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Brazilian AXTY Unleash New Single ‘Who I am’ with Official Video

Posted by tarjavirmakari on July 17, 2026
Posted in: Int. News, News. Tagged: AXTY. Leave a comment
[Photo Credit: Debora Camargo]

Brazilian metalcore rising stars AXTY unveil the next look into their forthcoming Napalm Records debut album, The Pain Made Me Who I Am, out August 21, 2026. “who I am”, the record’s pummeling second track, leverages infectiously groovy riffage with some tasteful record scratching, factor in some inhuman growls, death slams, and a truly anthemic chorus and you have the makings of a certified nu-revival anthem.
 
Frontman Felipe Hervoso on “who I am”:
“‘who I am’ is probably one of our favorite songs we’ve ever written.
 
“It has everything we love packed into a single track: catchy choruses, groovy guitar riffs and drum parts, some filthy deathcore animal noises, and to top it all off, a The Office meme that drops straight into a caveman breakdown at the end.
 
“’who I am’ also carries one of the most meaningful lyrics on the album. 2025 was a rough year for us, both personally and as a band. A lot changed. Some people tried to tear us down, but we made it through, and we’ll keep coming back stronger, louder, and more determined than ever.”

With their new album, AXTY explores universal lyrical themes of self-evolution through harnessing pain and resilience born from adversity, transforming negative experiences into fuel for growth. Moments of barbarism and serenity all tied together with infectious grooves, pristine production, and an unwavering dedication to brutality.  Throughout its 12 tracks, The Pain Made Me Who I Am proves AXTY as a visionary force to watch in the ever-expanding modern metalcore scene – inarguably poised for star status as they climb the ranks.
 
AXTY about The Pain Made Me Who I Am:
“The Pain Made Me Who I Am revolves around human emotions, particularly the darker, more difficult ones. However, rather than dwelling on suffering, we focused on the role these emotions play in personal growth and self-evolution. Resilience born from adversity, the idea that growth and self-discovery are deeply rooted in struggle, we wanted to explore how negative experiences, rather than defining us in a limiting way, become the very foundation of who we are.”

Get Your Copy Of The Pain Made Me Who I Am NOW

The Pain Made Me Who I Am delivers the goods from note one as earth-shattering intro track “pain made me” pulls out all of the stops – crashing in with dense down-tuned guitar chugs beneath hip-hop charged samples. Anthemic “who I am” showcases the band’s seamless, genre-pushing blend with intense polyrhythmic deathcore passages and soaring metalcore melodies, while tracks like “all I love” incite pure metallic violence with the band’s erratic trademark guitar acrobatics, hypnotic drum patterns and addictive vocals – both crushing and clean – showcasing the broad talents of frontman Felipe Hervoso, drummer Gabriel Vacari and guitarist Jonathas Peschiera. Particularly, Hervoso’ keen ability to dramatically tilt his vocal approach from crooning cleans to virtually superhuman screams, growls and squeals will have his name on the lips of deathcore vocal enthusiasts in no time. Songs like “nothing but pain” inject heavy doses of the futuristic metalcore fusion AXTY has become lauded for, while album standouts like first single/album closer “end this” weave alternative and even nu-metal flavor into the album’s addictive mix.

The Pain Made Me Who I Am tracklisting:

  1. pain made me
  2. who I am
  3. dismay
  4. selfish
  5. everything is beautiful
  6. all I love
  7. closer
  8. fragile
  9. break
  10. nothing but pain
  11. with me
  12. end this

AXTY are:
Felipe Hervoso – Vocals
Gabriel Vacari – Drums
Jonathas Peschiera – Guitar
 
AXTY online:
FACEBOOK
INSTAGRAM
NAPALM RECORDS

PSYCROPTIC Unleash New Video/Single ‘Ashes of a New Dawn’ from New Album, Out Today

Posted by tarjavirmakari on July 17, 2026
Posted in: Int. News, News. Tagged: Psycroptic. Leave a comment
Photo by Rae Chatten

“Ashes Of A New Dawn” is the latest single from technical death metal architects PSYCROPTIC. The track, and accompanying video, comes off the band’s new full-length, The Pulse Of Annihilation, released today Friday, July 17th on Metal Blade Records.

Comments bassist Todd Stern, “Loooooove this song. It’s the type of song that gives you imagery as you listen. Slow, melty intro… next thing you know you have to run for your life. Great moments of intensity, all in good fun. It’s aggressive as fuck but it’s also like a party song! Highly recommended.”

Adds vocalist Jason Peppiatt, “Lyrically, this song is kind of a sequel to ‘Ashes Of Our Empire’ off the Divine Council album but musically it’s a total Joe Haley riff fest!“

Watch PSYCROPTIC‘s previously released video for “Gathering A Venomous Herd,” HERE and “No Blade Of Grass” HERE

Across The Pulse of Annihilation, PSYCROPTIC sounds focused, disciplined, and fully aware of their trajectory. Complexity remains foundational, but it is now guided by compositional restraint and veteran confidence. With this release, the band reaffirm their status not merely as technical death metal stalwarts, but as architects actively shaping its future, proving that mastery, sharpened by time, only grows more lethal.

Notes Stern, “My favorite thing about the catalog of this band is that it truly gets more mature with each release. Our newest material is the most ‘grown,’ so to speak. This record maintains the razor-sharp wit that PSYCROPTIC is kinda known for, but it also has this element to the song writing that feels a bit more masterful than ever before. Hopefully everyone is as excited to hear The Pulse Of Annihilation as we are to share it with the world!!“

The Pulse Of Annihilation features cover art by Belial Necroarts (Gaerea, In Aeternum).

Find all orders at: metalblade.com/psycroptic

In celebration of the record’s release, PSYCROPTIC will host a special Reddit AMA today, July 17th at 6:00pm PT / 9:00pm ET at THIS LOCATION. Don’t miss it!

The Pulse Of Annihilation Track Listing:
01. Ashes of a New Dawn
02. Gathering a Venomous Herd
03. A Sword of Me
04. No Time for the Weak
05. Our Pillars Fall
06. Annihilation Pulse
07. No Blade of Grass
08. To Embrace This Curse
09. Forging the Crown

PSYCROPTIC will join labelmates Rivers Of Nihil for a short run of Australian dates with support provided by Growth and Slaughtercult. From there, PSYCROPTIC will unite with The Zenith Passage (also on Metal Blade) for four shows in Japan. See all confirmed dates below and stay tuned for additional live dates to be announced in the weeks to come.

PSYCROPTIC w/ Rivers Of Nihil, Growth, Slaughtercult:
8/13/2026 Magnet House – Perth, AU
8/14/2026 Lion Arts – Adelaide, AU
8/15/2026 Max Watts – Melbourne, AU
8/21/2026 Manning Bar – Sydney, AU
8/22/2026 Necrosonic Festival – Brisbane, AU

w/ The Zenith Passage:
8/24/2026 Socore Factory – Osaka, JP
8/25/2026 3Star Imaike – Nagoya, JP
8/26/2026 Space Odd – Tokyo, JP
8/27/2026 Space Odd – Tokyo, JP

For over two decades, PSYCROPTIC has operated at the vanguard of technical death metal, defined by instrumental precision, structural intelligence and an uncompromising creative ethic. From their Tasmanian origins to commanding stages worldwide, the band have built a reputation on rhythmic complexity, exacting musicianship, and a refusal to plateau.

At the core of this next phase is guitarist and principal songwriter Joe Haley. Over time, Haley’s compositional voice has evolved from pure technical density into something more architecturally deliberate. On The Pulse Of Annihilation, riff construction feels sharper, transitions more fluid, and thematic motifs more intentional. Haley’s writing demonstrates a seasoned understanding of pacing-knowing when to constrict, when to expand, and how to weaponize silence and space within otherwise relentless arrangements. Experience has not diminished intensity; it has refined its delivery.

The record features the dual-vocal assault of Jason Peppiatt and Jason Keyser (Origin), a partnership that debuted on PSYCROPTIC‘s previous full-length, Divine Council. Peppiatt’s commanding growl intertwines with Keyser’s razor-edged articulation, creating a dynamic vocal interplay that adds dimension and contrast to the band’s dense instrumentation. This twofold approach heightens the record’s impact, featuring layered, confrontational elements that remain tightly synced with the band’s intricate foundation.

PSYCROPTIC:
David Haley – drums
Joe Haley – guitars
Todd Stern – bass
Jason Peppiatt – vocals
Jason Keyser – vocals

https://www.psycroptic.com
https://www.facebook.com/psycroptic
https://www.instagram.com/psycroptic_official
https://www.nightshiftmerch.com/collections/psycroptic
https://www.impericon.com/collections/psycroptic

ARTEMISIA Unveil New Video Single ‘Eroi Di Plastica’ – Act of Resistance Against the Power That Crushes & Erases

Posted by tarjavirmakari on July 17, 2026
Posted in: Int. News, News. Tagged: ARTEMISIA. Leave a comment

“Eroi di plastica”, the new single by ArtemisiA, is available on all major digital platforms from Friday, July 17 via Volcano Records.

Direct, dark and deeply personal, the song draws from real-life experiences, but develops into a broader reflection on the power dynamics that still affect many women in oppressive workplaces ruled by arrogant, incompetent authorities unable to recognise the value of the people around them. “Eroi di plastica” explores the systematic attempt to erase individual identity, suppress independent thought and make those subjected to abuse believe they are not worthy enough. Personal experience thus becomes collective material, taking the form of a denunciation of mechanisms sustained by fear, control and constant devaluation.

Musically, the single reinforces ArtemisiA’s heavy rock and progressive metal identity through songwriting that combines energy, narrative tension and dark atmospheres. The heavier side of the band’s sound supports a highly evocative lyric in which anger, memory and the desire for redemption coexist within an intense and uncompromising narrative. In this context, the choice to sing in Italian carries particular significance. For a band released by Volcano Records, a label long recognised for its international activities and global promotional work, the Italian language is neither a limitation nor a form of geographical isolation. On the contrary, it becomes a vehicle for poetry, beauty, identity and powerful ideas, capable of conveying emotional and narrative nuances that do not need to be translated in order to feel universal.

With “Eroi di plastica”, ArtemisiA show how a song can remain firmly rooted in a specific cultural identity while still speaking to a much wider audience. The language of music, protest and dignity ultimately transcends linguistic boundaries, especially when it emerges from authentic experience.

Listen to “Eroi di plastica” on all major streaming platforms and watch the official video on YouTube:

Also check out the previous single ‘Ciò che l’acqua mi ha dato’: https://www.youtube.com/watch?v=lEFnLMeXCI4

Further info at
www.volcanopromotion.com
www.artemisiaband.it

Exclusive Premiere for Finland: KICKIN VALENTINA – ‘Don’t Be Mad’ Lyric Video

Posted by tarjavirmakari on July 17, 2026
Posted in: Int. News, News. Tagged: KICKIN VALENTINA. Leave a comment

Following the explosive first taste of their upcoming album, KICKIN VALENTINA return with “Don’t Be Mad”, a swaggering, hook-loaded hard rock anthem that hits with razor-sharp riffs, infectious choruses and the band’s unmistakable streetwise attitude. Packed with driving guitars, punchy rhythms and a melody built to be blasted at full volume, the new single and lyric video proves once again why Kickin Valentina remain one of the most consistent names in modern hard rock.

As the band puts it “Don’t Be Mad” is “An upbeat straight shootin’ rock song about moving on from of a bad relationship”, direct, loud and unapologetic, that captures the band’s no-frills approach perfectly while offering another irresistible preview of what listeners can expect from “Anthems From The Underground”.

Join the premiering here:

Kickin Valentina return with a sensational new full-length album, “Anthems From The Underground”, set for worldwide release in August 2026. The highly-anticipated record will be released via Mighty Music and delivers a crushing, no-compromise statement of modern underground hard rock.

Recorded in Atlanta and produced by Pete Newdeck, mixed at PNProductions (UK) and mastered by Harry Hess at H-Bomb Mastering (Toronto), the album captures the band at full intensity while pushing their sound into new territory.

Bassist Chris Taylor reflects on the album’s concept and title: “On this album we decided to bring in a different producer. We love everything (the previous producer) Andy (Reilly) did on our previous albums, but creatively we thought it was time to do something different and have someone push us out of our comfort zone. Every record we want to grow as a band and I think Pete brought out the best of us individually in the studio. When we were trying to decide on an album name, DK and I were leaving the studio one day kicking around ideas. I told him I thought we should embrace the fact that we were an underground band and pay tribute to fans that support underground music. After kicking around a few ideas back and forth, “Anthems From The Underground” was born”.

Formed in 2013, Kickin Valentina quickly built momentum in the U.S. and internationally, first signing with Atlanta indie label Highway 9 Records before moving to Mighty Music in 2015. Since then, the band has released a steady run of acclaimed records including “Super Atomic”, “Imaginary Creatures”, “Revenge of Rock”, “Star Spangled Fist Fight”, and “Raw Trax, B-Sides and Bootlegs”, as well as the EP “Chaos in Copenhagen”, earning a strong reputation for raw, high-energy rock’n’roll rooted in a take-it-or-leave-it attitude.

“Anthems From The Underground” will be released on LP (purple vinyl, limited to 500 copies), digipack CD and digital formats on 28.08.2026, via Mighty Music.

Lineup:
D.K. Revelle – vocals
Heber Pampillon – guitar
Chris Taylor – bass
Jimmy Berdine – drums

Single order link: https://kval.bfan.link/dbm
Webshop: https://bit.ly/kick-targ

Web:
https://kickinvalentina.com/
https://www.facebook.com/KickinValentina
https://www.instagram.com/kickinvalentina/
https://kickinvalentina.bandcamp.com/
https://open.spotify.com/artist/4lclYDTyJ9fDW0SZZAjrEb
https://music.apple.com/pt/artist/kickin-valentina/714410016
https://music.youtube.com/channel/UCNpzE5lsbvEMTd87Sz-l6BQ
https://tidal.com/browse/artist/5118172
https://open.qobuz.com/artist/2352546
https://deezer.page.link/6X4UaimbwNL3qBd27

SARCATOR Release Video for Title Track of Upcoming Album “The Ones We Follow”

Posted by tarjavirmakari on July 16, 2026
Posted in: Int. News, News. Tagged: SARCATOR. Leave a comment
Photo credit: Saga Wagnsgård Djerf

There comes a point in every band’s journey when experimentation gives way to conviction. When years of searching no longer lead to another reinvention, but to an identity.

For Sweden’s SARCATOR, that moment has arrived.

With “The Ones We Follow,” the first single and title track from their forthcoming fourth studio album with the same title, SARCATOR open the next chapter of their story. Released today alongside a blistering performance video directed by F/53 Films, the track also marks the launch of the album pre-order, offering the first glimpse into a record where every piece of SARCATOR finally falls into place.

Over the past years, SARCATOR have built a reputation as one of Scandinavia’s most exciting young heavy bands, earning nominations for both Sweden’s P3 Guld and Grammis Awards while sharing stages with Hellripper, 1349 and Midnight. Yet The Ones We Follow is not the culmination of that journey.

It is where everything comes together.

Rather than asking where they fit within heavy music, SARCATOR follow a far simpler principle:

What serves the song? Every creative decision begins there.

That philosophy has become the band’s creative compass, allowing punk urgency, gothic atmosphere, timeless heavy metal, dark rock swagger and extreme metal intensity to coexist naturally. The result is what the band simply calls death’s rock; not a genre, but an identity.

The first taste of that philosophy arrives in the form of “The Ones We Follow.” It is restless, instinctive and unapologetically direct: a primal burst of energy that doesn’t attempt to summarize the album, but instead invites listeners into its world.

Mateo Tervonen (guitar/vocals) comments:
“Choosing the first single can be a hard task. The approach here was not to choose the song that summarizes the album, but rather to give you a short and sweet appetizer in a primal, punk-fueled fashion. ‘The Ones We Follow’ is a statement song that represents the creative restlessness of this band and the instinctual impulses you can either tune into or ignore. Let’s face it; nothing can go wrong with a song whose working title was ‘The Psychobilly Song.’ Hope you enjoy!”

The same creative restlessness runs through the entire album. Rather than following expectations, trends or genre boundaries, SARCATOR trusted instinct at every turn. Every creative decision – from the songwriting to the visual world – serves one purpose: the song itself.

The Ones We Follow is not about looking back or recreating the past. It marks the moment where SARCATOR move forward with complete confidence in who they have become. The songwriting is sharper, the artistic identity clearer, the visual world more immersive and the band’s vision more focused than ever before.

What comes next is about seeing who follows.

[Album artwork: Affe Piran]

The Ones We Follow will be released on October 30, 2026 via Reigning Phoenix Music.

Pre-Save / Pre-Order the album HERE: https://sarcator.rpm.link/followalbumPR 

The Ones We Follow Tracklist:
1. The Ones We Follow
2. The Underground Streets
3. You Gotta Possess Me
4. In Search of Oblivion
5. Rotting Chapels
6. Bleeding Ages
7. Volatile Insight
8. Ain’t Fit to Live
9. Wasteland Strider
10. Wanderlust

Upcoming Live Dates:
17.07.2026 Ponteareas (Spain) – Arcanxo Festival
28.07.2026 Münich (Germany) – Backstage / Free & Easy + Sacred Reich
30.07.2026 Hamburg (Germany) – MS Stubnitz + Sacred Reich
31.07.2026 Berlin (Germany) – Lido + Sacred Reich
06.08.2026 Schlotheim (Germany) – Party.San Festival
24.09.2026 Malmö (Sweden) – Plan B + Hellripper & Necrofier
25.09.2026 Lübeck (Germany) – Treibsand + Hellripper & Necrofier
26.09.2026 Emden (Germany) – Coast Rock Festival

More dates to be announced.

SARCATOR are:
Mateo Tervonen – Guitar / Vocals
Leo Buchalle – Guitar
Jesper Rosén – Drums

More on SARCATOR:
www.sarcator.com 
https://www.facebook.com/sarcatorband   
https://www.instagram.com/sarcator 
https://www.tiktok.com/@sarcator 

FLOTSAM AND JETSAM Unleash Incendiary Second Single & Video ‘Harvesting The Hate’

Posted by tarjavirmakari on July 16, 2026
Posted in: Int. News, News. Tagged: Flotsam and Jetsam. Leave a comment
[Photo Credit: Shane Eckart]

Shortly following the release of their triumphant returning single and title track “Rats In The Temple”, thrash legends FLOTSAM AND JETSAM offer fans a second taste of the fury that lies within Rats In The Temple, out August 26 via Napalm Records. The incendiary album opener, “Harvesting the Hate”, is built upon methodical machine gun kicks and standout guitar performances from virtuoso guitar duo Michael Gilbert and Steve Conley.
 
Frontman Eric A.K. Knutson says about the track:
“Another heavy, dramatic beast of a song from our arsenal of madness. This one asks you to look in the mirror, to find the true problem in your life. And stop harvesting the hate!”

Thrash metal icons FLOTSAM AND JETSAM, known for their trailblazing blend of blistering thrash and soaring power metal—established on breakthrough records like the Kerrang! championed classic Doomsday for the Deceiver, (1986), No Place for Disgrace, (1988), and Cuatro, (1992) and refined in their current renaissance with the German chart climbing The End of Chaos, (2019), Blood in the Water, (2021), and I Am the Weapon, (2024)—are back with their newest diamond, and Napalm Records debut, Rats In The Temple, out August 28, 2026. With nearly four decades on the scene, countless world tours, and appearances at prestigious festivals like Wacken, Graspop, Bloodstock, Alcatraz, and Rockhard, they’ve carved their sound down to a fine point, piercing listeners with earth-shattering blast beats, scorching guitars, epic string arrangements, and exalted frontman A.K. Knutson’s unmistakably haunting wail. 
 
Frontman Eric A.K. Knutson about the album:
“This record is a BEAST, truly our best effort to date!! Do yourself a favor. Dim the lights, grab a drink, put the headphones on, and crank this up. You will not be sorry you did!!!”

Pre-Order Your Copy of Rats In The Temple HERE

Rats In The Temple opens strong with the stadium-ready hooks and dizzyingly precise performances of “Harvesting The Hate” and “Damnation”, before delving into thrash virtuosity on “Absolution”. The iconic guitar duo of Michael Gilbert and Steve Conley paint vividly ghoulish images on tracks like “Blame The Knife” and “Rats In the Temple”, then continue to flex their metal muscle on “The Ghost Behind My Door” and “First on the Spike”, invoking pure first-wave excellence with a pummeling modern menace. “The Edge of Nowhere” builds inescapable suspense before firing listeners out of a gun, full throttle into “Last Rites”, another standout track for the band. The legendary rhythm duo of drummer Ken Mary and bassist Bill Bodily take center stage on the anti-war anthem “A Taste For War”, their methodical syncopation invoking images of tanks and boots on the ground. “Her Blood Your Pain” brings ornate, medieval guitarmonies before “Anthem For The Broken” goes full balls to the wall, and “Going Down That Way” hits listeners with heavy riffs and even heavier truths. Rats In The Temple remains enthralling throughout, giving listeners entry to numerous of the band’s metal chambers, sampling a refined and eclectic serving of influences.
 
Churning like magma beneath the Earth, FLOTSAM AND JETSAM have only been growing more and more fiery with time, and Rats In The Temple sees the band exploding to the surface in a magnificent and awe-inspiring blaze. For fans new and longstanding, you cannot escape them; they’re through the walls.

Rats In The Temple Tracklist:
1. Harvesting the Hate
2. Damnation
3. Absolution
4. Blame the Knife
5. Rats in the Temple
6. The Ghost behind my Door
7. First on the Spike
8. The Edge of Nowhere
9. Last Rites
10. A Taste for War
11. Her Blood your Pain
12. Anthem for the Broken
13. Not Going down that Way

FLOTSAM AND JETSAM LIVE 2026

28.–30.08.26 DK – Næstved / Næstved Metal Fest
30.09.26 AUS – Brisbane / Crowbar
1.10.26 AUS – Adelaide / Lion Arts
2.10.26 AUS – Melbourne / Max Watt’s
3.10.26 AUS – Sydney / Crowbar
27.–28.11.26 DE – Wangels / Metal Hammer Paradise
11.–12.12.26 NL – Eindhoven / Eindhoven Metal Meeting

FLOTSAM AND JETSAM are:
​​Eric A.K. Knutson – Vocals
Michael Gilbert – Guitars
Steve Conley – Guitars
William Bodily – Bass
Ken Mary – Drums
 
FLOTSAM AND JETSAM online:
WEBSITE
INSTAGRAM
FACEBOOK
NAPALM RECORDS

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