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RAPHAEL WEINROTH-BROWNE Releases Gripping New Single + Video ‘Ophidian’

Posted by tarjavirmakari on August 3, 2025
Posted in: Int. News, News. Tagged: RAPHAEL WEINROTH-BROWNE. Leave a comment
photo credit: Curtis Perry

Canadian cellist and musical chameleon Raphael Weinroth-Browne returns with ‘Ophidian’, the gripping third single from his upcoming solo album Lifeblood, out 3rd October. A visceral homage to the early 2000s vampire aesthetic, complete with nods to the Queen of the Damned soundtrack, the track entwines Middle Eastern melodies, black metal bowing and nu-metal riffing into a serpentine composition that slithers between the sensual and the savage.

Filmed in Poland’s haunting Temple of Art and Light by visual masterminds Grupa13  (Behemoth,  Leprous), the accompanying video captures an inner battle between order and chaos, tradition and rebellion, mirroring Raphael’s own musical transformation as he embraces the unorthodox and the otherworldly.

Stream ‘Ophidian’ here.

Raphael comments on the new single: “Over the past four years, my Middle Eastern cello videos on social media have consistently elicited comparisons to the vampire Lestat’s violin solos in the movie Queen of the Damned (2002). 

“‘Ophidian’ pays musical homage to this cult classic – particularly its iconic soundtrack – and evokes feelings of nostalgia for early 2000s aesthetics and the vampire genre. Here, Middle Eastern melodies, nu-metal inspired riffs, and black metal tremolo bowing converge in a piece that juxtaposes sensuality and brutality, steeped in the scent of exoticism and otherworldliness. 

“A far cry from the traditional cello repertoire, ‘Ophidian’ is a celebration of all that is dark and unholy, hence the title, which refers to the reptilian order of serpents. Unlike the previous video for ‘Possession’, where my audience is the adversary, here I am locked in a duel with myself. My idea was to depict an inner war between the voices telling me to follow a traditional, “acceptable” path, and the dark side that wants to rebel against the status quo and take a more unorthodox direction in life, the road less travelled. In a sense it’s the dilemma of choosing between the angel and the devil on one’s shoulder and ultimately embracing the “devil” and one’s inner chaos as an authentic manifestation of self, instead of trying to suppress it. On a musical level, I interpret this as abandoning one’s classical background and taking an alternative artistic direction.”

Pre-order the album Lifeblood here. 

Lifeblood is Raphael Weinroth-Browne’s most daring and fully formed solo statement yet, a strikingly personal work that channels both the euphoria of creative flow and the relentless drive of ambition. Fusing the heft of progressive metal with Middle Eastern scales, modern classical finesse and enveloping electronic textures, it captures the raw tension and release at the heart of his musical identity.

Commenting on the album, he adds, “I consider this album to be my most autobiographical work to date. As a metalhead turned full-time professional cellist making original music outside the classical realm, I have taken the road less travelled, nurturing my artistic vision and trusting my intuition even on an unorthodox path. I have forged a unique career and identity around my musical voice and the way it manifests itself through the cello. The defiant, audacious energy of this music represents my inexorable drive to continue pursuing my dream in spite of all obstacles.” 

Lifeblood was engineered and co-mixed by Darren McGill at Union Sound Company in Toronto, with a final mix by acclaimed producer Adam Noble (Leprous, Katatonia). The album was then mastered by Robin Schmidt (Placebo, Ben Howard). Adding a visual dimension to the album’s immersive sound, the captivating cover artwork was created by Maldivian artist Maahy, celebrated for her ethereal, nature-inspired aesthetic.

Known for his emotionally charged performances and boundary pushing vision, Raphael Weinroth-Browne has become one of the most innovative cellists of his generation. Merging his roots in progressive metal with a passion for Middle Eastern music, he has forged a singular artistic voice that defies traditional expectations. His cello work can be heard on over 200 studio albums, including Woods of Ypres’ Juno Award-winning W5: Grey Skies & Electric Light and in major film and TV soundtracks. Viral cello covers of Opeth, Katatonia and Steven Wilson have earned praise from the artists themselves, while his genre-spanning studio and stage career continues to attract international attention.

Since joining Norwegian progressive rock icons Leprous in 2016, Weinroth-Browne has played over 200 shows worldwide with the band and helped shape the sound of three studio albums. He has shared stages with Evanescence, Apocalyptica, Devin Townsend and performed in front of 40,000 at Hellfest, as well as at prestigious venues such as London’s Royal Albert Hall. As a solo artist, he has opened for artists ranging from Polish neoclassical pianist Hania Rani to Nordic folk ensemble SKÁLD and UK legends Soft Machine.

In recent years, Weinroth-Browne has pushed further into experimental performance and contemporary dance. His solo debut Worlds Within (2020), a 40-minute composition built entirely from layered cello, earned critical acclaim for its emotional depth and innovative form. In 2023, he performed the album live with Ottawa Dance Directive to a sold-out audience at Canada’s National Arts Centre. In 2024, he was commissioned by the UK’s James Wilton Dance to compose BACH Reimagined, an 80-minute score that toured leading venues across the UK and Germany in spring 2025. Following this, his recent single ‘Speed of Light‘ continued the forward momentum, merging baroque motifs with crushing distortion and polyrhythmic intensity, earning acclaim for its fearless fusion of past and future. As his creative output grows increasingly multidisciplinary, Weinroth-Browne continues to defy genre boundaries and redefine what the cello can be in the 21st century.

With more on the horizon later this year, Lifeblood stands as a defining chapter in Weinroth-Browne’s uncompromising artistic path, an album that distills passion, pain, discipline and defiance into a sound that feels both timeless and urgent, intellectually rich yet emotionally visceral.

Watch the videos for previous singles ‘Lifeblood‘ and ‘Possession‘. 

Lifeblood Tracklist: 

1. Lifeblood
2. Possession
3. Ophidian
4. Pyre
5. Labyrinthine
6. Nethereal
7. Winterlight
8. The Glimmering

Catch Raphael live on the following dates:

  • Aug 28 – Ottawa, Canada – Solo performance at Speakeasy Tapas Lounge
  • September 11 – Montreal, Canada – Le Studio TD – Solo supporting VOLA and Daedric
  • October 24 – Ottawa, Canada – Carleton Dominion Chalmers Centre – Lifeblood Album Release show
  • October 28 – Winnipeg, Canada – International Cello Festival of Canada – Original duo works with cellist Matthias Bartholomey
  • October 30 – Winnipeg, Canada – International Cello Festival of Canada – Excerpts from Lifeblood with the Winnipeg Jazz Orchestra
  • Dec 5-6 – Halifax, Canada – Performing Worlds Within w/ Ottawa Dance Directive at Live Art Dance

Raphael Weinroth-Browne online: Official Website || Facebook | Instagram || Youtube ||  X || Bandcamp || Tik Tok

ACCVSED Celebrate Release of “Dealers of Doom” Debut Album with Video for ‘Senescence’

Posted by tarjavirmakari on August 3, 2025
Posted in: Int. News, News. Tagged: ACCVSED. Leave a comment

German metalcore outfit ACCVSED unleashed their debut album Dealers of Doom via Arising Empire. To celebrate the album, the band released a video for ‘Senescence’, watch it below. 

Stream the full album here: https://arisingempire.com/accvsed

ACCVSED have been making noise for a while now with singles like ‘Day of the Locust’, ‘Avoider’, ‘Never Enough’, ‘Don’t Let Me Fall Apart’ and ‘Killer of Minds’, gradually building a solid rep as one of the most promising heavy acts coming out of Germany. Each release has only added to their momentum, with fans digging their emotionally raw songwriting and explosive live energy.

Dealers of Doom feels like ACCVSED are laying down their mission statement – unfiltered, intense, and diving headfirst into the darker side of life.

LOST IN HOLLYWOOD Release New Single And Video ‘The Art Of Being Torn Out’

Posted by tarjavirmakari on August 3, 2025
Posted in: Int. News, News. Tagged: LOST IN HOLLYWOOD. Leave a comment

Freshly signed metalcore outfit Lost in Hollywood have released a brand new track and video ‘The Art Of Being Torn Out’. The song is taken from their upcoming second studio album, which will be released later this year via Arising Empire. 

Stream here: https://arisingempire.com/lih

Lost in Hollywood started in early 2023 and quickly made a name for themselves in the metalcore scene. Their first album The Beauty of Death was a huge success, with over 1.8 million streams to date.

For the new single, the band worked with none other than Chris Zühlke of label mates Half Me, one of the most exciting new forces in heavy music.

Catch the band live:
21.08. Karlsruhe 
22.08. München 
23.08. Frankfurt
06.09. Hamburg 
29.11. Bremen

For more: 

https://www.instagram.com/lostinhollywood.official
https://www.arising-empire.com/artists/lost-in-hollywood

NIGHTHAWK’s New Album “Six Three O” Out Now

Posted by tarjavirmakari on August 2, 2025
Posted in: Int. News, News. Tagged: NIGHTHAWK. Leave a comment
Photo by David Hedman

Swedish melodic rock powerhouse NIGHTHAWK release “Six Three O”, their most accomplished and dynamic album to date, today via Mighty Music on LP (black and green vinyl), CD, and digital formats.

Following a string of acclaimed releases and studio sessions in iconic locations like Abbey Road, the band took their new material to the legendary Rockfield Studios in Wales, the same hallowed ground where Queen and Oasis once recorded. The result is “Six Three O”, an album that blends timeless rock energy with pristine production and heartfelt songwriting.

Led by guitarist Robert Majd (Captain Black Beard, Metalite), Nighthawk once again gathers an elite lineup of Swedish rock talent for this record: vocalist Björn Strid (Soilwork, The Night Flight Orchestra), keyboardist John Lönnmyr (The Night Flight Orchestra), bassist Rasmus Ehrnborn (Soilwork, TNFO) and drummer Magnus Ulfstedt (Black Paisley).

Produced by Sverker Widgren (Portal, October Tide), who also helmed their previous album “Prowler (2023)”, “Six Three O” takes the band’s vision even further, from the soaring hooks of “Home Tonight” to the raw energy of “Angel of Mine”, and the spontaneous magic of “Can’t Say Goodbye”, where Björn Strid delivered a standout pre-chorus on the spot.

Whether it’s the straight-ahead rock’n’roll punch of “Too Good To You” or the refined arrangements that run throughout the record, “Six Three O” marks a band firing on all cylinders – confident, cohesive, and passionate.

What began as a passion project has evolved into one of Sweden’s most exciting rock bands today. With “Six Three O”, Nighthawk honour their classic rock roots while forging their own path into the future.

“Six Three O” is out now on LP (black vinyl limited to 100 copies, green vinyl limited to 200), CD and digital, via Mighty Music. It can be ordered and streamed via this link.

“Six Three O” tracklist:

1. Hard Rock Warrior 
2. Wrong Side Of Desire 
3. Home Tonight 
4. Angel Of Mine 
5. Can’t Say Goodbye 
6. I Am The Night 
7. Losing My Mind 
8. Too Good To You 
9. Cut You Loose 
10. Turn To Me 
11. Man On The Silver Mountain 

Lineup:
Robert Majd – guitar 
Björn Strid – vocals 
John Lönnmyr – keyboards 
Magnus Ulfstedt – drums 
Rasmus Ehrnborn – bass 

Webshop: https://bit.ly/nght-tgt

Digital: https://bfan.link/nght-sto

More info:
Facebook
TikTok
Bandcamp
Spotify
Apple Music
YouTube Music
Tidal
Deezer
Qobuz

EVOCATUS Drop New Single And Video ‘To Live by the Sword’

Posted by tarjavirmakari on August 2, 2025
Posted in: Int. News, News. Tagged: EVOCATUS. Leave a comment

From the frontlines of melodic death metal, EVOCATUS return with their blistering new single, “To Live by the Sword,” featuring Maude Théberge of Sanguine Glacialis — the latest offering from their forthcoming full-length album Inevitable Death, set for release on August 29, 2025 via Wormholedeath — a thunderous concept record drenched in fate, warfare, and mortality.

Unrelenting from the very first strike, “To Live by the Sword” dives into the psyche of a warrior king — torn between conquest and guilt, forsaking kin in the name of empire, and ultimately seeking absolution on the battlefield. With razor-edged riffing, dual guitar solos, and a narrative arc that blends glory and grief, this track is a towering monument to the eternal cycle of violence and redemption.

The single is an explosive highlight from Evocatus’s most ambitious release to date — Inevitable Death — a concept album where myth meets metal, channeling the spirit of ancient warfare through modern sonic brutality.

Stream “To Live by the Sword” now: https://orcd.co/tlbts

Check out the video for “To Live by the Sword” Feat. Maude Théberge of Sanguine Glacialis:

Pre-save “Inevitable Death” Album: https://orcd.co/inevitabledeath

Follow Evocatus:
linktr.ee/evocatusband
www.facebook.com/EvocatusBand
www.instagram.com/evocatusband
www.youtube.com/@evocatusbandofficial
evocatus.bandcamp.com/music

SLYDER SMITH to Release New Single ‘Nobody’s Listening’ on August 15th

Posted by tarjavirmakari on August 2, 2025
Posted in: Int. News, News. Tagged: SLYDER SMITH. Leave a comment

UK rock artist Slyder Smith breaks the silence with a gripping new single, “Nobody’s Listening,” set for release on 15th August 2025. Gritty, melodic, and fiercely honest, the track channels the frustration of shouting into the void in an age of endless noise.
“It’s about those moments when you’re screaming to be heard but no one’s paying attention,” says Slyder. “We’re all so caught up in our own distractions — phones, filters, fast living — that real connection is getting lost.”

Produced by Robin Wynn Evans — known for his work with Manic Street Preachers, The View, Sam Brown and Dodgy — the single marks a bold step forward for Slyder’s sound. Evans’ sharp production captures the emotional intensity of a track that blends raw rock guitars with a modern, almost cinematic edge. 
“Nobody’s Listening” isn’t just a song — it’s a shout from the underground for everyone who’s ever been ghosted, ignored, or left unheard. It’s a rallying cry wrapped in distortion and melody. 

Available on Spotify & all streaming platforms plus limited edition SIGNED CD collectable bundle, including 2 exclusive acoustic tracks, Pleasure Victim & cover version of Hanoi Rocks’ Malibu Beach, signed poster & lyric sheet from 15th August. 

Preorder the single here: https://lnk.to/Slydersgl

Slyder made his name as guitarist and backing vocalist in cult power-poppers Last Great Dreamers, a colourful four-piece who started life in London in the 1990s. After the release of their 1994 debut album, Retrosexual, the Dreamers went on to be championed by ‘Kerrang!’ magazine, who nominated them as Best New Band in 1995. They split up two years later but reformed in 2015 and racked up a further three studio albums and a live record, plus support tours, with The Quireboys, Enuff Znuff, The Wildhearts, The Alarm, The Boys and Wolfsbane. 

In 2021, with Covid in full flow and Last Great Dreamers on hiatus, Slyder started to cook up a batch of new songs, some of them in styles that he’d little explored in public. The following spring, he decamped to Oxfordshire to record them with Pete Brown – a talented producer and studio engineer who, over a 40-year career, has worked with the likes of George Harrison, Siouxsie And The Banshees, Marc Almond and The Smiths.

The album Slyder Smith & The Oblivion Kids’ ‘Charm Offensive’ came out in August 2022, to some fanfare from the rock press. Vive Le Rock rated the record “excellent”. Powerplay lauded it as “an album which restores the fact we are still home to the world’s best songwriters”, while the reviewer from Fireworks called it “a serious contender for my album of the year”. Straight out of the gate, ‘Charm Offensive‘ lived up to its title.

Slyder promoted the album live with numerous festival appearances in UK & Europe plus UK tours with Electric Boys & Cherie Currie and gained worldwide airplay on BBC Radio 2 Rock Show, Planet Rock Radio, BBC Introducing, Radio Caroline & many more. 

Since relocating from Somerset to rural Scotland in 2023, Slyder has set about proving that he has what it takes to cross borders figuratively as well as literally. Writing & demoing material in his home studio, Slyder has so far recorded a batch of songs with producer Robin Wynn Evans at TPot Studio, Perthshire, to be released in the coming months culminating in an album release in 2026. His band feature Brian Kerr on bass & Adam McNaughton on drums. His first single, “Nobody’s Listening,” dives headfirst into the disconnection of the digital age. With razor-edged riffs and raw melancholic vocals, Slyder pulls no punches in exploring the silence we all feel when the world’s too busy to care.

  • Preorder ‘Nobody’s Listening’ here: https://lnk.to/Slydersgl
  • Preorder the ltd edition signed CD here: https://slydersmith.com/store

Live shows:
17th August 10Bar, Forfar, Scotland (single launch) Sold out
24th August Rockwich Festival, Cheshire

Follow for more music that cuts through the static.
https://www.facebook.com/slydersmithandtheoblivionkids
https://www.instagram.com/slyder_smith
https://www.youtube.com/channel/UCRJya7QcdImW-Y2OUS0StfQ

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