The ancient, demonic rites of South American metal are resurrected as EVILCULT prepares to unleash their third full-length album, Triumph of Evil, on September 19th via Awakening Records. Forged in the fires of chaos and blasphemy, this new offering is a merciless assault on Christian morality and a hell-forged tribute to the primitive, raw energy of ’80s underground metal.
Order the album here: https://awakeningrecordscn.bandcamp.com/album/triumph-of-evil
Since their formation in 2016, the Brazilian horde – composed of vocalist/guitarist Lucas From Hell, bassist Speed Lobo-Guará, drummer Filipe Stress, and guitarist Hell Bordini – has clawed its way to the forefront of the modern black-speed-thrash scene. Their previous blasphemous tomes, At the Darkest Night (2020) and The Devil is Always Looking for Souls (2023), established them as keepers of a sacred, unholy flame. On Triumph of Evil, they wield it like a burning crucifix, searing the very foundations of convention.
The album’s sound is a venomous amalgam of Teutonic thrash and first-wave black metal, heavily indebted to the savage legends who first dared to mix speed with satanic rage. Lucas From Hell’s vocals rip through the chaos with a feral aggression, shifting from guttural growls to the piercing, possessed shrieks. The raw, analog production ensures every riff, solo, and blast beat echoes with the primitive spirit of ’80s legends like Hellhammer, Sodom, and the ferocious Brazilian pioneers Sarcófago.
The concept of Triumph of Evil is a direct, blasphemous inversion of a common religious narrative. The album’s stunning, hand-painted artwork shows Satan not defeated, but victorious, humiliating the Archangel. This visual rebellion sets the stage for the title track and the album as a whole: a merciless celebration of evil and the subversion of all that is considered holy. This is not just metal worship; it’s a declaration of war.
The album’s lead single, “Midnight Ritual,” serves as a perfect introduction to this hellish journey. Penned as a “killer track” with a “catchy chorus,” it is a raw, blood-soaked anthem celebrating the fusion of heavy metal with unholy rituals. This song, and indeed the entire album, was a testament to the band’s dedication, with songs written and arranged remotely under immense pressure, just weeks before their upcoming European tour.
This isn’t an album for the faint of heart. It is a raw, uncompromising tribute to the true underground. Triumph of Evil is a sound forged in defiance and a testament to the enduring power of pure, unholy metal.
