wilmington, NC @ Reggie’s 42nd Street Tavern Dec. 18 Raleigh, NC @ The Pour House Dec. 19 Lynchburg, VA @ Super Rad Arcade Dec. 20 Altoona, PA @ McGarvey’s Bar & Grill Dec. 21 Allentown, PA @ Archer Music Hall (Arrow)
Echoes In Eternity Tour:
Feb. 6 Düsseldorf, Germany @ Zakk Feb. 7 Hamburg, Germany @ Gruenspan Feb. 8 Maastricht, Netherlands @ Muziekgieterij Feb. 9 Saarbrücken, Germany @ Garage Feb. 10 Luzern, Switzerland @ Concert Hall Schüür Feb. 11 Paderno Dugnano (Milan), Italy @ Slaughter Club Feb. 12 Treviso, Italy @ New Age Club Feb. 13 Stuttgart, Germany @ Im Wizemann Feb. 14 Audincourt, France @ Le Moloco Feb. 15 Vauréal, France @ Le Forum Feb. 16 Frankfurt, Germany @ Das Bett Feb. 17 Leipzig, Germany @ Felsenkeller Feb. 18 Herford, Germany @ Kulturwerk Feb. 19 München, Germany @ Backstage Feb. 20 Berlin, Germany @ Astra Kulturhaus Feb. 21 Wrocław, Poland @ Kustomhead And Tattoo Shop Feb. 22 Warsaw, Poland @ Proxima Feb. 23 Ostrava, Czech Republic @ Barrák Music Club Feb. 24 Budapest, Hungary @ Dürer Kert Feb. 25 Linz, Austria @ Posthof Feb. 26 Cham, Germany @ LA Feb. 27 Magdeburg, Germany @ Factory 28 Feb Antwerpen, Belgium @ Trix
About AGNOSTIC FRONT:
Founded in 1982, AGNOSTIC FRONT stand among the most esteemed pioneers of the hardcore genre. No band comes close in sonic and socio authenticity, where the struggles of survival on the streets have literally given life to a sound that remains as impactful today as it was over four decades ago. Their battering, socially critical anthems laid the foundation for true New York hardcore and fuelled the rise of crossover thrash.
After a brief disbandment in the early ’90s, the band roared back in 1998 with “Something’s Gotta Give,” launching a renewed era of relentless touring and crushing albums. Led by the inimitable roar of vocalist Roger Miret and the charismatic, razor-sharp guitar work of Vinnie Stigma, AGNOSTIC FRONT have released a slew of hard-hitting records, culminating in their acclaimed 2019 album “Get Loud!” – a reminder of their enduring relevance and uncompromising spirit.
In 2025, AGNOSTIC FRONT signed with rising metal label Reigning Phoenix Music.“We are excited to announce that we have officially joined the Reigning Phoenix Music family! Excited to work with new and some familiar faces in the team for our new release “Echoes In Eternity,” this coming November! Let’s celebrate in making this collaboration a force to be reckoned with!” says Miret. RPM co-founder Gerardo Martinez adds, “Having worked with Roger and the guys for two decades, this makes it that much more special. Here’s to many more years of killer music!”
Through line-up changes, industry shifts, and a changing world, AGNOSTIC FRONT have remained steadfast: unyielding in sound, spirit, and message. “Echoes In Eternity” proves that after 40+ years, they’re not slowing down. If anything, they’re louder, harder, and more vital than ever.
Since last Wednesday, fans can watch the new and highly emotional Paramount Plus exclusive documentary about the final chapter of Ozzy Osbourne’s life. Under the title “No Escape From Now”, the film highlights the moving moments of his everyday life surrounded by family, while facing his illness and preparing for the final big Black Sabbath and Ozzy Osbourne concert, Back To The Beginning.
Paramount describes the two-hour documentary as follows:
“This is Ozzy like you’ve never seen before: an honest, warm and deeply personal portrait of one of the greatest rock stars of all-time, detailing how the singer’s world shuddered to a halt six years ago, forcing him to contemplate who he really is, confront his own mortality and question whether or not he can ever perform on stage for one last time.”
Avant-garde progressive black/death metal project NERVOUS has dropped an intense new guitar playthrough for “Heavy is the Head that Wears an Imaginary Crown”, taken from the album Acquiescence (out now via Wormholedeath).
Aaron Ciesielski, the creative force behind NERVOUS, blends precision and chaos with unnerving control, twisting dissonant motifs, unpredictable modulations into something that feels both calculated and unhinged. His playing moves from cold technicality to expressive turbulence, showing the kind of fretboard command that turns theory into atmosphere.
Ciesielski describes the piece as “deliberately dissonant and chaotic, but still relatively accessible,” a reflection of his broader vision for Acquiescence — a record that merges black and death metal extremity with avant-garde composition and classical nuance.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video