The band comments: “The themes of the songs on EP are not the easiest to grasp, but they are extremely important! I have always wanted to write about my own experiences and the things happening around me, especially the negative things and mental struggles. It’s kind of therapeutic to get the words down on paper first and then shout these themes out as loud as I can, maybe that’s my way of dealing with difficult things.
The process itself was very exciting. We did the recordings ourselves for the first time and got the necessary equipment for it. It wasn’t the easiest way to do it, but we’re happy with the result. There is always room for improvement, and that drives us forward. We want to learn new things and get better at these things too. Most of the actual recording was done by our guitarist Joni, and we owe him a big thank you for his time, effort, and perseverance in the name of “creativity.”
Next, we will focus on gigging, as long as we are blessed with gigs, and on writing new songs. Our goal is to make a whole album, which we also intend to record ourselves. The schedule is not rushed, so don’t hold your breath just yet. Making the EP was a great process, we got what we wanted out of it and learned a lot through the process!“
Track list:
Shockwave
Vortex
Rise Above
Taste of Hatred
–Composed by Joni Kärsämä, Juho Mattila, Saku Hirvimäki, Sami Keränen –Lyrics by Ville Lehtoranta –Arranged by Krushor –EP cover by Joni Kärsämä
The band found its current identity through shared musical tastes, playing together, and a shared hobby. We are a group of people who enjoy making and playing music that works for all of us. A big part of this is that composing, writing lyrics, and editing songs is open to everyone. All songs and compositions are created by the whole group, not based on one person’s vision or goal.
Our influences definitely come from older metal, but that doesn’t matter, because mixing genres actually adds a lot to our music; there’s no one right way to do things. Krushor’s goal is to make music that sounds good and at the same time talk about the difficult things that are part of life. For many people, music can be therapeutic, and if even one person feels that way about our music, we feel we have succeeded.
Line-up: Ville Lehtoranta – Vocals Joni Kärsämä – Guitar Juho Mattila – Guitar Sami Keränen – Bass Saku Hirvimäki – Drums
Joe Bonamassa returns today with Vol. V of B.B. King’s Blues Summit 100, unveiling the final five songs to be released ahead of the full album’s arrival on February 6th. Out now via KTBA Records, this latest instalment completes the monthly rollout of the landmark centennial tribute, bringing together a powerful group of vocalists and musicians to honour the enduring legacy of B.B. King.
The release follows a wave of national attention for the project, including a recent CBS Mornings feature that explored Bonamassa’s personal history with King alongside the making of Blues Summit 100. Esquire featured the album in its list of the Most Anticipated Albums of 2026, alongside releases by The Rolling Stones, Lucinda Williams, Mumford & Sons, Lana Del Rey, Madonna, and more.
The new volume features “Three O’Clock Blues” feat. Marc Broussard & Josh Smith, “How Blue Can You Get” feat. Warren Haynes, “Ghetto Woman” feat. Ivan Neville, and “Never Make A Move Too Soon” feat. Dion and “When My Heart Beats Like A Hammer” feat. Dannielle De Andrea. Together, the tracks spotlight King’s unmatched vocal catalogue and emotional range, pairing timeless material with artists deeply connected to the spirit of the blues.
Leading the release is “Three O’Clock Blues,” B.B. King’s first ever single, reimagined here with Marc Broussard. “Marc is one of those dudes that can sing the phone book,” says producer Josh Smith. “When we tracked this song, I immediately thought he would kill it. It was BB’s first ever single and the original vocal is out of sight. It had to be a world class singer to pull it off!!!”
On “When My Heart Beats Like A Hammer,” Dannielle De Andrea delivers a commanding performance on one of King’s most demanding vocals. “Dannielle besides being a world class human is just a world class singer,” Smith says. “This is another amazing B.B. vocals that needed an amazing singer to do it justice. The band is crushing on this track as well.”
“How Blue Can You Get,” famously captured on Live at the Regal, finds Warren Haynes stepping into one of the most revered moments in King’s catalog. “This song and the Live at The Regal version is a pillar of B.B.’s catalog,” Smith explains. “We needed someone serious to pull it off and Warren is that guy. Warren is one of the most talented and one of the kindest artists in the business without a doubt. He was so excited to do this track, and it shows in the performance. A pure joy!!”
Ivan Neville brings emotional weight and restraint to “Ghetto Woman,” a song whose subject matter remains as resonant today as when King first recorded it. “Ivan Neville is a true master,” says Smith. “His vocal here on one of B.B. ‘s greatest songs it is so emotional. Again, the subject matter is so impactful that it requires someone who can really convey those emotions. It honestly may be my favorite track. The mix is incredible and Lemar’s drum track is amazing.”
The volume closes with “Never Make A Move Too Soon,” featuring Dion, whose lifelong connection to the blues shaped his approach to the song. “What more can be said about Dion? He’s a true legend,” Smith says. “He requested this as his all-time favorite B.B. song. It’s such a classic track with such a great vibe. Love the crowd noise and percussion and Joe’s solo and Marc Douthit’s sax solo are so great.”
Photo credit: TT News Agency – Alamy
Produced by Joe Bonamassa and Josh Smith, B.B. King’s Blues Summit 100 was created with the full support of the Estate of B.B. King and The B.B. King Music Company. The project brings together an intergenerational cast of artists, each invited to interpret a song that held personal meaning for them, resulting in a wide-ranging portrait of King’s influence across blues, rock, soul, and beyond.
Across its four volumes, the album features more than thirty guest artists, including Buddy Guy, Gary Clark Jr., Keb’ Mo’, Susan Tedeschi, Derek Trucks, Michael McDonald, Shemekia Copeland, Slash, Christone “Kingfish” Ingram, Marcus King, Larkin Poe, Joanne Shaw Taylor, Paul Rodgers, Aloe Blacc, and many others. The album’s title nods to King’s Grammy-winning 1993 release Blues Summit, reflecting the same collaborative spirit on an expanded scale.
The project is rooted in Bonamassa’s own history with B.B. King, who first invited him on tour when he was just 12 years old. That early mentorship left a lasting impression and shaped Bonamassa’s approach to both music and community.
While Vol. V completes the pre-release rollout, the full album will also feature previously unreleased recordings, including the highly anticipated collaboration on “The Thrill Is Gone” with Eric Clapton and Chaka Khan, along with additional tracks that have yet to be revealed. The 32-track album will be released digitally, as a double CD, and as a triple LP vinyl (180-gram) set on February 6th, 2026.
The release arrives as Bonamassa continues an active global touring schedule. His 2026 U.S. Spring Tour launches this February, followed by a major European run highlighted by two nights at London’s Royal Albert Hall. A newly announced U.S. Summer Tour will bring Bonamassa to amphitheaters nationwide, with select dates featuring Gov’t Mule, JJ Grey & Mofro, and D.K. Harrell. Full tour details and ticket information are available at jbonamassa.com/tour-dates.
B.B. King’s Blues Summit 100 – Full Tracklist
Disc 1: 1. Paying The Cost To Be The Boss feat. Christone “Kingfish” Ingram 2. Don’t Answer The Door feat. Marcus King 3. To Know You Is To Love You feat. Michael McDonald, Susan Tedeschi & Derek Trucks 4. Let The Good Times Roll feat. Kenny Wayne Shepherd & Noah Hunt 5. Sweet Little Angel feat. Buddy Guy 6. When It All Comes Down (I’ll Still Be Around) feat. Larry McCray 7. When Love Comes To Town feat. Slash, Shemekia Copeland & Myles Kennedy 8. The Thrill Is Gone feat. Chaka Kahn &Eric Clapton 9. Watch Yourself feat. Jimmie Vaughan 10. Why I Sing The Blues feat. Bobby Rush 11. Sweet Sixteen feat. Jimmy Hall & Larry Carlton 12. Don’t You Want A Man Like Me feat. Larkin Poe 13. I’ll Survive feat. Keb’ Mo’ 14. Heartbreaker feat. Trombone Shorty & Eric Gales 15. There Must Be A Better World Somewhere feat. George Benson 16. Chains And Things feat. Gary Clark Jr.
Disc 2: 1. How Blue Can You Get feat. Warren Haynes 2.. You Upset Me Baby feat. Chris Cain 3. Ghetto Woman feat. Ivan Neville 4. Night Life feat. Paul Rodgers 5. Ain’t Nobody Home feat. Jade MacRae & Robben Ford 6. Bad Case Of Love feat. Joanne Shaw Taylor 7. Never Make A Move Too Soon feat. Dion 8. Three O’Clock Blues feat. Marc Broussard 9. Think It Over feat. Train & Chris Buck 10. It’s My Own Fault feat. Kim Wilson 11. Every Day I Have The Blues feat. D.K. Harrell 12. Please Accept My Love feat. John Nemeth 13. So Excited feat. Aloe Blacc 14. When My Heart Beats Like A Hammer feat. Dannielle De Andrea 15. Playin’ With My Friends 16. Better Not Look Down feat. Kirk Fletcher
U.S. SPRING TOUR 2026 February 21 – South Bend, IN – The Morris Performing Arts Center February 23 – Cedar Rapids, IA – Paramount Theatre February 25 – Madison, WI – Overture Center for the Arts February 27 – Peoria, IL – Prairie Home Alliance Theater February 28 – Cincinnati, OH – Taft Theatre March 2 – Wilkes-Barre, PA – F.M. Kirby Center for the Performing Arts March 4 – Springfield, MA – Springfield Symphony Hall March 6 – Westbury, NY – Flagstar at Westbury Music Fair March 7 – Pittsburgh, PA – Benedum Center March 8 – Red Bank, NJ – Count Basie Center for the Arts March 10 – Reading, PA – Santander Performing Arts Center March 11 – Virginia Beach, VA – Sandler Center March 13 – Durham, NC – DPAC March 14 – Greenville, SC – Bon Secours Wellness Arena March 17 – Knoxville, TN – Knoxville Civic Auditorium March 19 – Huntsville, AL – VBC Mark C. Smith Concert Hall March 20 – Macon, GA – Atrium Health Amphitheater w/ special guest Christone “Kingfish” Ingram March 21 – Clearwater, FL – The BayCare Sound w/ special guest Christone “Kingfish” Ingram
March 25-29, 2026 – Miami, FL – Keeping The Blues Alive at Sea XI April 10-12, 2026 – Miramar Beach, FL – Sound Wave Beach Weekend
U.S. SUMMER TOUR 2026 June 26 – Bethel, NY – Bethel Woods Center for the Arts w/ special guest JJ Grey & Mofro & D.K. Harrell June 27 – Atlantic City, NJ – Ocean Casino Resort June 28 – Newark, NJ – New Jersey Performing Arts Center July 29 – Vienna, VA – Wolf Trap w/ Gov’t Mule July 31 – Bangor, ME – Maine Savings Amphitheater w/ Gov’t Mule August 1 – Gilford, NH – BankNH Pavilion w/ Gov’t Mule August 3 – Hyannis, MA – Cape Cod Melody Tent August 5 – Bridgeport, CT – Hartford HealthCare Amphitheater w/ special guest JJ Grey & Mofro August 7 – Selbyville, DE – Freeman Arts Pavilion August 8 – Baltimore, MD – Pier Six Pavilion w/ Gov’t Mule August 9 – Youngstown, OH – The Youngstown Foundation Amphitheatre w/ Gov’t Mule August 12 – Highland Park, IL – Ravinia Festival in Highland Park, IL August 14 – Interlochen, MI – Kresge Auditorium w/Gov’t Mule August 15 – Welch, MN – Treasure Island Resort & Casino w/ Gov’t Mule August 16 – Lincoln, NE – Pinewood Bowl Theater w/ Gov’t Mule August 19 – Cheyenne, WY – Cheyenne Civic Center August 21 – Salt Lake City, UT – Eccles Theater August 23 – Morrison, CO – Red Rocks Amphitheatre
ABOUT JOE BONAMASSA Blues-rock superstar Joe Bonamassa is one of the most celebrated performing musicians of today. As a five-time GRAMMY-nominated artist and 15x Blues Music Award Nominee (4-time winner), he achieved his 29th No.1 album on the Billboard Blues Chart with his highly acclaimed 17th studio album Breakthrough, which has been described as his most adventurous and genre-defying album to date. Only in his 40s, Bonamassa has become a living legend with an astounding multi-genre catalog. He has released more than 50 albums, including studio and live recordings, as well as collaborative albums with his adventurous side projects: Black Country Communion and Rock Candy Funk Party.
A prolific writer who is always on the hunt to expand his eclectic musical horizons, Bonamassa has a limitless work ethic, whether it’s in the studio, on the road, or working with other artists to spur new music. In recent years, he has produced an immense number of albums including Joanne Shaw Taylor, Marc Broussard, Larry McCray, Jimmy Hall, Robert Jon & The Wreck and others for his independent labels Journeyman Records and KTBA Records, and has also launched Journeyman LLC, a full-service artist management, record label, concert promotion, and marketing company that builds awareness for independent artists worldwide. Visit http://www.jbonamassa.com for more information.
The moment has finally arrived. Yesterday, January 9th, 2026, WALLS OF BABYLON officially released their new album “Aeons Apart”, marking a crucial turning point in the band’s career and opening a powerful, mature, and deeply ambitious new chapter in their musical journey.
After the devastating impact of “Fallen” (Wanikiya Record)—the album that established Walls of Babylon on the international metal scene thanks to its dark and visionary concept—the band returns with a work that is not merely an evolution, but a true artistic statement.
“AEONS APART”: A JOURNEY BEYOND TIME, BEYOND MAN Aeons Apart is an album that digs deep, both musically and conceptually. The title itself evokes temporal distances, inner fractures, eras that drift apart and collide. It tells the story of a fragmented humanity, suspended between memory, awareness, and loss—between what has been and what can never be again.
Musically, Walls of Babylon push their identity toward new horizons, maintaining a solid power progressive metal foundation while enriching it with:
more intricate structures
epic and dark atmospheres
modern, cinematic arrangements
even more mature and conscious songwriting
The result is a massive, dynamic, and immersive album, capable of shifting from sheer metal aggression to introspective, solemn passages charged with emotional tension.
A MATURE SOUND, A DEFINITIVE VISION If “Fallen” represented the collapse of humanity, “Aeons Apart” explores its consequences: isolation, distance, awareness, and the cyclical nature of time. Each track is a piece of a larger mosaic, designed to be experienced as a complete journey from beginning to end.
The production is modern, powerful, and detailed, enhancing every nuance:
sharp, monumental riffs
solid and precise rhythm sections
intense, expressive vocal lines filled with pathos
OVER TEN YEARS IN THE SCENE, STRONGER THAN EVER Formed at the end of 2013, Walls of Babylon have built a coherent and recognizable path over time, driven by dedication, research, and constant growth.
Their discography tells a clear and determined evolution:
2015 – The Dark Embrace: a dark and melodic debut laying the foundations of their style.
2018 – A Portrait Of Memories (Revalve Records): the first international step, with a more complex and structured sound.
2020 – Fallen (Wanikiya Record): the concept album that definitively established the band.
2026 – Aeons Apart (Wanikiya Record): full artistic maturity.
CURRENT LINE-UP Valerio Gaoni – Vocals Fabiano Pietrini – Guitar Francesco Pellegrini – Lead Guitar Matteo Carovana – Bass Marco Barbarossa – Drums
Wormholedeath is proud to welcome Malta’s rising alternative metal/rock trio, From Sheep To Wolves. The band, known for its unpredictable blend of heavy breakdowns and electronic beats, will unleash their ambitious new full-length album, “Ephemeris,” worldwide on February 27, 2026.
Formed in 2015 by founding members Carlo Cranmer and John Castiel, From Sheep To Wolves quickly transitioned from a production-driven project to an unavoidable live act thanks to overwhelming fan response. The band has since cultivated a sound that is as versatile as it is visceral, ensuring listeners “never know what to expect.” This unpredictable sonic approach is consistently grounded by a commitment to delivering a strong message fueled by heart and soul.
“Ephemeris”: A Musical Diary of Perseverance
The upcoming album, Ephemeris—a word meaning “journal”—is positioned as a deeply personal and immersive journey into self-discovery. Crafted with contributions from both current and former members, the album serves as a raw and honest look at navigating life’s most profound obstacles.
The lyrics are a direct reflection of personal experiences, documenting encounters and emotions faced during the writing process. Sonically and lyrically, the album moves through a complete spectrum of feelings, from struggle and pain to eventual growth and hope, ultimately documenting the relentless journey of striving for self-betterment. Ephemeris is a powerful musical diary that promises to resonate with anyone striving to persevere.
Tracklist
Ephemeris
The Climb
Rejection
Indifference
Submission
Electrify
Hollow
Acceptance
Reminiscent
Denial
To get a first taste of their world, revisit the band’s official video “Submission”:
Line up: Carlo Cranmer: Vocals & Guitars Julio Quintero: Drums Carl Cassar: Bass
Milwaukee Metal Festival 2026 is pleased to continue to announce another wave of bands to its already stacked lineup! In addition to previously announced headliners Acid Bath (Friday), Killswitch Engage (Saturday), and Ministry (Sunday), the festival now welcomes JOHN BUSH, who will be performing songs from his ANTHRAX era, ARMORED SAINT, WAKING THE CADAVER, 9 DEAD, CARDIAC ARREST, THE SUFFERING, GORED EMBRACE, LECHEROUS NOCTURNE,WEEKEND NACHOS, CASTRATOR, VISCERAL DISGORGE, DIRT, + THE CROSSES perform DIE KREUZEN to the lineup, with more still TBA! The festival will once again return to The Rave/Eagles Club from June 5 – 7, 2026, with the pre-party kicking off on June 4!
Co-organizer Jamey Jasta comments, “We’re absolutely thrilled to welcome a true pioneer in the genre & one of the best voices in metal. The one & only John Bush! Catch him Saturday, June 6 with Armored Saint & again Sunday, June 7, performing his Anthrax era songs. These are must see sets at MMF 2026!”
The current lineup and day splits can be found below with more bands still TBA!
Milwaukee Metal Fest 2026 will once again showcase a wide range of metal styles, including death metal, doom, hardcore, metalcore, thrash, industrial, and underground extremity, with performances spread across multiple stages throughout the venue. In addition to live music, the festival will feature a dedicated floor for merchandise and collectibles, giving fans access to exclusive band merch, vinyl, rare items, and more throughout the weekend.
The Metal Fest Pre-Party kicks off the weekend on Thursday, June 4, hosted by Jamey Jasta and friends + special guests TBA. Pre-Party tickets are free with the purchase of a three-day pass.
Three-day passes, two-day passes, single-day tickets, and a limited number of reserved seats are on sale now. For the full lineup, ticket options, and festival updates can be found at THIS LOCATION.
The current day splits are as follows with more TBA:
Friday, June 5:
Acid Bath Obituary Agalloch (Retrospective Set) Iron Reagan Pallbearer Hirax NunSlaughter Master Weekend Nachos Morta Skuld Polkadot Cadaver Dusk Jeffrey Nothing Cardiac Arrest Thanatotic Desire Eyes of the Living Misery DIRT +more TBA
Saturday, June 6:
Killswitch Engage Suicidal Tendencies Power Trip Agalloch (‘Ashes Against the Grain’ Set) After the Burial NAILS Armored Saint Havok Prong Weekend Nachos Internal Bleeding Macabre Belushi Speed Ball Sworn Enemy Castrator Casket Robbery Human Artifacts Brick by Brick Threnody The Suffering Striking 13 +more TBA
Sunday, June 7:
Ministry All Shall Perish Integrity UADA Cyco Miko Waking the Cadaver Deadguy Visceral Disgorge Incite 9 Dead Gored Embrace Lecherous Nocturne The Crosses performs Die Kreuzen Dead by Wednesday Texas Toast Chainsaw Massacre Trip to the Morgue Dark Horse Prophet +more TBA
Stay tuned for the next wave of bands – you don’t wanna miss this!
ABOUT MILWAUKEE METAL FEST
Founded in 1987, Milwaukee Metal Fest is one of the longest-running and most influential metal festivals in the United States, with a rich history of showcasing groundbreaking artists across the heavy music spectrum. After establishing itself as a cornerstone of American metal through the late 1980s and 1990s, the festival was revived in 2023 under the direction of Hatebreed frontman Jamey Jasta, ushering in a new era while honoring its legacy. Today, Milwaukee Metal Fest continues to unite fans and artists for an uncompromising celebration of metal across the iconic stages of The Rave/Eagles Club.
Florida death thrash metal outfit INTOXICATED will be unleashing their third full-length, ‘The Dome,’ on March 27, 2026 via Redefining Darkness! The band is now unleashing the vicious second single from the album, “Shifted Cross,” which can be found at THIS LOCATION,
Vocalist/guitarist Erik Payne comments, “‘Shifted Cross’ was written for the puppeteers. The ones that hide in the night, the manipulative cowards. It’s a reminder that we see them and to never get complacent. They as well can be pulverized where they snivelingly hide.”
INTOXICATED is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.
‘The Dome’ is now available for pre-orders in the USA HERE while it’s available for the rest of the world HERE.
The cover artwork for ‘The Dome’ was created by Celeste Payne and can be found below along with the tracklisting.
Drowning The Weak (02:22) Full running time: (00:27:15)
Intoxicated is a thrash/death metal band from Altamonte Springs, Florida, originally formed in 1993. Led by vocalist and guitarist Erik Payne, the band quickly carved out a place in Florida’s extreme metal lineage, earning early mentorship from Death’s legendary Chuck Schuldiner. Their first run produced a trio of EPs—.08 (1994), Scars (1995), and Metal Neck (1997)—before releasing their third EP, Drain.
Following their initial rise, Intoxicated went on hiatus as Payne, along with Obituary’s Donald Tardy and Ken Andrews, joined the touring lineup for Andrew W.K. in 1999, a role they held for nearly two decades while performing around the world.
The band reactivated in 2019, returning with the Walled EP (2020) and their long-awaited debut full-length, Watch You Burn (2022). The album showcased the band’s signature blend of ragged thrash aggression and Florida-bred death metal grit. Featuring guest appearances from Ken Andrews (Obituary, ex–Andrew W.K.) and Tony Foresta (Municipal Waste), and produced, mixed, and mastered by Ryan Boesch (Foo Fighters, Andrew W.K.) at Candor Recording—formerly Morbid Angel’s headquarters—Watch You Burn reaffirmed Intoxicated’s place among fans of classic Kreator, Death, Obituary, Protector, and Devastation.
Now, Intoxicated is preparing to unleash their second full-length album, The Dome, on Redefining Darkness Records.
Rooted firmly in Florida’s storied death-thrash tradition, Intoxicated’s sound draws natural comparisons to Death, Sadus, and Obituary— as marked by unrelenting speed, sharp riffing, and concise, high-impact songwriting.
Lineup: Erik Payne – Guitar/Vocals John Sutton – Guitar Shawn Clarson – Bass/Backing Vocals Colin Vaccaro – Drums
Album credits: Produced by Ryan Boesch and Erik Payne @ Candor Recording in Tampa Fl Recorded, mixed and mastered by Ryan Boesch
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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