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THY CATAFALQUE Release ‘Ködkirály’ Live at Dürer Kert Video

Posted by tarjavirmakari on July 21, 2025
Posted in: Int. News, News. Tagged: THY CATAFALQUE. Leave a comment
Photo by © Orsolya Karancz

Even when it was only thought of as a studio project, Thy Catafalque had a vision that extends beyond borders and boundaries. Over the past two decades, Hungarian mastermind Tamás Kátai and his growing cast of collaborators have brought the deadly art of extreme metal into close conversation with the avant-garde.

“XII: A gyönyörű álmok ezután jönnek is a feast for the ears”, New Noise wrote in a 5 star review of Thy Catafalque’s latest opus. “[it’s] a celebration of the powers of music, bursting to express itself in whatever form it chooses to inhabit. An album to inexorably fall in love with”. 

Now, fresh off their debuts at Hellfest and Kilkim Žaibu, followed by a resounding return in front of their home crowd at Fishing on Orfű, Thy Catafalque are preparing to tour Latin America for the very first time. As the group prepare to ignite crowds from Mexico to Argentina, today, they are releasing a live video from last year’s hometown performance of the most chilling epic off their dark and dreamy twelfth album.

“This is a massive step-up for Thy Catafalque”, Kátai says. “We are very excited to play for our fans in places where we’ve never gone before”.

The video for “Ködkirály” was recorded on November 23, 2024 at Dürer Kert, Budapest, Hungary.

Additional video credits
Audio mixed and mastered by Gábor Vári at Miracle Sound Szeged.
Live sound and recording by Péter Csobánczi.
Video recorded by Carbon Head Production.
Video edited and post-production by Péter Lerch / Carbon Head Production.

Martina Veronika Horváth – vocals
Ivett Dudás – vocals
Gábor Dudás – vocals

Bálint Bokodi – vocals
Krisztián Varga – guitar
Zoltán Vigh – guitar
Tamás Kátai – bass
Árpád Szenti – drums

XII: A gyönyörű álmok ezután jönnek (The Beautiful Dreams Are Yet to Come) is out now on Season of Mist. Order & Stream: https://orcd.co/thycatafalquexiiagyonyorualmokezutanjonnek

Heading into Thy Catafalque’s twelfth album, Tamás Kátai set out to make a straightforward metal record. But A gyönyörű álmok ezután jönnek wound up taking him on another surreal headtrip.

In English, “Ködkirály” translates to “King of Fog”. The song unfolds somewhere between dreams and nightmares. Martina Veronika Horváth and Ivett Dudás rise amidst cosmic synths like fog beneath a sinking moon. Their chilling cleans left the sold-out crowd at the influential Hungarian underground venue completely mesmerized. With his deep rippling bass lines, Kátai only deepens the spell.       

Of course, Thy Catafalque aren’t ones to leave their fans in suspense. Halfway through “Ködkirály”, a death metal riff comes thundering down from the blackened sky. When dueling guitarists Zoltán Vigh and Krisztián Varga  unfurl a procession of gloomy tremolo picking, it’s harrowingly clear that the king has come. “Hullj, nehéz eső / Fall, heavy rain“, roars Gábor Dudás, commanding the group’s many followers to bang their heads.     

Get tickets to see Thy Catafalque: https://thy-catafalque.hu/live.html 

Thy Catafalque European Dates
August 1 – Rasnov, Romania @ Rockstady Extreme Festival
August 2 – Mátra-Sástó, Hungary @ Fekete Zaj Festival
August 8 – Kortrijk, Belgium @ Alctaraz Festival
November 22 – Belgrade, Serbia @ Zappa Barka

Thy Catafalque Latin American Tour
October 18 – Monterrey, Mexico @ Cacique Metal Fest
October 19 – San Jose, Costa Rica @ Pepper Club
October 23 – Quito, Ecuador @ Miami Recepciones
October 24 – Santiago, Chile @  Sala Metrónomo  
October 25 – Buenos Aires, Argentina @ Arena Sur

Artwork Front cover by Dániel Szécsényi and Tamás Kátai – Illustrations by Orsolya Pintér.

Tracklist
1. Piros Kocsi, Fekete Éj (4:12) [WATCH]
2. Mindenevö (6:35) [WATCH]
3. Vasgyár (6:18)
4. Világnak Világa (6:28)
5. Nyárfa, Nyírfa (2:53)
6. Lydiához (3:05)
7. Vakond (4:29)
8. Ködkiraly (7:58)
9. Aláhullás (3:48)
10. A Gyönyörü Álmok Ezután Jönnek (3:14) [WATCH]
11. Babylon (Bonus Track – Omega Cover) (3:42)*
Total runtime: 49:02
*Digital only

New fans and long-time appreciators can now rediscover just how much Thy Catafalque has grown.

This year, Season of Mist repressed Thy Catafalque’s fifth and ninth albums. Rengeteg is the first to fully expand beyond black metal with proggy keyboard, clean vocals and death metal riffing. Naiv ventures even further – across jazz, Western classical, Middle Eastern music and even contemporary pop – ending up with some of the group’s most beloved songs, including “Tsitsushka” and “Embersólyom”.

Rengeteg and Naiv are now available on Season of Mist. Order: https://redirect.season-of-mist.com/ThyCatafalqueReissues

Tamás Kátai has a vision that extends beyond borders and boundaries. Even during its infancy, Thy Catafalque had already outgrown the rather rigid guidelines of black metal. Though only intended for the studio, over the past 20 years, his recording project has evolved into a lively collaboration. With each album, Thy Catafalque has pushed the envelope of extreme metal a step further, bringing the world’s most vile art form into conversation with the avant-garde.  

Thy Catafalque’s twelfth album is even more expansive, but XII: A gyönyörű álmok ezután jönnek ties both to its mastermind’s past and the history of his native Hungary. “For this album, I felt it was time to move in a different direction, whatever that direction might be”, Kátai says, “but XII still possesses the dreaminess that I’ve always associated with Thy Catafalque”.   

Of course, Kátai hasn’t been mulling over this album for too long. Keeping in line with his prolific pace, XII arrives just one year after his previous album. Named after the stretch of land where the producer, songwriter and multi-instrumentalist was born in southeast Hungary,  Alföld returned to the heaviness from which Thy Catafalque took root during the late ’90s. Once again, Kátai set out to make a straightforward metal record, but while there’s plenty of cause for chest-pounding, A gyönyörű álmok ezután jönnek ended up taking him on another surreal headtrip.

“I think of this album as an introspective journey through the night”, Kátai says. Opener “Piros kocsi, fekete éj” (which in English means “Red Carriage, Black Night”) glides off through a warm mist of piping keys, led by twin engine guitars that crest with reverb. “Time clatters on the rails”. Attila Bakos sings in Hungarian. His voice beams over the airwaves with the same clean force as 15 years ago, when he helped lift Thy Catafalque out of the Hungarian underground on the recently reissued Róka hasa rádió.   

“Attila also sang on Rengeteg“, Kátai remembers about the first Thy Catafalque album that he wrote and recorded by himself. “‘Piros kocsi, fekete éj’ has the same sense for melody. It opens the album with a feeling of nostalgia”.  

Of course, many other familiar faces join Kátai on his journey. After all, Thy Catafalque started as a duo with János Juhász. A gyönyörű álmok ezután jönnek features the biggest guest list in the project’s long discography. More than 20 guest musicians appear on this album, including old friends from inside and outside the Hungarian metal scene. Martina Veronika Horváth — whose band The Answer Lies in the Black Void toured Europe with Thy Catafalque earlier in 2024 — duets with the tender brooding Gábor Dudás for a faithful rendition of “Lydiához”, a 1980 Sebő ensemble classic that sowed the seeds for Hungary’s roots revival.

“That is a song that’s been with me and the rest of my generation ever since we were children”, Kátai says. Violins, cello, clarinet and other classical instruments add to the comforts of home. Before it drifts off high beyond the clouds, “Vakond” strings along like a whistling stroll across The Great Plains. “Alföld was very bleak”, he continues. “Adding classical and acoustic instruments helped add a spring of color and an air of adventure to these new songs”.

Still, A gyönyörű álmok ezután jönnek can be a hard road — especially during its crushing middle section. Despite the gentle opening plucks, “Mindenevő” crashes down like a boulder, hurtling ahead at terrifying speed behind doomy operatic backing vocals, mechanized blast beats and the eerie fires of tremolo picking that forged Thy Catafalque’s debut Sublunary Tragedies. “This album still has plenty of metal”, Kátai assures. 

The heaviest moments are often grounded in Hungary’s history. While colored by nostalgia, XII is also shadowed by the ticking hands of time, a theme that ripples back to 2021’s Vadak. Blackened chugger “Vasgyár” shares a namesake with the rusted-out ironworks that once fueled the country’s economy. It’s not a political statement, but the song does reflect how the landscape has changed to the eye of the now 48-year-old Kátai.  

“Even the album’s visuals are from a bygone era”, he says. In the video for its title track, closing song and lead single, Kátai doesn’t just run through the streets of his hometown. Surreal scenes from the past and present linger along his winding path through the placid countryside. Watching his doppelgänger dig his own grave feels like a living nightmare. “‘This song comes from a place of desperation”, he says. “Within the afterglow of nostalgia, there’s also the chill of disappointment”.  

Ultimately, the progressive flair that has come to define Thy Catafalque shines through the darkness on album twelve. Only this time around, in order to reach the light at the end of the tunnel, Kátai needed some guidance. “I felt like the production had largely been the same since Geometria“, he admits. XII marks the first time in the project’s history that he worked with an outside producer. Granted, Gábor Vári is no stranger to how his mind works. When he’s not holed away in the studio with other prominent Hungarian metal bands, Gábor could be seen hammering away at his guitar on stage with Thy Catafalque on the live album Mezolit. “He was the perfect person to help give this album a somewhat different sound that is still familiar”.

As a result, “A gyönyörű álmok ezután jönnek” stands out as one of Thy Catafalque’s biggest crowd pleasers, uplifted by hand claps and catchy, fist-pumping riffs. Even the dark waves of synth glow with the reassurance of the dawn. “At the end, there’s still hope for a future that might offer warmer days after the darkness has ceded”.

Thy Catafalque’s twelfth album looks back longingly at the past, but Tamás Kátai isn’t stopping to smell the roses. With A gyönyörű álmok ezután jönnek, he shows that the beautiful dreams are yet to come. 2025 will see Thy Catafalque make their debut on the world’s biggest stages – from Hellefest and Kilkim Žaibu  to Rockstadt Extreme and Alcatraz Festival – before embarking on their first-ever tour of Latin America.  

Recording Lineup
Tamás Kátai – guitar, bass, vocals, keyboards, programming

Guest musicians
Martina Veronika Horváth – vocals on Track 1, 6
Ivett Dudás – vocals on Track 8
Helga Kreiter – vocals on Track 4, 10
Gábor Dudás – vocals on Track 2, 5, 6, 10
Bálint Bokodi – vocals on Track 2, 4, 9
Gábor Veres – vocals on Track 3, 8
Attila Bakos – vocals on Track 1
Zoltán Kónya – vocals on Track 3
András Vörös – vocals on Track 4
Breno Machado – lead guitar on Track 2
Zoltán Vigh – lead guitar on Track 3
Krisztián Varga – lead guitar on Track 4
Daniele Belli – acoustic guitar on Track 2
Miguel Velasquez Matija – fretless bass on Track 2, 6
Edu Giró – oud, bouzouki, baglama on Track 2,7
Grigoris Mitropoulos – bouzouki, mpaglamas on Track 7
Sanja Smileska – violin on Track 3
Jo Quail – electric cello on Track 8
Issar Shulman – contrabass on Track 2
Cal Rustad – French horn on Track 2, 8
Manuel Domenech – cor anglais on Track 8
Khachatrian Lernik – clarinet on Track 2
Gergő Bille – flugelhorn, trumpet on Track 7
Joakim Toftgaard – trombone, trumpet on Track 7
Fabian Hernandez – saxophone on Track 5
Viktória Varga – narration on Track 3
Annamari Sánta – narration on Track 7, 8

Recording
Recorded in various countries: Hungary, United Kingdom, Romania, Ukraine, Italy, Spain, Greece, North Macedonia, Israel, U.S.A., Colombia, Brazil.

Producer & Sound Engineer
Tamás Kátai, Gábor Vári

Mixing & Mastering
Miracle Sound Szeged, Hungary. Mixed and mastered by Gábor Vári.

Artwork
Front cover by Dániel Szécsényi and Tamás Kátai
Illustrations by Orsolya Pintér.

Follow Thy Catafalque
https://thy-catafalque.hu
https://www.facebook.com/thycatafalque
https://www.instagram.com/thy_catafalque
https://www.youtube.com/user/kataitamas
https://thycatafalque.bandcamp.com/
https://open.spotify.com/artist/4sgTqbA7htxYkRRJBPZIom
https://music.apple.com/us/artist/thy-catafalque/372164196

SWEET FREEDOM Share New Single + Lyric Video ‘Another Day’ from Upcoming Album

Posted by tarjavirmakari on July 21, 2025
Posted in: Int. News, News. Tagged: Sweet Freedom. Leave a comment
Photo Credit: Ebba Rangemo

Sweet Freedom share today their new single and official lyric video “Another Day”, taken from the upcoming new album “Blind Leading The Blind”, set for release on August 29th, 2025, via Frontiers Music Srl.

Pre-Order “Blind Leading The Blind” HERE

Jörgen Schelander commented on the new single, by saying: “Sweet Freedom is about being free, but “Another Day” is about the opposite, the suffocating feeling of not being free. These days, we all know where in the world that is, and we all must use our voice (our vote) to change it. This track is a true classic rock anthem, and Matti really shows what an amazing singer he is”.

Talking about the record, he stated: “This album is a blast of classic rock. Close your eyes and listen all the way through “Blind Leading The Blind” – and you’ll come out blind no more… Maybe just a little deaf! The energy we captured, especially with Stefan Boman’s production, is something rare these days”.

Sweet Freedom began as a solo project by Swedish keyboardist Jörgen Schelander during the pandemic, born from a clear artistic vision and DIY spirit that had long been brewing in his mind. 

Their debut album, initially released with no promotion, gained surprising attention — even landing coverage in Sweden Rock Magazine as one of the year’s top releases. By late 2022, the band evolved from a solo project to a full lineup under the name Sweet Freedom, reminiscent of how Ritchie Blackmore’s Rainbow became simply Rainbow. 

The new album, “Blind Leading The Blind”, sees the return of the same core lineup, but with one notable change: powerhouse vocalist Matti Alfonzetti (Skintrade, Jagged Edge) steps in as frontman, replacing Stefan Nyqvist. Matti’s signature voice and charisma elevate these already high-octane songs to new heights.

Together with Håkan Nilsson on guitar, Jan Lund on bass, and Håkan Rangemo on drums, Sweet Freedom forms a Swedish supergroup. The new album is a ten-song collection of massive classic rock with a progressive twist.

The album was recorded live as a full band at Tilt Recording Studios in Strömstad, Sweden – an intentional move to capture the raw energy and chemistry that can only happen when a real band plays together in the same room. That energy, combined with a massive-sounding mix and master by Stefan Boman (Opeth, Alice Cooper, Def Leppard), results in a huge, dynamic rock production.

While Matti is well known in the rock world, the rest of Sweet Freedom’s members also boast serious credentials. Jörgen performed all keyboards on the 2024 touring production of Jesus Christ Superstar (featuring Daniel Gildenlöw of Pain of Salvation), and both Jan and Håkan previously played in Sabbtail alongside Mats Levén and Fredrik Åkesson of Opeth.

Sweet Freedom is here, loud and proud – and “Blind Leading The Blind” proves they’re a force to be reckoned with.

“Blind Leading The Blind” Tracklist:

1.    Infinity
2.    Tears Of The Sun
3.    Another Day
4.    Skin And Bone
5.    Innocent Child
6.    Live From The Heart
7.    Skeleton Key
8.    Solid Ground
9.    I Push Too Hard
10.    Outcry

Line Up:
Matti Alfonzetti – Lead and backing vocals
Håkan Nilsson – Lead and rhythm guitars, backing vocals
Jan Lund – Bass and backing vocals
Håkan Rangemo – Drums and percussion, backing vocals
Jörgen Schelander – Organ and keyboards, backing vocals

Follow SWEET FREEDOM:
Facebook
Instagram
YouTube

OCEANS ON ORION Release New Single ‘What Hurts The Most’

Posted by tarjavirmakari on July 21, 2025
Posted in: Int. News, News. Tagged: OCEANS ON ORION. Leave a comment

OCEANS ON ORION will release their new single ‘What Hurts The Most’ on July 25th, taken from the band’s next album.

‘What Hurts The Most’, the first single from an album that’s long overdue, almost didn’t happen.
When the war started and Lev, like many others, returned to the army, everything stopped. The music. The plans. The momentum. And this record nearly became a casualty. One no one would know about. One no one would mourn.

Pre-order the single: https://ffm.to/whathurts

On October 7th, work on Oceans on Orion’s next album stopped completely. It suddenly felt irrelevant. Insignificant. In the months that followed, the world moved on. But we didn’t.

We found people who could step in and help. We adapted. We compromised. We accepted that if this album was going to survive, it would come out differently than we imagined. Scarred, imperfect, but alive.
We struggled through. Inch by inch. Sometimes feeling guilty for even thinking about music at all.

The first song we finished is called ‘What Hurts The Most’.
It’s a breakup song, but not in the usual sense. It’s about the quiet realization that even after all the pain, the silence, the distance, you’d still say yes to the person who broke you. And how that truth is harder to face than the heartbreak itself. This track is heavy, but it’s honest. It carries the weight we’ve been carrying. The burden of unfinished art that refused to be silenced.

Mixed by Jonathan Kossov.

Written, arranged, and recorded by a family that refused to stop being a band.
‘What Hurts The Most’ comes out July 25th!

This is the first single from the band’s next album. It’s not just a release. It’s a sign that they’re still here. That art survives war. It has to.

OCEANS ON ORION social media:
Homepage ➡️ https://www.oceansonorion.com
Facebook ➡️ https://www.facebook.com/oceansonorion
Instagram ➡️ https://www.instagram.com/oceansonorion/
Youtube ➡️ https://www.youtube.com/OceansOnOrionOfficial
Spotify ➡️ https://spoti.fi/3jYHg49
Apple ➡️ https://apple.co/2XfSZTq
TikTok ➡️ https://www.tiktok.com/@oceans_on_orion

BLACK VEIL BRIDES Release Video for First New Track of 2025 for Blistering ‘Hallelujah’

Posted by tarjavirmakari on July 21, 2025
Posted in: Int. News, News. Tagged: BLACK VEIL BRIDES. Leave a comment

On the heels of a successful tour alongside Baby Metal, Black Veil Brides are back with their first piece of new music since 2024’s chart-topping single “Bleeders.” The band — comprised of vocalist Andy Biersack, guitarists Jake Pitts and Jinxx, bassist Lonny Eagleton, and drummer Christian Coma — return to their roots with the aggressive new track “Hallelujah.” The Tampa, Florida based choir “One Voice Ensemble” also lent their talents to the recording. The song is being released by their label partners Spinefarm and was produced by Biersack and Pitts.

“Hallelujah” is now available via all digital service providers here.

“‘Hallelujah’ is an important song for us, not only because it is the first track from the new record, but also as a signifier of what’s to come for the band. On a narrative level, it represents the themes and ideas I am exploring lyrically on the album. I am fascinated by the current state of discourse and how often we seem to prioritize ideological certainty over the heart and soul of humanity. Over the years, we have developed a tremendous connection with our audience, which is often dismissed or misinterpreted by the ‘scene.’ We stand at a unique inflection point culturally and I want to be able to speak openly about how much I believe in being true to yourself over the fear of mass hysteria or in-group recriminations,” explains Biersack. “When my grandfather’s voice spoke to ‘the outcasts’ in the first moments of our first record in 2010, it was a sincere call to arms for all those who feel different. In many ways this record is the natural evolution of that same idea. This is the heaviest and most vitriolic BVB record by far but more importantly I believe it is the most sincere and honest record we have ever made.”

To coincide with the new single, Black Veil Brides are releasing an animated video for “Hallelujah.” The video is directed by Marco Pavone (The Black Dahlia Murder, Pink Floyd, Shadow of Intent). The band will continue to release more visual content over the coming months to support the new song. A teaser for the track got fans in a frenzy when it was released last week.

The band will also be touring in support of the new single. The song will make its live performance debut at Warped Tour in Long Beach, CA on July 26. Black Veil Brides will also be making appearances at Louder Than Life in Louisville, KY (September 20), Rock The Locks Festival in Umatilla, OR (September 26), and Aftershock Festival (October 5) before heading to South America for six headline shows. The We Missed Ourselves Tour 2025 will also feature Underoath, Silverstein, Senses Fail, and I Set My Friends On Fire. Information on all ticket and VIP packages for Black Veil Brides dates can be found here.

BLACK VEIL BRIDES 2025 TOUR DATES:

7/26 — Long Beach, CA — Vans Warped Tour
9/20 — Louisville, KY — Louder Than Life
9/26 — Umatilla, OR — Rock the Locks Festival
10/5 — Sacramento, CA — Aftershock
10/25 — Mexico City, MEX — Velodromo Olimpico
10/28 — Bogota, COL — Chamorro City Hall
10/31 — Santiago, CHL — Teatro Coliseo
11/2 — Sao Paulo, BRZ — Vibra
11/4 — Buenos Aires, ARG — Groove
11/15 — Orlando, FL — Vans Warped Tour

THIS I OWE Unleash Cathartic Lyric Video for ‘Feelings to Dust’

Posted by tarjavirmakari on July 21, 2025
Posted in: Int. News, News. Tagged: THIS I OWE. Leave a comment

Athens-based alternative metal act THIS I OWE have just dropped the visceral lyric video for their new single “Feelings to Dust”, taken from their debut album Alchemists, due out 22 August 2025 via Wormholedeath.

“Feelings to Dust” is a cathartic eruption of raw emotion and sonic grit. Fusing crushing riffs with introspective lyricism, the track explores the collapse of trust, mental unrest, and emotional burnout. Haunting, bitter, and brutally honest, “Feelings to Dust” is a soundtrack for those navigating inner chaos in a world gone cold.

This track reveals just a glimpse of the intensity and depth that Alchemists promises to deliver—a record shaped by shadow, soul, and searing honesty.

Lyric video created by Volume Agency

THIS I OWE blends alternative metal with strains of prog, doom, and gothic metal, crafting a genre-fluid sonic identity that’s uniquely their own. With their emotionally charged storytelling and relentless energy, the band is fast becoming a defining voice in the next wave of Greek metal.

Connect with THIS I OWE:

www.facebook.com/This.I.Owe
www.instagram.com/thisiowe_official
www.youtube.com/@thisiowe_official
thisiowe.bandcamp.com

AVATAR Drop Video for New Single ‘In The Airways’

Posted by tarjavirmakari on July 21, 2025
Posted in: Int. News, News. Tagged: Avatar. Leave a comment
Photo By Johan Carlén

The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — have gone from strength to strength to strength over the past several years.

There’s the critically acclaimed, 2023-released album Dance Devil Dance, which included rock radio chart topper “The Dirt I’m Buried In.” There have been scores of sold-out headline shows across the globe and an actual fossil named after them. The list goes on and on.

But the past is the past and the future is, well, dark in the best possible way and that’s JUST how Avatar like it!

Today, the band dropped the video for the new single “In the Airwaves.” Stream it Here

“Avatar is defined by the challenges we put in front of ourselves. We always push for more and look for new angles. In this ever ongoing pursuit for the next great thing, we return to one of the most important aspects of metal: Speed.”

The band continues, “This is the fastest song we have done in what seems to be an eternity, and it feels good to push the engine to the max again. In a way, it feels like a return to something. Enjoy our rage.”

It follows the recent single “CAPTAIN GOAT.” Watch the video here.

Avatar will spend the foreseeable future (if not forever) on the road — with forthcoming tours supporting Iron Maiden and Metallica, along with the band’s biggest show EVER in Mexico City. See below for a complete rundown of the band’s planned tour activity for the next two years.

Avatar show no signs of pausing to take a breath in their quest for absolute world domination — much less stopping.

More music is coming. You won’t be disappointed.

2025 U.S.A. HEADLINE (JUST ANNOUNCED!) :

11/5 — Phoenix, AZ — The Van Buren
11/6 — San Diego, CA — The Observatory San Diego
11/7 — Riverside, CA — Riverside Municipal Auditorium
11/8 — Las Vegas, NV — Brooklyn Bowl
11/10 — Seattle, WA — Moore Theater
11/11 — Portland, OR — Roseland Theatre
11/12 — Boise, ID — Revolution
11/14 — Salt Lake City, UT — The Union
11/15 — Denver, CO — Fillmore
11/17 — Minneapolis, MN — Fillmore
11/18 — Madison, WI — The Sylvee
11/20 — Detroit, MI — The Fillmore Detroit
11/21 — Pittsburgh, PA — Stage AE
11/22 — Columbus, OH — KEMBA Live!
11/23 — Silver Spring, MD — The Fillmore Silver Spring
11/25 — Huntington, NY — Paramount
11/26 — Boston, MA — House of Blues
11/28 — Allentown, PA — Archer Music Hall
11/29 — Charlotte, NC — The Fillmore Charlotte
11/30 — Louisville, KY — Old Forester’s Paristown Hall
12/2 — Chicago, IL — Riviera Theater
12/4 — Nashville, TN — Marathon Music Works
12/5 — St. Louis, MO — The Pageant
12/6 — Tulsa, OK — Tulsa Theater
12/7 — Dallas, TX — House of Blues

AVATAR ON TOUR WITH IRON MAIDEN:

7/19 — Paris, FR — Paris La Défense Arena
7/20 — Paris, FR — Paris La Défense Arena
7/23 — Arnhem, NL — GelreDome
7/25 — Frankfurt, DE — Deutsche Bank Park
7/26 — Stuttgart, DE — Cannstatter Wasen
7/29 — Berlin, DE — Waldbühne Berlin
7/30 — Berlin, DE —Waldbühne Berlin
8/2 — Warsaw, PL — PGE Narodowy
8/9 — Kortrijk, BE — Alcatraz Festival*

2025 MEXICO HEADLINE

10/31 — Mexico City, MX — The Pepsi Center

2026 EUROPEAN HEADLINE TOUR:

2/5 — Stockholm, SE — Fållan
2/7 — Helsinki, FI — Kulttuuritalo
2/9 — Oslo, NO — Sentrum Scene
2/10 — Copenhagen, DK — Vega
2/11 — Osnabrück, DE — Die Botschaft
2/12 — Brussels, BE — A.B.
2/14 — London, UK — Exhibition
2/15 — Manchester, UK — Academy
2/16 — Glasgow, UK — Barrowland
2/17 — Nottingham, UK — Rock City
2/18 — Bristol, UK — O2 Academy
2/20 — Amsterdam, NL — AFAS Live
2/21 — Esch-Sur-Alzette, LU — Rockhal
2/22 — Zürich, CH — Komplex
2/24 — Barcelona, ES — Razzmatazz
2/25 — Madrid, ES — La Riviera
2/27 — Lisbon, PT — LAV
2/28 — Bilbao, ES — Santana 27
3/2 — Lyon, FR — Le Cube
3/3 — Milan, IT — Alcatraz
3/4 — Vienna, AT — Gasometer
3/5 — Munich, DE — Tonhalle
3/6 — Cologne, DE — E-Werk
3/7 — Paris, FR — Le Zenith
3/9 — Wiesbaden, DE — Schlachthof
3/10 — Zlin, CZ — Sports Hall Datart
3/11 — Warsaw, PL — Stodola
3/12 — Berlin, DE — Columbiahalle
3/13 — Hamburg, DE — Docks

SUPPORTING METALLICA — SUMMER 2026:

5/24 — Frankfurt, DE — Deutsche Bank Park
6/11 — Budapest, HU — Puskas Arena
6/19 — Dublin, IE — Aviva Stadium
7/5 — London, UK — London Stadium

ABOUT AVATAR:

As a strange light in the sky beckons you towards something forbidden, far away, you see a robed, horned ferryman, rowing across a restless sea at the end of days. Back home a strange sound rolls through your house. It comes from the basement. The news talks about a beautiful corpse, lauded for her magnificent demise on a dance floor by men who could have fixed her. You catch the last broadcast from an outpost succumbing to flames on a distant moon. Its inhabitants try to outrun their own madness. Outside there is a place you’re not allowed to go, no matter how intoxicating the gaze of the eyes among the trees.

You lay awake at night, yet you dream thousand dreams more real than any waking moment.

Strange times call for a strange band. With a life long commitment to the misfit arts, Avatar delves deep into the collective subconscious. They travel beyond the realms of flesh and far past the spiritual barriers broken in past works. No matter how many times they were warned, they keep treading deeper into the woods. There is sense to be made out of the senseless. They lay a soft gaze upon terrifying, almost shapeless inner landscapes, and they have a damn good time doing it.

Don’t go in the forest is a warning said by others, heeded as a challenge for a certain kind freak who just can’t fight the urge to seek truth and feel alive. It is a collection of strange tunes emerging from a circus tent in a meadow in a faraway valley. You can only ever get there by accident, walking a path impossible to remember and map out. Two eyes closed, one eye open.

Formed by John Alfredsson and Jonas Jarlsby as teenagers, soon joined by Johannes Eckerström, Henrik Sandelin and Simon Andersson, Avatar started an evolution that would see a group always looking to connect what you hear with what you see. Once Andersson left and Tim Öhrström joined, they had all the ingredients to a brew so potent it would forge their names into the souls of millions. More than a band, Avatar has evolved to concept art. In order to keep going with the same drive as they had on day one, they make sure that what is made must be done. Every single time must matter more than ever before. No matter how far they get, they are sworn to remain underdogs. There is so much to do, to try. So many ways to rediscover the simple yet sublime power hidden inside an electric guitar.

It’s all about trying new things, on and off stage. Choirs, brass instruments, Moogs, piano, cellos and violas. As long as it all worships at the altar of the riff, the possibilities are as vast as the universe. Don’t go in the forest once again stretches, bends and breaks the boundaries of what Avatar is and can be by providing both the most introspective as well as their most explosive moments. It is all done in a way that can only be achieved after a lifetime in servitude to the madness where all your gathered experiences are used to be reborn. In other words, by embracing discovery as the core tenet for what they do, every new release is as fresh and exciting as their very first time in a rehearsal room.

While the studio experience is becoming a more and more powerful tool for self expression, it is on the stage where Avatar truly comes alive. Every testimonial makes the same claims in all caps. Avatar is a MUST SEE experience. Every album cycle has provided record breaking milestones. A few of the more recent ones being kicking the door in on Latin America, first with Iron Maiden, and then with sold out shows all throughout Mexico and beyond. They have also become the talk of countless festivals across Europe and the United States, being a surefire stage closer and show stealer everywhere they go, all while setting attendance record after attendance record for their headline shows. From Australia to Brazil. From Scandinavia to the Mediterranean Sea. From the Pacific Northwest to the Deep South. Everywhere they go, their unique blend of suggestive theatrics and unabashed, unapologetic good heavy metal times, they have proven that there is only one Avatar and everyone else is playing for second place. Their impact is shown with chart toppers such as “The Dirt I’m Buried In” reaching heights that are hard to imagine from a band that has stepped into the craziest era in music history, taking matters into their own hand with their own independent label, Black Waltz Records.

For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.

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