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STONED JESUS Show How They Reached New Highs on Latest Single ‘Low’

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: Stoned Jesus. Leave a comment
Photo by Daina Forys

While they’ve blazed through folk, prog, pop and alternative rock following their first sip of doom metal, after 15 years, Stoned Jesus are still reaching new creative peaks. On the latest single from the band’s mind-melting new album, Songs to Sun, the heavy progressive rockers rose above personal lows by doing something they’ve never done before: blast beats and harsh vocals.

Today, frontman Igor Sydorenko is releasing a new video that shows how to play and how he wrote “Low”. Thanks to a simple riff and instant chemistry shared between Sydorenko and his new rhythm section, the band stopped worrying about pleasing people and blasted out the heaviest song in Stoned Jesus’ wide-ranging discography.

“This is probably the happiest I’ve been creatively in Stoned Jesus”, Sydorenko says. “With both Andrew and Yuri now in the band, we can experiment as deep as we can.

“Even though, we are currently working on the darker follow-up to Songs to Sun“, he continues, “the three of us are constantly laughing all the time”.

Watch Igor Sydorenko explain how to play and how he wrote “Low”:

Songs to Sun comes out September 19, 2025 on Season of Mist. 

Pre-order & Pre-save: https://orcd.co/stonedjesussongtosun
Pre-save on Spotify: https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx

Can’t wait to hear Stoned Jesus’ mind-melting new album? Hear all of Songs to Sun before it comes out during the band’s upcoming listening party on Bandcamp.

Songs to Sun Bandcamp Listening Party – RSVP
Tuesday, September 16 @ 1:30 pm CEST / 7:30 pm CEST

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what’s been a decades-long trip for Stoned Jesus. While picking up where the band’s last album, Father Light left off, Sydorenko and his new mates still nod to their early classics Seven Thunders Roar and The Harvest. But by merging metal’s fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.

The video for “Shadowland: how to play it & how I wrote it” was written and filmed by Igor Sydorenko. It was edited by Radion Yakumenko.

Tracklist
1. New Dawn (8:53)
2. Shadowland (4:38) [WATCH]
3. ​Lost in the Rain (7:49)
4. Low (4:09) [WATCH]
5. ​See You on the Road (5:45)
6. Quicksand (9:52)

Hear Stoned Jesus perform “Low”, “Shadowland” and other new songs off Songs to Sun during their upcoming European festival appearances and tours of Australia and Latin America.

Get tickets: https://linktr.ee/stonedjesusband

2025 European Festivals
September 13 – Crest, FR @ Bridge To Hell
September 20 – Bilbao, ES @ Kristonfest
November 8 – Bochum, DE @ Tombstoned Fest
November 14 – Magny-Les-Hameaux, FR @ Foud Rock
November 15 – Eindhoven, NL @ Helldorado

2025 XV & Debut Australian Tour
September 28 – Perth @ The Rosemount
October 1 – Canberra @ The Baso
October 2 – Sydney @ The Underground
October 3 – Brisbane @ Soapbox Beer
October 4 – Melbourne @ The Leadbeater
October 5 – Adelaide @ The Crown & Anchor

2025 Latin American Tour
October 21 – Rio De Janeiro, Brazil @ Rock Experience
October 22 – Porto Alegre, Brazil @ Gravador
October 23 – Florianopolis, Brazil @ Desgosto
October 24 – Curitiba, Brazil @ Beveldere
October 25 – Sao Paulo, Brazil @ Jai Club
October 26 – Belo Horizonte, Brazil @ Caverna
October 28 – Buenos Aires, Argentina @ Uniclub
October 29 – Santiago, Chile @ Club Ambar
October 31 – Mexico City @ Sangriento [FIRST-EVER SHOW IN MEXICO]

Since 2009, Stoned Jesus has served as one of Europe’s leading forces in heavy rock. Igor Sydorenko, a veteran of the Ukrainian underground music scene, started it as a solo project after stumbling upon some heavy and angry riffs that would become the song “Occult.” He fed off his Black Sabbath and Led Zeppelin influences and was soon turned onto Electric Wizard and Sleep, two bands who mastered the art of bold, lurching heaviness, thus creating a sonic template to abide by. 

The Kyiv-based project was initially dubbed “Stoned Jesus from the Outer Space” but shortened to the much crisper Stoned Jesus. The name was trimmed down out of necessity — Sydorenko wanted to legitimize the band immediately. “I realized that this may cause some problems,” he told Psychedelic Baby in 2010. “Some people wouldn’t take our music seriously, then. I don’t mind jokes and having fun, but music is always the most serious thing for me.” 

Two demos ensued before Stoned Jesus’s debut LP, 2010’s First Communion. Recorded with the first line-up in two hours, First Communion was a promising offering that dove headlong into the world of heavy stoner rock, with three songs going over the 10-minute mark for hypnotic effect. The album eventually saw a proper reissue in 2020, introducing it to a new group of fans. The first change of rhythm section brought Seven Thunders Roar in 2012, which included “I’m the Mountain,” a 13-minute epic that has since become a live staple. The album also introduced a bevy of acoustic guitar and softer vocal approaches from Sydorenko. 

The Harvest came next in 2015 with a new drummer, deftly transitioning Stoned Jesus into the new terrain, with more alternative and progressive rock leanings. This is a credit to Sydorenko’s evolving songwriting style and desire to never allow Stoned Jesus to repeat itself. “It works brilliantly for the likes of Motörhead or AC/DC, but we’re not that legendary yet,” he told Outlaws of the Sun in 2015. “So, let’s experiment, shall we? Let’s play with the genres, the sound, the song structures, the melodies, the time signatures — yes, my favorite trick!” 

With another change of the drummer, the fourth LP, Pilgrims, arrived in 2018. A bold and experimental record, it showed the growing maturity of both musical and lyrical sides of Igor’s ever-progressing songwriting. After a year-long The Pilgrimage Tour and yet another year on the road celebrating the band’s 10th anniversary with the greatest hits setlist, Stoned Jesus’ original plans were to record its follow-up in 2020. That, of course, was sidelined by the pandemic. The band then entered Spivaki Records in Kharkiv in July 2021 to record nine songs at 75 minutes. Two-thirds of the material was mixed and mastered before the 2022 invasion of Ukraine, leaving the final run-time of six songs at 43 minutes. 

The result was Father Light, the band’s first for Season of Mist, which caught Stoned Jesus in full bloom. The foundational elements of Stoned Jesus’s sound remained (fuzzed-out rock, driving bass lines and maximum groove), once again augmented by the combination of Sydorenko’s gentle clean vocals and hook-laden chorus choices, along with an array of ornamental guitar melodies. And, in true Stoned Jesus fashion, the journey is often the reward. The cuts on Father Light expand and shift — all the while, the band’s trademark heaviness serves as the guide. 

Mother Dark, the gloomier introspective twin of Father Light, while partially recorded was shelved due to Igor’s dissatisfaction with the working dynamics of the latest Stoned Jesus line-up. Dissolving said line-up was a difficult decision to make, but Igor’s relocation to Europe brought a surprising reunion with his old friend Yurii, a talented drummer Igor had known even before writing the first Stoned Jesus song. Adding bassist-vocalist Andrew Rodin to this new line-up solidified its reliability, and now, after the whole year of relentless 25th Anniversary Tour schedule, the reinvigorated Stoned Jesus is more than ready for their next chapter.

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what’s been a decades-long trip for Stoned Jesus. While picking up where Father Light left off, Sydorenko and his new mates still nod to Seven Thunders Roar and The Harvest along the way. But by merging metal’s fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.      

Lineup
Igor Sydorenko – Vocals, Guitar, Bass, Keyboards
Andrew Rodin – Bass, Backing Vocals
Yurii Ciel – Drums, Backing Vocals      

Production Credits
Produced by Igor Sydorenko
Recorded by Ignancy Gruzecki
Mixed and Mastered by Karl Daniel Lidén at Studio Tri-Lamb, Sweden

Recording Studio
Monochrom Studio in Poland

Cover Art
Vadym “Karaska” Karasiov

Follow Stoned Jesus:
https://linktr.ee/stonedjesusband
https://music.apple.com/sg/artist/stoned-jesus/396799004

https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
instagram.com/stonedjesusband
http://facebook.com/stonedjesusband
twitter.com/stonedjesusband
https://www.tiktok.com/@stonedjesusband

youtube.com/c/StonedJesus
stonedjesus.bandcamp.com

Cleveland Punk Legends THE DEAD BOYS Return with Riotous Christmas Single

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: THE DEAD BOYS. Leave a comment

Hallowe’en is less than six weeks away and you know what that means! It’s time for the stores to start putting up their Christmas decorations, and that bloody Paul McCartney song is already playing on repeat in the local drug store.

But do not despair, for The Dead Boys are here with some festive cheer of their own, a seething cover of The Ravers’ 1977 classic “(It’s Gonna Be A) Punk Rock Christmas.”

The Ravers themselves were intended as a joke, a parody punk band dreamed up by members of Daddy Maxwell, an American group best remembered today for their sterling contribution to the UK’s Junkshop Glam obsession, 1973’s “Rave’N’Rock.”  And the song’s lyrics did not disguise its intentions.

Even Santa’s gonna be
A Sex Pistol for a day
All those Christmas trees swinging safety pins from their leaves

A few of the original’s lines do feel dated today… so Cleveland’s finest have changed them. Now it’s the King, not the late Queen, who will sing “Anarchy in the UK,”  and the little boy’s Christmas list includes a subscription to Vive Le Rock, and the new single by the Dead Boys. Sensible lad.

And let’s not forget the most alarming vision of them all: “Johnny Rotten will sing ‘Jingle Bells’ out of his bottom.”  

Mark Thorn

“It’s rare for Christmas to arrive in September any year,” says Cheetah Chrome, “but the way this year has been going, all is out the window, up is down and honesty is no longer respected.  Not in this case, though.  Dead Boys are truly proud to have Mark Thorn as our new singer and this is yer first chance to hear him on record doing a Christmas song in Sept, with myself, Clem Burke [Blondie – RIP] and Glen Matlock [Sex Pistols, Rich Kids] backing him!” 

For many of us, this will be our first opportunity to hear this new line-up in action, and it doesn’t let us down. Above an archetypal Dead Boys roar, Thorn unleashes his most perfect mock-Cockney yowl, while Cheetah sounds as young, loud and snotty as he ever has.

Thorn admits, “I hadn’t heard this buried treasure before, and it’s such a great fun and cool song… ‘cool’  not being an adjective usually associated with a Christmas record!  But ultimately, it’s just a great Punk Rock number that just happens to have a Christmas theme.

“I had a whole lotta fun getting to grips with it and putting my own twist on it, taking the liberty of adding a few lyrics of my own for good measure, to the point of making my own Christmas wish list for Santa! There’s a cool humour to it and I can’t wait to road test it. It’s gonna be a whole lotta fun to play live and yeah, Christmas definitely came early this year and with bells on!” 

Indeed, on this evidence, the band’s 50 year legend remains in the very best hands it could hope for.  And there’s plenty more to come, not only in the form of the Dead Boys now-swiftly gestating new album, but also their upcoming West Ghost west coast tour… our chance, at last, to truly welcome Mark to the fold, alongside the present line up of Cheetah, Tony Garza, Chris Alaniz (The Turkish Elvis!) and Monk Burris.

So yes, maybe it does feel a little early to be jingling bells and saying “ho ho ho,”  But someone’s got to start the ball rolling, and who would you prefer? The Dead Boys sounding as ferocious as ever? Or… [exit stage left, singing “simply having a wonderful Christmas time.”]

SINGLE: https://orcd.co/yje9km4

The Dead Boys on the road:

  • September 14: The Glass House, Pomona, CA
  • September 17: Voodoo Room at House of Blues, San Diego, CA
  • September 18: Alex’s Bar, Long Beach, CA
  • September 19: The Ritz, San Jose, CA
  • September 20: DNA Lounge, San Francisco, CA
  • September 22: Hawthorne Theatre, Portland, OR
  • September 23: The Funhouse, Seattle, WA
  • September 25: Strummer’s, Fresno, CA
  • September 26: Whisky A Go Go, West Hollywood, CA
  • September 27: The 44 Sports Grill & Nightlife, Glendale, AZ

D.B.C. to Re-Issue First Classic Albums “Dead Brain Cells” & “Universe” on November 14th

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: D.B.C.. Leave a comment

Hammerheart Records have announced the reissue of two D.B.C. thrash metal classics, Dead Brain Cells (1987) and Universe (1989), which will see the light of day on 14th November, 2025.

Both albums can be pre-ordered here: https://deadbraincells.lnk.to/deadbraincells

1987 was a big year for Canadian thrash. Bands like Voivod, Razor, Piledriver and Sacrifice had already done the groundwork over the previous few years but 1987 would be the year that saw the local scene taking the next step in its evolution with a new generation of bands making their initial forays into the world of recorded music. 

D.B.C. had only formed in February of the previous year but had wasted no time in delivering their self-titled debut album in partnership with well-respected New York metal label Combat Records who had already made quite a name for themselves in the underground scene. Combat brought in experienced campaigners Steve Sinclair & Randy Burns to handle the production & engineering duties; each possessing some imposing resumes. It almost sounds too good to believe for a young Canadian band that had yet to make a name for themselves but such was the scenario D.B.C. saw themselves in when they made their way into the studio for the first time.

This is some top notch thrash right here which sees Dead Brain Cells and Universe sitting very comfortably under the ‘undiscovered gem’ banner. 

Track-list:
1. Deadlock
2. Monument
3. Lies
4. Power And Corruption
5. Tempest
6. Public Suicide
7. Negative Reinforcement
8. Outburst
9. M.I.A.
10. Terrorist Mind
11. The Vice
12. Trauma X
13. Final Act

Track-list:
 1. The Genesis Explosion
 2. Heliosphere
 3. Primordium
 4. Exit the Giants
 5. Rise of Man
 6. Estuary
 7. Humanity’s Child
 8. Phobos and Deimos
 9. Threshold
 10. Infinite Universe

VERBA SERPENTIS Release New Music Video ‘Monuments Of Dust’

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: VERBA SERPENTIS. Leave a comment
Photo-Credit: Stefan Sereinig (Stefansergio)

Founded in 2024, VERBA SERPENTIS released their debut EP “Ophidic Gnosis” shortly thereafter in October of the same year. Melodic songs, evocative, atmospheric, and with the necessary bite, brutally degenerate vocals. The competent production by Stefan Traunmüller at Soundtempel Studio gave the material the right sound.

Now, with the new music video for “Monuments Of Dust” the talented Austrians are presenting their skills to the entire Black Metal community.

🎥 🎬 ⚙️ Filming and Editing by S. Sergio and Verba Serpentis

Statement of the band: 
“‘For those who chase the hollow light of false gods and deny the power of darkness, will be left with monuments of dust‘ – a song about the transience of all forms and the realization that destruction, chaos, and the death of the ego are necessary stages on the path to self-awareness.

Many people indulge in the supposedly easy approach of not seeking responsibility and hope within themselves and place their lives in the hands of others, literally waiting to be devoured instead of becoming aware of their existence and personal responsibility.

The music video was recorded in a church ruin, filmed and produced by Stefan Sergio. The location perfectly captured and visualized the theme. Desolate, empty, and in the midst of collapse. A monument turning to dust …”

Artwork by Serpentchron

TRACKS
01. Leviathan 05:35     
📺 02. Monuments Of Dust 05:46
03. Purging Fire Ritual 05:25
04. Satan’s Eye 04:04 
05. Conjuring The Legions 05:41

Symbolists of the Voice of the Serpent:
Founded in 2024, these double-tongued conjurers whisper dark truths through their music. The result is an echo of ancient wisdom:
the words of the serpent, weaving a tapestry of haunting melodies.
They channel the essence of the forbidden and invite listeners to embrace the shadows.
The timeless words of the serpent speak of defiance, darkness, and the freedom found in the embrace of the night … [ … learn more here ]

LINE-UP
○ Achlycet • Guitar & Vocals
○ Malphas • Guitars
○ Somnifer • Bass
○ Tenebris • Drums

COGNITIVE to Release Cover of Slipknot’s ‘People = Shit’ on September 15th

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: COGNITIVE. Leave a comment

Photo by Kurtis Fowles

Technical death metal architects COGNITIVE are pleased to unveil their outstanding cover of Slipknot classic, “People = Shit.“

The stand-alone single comes in advance of the band’s upcoming US tour supporting Nile. The Underground Awaits Tour 2025 begins on September 12th in Raleigh, North Caroline and runs through October 11th in Indianapolis, Indiana. Additional support will be provided by Cryptopsy and labelmates, The Last Ten Seconds Of Life.

In a collective statement, COGNITIVE comments, “Here we go again mother fuckers! We have been hard at work writing our next album and prepping for tour but decided to spend some time having fun and recorded a cover of ‘People = Shit’ by the almighty Slipknot! We wanted to have fun with something that wasn’t exactly death metal, but still in the extreme realm! The world is an awful place, and humanity doesn’t make it any better, so to us the Slipknot math and song title added up correctly! We hope you enjoy and see you on the road with Nile, Cryptopsy, and The Last Ten Seconds Of Life.“

The digital single will be available for purchase on Monday, September 15th at: metalblade.com/cognitive

COGNITIVE w/ Nile, Cryptopsy The Last Ten Seconds Of Life:
9/12/2025 Chapel of Bones – Raleigh, NC
9/13/2025 Underground Arts – Philadelphia, PA
9/14/2025 Tally Ho – Leesburg, VA
9/16/2025 Brooklyn Monarch – Brooklyn, NY
9/17/2025 Wally’s – Hampton, NH
9/18/2025 Webster Hall – Hartford, CT
9/19/2025 Mickey’s Black Box – Lititz, PA
9/20/2025 Dingbatz – Clifton, NJ
9/21/2025 Montage Music Hall – Rochester, NY
9/22/2025 Mercury – Cleveland, OH
9/24/2025 Sanctuary – Detroit, MI
9/25/2025 Hobart Art Theatre – Hobart, IN
9/26/2025 The Annex – Madison, WI
9/27/2025 Studio B @ Skyway – Minneapolis, MN
9/28/2025 Apollo Theater – Belvidere, IL
9/29/2025 Bigs Bar – Sioux Falls, SD
10/01/2025 Pub Station – Billings, MT
10/03/2025 El Corazon – Seattle, WA
10/04/2025 Knitting Factory – Spokane, WA
10/05/2025 Knitting Factory – Boise, ID
10/06/2025 Urban Lounge – Salt Lake City, UT
10/07/2025 Oriental Theater – Denver, CO
10/09/2025 Wooly’s – Des Moines, IA **
10/10/2025 Reggie’s – Chicago, IL **
10/11/2025 Hi-Fi Annex – Indianapolis, IN **
** No The Last Ten Seconds Of Life

COGNITIVE will be touring in support of their most recent full-length, Abhorrence, released last Spring via Metal Blade Records. The record finds the New Jersey powerhouse quintet at their brutal best. Abhorrence carries on band tradition with its a maniacal fusion of relentless riffs and thoughtful, devastating lyrics making for a raging, draining, and ultimately fulfilling experience.

An exercise in aural turbulence, each track on Abhorrence takes its listener on a magnificently traumatic journey. Wrote Rock Hard Germany in part, “Between Job For A Cowboy and Cattle Decapitation, COGNITIVE are in good company with Metal Blade. The quintet from New Jersey has also developed from a relatively conventional grind/deathcore band into a fiddly extreme metal hybrid that still prefers to contrast blast beats with downtempo parts, but also allows for melodies and generally values skilled craftsmanship… The sound is correspondingly transparent and powerful, but not soulless.” New Noise concurred, “This album has been painstakingly crafted and holds nothing back; the end result is a roller coaster of blastbeats, breakdowns, shredding solos, and a variety of different but equally powerful vocal techniques. There’s a little something for everyone to enjoy, and that broad appeal, combined with an incomparable work ethic, has no doubt contributed to their ongoing success.” Added Dead Rhetoric, “COGNITIVE continues to make a name for themselves and outdo themselves with each release, and Abhorrence sees them in their best shape yet. They can play technically without sounding too eager to please, roll out massive grooves and beatdown-level aggression without feeling too caveman-like, and toss in copious melodies without making the music seem watered down… A pristine combination of extremity.”

COGNITIVE:
Rob Wharton – guitars
Harry Lannon – guitars
Shane Jost – vocals
Tyler Capone-Vitale – bass
AJ Viana – drums

https://www.facebook.com/Cognitivenj
https://www.instagram.com/cognitive_nj
https://x.com/cognitive_nj

BONG-RA Release “To Mega Panopticon” Compilation

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: BONG-RA. Leave a comment

As an addendum to February’s crushing “Black Noise” LP, Industrial legends BONG-RA – the primary project of Dutch artist Jason Köhnen (THE LOVECRAFT SEXTET, THE KILIMANJARO DARKJAZZ ENSEMBLE) – present “To Mega Panopticon“, an intermezzo compilation to bridge the gap while they work on a brand-new album.

“To Mega Panopticon” delivers eight ferocious tracks: new remixes of four tracks from “Black Noise“, a freshly reworked song from 2003’s “Bikini Bandits, Kill! Kill! Kill!“, pummelling covers of classics by GODFLESH/KILLING JOKE and a vinyl-only bonus version of NAPALM DEATH‘s ‘Evolved As One‘.

This one-of-a-kind remix album is now officially released and available to purchase via DMP’s Bandcamp page. Listen to it via our YouTube channel:

Full details and album information can be found here!

Follow BONG-RA on Instagram for regular updates.

“To Mega Panopticon” heralds the band’s upcoming October/November tour with AUTHOR & PUNISHER. These shows will provide the only opportunity to obtain the vinyl edition of “To Mega Panopticon“, available exclusively at the merch stand. This edition is strictly limited to 100 copies.

The following dates are confirmed:

26.10.2025 – Hamburg, Germany
27.10.2025 – Aarhus, Denmark
28.10.2025 – Oslo, Norway
29.10.2025 – Goteburg, Sweden
30.10.2025 – Copenhagen, Denmark
31.10.2025 – Berlin, Germany
01.11.2025 – Gdansk, Poland
02.11.2025 – Warsaw, Poland
03.11.2025 – Poznan, Poland
04.11.2025 – Leipzig, Germany
05.11.2025 – Frankfurt, Germany
06.11.2025 – Paris, France
07.11.2025 – Bruxelles, Belgium
08.11.2025 – Lille, France

Get your tickets here!

BONG-RA‘s “Black Noise” album is still available on CD – including merch – from the label’s EU, US (vinyl also) and Bandcamp shops. A vinyl repress is in planning.

Jason Köhnen began his musical journey in 1988 as the vocalist/bassist for BLUUURGH…, an underground Dutch Crust/Death Metal/Grindcore band. Following the release of an EP and LP, in 1991 he founded the Death-Doom band CELESTIAL SEASON, gaining widespread recognition as a prominent name in the genre outside the renowned ‘Peaceville 3′.

In 1996, Köhnen shifted from Metal to electronic music, creating the project BONG-RA and pioneering the intense Breakcore genre of electronica. His 1998 debut album led to a Peel Session in 2002, and established BONG-RA as one of the first acts to fuse Extreme Metal with electronics. The experimentation deepened with releases like the 2007 “Grindkrusher” EP, featuring BOLT THROWER samples, and collaborative releases with noise artist Maruosa in DEATHSTORM and the neo-classical Doom project WHITE DARKNESS.

Beyond BONG-RA, Kohnen co-founded THE KILIMANJARO DARKJAZZ ENSEMBLE and later THE MOUNT FUJI DOOMJAZZ CORPORATION, releasing a series of cult albums up to 2013. Over his 30-year career, he has collaborated with notable artists such as VENETIAN SNARES and IGORRR, performed at major festivals including Glastonbury and Dour, and toured globally, sharing the stage with legendary acts like APHEX TWIN, MINISTRY and THE PRODIGY.

After a brief hiatus, during which BONG-RA explored Doom, Electronica and Jazz – including via 2018’s “Antediluvian” and 2022’s “Meditations” – Köhnen is now returning to his Metal and Grindcore roots. A deal with Debemur Morti Productions, also home to his Doomjazz project THE LOVECRAFT SEXTET, has been reached.

BONG-RA now prepares for a new era as a live three-piece featuring guitarists Attila Kovacs and Botond Fogl. This freshly rejuvenated vehicle for Metal/breaks fusion did debut in early 2025 with a new record “Black Noise” and an upcoming tour.

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