Decibel Magazine is hosting the exclusive premiere of “Satanic Witch”, a thunderous new single from Italian black metal act MALAURIU‘s impending third full-length album, “The Third Nail”, due out April 3rd, 2026 through Adirondack Black Mass.
The record represents a bold evolution for the band, merging the raw intensity of black metal with a punk-infused aggression, while showcasing meticulous attention to detail in a warm, organic production that brings out the full depth of the compositions.
Recorded between Italy and the UK from 2024 to 2025, “The Third Nail” is the result of over a decade of dedication to the rawest and most primitive essence of black metal. The album features eight original tracks alongside a ferocious cover of GG Allin, which further highlights the band’s punk attitude and includes guest appearances by Dr. Heathen Scum (Mentors, USA) and Diego Do’Urden (Mystifier).
The album’s artwork draws on Sicilian traditions where the sacred and the profane collide, from blood-stained processions to brutal reenactments of the Crucifixion, creating a ritualistic atmosphere where faith is intertwined with horror, gore, and the occult.
Mixing was handled by Carlo Altobelli at Toxic Basement Studio (Italy), a recognized figure in extreme underground production, while mastering was completed at Necromorbus Studio (Sweden), famed for work with acts like Mayhem, Watain, Funeral Mist, and Shining.
Now based in London, UK, with a solid live lineup, MALAURIU will bring “The Third Nail” to stages across Europe in 2026, delivering a live experience that amplifies the album’s dark intensity and ritualistic energy.
Tracklist:
1 Rising From The Cemetery 2 Empowerment Rites 3 Death Celebration 4 Hell Mouth 5 Satanic Witch 6 The Curse of All Flesh 7 Purple Ceremony 8 Monotheistic Filth 9 Abuse Myself, I Wanna Die (GG Allin cover)
Founded in 2013 by Schizoid, MALAURIU emerged from Sicily as a project deeply rooted in folklore, mysticism, and the occult. Over the years, the band evolved from a pure black metal project into a constantly shifting entity, exploring dark ambient, ritual, noise, and punk, while maintaining a consistent spiritual intensity.
Sicily’s dark, evocative landscapes – ancient temples, legends of monsters, and sites connected to Aleister Crowley’s Abbey of Thelema – have profoundly influenced the band’s vision. With over 20 releases in the past decade, MALAURIU has steadily built a reputation for uncompromising music, blending extreme aggression with atmospheric depth, offering listeners a journey into the darker corners of the mind and soul.
Line-up: Schizoid – Guitars R.M. – Vocals
Session musicians: Black Doom – Bass Frozen – Drums Felis Catus – Keyboards/Samples Marbas – Keyboards G.T. – Guitar solos on tracks 2, 5 and 9
Very special guest: Diego DoUrden (Mystifier/Evoked) – Vocals on track 9 Dr. Heathen Scum (Mentors) – Vocals on track 9
“Abuse Myself, I Wanna Die” originally recorded by GG Allin Recorded between Sicily and the UK 2024/2025 Mixed by Carlo Altobelli at Toxic Basement Studio (Italy) Mastered by Tore Stjerna at Necromorbus Studio (Sweden)
The time has come to open the doors to “Gloomy, Eerie And Weird”, the new album from THE MUGSHOTS, which promises to be one of the most eclectic and visionary releases on the international scene. They start with the Dark Horror Rock blended with Gothic, Post-Punk, and Heavy Metal of “The Nameless”, featuring the precious collaboration of Andy LaRocque, Sakis Tolis and Jim Mutilator.
The spectacular video, created and edited by Cristiano Mondini for TRK studio, is available on YouTube:
The album “Gloomy, Eerie, and Weird” will be released on April 17, 2026, and can be ordered now on LP, CD, and bundle editions at: https://t.ly/7zoYL
Mickey E. Vil, the band’s longtime leader, commented on the song: “When I spoke with Andy LaRocque years ago about his possible participation in a THE MUGSHOTS song, I composed a song that was meant to sound as Metal as possible. Once I received the solo, I felt something was still missing: a bass worthy of the best old-school Metal and an evocative narrative. Why not, after 30 years, create a temporary reunion between two historic members of the glorious Greek Black Metal scene? Sakis Tolis and Jim Mutilator, founding members of the original ROTTING CHRIST lineup, have completed the work in the best possible way. All this was completed by the monumental work of Cristiano Mondini (TRK Studio), who created on paper the dystopic world of “The Nameless”, somewhere between W. Burroughs, P. Dick and H. Thompson”.
The journey through darkness, irony and vision has just begun; prepare yourself for an extraordinary experience.
From the beginning, it was clear that Beyond Creation possessed a special aura. On their debut album, the Montréal four-piece concocted the next progressive evolution in technical death metal by splicing together classic brutality and prog’s insatiable curiosity with a refreshing knack for melody. Now, ahead of their fifteenth anniversary tour in celebration of The Aura, the Independent Music and Lit Music Award winners and Canadian Grammy nominees are releasing their first new song in eight years.
Today, Beyond Creation are thrilled to announce their new single, “Reverence”. While burdened by heavy expectations and the ashes of doubt, like a phoenix, the band rise in a brilliant display of strength and spirit.
“Our new single explores the fragile line between clarity and illusion, between introspection and insanity, where the search for meaning can either elevate us or consume us”, Beyond Creation’s vocalist, guitarist and lyricist Simon Girard says. “But the truth is simple and powerful: the moment you stop comparing and start focusing on who you truly are and what you genuinely want to express, something beautiful happens. You create from a place of honesty. You grow with purpose. What you achieve becomes something you can be proud of, because it is unique, real and entirely your own”.
Like all creative minds, “Reverence” begins uninhibited. Girard and fellow guitarist Kevin Chartré trade notes freely, responding to one another with the grace and understanding that comes from playing in a band together for more than 15 years. But this moment of elation proves painfully brief. “Thrown into a sea of endless thoughts”, Girard screams as chugging riffs bring the song crumbling under the weight of expectations. “A quiet war within my core”. Pushed to a breaking point, the band headbang as if trapped inside their own metal prison.
“With social media, we are constantly measuring ourselves against others”, Girard says. “The more we compare, the further we drift from our true selves and our authentic voice. We are lost amidst stress and insecurity. We feel that our ideas lack value, that our techniques are insufficient and our identity is somehow flawed”.
But even though “Reverence” is tormented by outside voices, Beyond Creation remain a guiding force for progressive technical death metal. In the wake of the song’s crushing breakdown, drummer Philippe Boucher leads the band toward the light at the end of its maze-like tunnels with the command of his cymbals and marching snare. “From the abyss, my body will rise / my soul fill fly / my spirit will shine”, Girard growls with renewed conviction. As bassist Hugo Doyon-Karout gently lifts the coda to a higher plane of existence with mind-bending runs, Beyond Creation’s aura burns brighter than ever.
“Once we stop with the comparisons, we free ourselves to grow”, Girard concludes. “We flourish in ways we never thought possible”.
The video for “Reverence” was directed and produced by Francois Bertrand and Simon Girard.
Additional video credits Director of Photography – Francois Bertrand Editor and Visual Effects – Simon Girard Actor – Etienne Defresne Key Grip – Raphaël Fortin Makeup Artist – Elycia St. Amand
The French part of Canada is home to a vibrant culture of technical death metal fostered by outstanding acts such as Gorguts, Cryptopsy, Martyr and Neuraxis. This illustrious family tree has produced many sprouts in the past, yet none of them are as brilliant as Quebec’s amazing scion: Beyond Creation.
Beyond Creation saw the light of day in 2005 in Montreal, Canada but it wasn’t until 2010 that the band was ready to hit the stage with their original line-up consisting of Simon Girard, Kevin Chatré, Guyot Bégin-Benoît and Dominic ‘Forest’ Lapointe. A year later, the band self-released their debut full-length album The Aura (2011), which quickly became a highlight in the genre. Since then, Beyond Creation has been known as the progressive, innovative and exciting new metal sound of their homeland, Quebec.
In late 2012, the band had Philippe Boucher (Ex-First Fragment, Incadescence, Chthe’ilst, Décombres) take Guyot’s place on drums and things started moving at a faster pace in 2013, when they joined Season of Mist, re-releasing ‘The Aura’ and touring North America, Japan and Australia. In 2014, Beyond Creation released their second masterpiece Earthborn Evolution.
After the addition of Hugo Doyon-Karout (Brought By Pain, Equipoise, Conflux) on bass, the band focused on touring as much as possible on the Earthborn Evolution album cycle compiling three North American tours, three European tours, countless shows in Canada, appearances in Mexico, Colombia and Dubaï, sharing the stage with heavy weights like Arch Enemy, Hate Eternal, Misery Index, Dying Fetus, Psycroptic and Obscura. They also took part in multiple large-scale music festivals such as Hellfest (FR), 70 000 Tons of Metal (US), UK Tech-Fest, Montebello Rockfest (CA), Heavy MTL (CA) and Damnation Fest (UK).
In 2018, Beyond Creation recorded their IMA award-winning and JUNO-Nominated third album Algorythm at The Grid Studio in homeland Canada. With their latest album, Beyond Creation delivers a ferocious blend of technicality, melody, and brutality aided by fang-filled growls, which is interwoven with beautiful progressive interludes.
Since then, Beyond Creation have toured extensively. The band have played multiple times across North America, Latin America, Europe, Australia and New Zealand with the likes of Ne Obliviscaris, Decapitated, Cynic and Rivers of Nihil. They’ve also hit the festival circuit with appearances at Shred Fest, Loud As Hell Open Air and Trois-Rivières Metal Fest.
In 2026, Beyond Creation released “Reverence”, their first single in eight years, ahead of their special 15th anniversary tour for The Aura.
Line-up Simon Girard: Vocals & Guitars Kevin Chartré: Guitars & Back Vocals Hugo Doyon-Karout: Bass Philippe Boucher: Drums
“Reverence” song credits Song by Simon Girard Arrangements by Beyond Creation Lyrics by Simon Girard
“Reverence” production credits Recorded, Mixed and Mastered at Christian Donaldson’s Studio Produced, Engineered, Mixed and Mastered by Christian Donaldson Mixing Assistance by Dominic Grimard
Amulets, created by Portland-based audio/visual artist Randall Taylor, has unveiled a new single ‘Black Sheep’, taken from the upcoming EP Rem(a)inders, out 10th April via Pelagic Records.
Against a hazy analogue backdrop, ambient guitars reverberate and echo through the sonic landscape, creating a sensation of weightlessness that is both calming and unsettling. Melancholic and soaring, ‘Black Sheep’ evokes a presence of isolation and longing in the emptiness. Through patient unfolding, this minimalist, poignant atmosphere raises in intensity, deliberate in its unhurried movement, leaving room for each sound to breathe, evolve, and fade into the next.
Amulets’ new album Rema(i)nders marks his debut on Pelagic Records, a fitting home for a record that thrives in the liminal space between heaviness and fragility. Deeply immersive, the album navigates the dreamy boundaries between the tangible and the ethereal, where sound behaves as memory itself: unstable, layered, and quietly transformative.
Randall Taylor‘s work uses analog tape and its imperfections to explore themes like degradation and nostalgia and their relationship to technology and to the self. By constructing and modifying tape loops and repurposing antiquated cassette players, Taylor creates dense, never-ending, looping soundscapes for both his live performances and sculptural sound art installations.
Known for his ability to weave soundscapes that evoke powerful emotions with minimalistic instrumentation, Taylor’s newest project is a masterful exploration of mood, atmosphere, and texture.
Taylor commented: “Rema(i)nders started as a fragmented collection of songs, memories, ideas, and feelings that I wanted to mash and warp together beyond recognition. What I ended up creating was a beautiful mosaic of texture and light in this darkening world.To remain is to remind.To remind is to remain.“
Track list:
1. Paths of Acceptance 2. Former Shells 3. Coiled (ft. Patrick Shiroishi) 4. Black Sheep 5. Slow Motion_Somnia 6. RemainRemind
On February 21, 2014, one of the most important voices of the Italian progressive rock scene passed away: Francesco Di Giacomo.
Lead singer of the legendary band Banco del Mutuo Soccorso, Di Giacomo—an extraordinary artist and lyricist—was widely regarded as “the great voice of Italian progressive rock.”
Today, February 21, 2026, exactly 12 years after his passing and on the same date, Italian progressive metal band Ghost on Mars have released their new single: a cover of a Francesco Di Giacomo song titled “Il Senso Giusto.”
Released and distributed by the US label Willowtip Records, this marks the first time Ghost on Mars have released a song sung entirely in Italian. The band has also released an English version of the track, titled “The Right Way.”
The original song appears on La parte mancante, an album released posthumously in 2019 and likewise recorded at NMG Studio in Palestrina.
Ghost on Mars are currently working on the writing of their new album, while also organizing a series of promotional concerts for Out of Time and Space, an album that has received highly positive reviews from the specialized press across Italy and Europe.
Internationally acclaimed symphonic metal band KAMELOT will officially launch their 2026 European headline tour with two exclusive kickoff performances under the banner “KamFest.”
The special two-night event will take place on October 30 and 31, 2026 at O13 in Tilburg, The Netherlands.
Conceived as a celebratory opening to the upcoming tour cycle, KamFest will feature two distinct lineups across consecutive evenings, offering fans unique concert experiences on each night.
Friday, October 30, 2026
KAMELOT will be joined by: Xandria, Leaves’ Eyes, Elegy
Saturday, October 31, 2026 (Halloween Night)
KAMELOT will be joined by: Blackbriar, Exit Eden, Temperance
The October 31 performance will coincide with Halloween, adding a seasonal dimension to the weekend’s programming while maintaining the band’s signature cinematic and theatrical presentation.
KamFest represents a focused launch event for the 2026 European tour, bringing together established and emerging artists from across the symphonic and melodic metal spectrum. Additional production elements and setlist details will be announced at a later date.
Ticketing information and VIP packages will be released shortly via official KAMELOT channels.
For further updates, visit official band platforms and venue announcements.
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