Century Media Records is hosting their very own label night featuring SOLSTAFIR, BORKNAGAR, CRYSTAL LAKE, HELLRIPPER and BAEST on Wednesday, August 13th.
Final tickets for this year’s edition of the iconic metal festival in Dinkelsbühl are available here: TICKETS
You can grab your day tickets here: DAY TICKETS
For more info on the festival, click here: OFFCIAL WEBSITE
“Drop Dead, Gorgeous helped perfect a style of post-hardcore that other bands would model themselves after. Where other bands in the scene would regurgitate the same testosterone-tinged bro-rock, Drop Dead, Gorgeous made their mark by putting [emotional] vulnerability into song.” – VICE
After more than 15 years, Denver metalcore pioneers Drop Dead, Gorgeous have officially returned with a brand new single, “Six Feet,” along with the announcement of the return of The Artery Foundation (label)—the original driving force behind the genre. Accompanied by a gripping music video that premiered exclusively on Revolver Magazine, the track marks a powerful new chapter for the band, who reunite with three original members.
“It’s been over 15 years, and ‘Six Feet’ felt like the right way to come back — intense, honest, and unapologetic. We’re not trying to recreate the past, just push things forward in a way that still feels true to who we are,” shares the band.
The return of Drop Dead, Gorgeous is not only a monumental moment for fans, but also for the team behind The Artery Foundation, which helped launch the band’s early career.
“It’s surreal to have Drop Dead, Gorgeous back with us after 20 years,” says Eric Rushing, President of The Artery Foundation. “They were one of Artery’s first big breakthroughs and helped define who we were early on. This reunion isn’t just nostalgic—it’s a full-circle moment that reminds us where we came from and helps usher in the new wave of Artery.”
Stream the single now: https://orcd.co/sixfeet
Drop Dead, Gorgeous Show Dates:
Oct 2 @ Scout Bar in Houston, TX
Oct 3 @ RBC in Dallas, TX
Oct 4 @ The Rock Box in San Antonio, TX
They were teenagers from Denver with chaotic angst, huge hooks, breakdowns, and something to say. At the height of the post-hardcore and so-called “emo” explosion of the mid-2000s (which saw My Chemical Romance, Fall Out Boy, and Avenged Sevenfold reach massive heights), Drop Dead, Gorgeous carved out new synth-soaked pathways with unmistakable vocals and unhinged emotion.
Drop Dead, Gorgeous returns in 2025 with their first new music in over a decade. Produced by Elliot Polokoff and mastered by longtime collaborator Kris Crummett (Dance Gavin Dance, Sleeping With Sirens, Get Scared), “Six Feet” recaptures their signature tension—hooky, hostile, and cinematic. The band isn’t trying to relive their past, but they aren’t running from it, either. Drop Dead, Gorgeous may have gone quiet for a time, but their impact never faded. Now, with fresh music and sharpened vision, they’re writing a new chapter—not as nostalgia, but as an experienced and focused continuation of what they started.
Their 2006 full-length debut, In Vogue, a touchstone release for Rise Records, inspired many like-minded kids to form bands with its theatricality and authentic confessional attitude. Singer Daniel “Stills” Stillman gave a literal voice to fans who connected to the band’s combination of bombast and charisma. “We were just these young kids who were thrown into our dream,” remembers bassist Jake Hansen, who notes that drummer Danny Cooper was only 15 years old. “I was the oldest, at just 18.”
“We didn’t know anything about song structure or how a band was supposed to function back then,” says Stills. “We just wrote what felt right, and that honesty ended up being what connected.”
In Vogue didn’t just tap into the moment; it helped define it. “I first heard Drop Dead, Gorgeous on a Rise Records sampler,” Counterparts vocalist Brendan Murphy told VICE in a loving ten-year retrospective. “Seems shortly after that, everyone’s MySpace song was ‘Dressed for Friend Requests.’ Kids ate it up because of the seemingly perfect balance between screaming and catchy choruses.”
Ex-Geffen Records CEO Jordan Schur brought them to Suretone Records, a joint venture with Interscope that became home to Weezer, New Found Glory, The Cure, From First To Last, and the late Chris Cornell. The result was the dark concept album Worse Than a Fairy Tale (2007), produced by nü-metal pioneer Ross Robinson (Korn, Slipknot, At The Drive-In). The band played the Vans Warped Tour the same year, and with The Used and Rise Against on Taste of Chaos in Australia and New Zealand.
Drop Dead, Gorgeous collaborated with producer Matt Goldman (Underoath, Anberlin, Meg & Dia) on The Hot N’ Heavy (2009). With additional production from The Chariot’s Josh Scogin and mixing by Saison guitarist Beau Burchell, The Hot N’ Heavy achieved the band’s biggest chart success while merging the sound of their debut album with more polished aggression and metalcore intensity.
But the whirlwind took its toll. By 2011, the band had quietly disappeared.
Stills and Cooper returned to Rise Records with Bleach Blonde, a band combining pop-rock and alternative elements. As synth duo 888, the pair saw strong streaming success with the title track of their Island Records EP, Critical Mistakes (2016). Sadly, guitarist Kyle Browning passed away in 2021.
“I didn’t think I’d ever want to play in a heavy band again,” Stills says. “But after a while, we had that itch we wanted to scratch. It surprised me how much I missed it.” The core trio of Stills, Cooper, and Hansen reconvened with a string of well-received surprise reunion shows in late 2024 and 2025.
The sonic shadow of Drop Dead, Gorgeous looms large across a slew of successful bands who continued in their wake. With the band fully resurrected, their comeback is about legacy and unfinished business, viewed through the lens of experience and pure intentions. “We just want to do something honest,” Stills reaffirms. “We don’t want to make music that doesn’t feel real to us.”
Drop Dead, Gorgeous are:
Daniel “Stills” Stillman – lead vocals, keyboard, programming, additional guitars
Jacob Hansen – bass
Danny Cooper – drums
Jacob Belcher – guitars
River Wilde – guitars
With more than two decades performing together, acclaimed rockers ALTER BRIDGE show no signs of slowing down. Known for their memorable riffs, infectious vocal melodies and dueling guitar attack, the quartet comprised of Myles Kennedy on vocals/guitars, Mark Tremonti on guitars/vocals, Brian Marshall on bass and Scott Phillips on drums have garnered themselves massive critical and fan acclaim around the globe. The band looks to continue that trend when they release their self-titled, eighth studio album next year via Napalm Records. Alter Bridge will be released on January 9, 2026, and first physical formats are now available for pre-order.
Alter Bridge is comprised of 12 all new tracks from the band and features some of their most iconic moments on record. Songs like “Rue The Day,”“Disregarded” and “Scales Are Falling” will fit alongside any of the classic songs from ALTER BRIDGE’s catalog. “Trust In Me” shows Myles and Mark sharing vocal duties as Myles handles the verse duties while Mark takes the chorus. That strategy is flipped on “Tested And Able” as Mark handles the verses and Myles takes on the choruses behind one of the band’s heaviest intros to date, giving way to an unforgettable melody. “Hang By A Thread” is sure to become a show favorite as it hints at some of the most popular songs in the band’s catalog. Album closer “Slave To Master” is an epic track that ALTER BRIDGE has come to be known for and is the longest song the quartet has recorded to date.
The band worked with longtime collaborator and producer Michael “Elvis” Baskette on their eighth album. Alter Bridge was recorded over the course of two months this spring in the legendary 5150 studio in California and Elvis’ recording studio in Florida.
Pre-Order the First Physical Formats of Alter Bridge HERE
More Formats Coming Soon!
Alter Bridge track listing:
1) Silent Divide (5:06)
2) Rue The Day (4:46)
3) Power Down (4:08)
4) Trust In Me (4:48)
5) Disregarded (3:55)
6) Tested And Able (4:36)
7) What Lies Within (5:07)
8) Hang By A Thread (4:11)
9) Scales Are Falling (5:54)
10) Playing Aces (4:05)
11) What Are You Waiting For (5:00)
12) Slave To Master (9:03)
To coincide with the announcement of the new album, ALTER BRIDGE will be touring in support of the release. The band is heading out on the What Lies Within Tour. The 31-date tour of Europe will kick off on January 15 in Germany before it wraps on March 5 in Nottingham, UK. Joining the band on the tour will be Daughtry and Sevendust. Public on sale for all shows is July 18. More information on all tickets and VIP packages for the upcoming tour can be found at http://www.alterbridge.com.
European What Lies Within Tour 2026:
Jan 15 – HAMBURG, GERMANY – Sporthalle
Jan 17 – OSLO, NORWAY – Sentrum Scene
Jan 18 – OSLO, NORWAY – Sentrum Scene
Jan 20 – STOCKHOLM, SWEDEN – Annexet
Jan 22 – HELSINKI, FINLAND – Ice Hall Black Box
Jan 24 – COPENHAGEN, DENMARK – KB Hallen
Jan 25 – BERLIN, GERMANY – Columbiahalle
Jan 27 – GLIWICE, POLAND – Prezero Arena Gliwice
Jan 28 – BUDAPEST, HUNGARY – Barba Negra
Jan 30 – VIENNA, AUSTRIA – Gasometer
Jan 31 – ZAGREB, CROATIA – Bocarski Dom
Feb 02 – ROME, ITALY – Atlantico
Feb 03 – BERGAMO, ITALY – ChorusLive Arena
Feb 05 – ZURICH, SWITZERLAND – The Hall
Feb 06 – LYON, FRANCE – Halle Tony Garnier
Feb 08 – BARCELONA, SPAIN – Razzmatazz 1
Feb 10 – LISBON, PORTUGAL – Sagres Campo Pequeno
Feb 12 – MADRID, SPAIN – Palacio Vistalegre
Feb 13 – BORDEAUX, FRANCE – Arkea Arena
Feb 15 – LUXEMBOURG, LUXEMBOURG – Rockhal
Feb 17 – OBERHAUSEN, GERMANY – Oberhausen Turbinenhalle
Feb 18 – PARIS, FRANCE – Zenith
Feb 20 – MUNICH, GERMANY – Zenith
Feb 22 – AMSTERDAM, NETHERLANDS – Ziggo Dome
Feb 23 – BRUSSELS, BELGIUM – Ancienne Belgique
Feb 25 – NEWCASTLE, UNITED KINGDOM – Utilita Arena
Feb 26 – MANCHESTER, UNITED KINGDOM – AO Arena
Feb 28 – DUBLIN, IRELAND – 3Arena
Mar 02 – GLASGOW, UNITED KINGDOM – OVO Hydro
Mar 04 – LONDON, UNITED KINGDOM – The O2
Mar 05 – NOTTINGHAM, UNITED KINGDOM – Motorpoint Arena
ALTER BRIDGE will be reuniting for one show in 2025. The band will be doing a rare acoustic show on October 1 in Nashville, TN to support the Tremonti Family Charity Golf Outing. The outing is a benefit started by guitarist Mark Tremonti to support the National Down Syndrome Society – an organization close to Mark after his daughter Stella was born with Down syndrome. The event will raise money for NDSS – an organization that engages grassroots advocates at the federal, state, and local levels and creates resources to support individuals with Down syndrome, their families, and caregivers across the lifespan on topics including education, employment, health and wellness, and aging.
Tickets for the event can be purchased at: https://charity.pledgeit.org/rockforeDownsyndrome
About ALTER BRIDGE:
Back in 2004, four lifelong musicians got together down in Florida. Even though they had traveled separate paths, similar lessons learned, wisdom earned, and dues paid united these gentlemen—Myles Kennedy [vocals, guitar], Mark Tremonti [guitar, vocals], Brian Marshall [bass], and Scott Phillips [drums]—as ALTER BRIDGE. Over the ensuing two decades, the band endured countless trials and tribulations, defied every odd, and rose to the head of the pack as a hard rock juggernaut, cementing a singular legacy by selling out arenas, gathering nearly one billion streams, inciting international acclaim, and quietly attracting a diehard audience. Beginning with the Top 5 entry of 2004’s gold certified One Day Remains, the band have scored six consecutive Top 20 debuts on the Billboard 200. Among a myriad of highlights, Guitarist Magazine applauded “Blackbird” for the “Greatest Guitar Solo of All Time,” the ABIII single “Isolation” vaulted to #1 on the Billboard Mainstream Rock Chart, 2013’s Fortress received rare perfect scores from KERRANG! and Total Guitar, and Walk The Sky shook the Top Rock Albums Chart at #1. Beyond packing O2 Arena and Royal Albert Hall, Classic Rock hailed 2022’s Pawns & Kings as “the Rolls-Royce of ALTER BRIDGE records” in a 4.5-out-of-5-star review. Plus, the latter LP garnered praise from American Songwriter, Guitar World, and Loudwire, while Billboard christened them “one of America’s premiere hard rock quartets.” Channeling the same hunger, the band continue to push themselves on their self-titled eighth full-length offering, Alter Bridge [Napalm Records]. It embodies everything they’re known for such as the precise riffs, towering hooks, and solos that practically break guitar strings as they burst through the clouds.
ALTER BRIDGE online:
WEBSITE
FACEBOOK
INSTAGRAM
X
TIK TOK
NAPALM RECORDS
This year the summer ended with … ADEPT! Swedish metalcore powerhouse ADEPT rise again, ushering in a fierce new era with their long-awaited fifth studio album, Blood Covenant, out October 24, 2025 via Napalm Records. Marking a bold new era after nearly a decade of silence, Blood Covenant captures the band at their most intense, dynamic, and emotionally resonant to date across eleven tightly crafted tracks.
Formed in the early 2000s in Trosa, Sweden, ADEPT helped shape the early European metalcore landscape, rising to prominence through passionate songwriting, high-octane shows, and raw emotional energy. Following their fiery comeback at Core Fest 2024 and numerous explosive festival performances, the band now unveils Blood Covenant, redefining their sound with sharpened aggression, cinematic scope, and lyrical depth.
Following “Heaven” and “You”, ADEPT unleash their explosive new single “Ignore The Sun”. The track provides a blistering master class in Gothenburg-style, melodic death metal riffing set against pummeling breakdowns. A mixture of oppressive growls and captivating cleans enhances the catchiness, reminiscent of ADEPT’s early years. “Ignore The Sun” is accompanied by a mesmerizing visualizer, giving fans a taste of the electrifying energy they will let loose all over their upcoming anniversary European tour.
ADEPT about “Ignore The Sun”:
“With ‘Ignore the Sun’, we really wanted to capture the full spectrum of what drives us — from relentless, riff-driven speed and that raw Scandinavian metal intensity, to heavy metalcore breakdowns that are made to fuel the pit. But it’s not just about power; there’s also this epic sense of grandeur and a lot of raw emotion behind it. The lyrics are deeply personal and hit hard, designed to connect with listeners on a real level, just like the music.”
Drenched in vivid hues of red, Blood Covenant is a raw, unflinching reflection on scars carried, battles fought, and a hunger for authenticity, in spite of a world so rife with insincerity. Opening with the intense title track “Blood Covenant”, the album sets a brooding tone that echoes through the record. “Heaven”, drags the listener through a guilt ridden storm of thunderous, fast-paced riffs, while the hard-hitting “Define Me” follows with an imposing attitude and snapping aggression, underlining its uncompromising message of self-reclamation. Both tracks are marked by ADEPT’s signature blend of emotional intensity and unrelenting breakdowns. “YOU” dives deep into the emotional wreckage of love lost, with swelling, cathartic guitar leads and honest, bleeding heart lyricism. “Time Is a Destroyer” pulses with urgency and existential dread, unfolding over a haunting acoustic backdrop accented by swelling strings, while “Parting Ways” lean into darker, more cinematic territory, introducing eerie ambient layers and post-metal textures that capture a moment of vulnerability wrapped in restrained heaviness and reflection. “Filthy Tongue” dives headfirst into brooding industrial terrain, fusing harsh textures and hypnotic rhythms into a raw, relentless beast. Tracks like “Ignore the Sun” channels melodic death metal energy, leveraging deliciously melodic shredding to increase the impact of its tectonic breakdowns. “The Rapture of Dust”, the album’s closer, collapses the record into a final, sweeping moment of reflection—crushing and beautiful in equal measure.
Order Your Copy of Blood Covenant NOW
Produced by Henrik Udd (Bring Me The Horizon, Architects) together with guitarist Gustav Lithammer and vocalist Robert Ljung at Henrik Udd Recording, the album boasts a sonically expansive and emotionally intimate production. Mixed by Henrik Udd and mastered by Thomas “Plec” Johansson (Soilwork, Dynazty) at The Panic Room, Blood Covenant wields immense weight and clarity without sacrificing any of its raw energy.
Blood Covenant Tracklisting:
With a legacy spanning two decades, ADEPT are currently crushing stages at massive festivals across Europe like Nova Rock and Summer Breeze Open Air. The Swedish heavyweights indisputably stand at the threshold of their most vital chapter yet. As they prepare to embark on their massive 20-Year Anniversary Tour this winter, Blood Covenant doesn’t just mark a comeback. It redefines the band—scarred but unshaken, and more inspired than ever.
Festivals 2025:
15.08.25 DE – Dinkelsbühl / Summer Breeze Open Air
16.08.25 CH – Cudrefin / Rock The Lakes
20 Year Anniversary
EU/UK Tour 2025
27.11.25 DE – Berlin / Astra Kulturhaus
28.11.25 DE – Hamburg / Fabrik
29.11.25 DE – Dresden / Alter Schlachthof
30.11.25 NL – Tilburg / 013 Poppodium
02.12.25 UK – Manchester / Club Academy
03.12.25 UK – London / O2 Academy Islington
04.12.25 FR – Paris / La Maroquinerie
05.12.25 DE – Stuttgart / LKA Longhorn
06.12.25 CH – Aarau / KiFF
07.12.25 AT – Vienna / Flex – NEW SHOW
09.12.25 CZ – Prague / MeetFactory
10.12.25 DE – Frankfurt / Zoom
11.12.25 DE – Cologne / Essigfabrik
12.12.25 DE – Münster / Skaters Palace
13.12.25 DE – Saarbrücken / Garage
14.12.25 DE – Munich / Backstage Werk
ADEPT are:
Robert Ljung – Vocals
Gabriel Hellmark – Drums
Filip Brandelius – Bass
Gustav Lithammer – Guitar
Kasper Larcombe-Tronstad – Guitar
ADEPT online:
INSTAGRAM
FACEBOOK
WEBSITE
NAPALM RECORDS
Over the course of the past 16 years, Stoned Jesus have risen as true trailblazers. Whether it’s a radio-friendly banger or a 13-minute classic, frontman Igor Sydorenko has explored lush valleys of folk, proggy expanses, bouldering alternative rock and peaks of headbanging doom. Now, after a sneak peak at Hellfest, Sydorenko and his new bandmates are embarking on a three-part quest that will take their heavy progressive rock all the way to the sun, moon and back.
Songs to Sun comes out September 19, 2025 on Season of Mist. The album is the first in a trilogy that will span the different phases of Stoned Jesus. Season of Mist will release the darker Songs to Moon sometime next year, followed by the proggier Songs to Earth.
“We are thrilled to announce the beginning of this expansive journey”, Sydorenko says. “Songs to Sun picks up where Stoned Jesus left off on our previous album Father Light. Along the way, people will hear nods to Seven Thunders Roar and The Harvest. But there are also lots of new twists and turns that merge metal’s groove and intensity with vintage prog and our catchiest choruses yet. Lyrically, there’s a constant sense of insecurity and instability, but experimenting with the music is what helps give our lives a solid foundation”.
Tracklist
1. New Dawn (8:53)
2. Shadowland (4:38)
3. Lost in the Rain (7:49)
4. Low (4:09)
5. See You on the Road (5:45)
6. Quicksand (9:52)
Hear Stoned Jesus perform new songs off Songs to Sun when they return to Latin America this fall following their European summer tour with Cult of Luna and Australian debut.
Get tickets: https://linktr.ee/stonedjesusband
2025 European Festivals
August 3 – Gyongyos, HU @ Fekete Zaj Festival
September 13 – Crest, FR @ Bridge To Hell
September 20 – Bilbao, ES @ Kristonfest
November 8 – Bochum, DE @ Tombstoned Fest
November 14 – Magny-Les-Hameaux, FR @ Foud Rock
November 15 – Eindhoven, NL @ Helldorado
2025 European Dates with Cult of Luna
August 11 – Osnabruck, DE @ Botschaft
August 12 – Bremen, DE @ Modernes
August 13 – Utrecht, NL @ Tivolivredenburg
2025 XV & Debut Australian Tour
September 28 – Perth @ The Rosemount
October 1 – Canberra @ The Baso
October 2 – Sydney @ The Underground
October 3 – Brisbane @ Soapbox Beer
October 4 – Melbourne @ The Leadbeater
October 5 – Adelaide @ The Crown & Anchor
2025 Latin American Tour
October 21 – Rio De Janeiro, Brazil @ Rock Experience
October 22 – Porto Alegre, Brazil @ Gravador
October 23 – Florianopolis, Brazil @ Desgosto
October 24 – Curitiba, Brazil @ Beveldere
October 25 – Sao Paulo, Brazil @ Jai Club
October 26 – Belo Horizonte, Brazil @ Caverna
October 28 – Buenos Aires, Argentina @ Uniclub
October 29 – Santiago, Chile @ Club Ambar
October 31 – Mexico City @ Sangriento [FIRST-EVER SHOW IN MEXICO]
Since 2009, Stoned Jesus has served as one of Europe’s leading forces in heavy rock. Igor Sydorenko, a veteran of the Ukrainian underground music scene, started it as a solo project after stumbling upon some heavy and angry riffs that would become the song “Occult.” He fed off his Black Sabbath and Led Zeppelin influences and was soon turned onto Electric Wizard and Sleep, two bands who mastered the art of bold, lurching heaviness, thus creating a sonic template to abide by.
The Kyiv-based project was initially dubbed “Stoned Jesus from the Outer Space” but shortened to the much crisper Stoned Jesus. The name was trimmed down out of necessity — Sydorenko wanted to legitimize the band immediately. “I realized that this may cause some problems,” he told Psychedelic Baby in 2010. “Some people wouldn’t take our music seriously, then. I don’t mind jokes and having fun, but music is always the most serious thing for me.”
Two demos ensued before Stoned Jesus’s debut LP, 2010’s First Communion. Recorded with the first line-up in two hours, First Communion was a promising offering that dove headlong into the world of heavy stoner rock, with three songs going over the 10-minute mark for hypnotic effect. The album eventually saw a proper reissue in 2020, introducing it to a new group of fans. The first change of rhythm section brought Seven Thunders Roar in 2012, which included “I’m the Mountain,” a 13-minute epic that has since become a live staple. The album also introduced a bevy of acoustic guitar and softer vocal approaches from Sydorenko.
The Harvest came next in 2015 with a new drummer, deftly transitioning Stoned Jesus into the new terrain, with more alternative and progressive rock leanings. This is a credit to Sydorenko’s evolving songwriting style and desire to never allow Stoned Jesus to repeat itself. “It works brilliantly for the likes of Motörhead or AC/DC, but we’re not that legendary yet,” he told Outlaws of the Sun in 2015. “So, let’s experiment, shall we? Let’s play with the genres, the sound, the song structures, the melodies, the time signatures — yes, my favorite trick!”
With another change of the drummer, the fourth LP, Pilgrims, arrived in 2018. A bold and experimental record, it showed the growing maturity of both musical and lyrical sides of Igor’s ever-progressing songwriting. After a year-long The Pilgrimage Tour and yet another year on the road celebrating the band’s 10th anniversary with the greatest hits setlist, Stoned Jesus’ original plans were to record its follow-up in 2020. That, of course, was sidelined by the pandemic. The band then entered Spivaki Records in Kharkiv in July 2021 to record nine songs at 75 minutes. Two-thirds of the material was mixed and mastered before the 2022 invasion of Ukraine, leaving the final run-time of six songs at 43 minutes.
The result was Father Light, the band’s first for Season of Mist, which caught Stoned Jesus in full bloom. The foundational elements of Stoned Jesus’s sound remained (fuzzed-out rock, driving bass lines and maximum groove), once again augmented by the combination of Sydorenko’s gentle clean vocals and hook-laden chorus choices, along with an array of ornamental guitar melodies. And, in true Stoned Jesus fashion, the journey is often the reward. The cuts on Father Light expand and shift — all the while, the band’s trademark heaviness serves as the guide.
Mother Dark, the gloomier introspective twin of Father Light, while partially recorded was shelved due to Igor’s dissatisfaction with the working dynamics of the latest Stoned Jesus line-up. Dissolving said line-up was a difficult decision to make, but Igor’s relocation to Europe brought a surprising reunion with his old friend Yurii, a talented drummer Igor had known even before writing the first Stoned Jesus song. Adding bassist-vocalist Andrew Rodin to this new line-up solidified its reliability, and now, after the whole year of relentless 25th Anniversary Tour schedule, the reinvigorated Stoned Jesus is more than ready for their next chapter.
Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what’s been a decades-long trip for Stoned Jesus. While picking up where Father Light left off, Sydorenko and his new mates still nod to Seven Thunders Roar and The Harvest along the way. But by merging metal’s fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.
Lineup
Igor Sydorenko – Vocals, Guitar, Bass, Keyboards
Andrew Rodin – Bass, Backing Vocals
Yurii Ciel – Drums, Backing Vocals
Production Credits
Produced by Igor Sydorenko
Recorded by Ignancy Gruzecki
Mixed and Mastered by Karl Daniel Lidén at Studio Tri-Lamb, Sweden
Recording Studio
Monochrom Studio in Poland
Cover Art
Vadym “Karaska” Karasiov
Follow Stoned Jesus:
https://linktr.ee/stonedjesusband
https://music.apple.com/sg/artist/stoned-jesus/396799004
https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
instagram.com/stonedjesusband
http://facebook.com/stonedjesusband
twitter.com/stonedjesusband
https://www.tiktok.com/@stonedjesusband
youtube.com/c/StonedJesus
stonedjesus.bandcamp.com
On July 9th BraveWords Records launched their own publishing operation to develop writers involved in their releases, where possible, along with opportunities for external independant writers to join their global efforts to promote their tracks and collect their international income.
BraveWords Records will be represented in all international territories through their collection partners, the very experienced and successful Bucks Music Group.
The promotional support will come from BraveWords social media experts on www.bravewords.com who deal with over one million professional music contacts per month.
So WRITERS bring your treasured tracks to the table for consideration from one of the most active new labels on the planet which we will register and promote for you.
About BraveWords Records:
BraveWords Records has released albums by Paul Di’Anno’s Warhorse, The Chris Slade Timeline, Rhett Forrester and Rob Robbins, Prophets of Addiction, Jack Starr, ASKA and future releases from Lillian Axe, Crimson Glory and Alcatrazz.
There is a serious void which desperately needs to be filled, hard-working and creative bands that have yet to find a partnership and a mutual vision with a professional team. The music-fuelled minds behind BraveWords Records, Brian Adams, Giles Lavery, Tim Henderson and Michael Brandvold, have built the ultimate home for an artist that will take you where you want to be. Collectively, with nearly 100 years of music industry experience under our belts, the BraveWords Records team will take care of all the crucial aspects of your project from global distribution (digital and physical), publicity and media coverage (web, radio, visual), social media blanketing and streaming opportunities (such as Streaming For Vengeance). Where most labels have forgotten the concept of actually marketing a release sensibly, BraveWords Records will construct a viable and comprehensive marketing plan, including visibility at BraveWords.com, which attracts a million visitors monthly. BraveWords Records has all senses on high alert as the music industry continues its never-ending transitioning, so the artist will always be aware of new opportunities to build their brand and strive for world domination. BraveWords will also have a focus on licensing film and TV content, both contemporary and retrospective across many genres. As artists and labels transition to the many new mediums available today for their work, BraveWords intends to stay ahead of the curve in providing and actively seeking opportunities for our roster of clients.
With the rapid spread of the world wide web, BraveWords.com was born in 2000 and quickly became the CNN of heavy metal. With its team of global writers and photographers, the site flourished with 24/7 updated news, features, reviews, audio and video steams.
For nearly 30 years, BraveWords wears their metal heart loudly on their sleeve, as they celebrate the greatest genre of music with the most dedicated and passionate fans on the planet!
http://bravewordsrecords.com
https://www.thestoreformusic.com/shop.php#!/Bravewords-Records/c/170260296
http://www.facebook.com/BravewordsRecords
http://www.instagram.com/BravewordsRecords
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http://bravewords.com
