Slasherwave soloist GOST will kick off a two-week run of US headlining shows. The Prophecy Tour 2025 kicked off in Dallas, Texas yesterday, on March 7th and closes in Brooklyn, New York on March 22nd. Support will be provided by Dead Register. Tickets are on sale now. See all confirmed dates below.
GOST – Prophecy Tour 2025 w/ Dead Register 3/07/2025 Double Wide – Dallas, TX 3/08/2025 Whittier Bar – Tulsa, OK 3/09/2025 Resonant Head – Oklahoma City, OK 3/11/2025 X-Ray Arcade – Milwaukee, WI 3/12/2025 Reggies / Music Joint – Chicago, IL 3/13/2025 Black Circle – Indianapolis, IN 3/14/2025 Sanctuary – Detroit, MI 3/15/2025 Preserving Underground – Pittsburgh, PA 3/16/2025 No Class – Cleaveland, OH 3/19/2025 The Space – Portland, ME 3/20/2025 Middle East / Upstairs – Cambridge, MA 3/21/2025 Milk Boy – Philadelphia, PA 3/22/2025 The Meadows – Brooklyn, NY
GOST‘s critically lauded Prophecy full-length is out now on Metal Blade Records. The record claimed multiple Billboard chart positions upon its first week of release, including #1 Electronic Albums, #14 Current Hard Rock Albums, #20 Top New Artist Albums, and more.
GOST exists in the dark crack between black metal and the most shadowy end of electronic music. Since the release of the Radio Macabre EP at the start of 2013, and the remorseless digital nightmare of their Skull debut album six months later, Texas-based multi-instrumentalist, producer, and main-brain James Lollar has become an increasingly singular force in music. Far more aggressive and sinister than the synthwave he’s often grouped with, GOST is a harsh and unique digital nightmare that takes the listener right into the heart of the abyss.
Prophecy serves as Lollar’s most exhilarating and dangerous sounding work to date. It’s a record that perfectly reflects the horror and grim anxieties of a world beset with religious and political overreach, and progress, “being rolled back to the fucking 1950s.” Prophecy was recorded by Lollar alone in Texas during a burst of creativity at the end of 2022. Following the experimentation and more melodic touches of 2019’s Valediction, the record also acts as something of a return to older roots, to recapture the spirit of GOST.
From the industrial scrape of “Death In Bloom,” the doomy “Decadent Decay,” and the demonic pulse of “Golgotha,” Lollar welds together elements of pulsing synthwave, the otherworldly nastiness of black metal, and the pound and snarl of Ministry at their most unhinged to create a whole that sounds genuinely dangerous, somewhere between metal and a rave in Hell.
Prophecy is available on CD, vinyl, and digital formats. Find ordering options at: metalblade.com/gost
Watch GOST‘s “Leviathan” video HERE, the “Judgement/Prophecy” video HERE, and the “Widow Song” lyric video HERE.
Canada’s The Metal Voice recently interviewed THREE DAYS GRACE drummer Neil Sanderson while on tour.
When asked about the musical direction, when comparing it to the first single MAYDAY “The rest of the record, we have a lot of really heavy moments. We do love sort of down tempo heaviness. I mean, we listen to a lot of PANTERA and stuff like that, and that is contrasted with some songs that I think are really going to bring out the emotion, because they’re emotional to us. And I think that’s the strongest connection with THREE DAYS GRACE and our fans, is that we’re writing from the heart and from the gut and deep down in the psyche and putting it out into song. And when people can relate to that and see their own lives in that music, then that’s the most powerful thing you can have as an artist. So there’s a lot of that where we stay true to ourselves and we’re not afraid to write about the real deep down stuff. And that seems to always resonate with our fans because it’s coming from a real place.”
When asked about a release date “It’s looking like we’re gonna be releasing it in June (2025). We’re just putting the final touches on it… We’re past the recording stage. We’re doing some mixing right now and just doing some finessing, just kind of going over (everything). Some of the times we’ll go back to it and just see like what we can mute, what we can remove. Sometimes that’s an exercise in making a record that’s good because sometimes you just have too much stuff in there and more isn’t always better. So we kind of go through, at this process, and just make sure that every part in there is deliberate and is there for a reason and is making the song better. If not, it’s gone.”
Rock and metal flagship AVANTASIA hits #1 on the Official German Album Charts with the brand-new 10th studio album, Here Be Dragons, out now via Napalm Records! The critically acclaimed new offering marks the chart-topping, gold record-earning band’s second #1 album in Germany. Several of the exciting, strictly limited editions of the album are already sold out, and due to high demand, new limited editions have been added. Make sure to secure your copy of Here Be Dragons now!
AVANTASIA is currently gearing up to kick off the “Here Be Dragons” European arena tour, starting in Hamburg next week. The band is promising fans an immersive experience featuring their biggest production yet, so don’t miss out – get your tickets before it’s too late.
Tobias Sammet comments:
“Number one in the German charts again – one doesn’t have to be a rocket scientist to realise that our fans play a huge role in this. And I am nothing but grateful for the fantastic reactions and all the success around the whole world. After all, the album has been put together with a lot of dedication and doesn’t really reflect the zeitgeist. It’s timeless Classic Metal or maybe Epic Rock, or Symphonic Metal. It’s melodic, haunted, embellished and it comes from the heart. And to everybody who’s determined to dream his own dream and walk his own way, here should be your encouragement: Don’t care about what others say or what’s flavour of the week, do your thing honestly and with as much passion as you can. Thanks to our fans, see you on the Here Be Dragons tour, kicking off in a few days.”
Order Your Copy of Here Be Dragons NOW – Several Formats Sold Out Already!
Featuring absolute AVANTASIA essentials such as spellbinding choirs and theatrical symphonic metal elements, multitalented mastermind and frontman Tobias Sammet also surprises fans old and new with plenty of intriguing fresh soundscapes. Here Be Dragons gives the celebrated AVANTASIA sound that has been carefully crafted over a quarter of a century an exciting and powerful spin. The new album is the most consistent and concise piece of art that the band has ever crafted.
The band’s impressive success story has seen nine previous studio albums (including the 2019 offering Moonglow that charted at #1 in Germany), gold awards, hundreds of millions of streams as well as headline shows at all important metal festivals and worldwide sold-out arena tours with tens of thousands of devoted fans. AVANTASIA is not showing any signs of slowing down – soon after the release of Here Be Dragons, the band will head out on an extensive arena tour across Europe, promising to deliver fans an immersive experience with their biggest and most epic production ever.
In typical AVANTASIA manner, the new full-length is rich in vivid storytelling and cinematic atmospheres, not to mention the highest level of musicianship. Opening track “Creepshow” is without a doubt one of the catchiest songs in their career. The energizing future hit truly welcomes the listener into the new era of AVANTASIA and will be an integral part of the band’s spectacular live shows. In contrast, the incredible title track “Here Be Dragons” (feat. Geoff Tate) is a classic AVANTASIA song and with almost nine minutes by far the longest on the album. Emotional, multifaceted vocal performances by both Tobias Sammet and duet partner Adrienne Cowan mesmerize on “Avalon”, while the heavy metal number “Against The Wind” (feat. Kenny Leckremo) serves as further proof of the versatility of AVANTASIA’s sound. In addition, Tobias Sammet welcomes Michael Kiske, Ronnie Atkins, Bob Catley and Roy Khan as guests on the album. Remaining well-balanced and cohesive, Here Be Dragons is undeniably AVANTASIA’s most powerful album so far.
The 10-track offering in its entirety was written and composed by Tobias Sammet himself, produced and recorded by Tobias Sammet together with Sascha Paeth, mixed by Sascha Paeth and mastered by Michael Rodenberg. The stunning cover art was once again created by acclaimed British fantasy artist Rodney Matthews. Here Be Dragons marks another masterpiece in the AVANTASIA catalog, leaving both fans and critics speechless and proving the band’s standing as a main force in the world of rock and metal! The album will be available in several different editions, with bonus albums included on select limited formats.
Here Be Dragons Tracklisting: 1 Creepshow 2 Here Be Dragons (feat. Geoff Tate) 3 The Moorlands At Twilight (feat. Michael Kiske) 4 The Witch (feat. Tommy Karevik) 5 Phantasmagoria (feat. Ronnie Atkins) 6 Bring On The Night (feat. Bob Catley) 7 Unleash The Kraken 8 Avalon (feat. Adrienne Cowan) 9 Against The Wind (feat. Kenny Leckremo) 10 Everybody’s Here Until The End (feat. Roy Khan)
Catch AVANTASIA live on tour!
14.03.25 DE – Hamburg / Sporthalle 15.03.25 BE – Brussels / AB Box 16.03.25 FR – Paris / Olympia 18.03.25 LU – Esch-sur-Alzette / Rockhal 20.03.25 DE – Berlin / Columbiahalle 21.03.25 DE – Bamberg / Brose Arena 22.03.25 DE – Bochum / RuhrCongress 24.03.25 UK – London / The Roundhouse 26.03.25 NL – Tilburg / O13 28.03.25 DE – Stuttgart / Schleyerhalle 29.03.25 CZ – Prague / Forum Karlin – SOLD OUT! 30.03.25 CZ – Prague / Forum Karlin – ADDITIONAL SHOW 01.04.25 HU – Budapest / Barba Negra 02.04.25 AT – Vienna / Gasometer 04.04.25 DE – Munich / Zenith 05.04.25 DE – Frankfurt am Main / Jahrhunderthalle 06.04.25 DE – Cologne / Palladium 08.04.25 IT – Milan / Alcatraz 09.04.25 CH – Zurich / The Hall 11.04.25 ES – Barcelona / Razzmatazz 12.04.25 ES – Madrid / Vistalegre 23.04.25 FI – Helsinki / Black Box 25.04.25 NO – Oslo / Sentrum Scene 26.04.25 SE – Stockholm / Arenan Fryshuset
Michael Poulsen (vocals, guitar), and Jon Larsen (drums), and Kaspar Boye Larsen (bass) — are thrilled to announce their ninth album God Of Angels Trust. This album arrives on June 6 via longtime label Republic/Universal. Pre-order it here.
The album will coincide with plenty of summer touring on the band’s “Greatest Of All Tours Worldwide” with further dates and details below.
Today, the band shares the first taste of new music via the video for the first single “By a Monster’s Hand.” The song is a mid-paced riff-fest with no concessions to standard meter, juxtaposing pummeling rhythms with point-counterpoint hooks.
Watch the video, which splices footage of Volbeat in their most natural state of performing, all the while following an ominously unsettling and familiar face, here.
The video was produced by Ghost Atomic and directed by Adam Rothlein, the same team that lensed videos for prior Volbeat hits “Shotgun Blues,” “Die To Live,” and “Leviathan.”
With God Of Angels Trust, The Danish band — which has scored ten #1 songs on the Billboard Mainstream Rock airplay chart, the most ever for a band based outside North America — has thrown caution to the wind, ignored comfort zones, and paid little heed to traditional songwriting in the search for something more immediate and surprising.
The end result will thrill Volbeat’s dedicated legion of fans.
“In the past, I’ve taken a long time to write and obsessed over so many elements of the songs before finishing them,” says Poulsen. “This time, I wanted to make a Volbeat record without thinking too much about it. Instead of following any kind of structure I said, ‘Okay, there are no rules. I can do anything I want. I can start with a chorus or do songs that are just a bunch of verses stacked on top of each other. Anything goes.’ That was freeing for me and made it exciting to write this album.”
Poulsen’s excitement to thwart convention is palpable throughout God Of Angels Trust, a punchy, crunchy album that’s undeniably Volbeat, yet marches to a fresh new metallic and melodic energy.
Poulsen started working on songs for the follow-up to 2021’s Servant of the Mind in the summer of 2024. Volbeat was taking a year-long break from touring to give Michael a chance to recover from throat surgery and to tour with his death metal band, Asinhell. Driven equally by his excitement to record a new Volbeat album and by his determination not to follow convention, Poulsen worked on songs for a mere three weeks with bandmates drummer Jon Larsen and bassist Kaspar Boye Larsen. Amazingly, they worked on a new song at every rehearsal. Three weeks into the process, Volbeat had arranged half of God Of Angels Trust. That’s when Poulsen decided that having no rules meant he could follow his muse wherever it took him, and he veered off on a different path. He and the band still wrote and rehearsed two songs a week, but they started composing more familiar rock songs that drew from traditional elements.
The band entered the studio with their longtime producer Jacob Hansen in the fall of 2024. As with the songwriting, Poulsen wanted to work quickly and rely on instinct, so they just plugged in and started to play. To keep the music sounding urgent and immediate, Volbeat recorded live in the studio, playing as few takes as possible before moving from one song to the next.
When it came time to add lead guitar, there was no question that Volbeat would tap Flemming C. Lund, who currently tours with the band and worked with Michael in Asinhell. A mere 13 days after they started working with Hansen, Volbeat were finished.
As impressive as it is that Volbeat wrote and recorded an entire album in about five weeks, what’s more incredible is that God Of Angels Trust sounds as fleshed out, eclectic, and fulfilling as albums that have taken 10 times longer (or more) to create. In the end, creating such a strong album so quickly was a tremendous challenge that demanded Zen-like calm, a joy for exploration, maximal creativity, and razor-sharp concentration to pull off.
“In some ways, it feels like we’ve come full circle,” Poulsen explains. “If you start drawing a circle over an extended period of time, eventually you’ve going to get back where you started, and that’s how I feel now. I’ve dealt with medical operations, lineup changes, and all these things, and now it feels like a rebirth. It doesn’t feel like we’re doing our ninth studio album, it feels like we’re on our first album again and there’s something really refreshing about that.”
Volbeat will return to the road on the “Greatest Of All Tours Worldwide,” beginning in June and running throughout 2025. The tour begins in June with a co-headline Canadian run with Three Days Grace and special guests Wage War, which will be followed by headline treks in the U.S. with special guests Halestorm and The Ghost Inside, and Europe and the UK with special guests Bush and Gel. All dates are below.
Fans who pre-order the album from volbeat.dk or Universal Music Group up through 5pm local time on Sunday, March 9 will receive a code to access tickets before anyone else starting Monday, March 10 at 10am local time. Regular on-sales begin Friday, March 14 at 10am local time.
GOD OF ANGELS TRUST TRACK LISTING: “Devils are Awake” “By a Monster’s Hand” “Acid Rain” “Demonic Depression” “In the Barn of the Goat Giving Birth to Satan’s Spawn in a Dying World of Doom” “Time Will Heal” “Better Be Fueled than Tamed” “At the End of the Sirens” “Lonely Fields” “Enlighten the Disorder (By a Monster’s Hand Part 2)”
VOLBEAT ON TOUR: GREATEST OF ALL TOURS WORLDWIDE: 2025 CO-HEADLINE WITH THREE DAYS GRACE + WAGE WAR: 6/7 — Vancouver, BC — Rogers Arena 6/9 — Calgary, AB — Scotiabank Saddledome 6/10 — Edmonton, AB — Rogers Place 6/12 — Saskatoon, SK — SaskTel Centre 6/13 — Winnipeg, MB — Canada Life Centre 6/16 — Laval, QC — Place Bell 6/17 — Quebec City, QC — Videotron Centre 6/19 — Toronto, ON — Budweiser Stage 6/21 — London, ON — Canada Life Place 6/22 — Ottawa, ON — Canadian Tire Centre
2025 US HEADLINE: WITH SPECIAL GUESTS HALESTORM + THE GHOST INSIDE: 7/17 — Denver, CO — Ball Arena 7/19 — Salt Lake City, UT — Utah First Credit Union Amphitheatre 7/21 — Auburn, WA — White River Amphitheatre 7/22 — Ridgefield, WA — Cascades Amphitheater 7/24 — Wheatland, CA — Toyota Amphitheatre 7/25 — Inglewood, CA — Kia Forum 7/26 — Phoenix, AZ — Talking Stick Resort Amphitheatre 7/28 — Irving, TX — The Pavilion at Toyota Music Factory 7/29 — Houston, TX — 713 Music Hall 7/31 — Rogers, AR — Walmart AMP 8/2 — Franklin, TN — FirstBank Amphitheater 8/3 — Alpharetta, GA — Ameris Bank Amphitheatre 8/4 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre 8/6 — Charlotte, NC — PNC Music Pavilion 8/7 — Bristow, VA — Jiffy Lube Live 8/9 — Camden, NJ — Freedom Mortgage Pavilion 8/10 — Holmdel, NJ — PNC Bank Arts Center 8/12 — Bangor, ME — Maine Savings Amphitheater 8/13 — Gilford, NH — BankNH Pavilion 8/14 — Mansfield, MA — Xfinity Center 8/16 — Hershey, PA — Giant Center 8/17 — Cincinnati, OH — Riverbend Music Center 8/19 — Clarkston, MI — Pine Knob Music Theatre 8/21 — Noblesville, IN — Ruoff Music Center 8/22 — Tinley Park, IL — Credit Union 1 Amphitheatre
2025 EU/UK HEADLINE: WITH SPECIAL GUESTS BUSH + GEL: 9/18 — Herning, DK — Jyske Bank Boxen 9/19 — Copenhagen, DK — Royal Arena 9/23 — Amsterdam, NL — Ziggo Dome 9/24 — Antwerp, BE — Sportpaleis 9/26 — Stuttgart, DE — Hanns-Martin-Schleyer-Halle 9/27 — Cologne, DE — LANXESS Arena 9/28 — Oberhausen, DE — Rudolf Weber-ARENA 9/30 — Vienna, AT — Wiener Stadthalle 10/3 — Prague, CZ — O2 universum 10/4 — Berlin, DE — Uber Arena 10/6 — Munich, DE — Olympiahalle 10/8 — Frankfurt, DE — Festhalle 10/10 — Leipzig, DE — QUARTERBACK Immobilien Arena 10/11 — Hamburg, DE — Barclays Arena 10/13 — Warsaw, PL — COS Torwar 10/15 — Tampere, FI — Nokia Arena 10/17 — Stockholm, SE — 3Arena 10/18 — Oslo, NO — Unity Arena 10/19 — Gothenburg, SE — Scandinavium 10/21 — Hannover, DE — ZAG Arena 10/22 — Rotterdam, NL — Rotterdam Ahoy 10/23 — Esch-Sur-Alzette, LU — Rockhal 10/25 — Zurich, CH — Hallenstadion 10/28 — Bilbao, ES — CUBEC — Bilbao Exhibition Centre 10/30 — Barcelona, ES — Sant Jordi Club 10/31 — Madrid, ES — Palacio Vistalegre 11/2 — Paris, FR — Zénith Paris — La Villette 11/5 — Nottingham, UK — Motorpoint Arena 11/6 — Cardiff, UK — Utilita Arena 11/8 — Manchester, UK — AO Arena 11/10 — Glasgow, UK — OVO Hydro 11/12 — Birmingham, UK — Utilita Arena 11/13 — London, UK — OVO Arena Wembley
Grammy-winning, multiplatinum heavy metal band MEGADETH has announced an agreement for founder and frontman Dave Mustaine’s Tradecraft imprint with the Frontiers Label Group’s new imprint, BLKIIBLK. In this new arrangement, BKLIIBLK—which is dedicated to pushing the boundaries of heavy music—will exclusively release the iconic band’s forthcoming album globally.
“When I first met Tom Lipsky and Bob Chiappardi back in the day I had no idea we would be working together again so many years in the future,” Dave Mustaine says. “I look forward to working with Serafino and the team in Italy and I can’t wait for the fans to hear the songs from our new record.”
This new and exciting collaboration with one of the most influential and groundbreaking bands in heavy metal history marks a significant moment for both the label and metal fans worldwide. BLKIIBLK aims to bring a fresh perspective by focusing on innovative and boundary-pushing artists. With a mission to support and elevate the genre, the imprint strives to showcase talent that is both pioneering and influential.
“As the owner of Frontiers, I am honoured to be working with Megadeth, a band that has shaped the sound of metal for decades. This collaboration reflects our dedication to bringing the best in rock and metal to our audience”, said Serafino Perugino, President & CEO of Frontiers Label Group.
“Myself, Justis Mustaine and Steve Ross at CTK Enterprises are extremely excited for the partnership with Dave Mustaine’s Tradecraft Records and BLKIIBLK,” says Danny Nozell, CEO, CTK. “Looking forward to getting this new album out to the world and combining teams with Serafino and Tom for the global attack.”
Tom Lipsky, Head of A&R of North America for Frontiers Label Group, commented: “When BLKIIBLK Records was formed, the very first artist we agreed was ideal to define the creative mission of the label was Megadeth. Now, it is a reality. The band is crushing it in the studio. Danny Nozell, Justis Mustaine, Steve Ross and the team at CTK are developing an incredible global plan, and our team is thrilled, primed and ready to shake up the world of hard rock and metal!”
About Megadeth: Megadeth are an American heavy metal band formed in Los Angeles in 1983 by vocalist/guitarist Dave Mustaine. Known for their technically complex guitar work and musicianship, Megadeth is one of the “big four” of American thrash metal along with Metallica, Anthrax, and Slayer. Their music features complex arrangements, fast rhythm sections, dual lead guitars, and lyrical themes of war, politics, religion, death, and personal relationships.
Since their explosive debut Killing Is My Business… and Business Is Good! (1985), Megadeth has built a legacy of seminal albums, including the genre-defining Rust In Peace (1990) and the multi-platinum Countdown To Extinction (1992). Their catalogue boasts five platinum-certified records and sixteen studio albums, culminating in their latest release, The Sick, the Dying… And The Dead! (2022). Over their 42-year career, Megadeth have solidified their status as one of metal’s most enduring acts. The band earned twelve Grammy nominations, winning their first in 2017 for “Dystopia” (Best Metal Performance), and sold over 50 million albums worldwide.
Furthermore, Megadeth have built a global community of fans, hosting the acclaimed Gigantour festival and launching the MegaCruise in 2019. Their iconic mascot, Vic Rattlehead, remains a symbol, regularly appearing on album artwork and live shows. Led by Mustaine—the band’s unwavering creative force—Megadeth’s current lineup features bassist James LoMenzo, guitarist Teemu Mäntysaari, and drummer Dirk Verbeuren. With over four decades of metal dominance, Megadeth’s legacy is stronger than ever.
About Frontiers Label Group: Founded in 1996 by Serafino Perugino in Napoli, Italy, Frontiers initially specialized in distribution of indie Rock labels across the Italian market. The company, however, soon evolved into a leading global rock label, working with such important artists as Megadeth, Skunk Anansie, Van Zant, Def Leppard, Journey, Yes, Mr Big, Biohazard, Whitesnake and ELO, while also signing and developing tomorrow’s artists.
Today, the expanded Frontiers Label Group owns and operates the imprints Frontiers Music Srl (Mainstream and Classic Rock), FLG Records (Alternative Music) and BLKIIBLK Records (Metal and Hard Rock) with global digital and physical distribution via The Orchard. The company is headquartered in Italy with additional executive staff in London, NY, Boston, Raleigh and Nashville. Serling Rooks Hunter McKoy Worob and Averill LLP provides legal representation in the US, with international legal under the direction of Dario De Cicco.
Italian progressive death metal legends SADIST are streaming their new studio album “Something To Pierce”, released today March 7th on Agonia Records.
Following the well-acclaimed “Firescorched”, released in 2022, the new album “Something to Pierce” promises to be even more aggressive, both musically and lyrically. The band’s tenth installment is a bold amalgamation of technique, aggression and experimentation; in short, “a further step towards the definition of a unique music style, which you can’t help but love…or hate,” comments founding member & mastermind, Tommy Talamanca. “Like it or not, nobody sounds like Sadist!”
“Something to Pierce” was record, mixed and mastered by Tommy Talamanca at Nadir Music Studios in Genoa, Italy. The cover artwork was created by Andreas Christanetoff of Armaada Art (Aborted).
SADIST started out in the early nineties, having emerged from Genoa in Italy. The band went ahead of its time, with an adventurous take on the then-developing progressive death metal subgenre. Its presence was firmly established through an unmistakable style, detectable since the debut installment “Above The Light” (1993). After a five year hiatus (2000-2005), SADIST returned to its proven sonic formula of jazz-infected epic prog-death, fraught with Middle-Eastern influences.
Along its path, SADIST kicked off concerts for Iron Maiden, Megadeth, Slayer and Motorhead, and gained exposure at high-profile fests (Wacken Open Air, Gods Of Metal, Hellfest). In 2023 alone, the band shared the stage with Samael, Pantera, Dark Tranquility and Sepultura, andcontinued to play festivals and one-off dates throughtout 2024, amidst putting final touches on new album, “Something to Pierce”. Among the group’s last live appeacnces are Prog Power Europe and Corpsorate Death Fest.
1. Something to Pierce 2. Deprived 3. No Feast for Flies 4. Kill Devour Dissect 5. The Sun God 6. Dume Kike 7. One Shot Closer 8. The Best Part is the Brain 9. Nove Strade 10. Respirium (instrumental) 11. Latex Hood (CD bonus track) 12. The Unsmiling Windows (CD bonus track)
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video