Leading the charge of the “hyperrock” movement, Belgian art-rock visionary Jesus Cringe has officially released his latest single and cinematic companion piece, “Disastrology.” Arriving via Epictronic Records, the track serves as a profound meditation on the collapse of the terrestrial and the inevitable migration of the spirit into the void.
The title “DISASTROLOGY” is freely inspired by The Science of Sleep (Michel Gondry) and the hypnotic rhythm of Koyaanisqatsi. The track eschews traditional rock tropes. In a bold architectural move, Jesus Cringe replaces the standard guitar/bass foundation with the haunting interplay of violin and baritone saxophone, creating a soundscape that is as abrasive as it is orchestral.
The accompanying music video is a visual odyssey that mirrors the track’s philosophical weight. It follows a solitary protagonist witnessing the environmental and social collapse of Earth. In a final act of transcendence, the character escapes into the cosmos, where his physical form dissolves into stardust, a striking metaphor for the project’s recurring themes of human consciousness merging with the digital and spiritual infinite.
Since signing with Epictronic in early 2023, Jesus Cringe (the evolution of the acclaimed 22 for Silicon Alone) has garnered international praise from tastemakers including Prog Rock Journal, Metal Shock Finland, and Tinnitist. With “Disastrology,” the project further cements its reputation for delivering “hyperrock”, an immersive experience where avant-garde rock, sci-fi cinema, and sophisticated arrangements collide.
Driven by intense visual worlds and philosophical storytelling, Jesus Cringe is a Belgian cinematic art-rock project. Eschewing traditional rock lineups for violin and baritone saxophone, the project explores altered states of identity in a digitalized world. Following years of underground momentum, the project’s debut album serves as a vast narrative journey, earning airplay on Unsigned Radio UK, WTSQ FM, and Nu Rock Radio.
All-star heavy metal band DEATH DEALER and Massacre Records are deeply saddened to share difficult news concerning guitarist and founding member Ross “The Boss” Friedman.
The band has issued the following official statement:
“We are devastated by the news that our brother, Ross the Boss, has been diagnosed with ALS.
From the very first day this band came together, we have operated as more than musicians, we are a brotherhood. That bond, that loyalty, and that respect for one another will never change.
This diagnosis, however, inevitably changes the road ahead for Death Dealer in terms of new music and live performances. Ross is not someone who can be replaced, nor would we ever try.
His contribution to heavy metal is monumental, timeless, and deeply woven into the fabric of this genre. His legacy stands on its own and will continue to inspire generations.
Right now, our focus is not on stages or studios, but on standing beside our brother as he faces this battle with the strength and courage that has always defined him.
We ask the metal community to keep Ross in your thoughts and to honour him the way he has always honoured the music, with passion, loyalty, and heart.
We stand with Ross. Always.”
Massacre Records stands fully united with DEATH DEALER during this time. Ross “The Boss” Friedman is not only a legendary guitarist whose influence has shaped generations of heavy metal musicians worldwide, but also a respected artist whose dedication, integrity and passion embody the very spirit of the genre.
London-based alt-rock band Wildernesses have unveiled their latest single, ‘Summertime, 1917’, ahead of their debut album Growth, out 27th March via Floodlit Recordings.
The new single explores love and loss, telling the story of two male soldiers in World War One, seen through the eyes of a modern narrator who discovers their love letters while renovating a deceased loved ones house.
The accompanying video is quintessential Wildernesses DIY, directed and filmed by vocalist Phillip Morris and guitarist Sam Howe. Phillip explains: “I filmed around my home town over six months, often jumping out of the car when the light was right or fog drifted across a field. Filming over time allowed contrasts between spring and winter, light and dark, linking to the lyric: ‘The back end of May, blossom was falling and you slipped from the present tense’.”
Sam contributed drone footage from Sussex during walks with his dogs, Mikey and Spud, adding a triumphant lift to the final chorus.
Vocalist Phillip Morris comments on the new single:“I based the lyrics on a poem I wrote the year after my mum died of Motor Neurone Disease (MND). I wanted to explore the conflicting feelings I had at that time, the process of acceptance, finding reasons that everything would be OK, even as death is final. Caring for her was a privilege that allowed me to know her more deeply but I also witnessed the cruel loss of movement that ended in her death.
“I never renovated her house but the imagery of reworking a space appealed to me. The song’s lyrics aimed to reflect on social issues in a literary way, rather than an overtly political way. We all know war is bad; my aim was to zoom in on two singular stories across time and make the listener feel them, rather than just consider a message.
“At the time of writing it I was working as a social worker at a hospice in Hull and wanted to capture the joy and pain of speaking with elderly patients. Ageism often goes unspoken and older generations have lived experiences that younger people can only imagine. I wanted to highlight the privilege of uncovering hidden stories that are real and untold.
“Musically, Wildernesses aim to bridge post-rock and pop structures. The second half of the track evolves into a repeated motif that serves as the narrator’s self-reflective mantra and hook, opening up as he finishes reading the letters and processes his emotions.”
‘Summertime, 1917’ is the fourth single to be taken from the band’s forthcoming debut album, Growth. Previous singles ‘Four Hour Drive‘, ‘English Darkness‘ and ‘Maintenance‘ have drawn widespread critical acclaim for their cinematic scope and understated intensity, establishing Wildernesses’ defining balance of haze and melody. ‘Four Hour Drive’ offered a tender reflection on family, lineage and inherited memory, inspired by a 1957 photograph of Morris’s father and grandfather, while ‘English Darkness’ confronted mental health with brooding urgency, its stark visuals filmed on Hull’s Sunk Island flats under the direction of Stewart Baxter, know for his previous work with bands such as IDLES. ‘Maintenenace’ explored the quiet, obsessive routines that structure daily life, blending introspective lyricism with swelling, atmospheric instrumentation. With ‘Summertime, 1917’, Wildernesses continue to expand their folk tales, marrying historical reflection with intensely personal storytelling.
Emerging as modern day narrators cloaked in atmospheric alt-rock, Wildernesses conjure emotive landscapes that feel at once expansive and deeply human. Their music occupies liminal territory, between memory and imagination, heaviness and tenderness, despair and quiet hope, offering cinematic soundscapes that linger long after the final notes fade.
Formed almost by accident and featuring members of bands such as Late Night Fiction, Earth Moves and We Never Learned To Live, Wildernesses bring together Phillip Morris (vocals, guitar), Ryan Browne (drums), Mark Portnoi (bass) and Sam Howe (guitar), each carrying their own “wilderness” of lived experience, Hull and Humber riverside grit, East London streets, West Sussex roots, woven into a singular sonic and narrative tapestry. At the heart of the band, Morris’s lyrics act as modern folk tales, shaped by his work as a mental health professional, shaped by loss and survival and the understated strength found in ordinary lives.
With a sound that draws from the wide-eyed ambience of Explosions in the Sky, the fragile intensity of Bon Iver, the brooding restraint of The National, the dreamlike haze of Slowdive and the narrative urgency of La Dispute. Their name reflects the terrains they explore, interior wildernesses of memory, grief and reflection, wild, unkempt, sometimes bleak yet undeniably beautiful.
Growth spans nine tracks, seven lyrical, two instrumental, each a chapter in a story cycle that charts the human experience: insomnia, solitary escapism, forbidden desire, family heritage and hidden histories unearthed from the past. Recorded at No Studio in Manchester with producer Joe Clayton (Conjurer, Mastiff, Bossk), the album balances sweeping, cinematic textures with meticulously crafted, intimate detail. From shimmering post-rock crescendos to hushed, reflective passages, Growth captures the layered complexity and haunting nuance that defines Wildernesses’ sound.
Commenting on the album, Phillip adds: “Growth is the result of over two years of writing, refining and learning together as a band. The title reflects both life’s way of shaping us and our own journey as a group, with a playful nod to my obsession with houseplants, the cover photo of them in my bath tied the themes of growth, texture and everyday life together. We’d never met before this project and now we’re close friends, having navigated highs, lows and the intense process of making a record that truly captures what we intended. Recorded with Joe Clayton at NO Studio in Manchester, the sessions were incredible; his calm, thoughtful approach helped shape the album’s sound and feel. Thematically, Growth aims to be real and emotive, joyful and morose all at once. It’s a huge milestone for us, and we can’t wait for people to hear it, feel the vinyl in their hands and connect with the stories in the tracks.”
In a world that moves relentlessly forward, Wildernesses invite listeners to pause, breathe and step into the slow orbit of memory, into modern folk tales told through guitars, voices and textures that are at once personal and universal and where loss, tenderness, and quiet endurance coexist in equal measure.
To mark the release of Growth, Wildernesses will carry these songs from the studio into live rooms across the country, touring throughout March. Each performance offers a shared moment as the album’s quiet pull and gradual release are brought to life in real time. Live dates are listed below.
Catch Wildernesses live:
Mar 18 – Hull @ Divehu5 Mar 19 – Leeds @ Opporto Mar 20 – Nottingham @ JT Soar Mar 21 – Manchester @ Old Pint Pot Mar 22 – Birmingham @ Dead Wax Mar 24 – Bristol @ Exchange Mar 25 – Cardiff @ Fuel Mar 26 – Brighton @ Rossi Mar 27 – London @ Folklore (album release show) Apr 9 – Brighton @ East Street Tap Aug 21- Arctangent Festival
WILDERNESSES are:
Phillip Morris – vocals, guitar Sam Howe – guitar Mark Portnoi – bass Ryan Browne – drums
Mighty knights and acolytes, rejoice! Symphonic power metal masters TWILIGHT FORCE have signed a worldwide record deal with Austrian rock and metal powerhouse Napalm Records. This alliance, forged in mutual admiration, marks a thrilling new chapter in the band’s history. To celebrate this collaboration, the Swedish outfit unveils their new single, “Magic of a New Dawn”, paving the way for everything to come.
On this day of magical mirth, TWILIGHT FORCE delivers a triumphant, sparkling tale of bright horizons, renewed hope, and daring adventures. “Magic of a New Dawn” offers an intense, immersive experience, transporting listeners to a fantastical realm filled with wonder and heroic tales from a mythical world — heating up anticipation for the next full-length studio album!
TWILIGHT FORCE on the signing: “Brave knights, rejoice and revel! A new dawn is upon us! TWILIGHT FORCE is proud and elated to announce that a new and mighty covenant has been sealed! Together with the indomitable Napalm Records, we shall brave new quests and journey into a bright and exhilarating tomorrow!”
Sebastian Muench (Napalm Records Senior A&R) adds: “Napalm Records is thrilled to officially welcome TWILIGHT FORCE to the label roster! Known for their epic symphonic power metal, rich fantasy worlds, and unique adventure metal style, TWILIGHT FORCE have captured the hearts of metal fans around the globe. We’re excited to work together to bring their heroic sound and legendary stories to an even bigger audience.”
Embark on heroic adventures and watch the lyric video for “Magic of a New Dawn”:
Blackwald comments on “Magic of a New Dawn”: “Life is like a magic tome; filled with mystery, marvels, wisdom, and unforeseen events. Trials and tribulations sometimes appear when least expected, but whenever gloom and hardships arise in your path; remember that there is always hope and magic. Follow your destiny with persistence, steadfastness, and courage. The prophecies shall guide you to glory, and the Power of the Ancient Force will be with you, always!”
TWILIGHT FORCE Live 2026:
23.02.26 SE – Gothenburg / Valand (w/ VISIONS OF ATLANTIS) 24.02.26 DK – Copenhagen / Hotel Cecil (w/ VISIONS OF ATLANTIS) 11.04.26 DK – Roskilde / Epic Fest 05.06.-06.06.26 US – Madison, WI / Mad With Power 19-21.06.26 PL – Poznán / Pyrkon
Mostly Canadian Tour 2026 w/ ALESTORM & Greyhawk 17.05.26 US – Columbus, OH / Sonic Temple 19.05.26 CA – Montreal, QC / Place Bell 22.05.26 CA – Toronto, ON / Rebel 23.05.26 CA – Sudbury, ON / The Grand 25.05.26 CA – Thunder Bay, ON / NV Music Hall 26.05.26 CA – Winnipeg, MB / Burton Cummings Theatre 28.05.26 CA – Edmonton, AB / Midway Music Hall 29.05.26 CA – Calgary, AB / MacEwan Hall 31.05.26 CA – Vancouver, BC / Commodore Ballroom
About TWILIGHT FORCE: TWILIGHT FORCE has become both a staple and a guiding light in symphonic power metal; revitalizing the genre and pushing it to new, cinematic heights with their signature blend of fantasy storytelling and virtuosic performances. The legend of TWILIGHT FORCE began to form in the year 2007 of the Human Era. It was the result of a yearning to bring back the golden age of epic symphonic power metal. But TWILIGHT FORCE soon became an entity of its own, evolving and elevating the genre to new heights and sounds. By fusing majestic and memorable melodies with rich orchestral arrangements and swift performances, TWILIGHT FORCE creates an intense and immersive experience, transporting the listener to a magic realm filled with wonder, heroic tales, and mesmerising tales from the mythical world known as The Twilight Kingdoms.
Mere days before the release of Forest Of Forgetting, EYE OF MELIAN shares another glimpse into the new album. “Dawn of Avatars” features Troy Donockley of symphonic metal frontrunners Nightwish on flute and uilleann pipes, as well as hurdy-gurdy enchantress Patty Gurdy, both of them enriching the project that is the brainchild of Martijn Westerholt of DELAIN, fronted by Finnish vocalist Johanna Kurkela (Auri, Tuomas Holopainen).
Inspired by the works of J. R. R. Tolkien, EYE OF MELIAN weaves an ethereal tapestry of melody and emotion through lush, movie score-like sound, conjuring vivid, otherworldly storyscapes in the listener’s mind—symphonic masterpiece “Dawn of Avatars” is no exception. The accompanying album, Forest Of Forgetting, will be out this coming Friday, February 20, 2026 via Napalm Records.
Johanna Kurkela about “Dawn of Avatars”: “‘Dawn of Avatars’ is one of my favorite songs, on an album full of my favorite songs! Enhanced by the enchanting magic of Patty Gurdy and Troy Donockley.”
EYE OF MELIAN open the gates to a different world with their new album Forest Of Forgetting, out February 20, 2026 via Napalm Records. Named after a powerful primordial singing spirit from the world of J. R. R. Tolkien, EYE OF MELIAN draws inspiration from the master of fantasy and expands on his ethereal concept. Created by Delain’s Martijn Westerholt and featuring Auri’s Johanna Kurkela as a lead vocalist, EYE OF MELIAN’s Forest Of Forgetting is a masterclass in symphonic songwriting so whimsical the real world fades away.
With this opulent album, EYE OF MELIAN extends an invitation to faraway lands full of wonder. Forest Of Forgetting unfolds as quite the opposite of its title: utterly unforgettable.
Martijn Westerholt about Forest Of Forgetting: “This album has been a really inspiring process – both for me as a songwriter and in what each of us brought to it. It has a lot of what EYE OF MELIAN is known for: cinematic, score-like arrangements, minor chords, and those epic, mysterious atmospheres. The lyrics tie everything together; they bring out the worlds and stories that the music hints at and make the whole thing feel complete. The collaboration between us on this record felt very natural. We’ve really found our way of working as a team, and I’m proud of what we created together.”
Completing the all-star lineup on their debut with Napalm Records are orchestral arranger Mikko P. Mustonen and backing vocalist and lyricist Robin La Joy, blessing twelve lush compositions with immortal life. Mesmerizing from the first gentle notes of opening track “Of Willows And Shadows”, Forest Of Forgetting weaves otherworldly piano melodies and epic strings around angelic vocals worthy of the powerful Valar themselves. “Child Of Twilight” deepens EYE OF MELIAN’s dreamy and bombastic Hollywood movie score approach, carefully building up an exceptionally enchanting atmosphere that carries on into the equally cinematic “Blackthorn Winter”, ever so elegantly broadening the view into the alluring realms the band is melodizing. “Dawn Of Avatars” features Nightwish multi-instrumentalist Troy Donockley on flute and uilleann pipes, as well as hurdy-gurdy songstress Patty Gurdy, before EYE OF MELIAN turns in the direction of heavy metal with a charming rendition of Bruce Dickinson’s anthem “Tears Of The Dragon” (originally released on Balls To Picasso in 1994 after the singer had left Iron Maiden). Forest Of Forgetting also comes with all its tracks as instrumental versions to dwell in the impressive orchestrals alone.
Forest Of Forgetting tracklisting:
Of Willows and Shadows
Symphonia Arcana
Child of Twilight
Elixir of Night (feat. Patty Gurdy and Troy Donockley)
Blackthorn Winter
Lady of Light
Dawn of Avatars (feat. Patty Gurdy and Troy Donockley)
Forest of Forgetting
The Buried Well
The Mirror
Nepenthe
Tears of the Dragon (Bruce Dickinson Cover)
EYE OF MELIAN Live 2026
20.02.26 NL – Zwolle / Hedon – Album Release Show
Forest Of Forgetting Over Finland 10.03.26 FI – Kitee / Kiteesali 12.03.26 FI – Espoo / Sellosali 13.03.26 FI – Kouvola / Pato-klubi 18.03.26 FI – Rovaniemi / Korundi 19.03.26 FI – Kuusamo / Kuusamo-talo 20.03.26 FI – Oulu / Kaupunginteatteri 21.03.26 FI – Raahe / Raahesali 24.03.26 FI – Helsinki / Aleksanterin Teatteri 26.03.26 FI – Turku / Turun Linnan Kuninkaansali 27.03.26 FI – Kuopio / Maxim 28.03.26 FI – Tampere / Tuulensuun Palatsi
EYE OF MELIAN are: Martijn Westerholt – Keys and Orchestra arrangements Johanna Kurkela – Vocals and Violin Robin La Joy – Backing Vocals Mikko P Mustonen – Keys and Orchestra arrangements
Atmospheric black metal outfit SOTABOSC has announced their debut full-length album “El Batec dels Maquis”, set for release on April 17 via Dunk!Records. To mark the occasion, the band has unveiled their first single and 17-minute monolith “El Batec dels Maquis / Records vius en la foscor”, offering a raw, intense first glimpse of what’s to come.
Listen to “El Batec dels Maquis / Records vius en la foscor” below andStream it HERE
SOTABOSC was founded in 2023 in Barcelona by Oscar Linares and Manel Song, known for their work in Syberia, together with Xavi Forné, creator of the dark-folk project Ulmus and founder of Error! Design. In 2025, the project solidified with the addition of David Rodríguez on vocals and Gerard Serrano on bass, completing a lineup deeply connected to the Catalan underground scene.
Firmly rooted in an anti-fascist ethos, SOTABOSC conveys its message through lyrics sung entirely in Catalan and a carefully crafted visual identity, including artwork, logos, stage aesthetics and graphic materials. Their artistic and political discourse form a coherent whole that is integral to the project.
Tracklist:
01. Nerthus 02. Heimdall 03. Freyja 04. El batec dels Maquis / Records vius en la foscor
The band’s debut album unfolds in two complementary sections. The first reimagines three compositions from Ulmus, originally instrumental and written for acoustic instruments, now transformed into a sound shaped by atmospheric black metal with strong post-rock influences. The new lyrics focus on animals, forests and the natural environment, forming a narrative arc that connects with the second half of the album.
The second part consists of a single track exceeding 15 minutes, where SOTABOSC expresses its purest musical identity: raw black metal roots, expansive instrumental passages and experimental structures inspired by post-rock. The vocals – harsh and evocative – pay tribute to the Maquis and their anti-Francoist resistance in Catalonia during and after the Civil War.
With this debut, SOTABOSC establishes a project in which identity, narrative intent and sonic depth merge into an artistic statement that is both musical and political.
“El Batec dels Maquis” was recorded, mixed and mastered at Siete Barbas Studio in Barcelona by Daniel Gil, with layout design handled by Error! Design and symbology created by Woodcvtter Illustration.
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video