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UNFAITHFULL to Release New Album “Architextures” on October 17th

Posted by tarjavirmakari on September 19, 2024
Posted in: News. Tagged: UNFAITHFULL. Leave a comment

Wanikiya Record is thrilled to announce the addition of Unfaithfull, one of Italy’s leading Industrial-Core metal bands, to its roster. This collaboration kicks off with the highly anticipated release of their new album, “Architextures”, on October 17, 2024.

The album, featuring 7 powerful tracks filled with dynamic soundscapes, marks yet another evolution in the band’s musical journey. Blending the crushing death metal of the ’90s with the cold and captivating atmosphere of post-industrial electronic music, “Architextures” offers an explosive fusion of styles ranging from industrial metal to metalcore, groove metal, djent, and death metal. The result is a visceral and immersive sonic experience, with no room for compromise.

Active since 2007, Unfaithfull have firmly established themselves in the metal scene with their distinctive style and fearless experimentation. They have already earned significant accolades, including the “Self Release of the Month” award from Rock Hard Italy for their third album, “AEON”, in 2020, and the “Best EP” award from European Metal Channel in 2015.

With “Architextures”, Unfaithfull aims to further cement their position on the global metal scene, offering innovative and raw sounds that break boundaries. Some of the band’s key members have played with Dark Lunacy, and the members include Drew (guitar, bass, drums, synth, and sound engineer) and Drake (vocals and lyricist).

Don’t miss the release of “Architextures”, available on all major digital platforms starting October 17, 2024, through Wanikiya Record

More information at https://www.facebook.com/unfaithfullindustries

CHARLOTTE WESSELS Joined by Alissa White-Gluz for New Single + Video ‘Ode To The West Wind’

Posted by tarjavirmakari on September 18, 2024
Posted in: News. Tagged: Charlotte Wessels. Leave a comment
[Photo credit: video still Ode to The Westwind by VideoInk]

Today, Dutch singer-songwriter CHARLOTTE WESSELS embarks on a dark and heavy journey as she unveils the latest single from her upcoming solo album, The Obsession, out this Friday, September 20, 2024 via Napalm Records! The new track entitled “Ode To The West Wind“ features powerhouse vocals by Alissa White-Gluz from Arch Enemy, as this collaborative masterpiece mixes Charlotte’s enchanting style with Alissa’s strong presence.

After chart-breaking success and ruling stages worldwide with DELAIN, Wessels takes her solo career to the next level with her first traditional full-length, full-band solo album. Having already gained a devoted following with her previous solo offerings, The Obsession is sure to impress fans and critics alike. The multifaceted record marks an exciting and touching listening experience and, together with its honest storytelling, it acts as Wessels’ most mature solo offering so far.

CHARLOTTE WESSELS on  “Ode To The West Wind”:      
“I’m thrilled to present the fifth single from The Obsession – and my fifth collaboration with the incomparable Alissa White-Gluz. Many of our songs together are inspired by or based on classic poetry, and ‘Ode to the West Wind’, drawn from Percy Shelley’s poem of the same name, is the latest addition to this thematic journey. Shelley’s poem reflects his admiration for the untamable force of nature and his thoughts on his own legacy. For the music video, we explored humanity’s impact on the natural world (spoiler: it’s not pretty) by reimagining iconic artworks like Caspar David Friedrich’s Wanderer Above the Sea of Fog and Raphael’s cherubs from the Sistine Madonna, only this time suffused with pollution, wings made of trash, and covered in toxic waste.

I’m incredibly excited about how this song has evolved through my collaboration with the band and Alissa, I can’t wait to unleash this wall of sound at our upcoming shows, and of course I can’t wait for you to experience this song in the full context of The Obsession – out in just a few days!”

While still writing and producing the first incarnations of her songs in her Six Feet Under basement home studio and sharing them with patrons, now CHARLOTTE WESSELS is taking the songs from her new album The Obsession to the next level with a band of her fellow ex-DELAIN cohorts Timo Somers (guitars, additional arrangements), Otto Schimmelpenninck van der Oije (bass) and Joey Marin de Boer (drums) as well as Sophia Vernikov (piano/hammond), contributing to the new heavier sound. The album also features arrangements by Vikram Shankar (Silent Skies, Pain of Salvation), cello by Elianne Anemaat, was mixed by Guido Aalbers (Muse, Coldplay, The Gathering) and mastered by Andy VanDette (Porcupine Tree, VOLA, Dream Theater).             

CHARLOTTE WESSELS about the new album:    
“On the one hand, this album tells a very personal story – through its unintended theme of fear, obsessive thoughts and the escapes from them – and at the same time it represents the joy of finding the song’s true forms with everyone involved in the making of this record. That’s why I chose The Obsession as a title. It refers to my personal challenges with OCD that inspired many of the songs – but I’ve also started referring to the band as The Obsession – because there were moments in the studio with them that truly reminded me of why I’m obsessed with making music in the first place.”

Pre-Order Your Copy of The Obsession NOW

With thousands of monthly listeners on Spotify and a loyal fan base on Patreon, Charlotte Wessels has already made a mark with her earlier solo endeavors, Tales From Six Feet Under (2021) and Tales From Six Feet Under Vol II (2022). Now, she is taking her career to the next level with The Obsession. These compilations showcased her ability to blend various musical styles and deeply personal lyrics, earning her widespread acclaim. The Obsession is expected to build on this foundation, offering fans an even more immersive and powerful musical experience.                      

Songs like “The Exorcism”, “The Crying Room” and“Ode To The West Wind” (feat. Alissa White-Gluz/Arch Enemy) lead into darker spheres, whilst a track like “Dopamine” (feat. Simone Simons/Epica) shows a rather optimistic approach. It deals with SSRI-induced numbness, or “Praise” – which sings the gospel of needing external validation in order to feel anything. The reimagining of fan-favorite “Soft Revolution” won’t leave a dry eye in the room, while “Soulstice” and “Serpentine” present an unprecedented dark sensuality. Each song itself functions like an exorcism, an attempt to cast out a little of the fear it deals with.          

CHARLOTTE WESSELS about the guests:             
“I’m extremely grateful and proud to add Simone Simons and Alissa White-Gluz to the line-up of this album. They are creative powerhouses that I have so much love and respect for. Whenever we get to work together is an absolute treat and they really elevated the songs with their performances.”

The Obsession Tracklist:             
1.   Chasing Sunsets
2.   Dopamine
3.   The Exorcism
4.   Soulstice
5.   The Crying Room
6.   Ode To The West Wind
7.   Serpentine
8.   Praise
9.   All You Are
10. Vigor And Valor
11. Breathe;
12. Soft Revolution (2024)

CHARLOTTE WESSELS LIVE 2024/25
 
Supported by her former Delain bandmates, CHARLOTTE WESSELS is set to bring The Obsession to the stage this year. The journey begins with a release show on October 4, 2024 at Utrecht’s TivoliVredenburg, followed by a special guest appearance with label mates Kamelot and Ad Infinitum in Drachten on October 11, 2024. After these shows, Wessels will join VOLA on their Friend of Phantom EU Tour 2024, kicking off on November 1. 

Festivals 2024
04.10.24 NL – Utrecht / TivoliVredenburg – Ronda (Album Release Show)
11.10.24 NL – Drachten / Poppoadium Iduna (with Kamelot & Ad Infinitum)
 
Festivals 2025
27.-09.07.25 FI – Helsinki / Tuska
06.-09.08.25 ES – Villena / Leyendas del Rock
14.-16.08.25 CZ – Moravský Krumlov / Rock Castle
15.-17.08.25 NL – Eindhoven / Dynamo Metal Fest
More to come…
 
Friend of a Phantom EU Tour 2024
Supporting VOLA
01.11.24 DK – Århus / Voxhall
02.11.24 SE – Gothenburg / Pustervik
03.11.24 NO – Oslo / Vulkan Arena
08.11.24 SE – Stockholm / Fryshuset Klubben
10.11.24 DE – Berlin / Columbia Theater
11.11.24 PL – Krakow / Hype Park
13.11.24 CZ – Prague / Meetfactory
14.11.24 AT – Vienna / Flex
15.11.24 DE – Munich / Backstage Halle
16.11.24 CH – Zurich / Komplex
17.11.24 IT – Milan / Live Club
19.11.24 DE – Cologne / Kantine
21.11.24 FR – Paris / Petit Bain
22.11.24 UK – London / Heaven
23.11.24 UK – Nottingham / Rescue Rooms
24.11.24 UK – Glasgow / G2
25.11.24 UK – Manchester / Club Academy
26.11.24 UK – Bristol / SWX
27.11.24 LU – Esch-Sur-Alzette / Rockhal
28.11.24 NL – Eindhoven / Effenaar
29.11.24 DE – Hamburg / Markthalle

CHARLOTTE WESSELS online:
WEBSITE
YOUTUBE
FACEBOOK
INSTAGRAM
TIKTOK
X
NAPALM RECORDS

TREMONTI Release Cinematic Music Video for Album Opener ‘The Mother, The Earth And I’

Posted by tarjavirmakari on September 18, 2024
Posted in: News. Tagged: Tremonti. Leave a comment
[Photo Credit: Chuck Brueckmann]

As the Creed Summer of ’99 tour continues to play to sold out audiences across North America and anticipation grows towards the release of The End Will Show Us How, world-renowned guitarist/vocalist/songwriter Mark Tremonti is back with another song from his solo band, TREMONTI and their upcoming sixth studio album. “The Mother, The Earth and I” is a personal favorite of Mark’s and the song sets the tone for what fans can expect from the rest of the album. The song talks about the connection that all people have to the planet Earth regardless of personal differences. The song is now available via all digital service providers. The visually captivating music video depicts the message of the song with cinematic visuals created by director J.T. Ibanez (Sevendust, Hawthorne Heights, Loveless).

Mark Tremonti explains about the message of the song:
“Throughout mankind, everyone has fought over things like power, religion, and their beliefs. One side believes it’s right and everyone else is wrong. No matter what you believe in though, we all belong to the earth. You can always fall back on its beauty.”

With a musical catalog that includes 18 previously released full length albums from his work with Creed, Alter Bridge and various solo endeavors, the new album entitled The End Will Show Us How is scheduled for global release on January 10, 2025 via longtime partner, Napalm Records. Mark Tremonti is back with a collection of 12 original compositions that continues his musical evolution while showcasing his ability to write memorable songs – something he has done for nearly three decades. Mark is backed in TREMONTI by Eric Friedman (guitars), Tanner Keegan (bass) and Ryan Bennett (drums).

Tremonti’s musicianship and songwriting is on full display on each song on The End Will Show Us How. Tracks like the opener “The Mother, The Earth and I,” the thought provoking “It’s Not Over” and the epic closer “All The Wicked Things” show that Mark continues to create compositions that continue to engage audiences comprised of both old and new fans alike. “Nails” is a musical idea that Mark has had for years and finally found the inspiration to complete. “Tomorrow We Will Fail” is an inspirational piece that talks about not putting off until tomorrow something you can conquer today. “Now That I’ve Made It” is a message for anyone who has ever had anyone doubt them and try to hold them back from following their dreams. The debut single “Just Too Much” is currently in the Top 40 at Active Rock radio and moving up the charts with a bullet. An official music video for the single, directed by J.T. Ibanez (Sevendust), can be seen HERE.

The End Will Show Us How was produced by longtime friend and collaborator Michael “Elvis” Baskette – the producer Mark has worked with exclusively since 2007.

Pre-Order The End Will Show Us How HERE

The End Will Show Us How tracklisting:1. The Mother, The Earth and I
2. One More Time
3. Just Too Much
4. Nails
5. It’s Not Over
6. The End Will Show Us How
7. Tomorrow We Will Fail
8. I’ll Take My Chances
9. The Bottom 
10. Live In Fear
11. Now That I’ve Made It
12. All The Wicked Things

Mark Tremonti is currently on tour across the United States with the recently reunited Creed.  Tremonti  will tour around the globe in support of The End Will Show Us How in 2025. Dates for Europe are recently announced and more information on additional tour dates will be available in the near future. Go to MarkTremonti.com for more details.

The End Will Show Us How Tour 2025
14.01.25 DE – Hamburg / Gruenspan
16.01.25 SE – Stockholm / Debaser
17.01.25 NO – Oslo / John Dee
19.01.25 DK – Copenhagen / Lille Vega
20.01.25 DE – Berlin / Columbia Theater
21.01.25 CZ – Prague / Palac Akropolis
23.01.25 PL – Krakow / Hype Park
25.01.25 CH – Zurich / Komplex 457
27.01.25 IT – Milan / Magazzini Generali
28.01.25 AT – Vienna / Szene
30.01.25 DE – Munich / Technikum
31.01.25 DE – Frankfurt / Zoom
01.02.25 DE – Cologne / Kantine
02.02.25 NL – Amsterdam / Melkweg
03.02.25 NL – Tilburg / O13
05.02.25 UK – Bristol / Academy
06.02.25 SC – Glasgow / SWG3 Galvanizers
07.02.25 NI – Belfast / Limelight 1
09.02.25 IE – Dublin / Academy
11.02.25 UK – Birmingham / Institute 1
13.02.25 UK – Manchester / O2 Ritz
14.02.25 UK – London / O2 Kentish Town Forum
16.02.25 FR – Paris / Alhambra

About TREMONTI: 
After three decades, 18 full-length albums, and thousands of shows, Mark Tremonti continues to relentlessly push himself as a guitarist, a vocalist, and a songwriter, above all. This unstoppable drive has underscored his catalog earmarked by a GRAMMY® Award, cumulative streams in the billions, and total sales of 60 million units worldwide across his inexhaustible output with Creed, Alter Bridge, and solo band TREMONTI. Distinguished as Guitar World’s “Guitarist of the Decade,” selected as a flagship PRS endorsee, and celebrated on the covers of numerous publications worldwide, he approaches the guitar with an insatiable curiosity and innate need to create. At the same time, he constantly stretches his voice, reaching new heights with each subsequent project. 

His voice, writing, and playing have supercharged Tremonti as a force in its own right. The band has delivered a string of celebrated releases, including All I Was [2012], Cauterize [2015], Dust [2016], A Dying Machine [2019] accompanied by an acclaimed novel of the same name co-written by Mark with John Shirley, and Marching In Time [2021]. Earning acclaim, KERRANG! hailed the latter as “another worthy chapter in its creator’s well-populated book,” and American Songwriter praised how “Marching In Time is structured around denser melodies and reflective epistles prodding around chunkier riffs.” Loudwire applauded the title track as “hypnotically epic,” and Guitar World readers voted “Now and Forever” as “The Best Riff of 2021.” Now, he levels up all around on his 19th overall LP and sixth TREMONTI full-length, The End Will Show Us How [Napalm Records]. 

With muscular grooves, evocative solos, heart-pumping riffs, and seismic melodic vocals, The End Will Show Us How is a testament to Tremonti’s legacy of ceaseless creativity and a triumph for him.

TREMONTI online:
WEBSITE
FACEBOOK
X
INSTAGRAM

R.E.M. Launch ‘We Are Hope Despite The Times’ Digital Compilation

Posted by tarjavirmakari on September 18, 2024
Posted in: News. Tagged: R.E.M.. Leave a comment
Photo by Chris Bilheimer

To coincide with National Voter Registration Day, Constitution Day, and Citizenship Day, R.E.M. has today released We Are Hope Despite The Times, a digital compilation of songs aimed at encouraging their listeners to stay informed, engaged, and vote during this critical election season. The playlist brings together tracks from the band’s catalog that resonate with themes of activism and social responsibility. Fans can listen on their preferred music platform here.

The compilation title, We Are Hope Despite The Times, is drawn from the lyric, “We are young despite the years / We are concern, we are hope despite the times” from the band’s song “These Days” (from R.E.M.’s 1986 studio album, Lifes Rich Pageant). The collection features 18 politically provoking songs including “Welcome to the Occupation,” “Swan Swan H,” “Fall on Me,” “World Leader Pretend,” and “Its the End of the World As We Know It (And I Feel Fine).

Throughout their career, R.E.M. has been a vocal advocate for civic engagement, using their platform to promote voter participation and social responsibility. In the early 1990s, they were one of the first bands to partner with Rock the Vote, playing a significant role in increasing youth voter turnout for the 1992 presidential election. Beyond Rock the Vote, R.E.M. has supported voter rights and democracy globally, performing at benefit concerts like the Vote for Change Tour and addressing political causes through their music, from war and environmental justice to human rights. Their commitment to these issues was also evident at the 1991 MTV VMAs, when the band used their acceptance speech for Best Video (“Losing My Religion”) to draw attention to causes like gun control, choice rights, voting rights, and alternative energy sources—issues that remain relevant today.

With We Are Hope Despite The Times, the band continues to encourage participation in the democratic process, urging fans to register to vote, make their voices heard, and play an active role in shaping the future. Fans can get more information on deadlines, register to vote, or update their registration by visiting vote.gov or headcount.org.

Click here to stream/download We Are Hope Despite The Times.

Tracklist:

  1. Turn You Inside-Out
  2. Pop Song ’89
  3. These Days
  4. I Believe
  5. Fall on Me
  6. Welcome to the Occupation
  7. World Leader Pretend
  8. Drive
  9. Begin The Begin
  10. Finest Worksong
  11. Exhuming McCarthy
  12. Just a Touch
  13. Cuyahoga
  14. Disturbance At The Heron House
  15. Swan Swan H
  16. Ignoreland
  17. Stand
  18. Its the End of the World As We Know It (And I Feel Fine)

THY CATAFALQUE Feast on New Single ‘Mindenevő’

Posted by tarjavirmakari on September 18, 2024
Posted in: News. Tagged: THY CATAFALQUE. Leave a comment
Photo by © Orsolya Karancz

Even during its initial gestation period, Thy Catafalque had already expanded beyond the perceived limits of extreme metal. With each album, Tamás Kátai and his band of collaborators have taken another step beyond the genre’s boundaries, bringing the world’s most vile art form into conversation with the avant-garde.

There’s still a light at the end of Thy Catafalque’s upcoming twelfth album. But as Kátai winds through its introspective journey into the night, XII: A gyönyörű álmok ezután jönnek revisits the all-consuming heaviness that courses back through the project’s 20-year history. While garnished with plenty of classical flourishes, its meaty new single “Mindenevő” growls like the belly of a metallic beast. 

The video for “Mindenevő” was created by G13 Film.

XII: A gyönyörű álmok ezután jönnek comes out November 15, 2024 on Season of Mist.  

Pre-order & Pre-save at https://orcd.co/thycatafalquexiiagyonyorualmokezutanjonnek

A gyönyörű álmok ezután jönnek is still guided by the dreaminess that fans in and outside of Hungary have come to admire about Thy Catafalque. After all, in English, the album’s title translates to ‘The Beautiful Dreams Are Yet to Come’. “I imagined these songs as a journey into the night”, Kátai says. Finding his way along this path required him to head in a different direction – at least, as far as the production goes. The dark waves of synth that streak through the album’s title track and lead single glow with the faint but familiar reassurance of the dawn.      

Still, journeying through A gyönyörű álmok ezután jönnek can be a rocky road. While the latest single opens with a plucking oud, “Mindenevő” is a full bore feast for bloodthirsty metalheads. The insatiable blast beats and tongue-flicking tremolo picking are cooked over the same blackened fires as Thy Catafalque’s 1999 debut. “Our last album, Alföld, was very bleak”, Kátai explains. “Adding classical and acoustic instruments helped add a sprig of color to these new songs, but XII still has plenty of metal”. 

Even the progressive flourishes feed the song’s sickening theme. A fretless bass waltzes into the room just as the video’s dinner party succumbs to their insatiable appetite for destruction. “Blood and fat shall course through every vein“, chants a doomy operatic chorus. “We devour everything around us”, Kátai says when asked about the philosophical musings that greased the wheels of “Mindenevő” (which means “Omnivore”). “It’s absurd. The way we consume everything in our path only leads us closer to our demise”.

In the end, the engorged death metal riffs finally eat their fill. Yet as the beastly “Mindenevő” lays to rest amidst a thick delirium of clarinet and French horn, the feeling that’s left churning in the pit of your stomach is pure, unfiltered dread. 

“Human beings do have an animal side”, Kátai says. “Even though some of us strive for purity, in the end, we have to recognize and accept the morbidity of nature”.  

Artwork Front cover by Dániel Szécsényi and Tamás Kátai – Illustrations by Orsolya Pintér.

Tracklist
1. Piros Kocsi, Fekete Éj (4:12)
2. Mindenevö (6:35) [WATCH]
3. Vasgyár (6:18)
4. Világnak Világa (6:28)
5. Nyárfa, Nyírfa (2:53)
6. Lydiához (3:05)
7. Vakond (4:29)
8. Ködkiraly (7:58)
9. Aláhullás (3:48)
10. A Gyönyörü Álmok Ezután Jönnek (3:14) [WATCH]
11. Babylon (Bonus Track – Omega Cover) (3:42)*
Total runtime: 49:02
*Digital only

For two decades, Tamás Kátai was content on sticking to the studio. That changed in 2021, when he and a cast of heavy hitters performed at the Fekete Zaj Festival. This milestone was later committed to memory on Mezolit, but Thy Catafalque has continued to grow into a steady and spectacular live act.

Earlier this year, Thy Catafalque headlined their  first tour of Europe. Now, to celebrate the project’s upcoming twelfth album, Kátai and his ever-growing list of collaborators will perform at four concerts across Europe. This includes two very special sold-out shows at one of Hungary’s most influential underground venues, where they’ll perform songs off XII: A gyönyörű álmok ezután jönnek, along with all ten tracks on the recently reissued fifth album Rengeteg.

During these two special shows at Dürer Kert, Thy Catafalque will be joined by the noisy experimentalists in Shum, labelmate Saor and Kátai’s old band, Gire.  

Thy Catafalque 2024 Concerts
October 12 – Thessaloniki, Greece, @ Mammothfest [TICKETS]
November 22 – Budapest, Hungary @ Dürer Kert w/ Saor [SOLD OUT]
November 23 – Budapest, Hungary @ Dürer Kert w/ Gire, Shum [SOLD OUT]

New fans and long-time appreciators can now rediscover just how much Thy Catafalque has grown since their humble beginnings as a duo. This year, Season of Mist re-issued Thy Catafalque’s first seven albums.

These reissues include first-edition pressings, limited color vinyls, UV-prints, 3D etchings and new artwork, plus bonus tracks.  

Order: https://redirect.season-of-mist.com/ThyCatafalqueReissues

Tamás Kátai has a vision that extends beyond borders and boundaries. Even during its infancy, Thy Catafalque had already outgrown the rather rigid guidelines of black metal. Though only intended for the studio, over the past 20 years, his recording project has evolved into a lively collaboration. With each album, Thy Catafalque has pushed the envelope of extreme metal a step further, bringing the world’s most vile art form into conversation with the avant-garde.  

Thy Catafalque’s twelfth album is even more expansive, but XII: A gyönyörű álmok ezután jönnek ties both to its mastermind’s past and the history of his native Hungary. “For this album, I felt it was time to move in a different direction, whatever that direction might be”, Kátai says, “but XII still possesses the dreaminess that I’ve always associated with Thy Catafalque”.   

Of course, Kátai hasn’t been mulling over this album for too long. Keeping in line with his prolific pace, XII arrives just one year after his previous album. Named after the stretch of land where the producer, songwriter and multi-instrumentalist was born in southeast Hungary,  Alföld returned to the heaviness from which Thy Catafalque took root during the late ’90s. Once again, Kátai set out to make a straightforward metal record, but while there’s plenty of cause for chest-pounding, A gyönyörű álmok ezután jönnek ended up taking him on another surreal headtrip.

“I think of this album as an introspective journey through the night”, Kátai says. Opener “Piros kocsi, fekete éj” (which in English means “Red Carriage, Black Night”) glides off through a warm mist of piping keys, led by twin engine guitars that crest with reverb. “Time clatters on the rails”. Attila Bakos sings in Hungarian. His voice beams over the airwaves with the same clean force as 15 years ago, when he helped lift Thy Catafalque out of the Hungarian underground on the recently reissued Róka hasa rádió.   

“Attila also sang on Rengeteg“, Kátai remembers about the first Thy Catafalque album that he wrote and recorded by himself. “‘Piros kocsi, fekete éj’ has the same sense for melody. It opens the album with a feeling of nostalgia”.  

Of course, many other familiar faces join Kátai on his journey. After all, Thy Catafalque started as a duo with János Juhász. A gyönyörű álmok ezután jönnek features the biggest guest list in the project’s long discography. More than 20 guest musicians appear on this album, including old friends from inside and outside the Hungarian metal scene. Martina Veronika Horváth — whose band The Answer Lies in the Black Void toured Europe with Thy Catafalque earlier in 2024 — duets with the tender brooding Gábor Dudás for a faithful rendition of “Lydiához”, a 1980 Sebő ensemble classic that sowed the seeds for Hungary’s roots revival.

“That is a song that’s been with me and the rest of my generation ever since we were children”, Kátai says. Violins, cello, clarinet and other classical instruments add to the comforts of home. Before it drifts off high beyond the clouds, “Vakond” strings along like a whistling stroll across The Great Plains. “Alföld was very bleak”, he continues. “Adding classical and acoustic instruments helped add a spring of color and an air of adventure to these new songs”.

Still, A gyönyörű álmok ezután jönnek can be a hard road — especially during its crushing middle section. Despite the gentle opening plucks, “Mindenevő” crashes down like a boulder, hurtling ahead at terrifying speed behind doomy operatic backing vocals, mechanized blast beats and the eerie fires of tremolo picking that forged Thy Catafalque’s debut Sublunary Tragedies. “This album still has plenty of metal”, Kátai assures. 

The heaviest moments are often grounded in Hungary’s history. While colored by nostalgia, XII is also shadowed by the ticking hands of time, a theme that ripples back to 2021’s Vadak. Blackened chugger “Vasgyár” shares a namesake with the rusted-out ironworks that once fueled the country’s economy. It’s not a political statement, but the song does reflect how the landscape has changed to the eye of the now 48-year-old Kátai.  

“Even the album’s visuals are from a bygone era”, he says. In the video for its title track, closing song and lead single, Kátai doesn’t just run through the streets of his hometown. Surreal scenes from the past and present linger along his winding path through the placid countryside. Watching his doppelgänger dig his own grave feels like a living nightmare. “‘This song comes from a place of desperation”, he says. “Within the afterglow of nostalgia, there’s also the chill of disappointment”.  

Ultimately, the progressive flair that has come to define Thy Catafalque shines through the darkness on album twelve. Only this time around, in order to reach the light at the end of the tunnel, Kátai needed some guidance. “I felt like the production had largely been the same since Geometria“, he admits. XII marks the first time in the project’s history that he worked with an outside producer. Granted, Gábor Vári is no stranger to how his mind works. When he’s not holed away in the studio with other prominent Hungarian metal bands, Gábor could be seen hammering away at his guitar on stage with Thy Catafalque on the live album Mezolit. “He was the perfect person to help give this album a somewhat different sound that is still familiar”.

As a result, “A gyönyörű álmok ezután jönnek” stands out as one of Thy Catafalque’s biggest crowd pleasers, uplifted by hand claps and catchy, fist-pumping riffs. Even the dark waves of synth glow with the reassurance of the dawn. “At the end, there’s still hope for a future that might offer warmer days after the darkness has ceded”.

Thy Catafalque’s twelfth album looks back longingly at the past, Tamás Kátai isn’t stopping to smell the roses. With A gyönyörű álmok ezután jönnek, he shows that the beautiful dreams are yet to come.

Recording Lineup
Tamás Kátai – guitar, bass, vocals, keyboards, programming

Guest musicians
Martina Veronika Horváth – vocals on Track 1, 6
Ivett Dudás – vocals on Track 8
Helga Kreiter – vocals on Track 4, 10
Gábor Dudás – vocals on Track 2, 5, 6, 10
Bálint Bokodi – vocals on Track 2, 4, 9
Gábor Veres – vocals on Track 3, 8
Attila Bakos – vocals on Track 1
Zoltán Kónya – vocals on Track 3
András Vörös – vocals on Track 4
Breno Machado – lead guitar on Track 2
Zoltán Vigh – lead guitar on Track 3
Krisztián Varga – lead guitar on Track 4
Daniele Belli – acoustic guitar on Track 2
Miguel Velasquez Matija – fretless bass on Track 2, 6
Edu Giró – oud, bouzouki, baglama on Track 2,7
Grigoris Mitropoulos – bouzouki, mpaglamas on Track 7
Sanja Smileska – violin on Track 3
Jo Quail – electric cello on Track 8
Issar Shulman – contrabass on Track 2
Cal Rustad – French horn on Track 2, 8
Manuel Domenech – cor anglais on Track 8
Khachatrian Lernik – clarinet on Track 2
Gergő Bille – flugelhorn, trumpet on Track 7
Joakim Toftgaard – trombone, trumpet on Track 7
Fabian Hernandez – saxophone on Track 5
Viktória Varga – narration on Track 3
Annamari Sánta – narration on Track 7, 8

Recording
Recorded in various countries: Hungary, United Kingdom, Romania, Ukraine, Italy, Spain, Greece, North Macedonia, Israel, U.S.A., Colombia, Brazil.

Producer & Sound Engineer
Tamás Kátai, Gábor Vári

Mixing & Mastering
Miracle Sound Szeged, Hungary. Mixed and mastered by Gábor Vári.

Follow Thy Catafalque
https://thy-catafalque.hu
https://www.facebook.com/thycatafalque
https://www.instagram.com/thy_catafalque
https://www.youtube.com/user/kataitamas
https://thycatafalque.bandcamp.com/
https://open.spotify.com/artist/4sgTqbA7htxYkRRJBPZIom
https://music.apple.com/us/artist/thy-catafalque/372164196

GODSNAKE Announce Tour Dates in October with THRESHOLD

Posted by tarjavirmakari on September 18, 2024
Posted in: News. Tagged: GODSNAKE. Leave a comment
[photo: Franz Schepers]

Following the release of their latest studio album, Eye For An Eye (released in May 2023 via Massacre Records HERE!) and a busy live schedule, Hamburg, Germany-based metal act GODSNAKE has announced to be joining forces with UK progressive metal powerhouse THRESHOLD! Kicking off on October 9th in Ittre, Belgium, on this 10-days-run throughout Germany, Belgium, Switzerland and the Netherlands, they will be joined by Grace And Fire. 

GODSNAKE comments: “It’s gonna be a blast… this October we’re coming to your city with fantastic Threshold! Don’t miss it!”

Make sure to catch this killer live package at the following dates below; Tickets are now on sale via: 
https://www.thresh.net & https://www.eventim.de/artist/threshold/ 

09.10.2024 BE Ittre – Zik-Zak
10.10.2024 CH Pratteln – Z7
11.10.2024 DE Aschaffenburg – Colos-Saal
12.10.2024 NL Zoetermeer – Poppodium Boerderij
13.10.2024 BE Bilzen – South Of Heaven
15.10.2024 DE München – Feierwerk
16.10.2024 DE Stuttgart – Im Wizemann
17.10.2024 DE Neunkirchen – Gebläsehalle
18.10.2024 DE Essen – Turock
19.10.2024 NL Helmond – De Cacaofabriek

With their much-acclaimed, latest studio output Eye For An Eye, GODSNAKE delivered 10 songs in 47 minutes, straight into your face! Versatile, heavy, catchy, and very powerful, that’s what GODSNAKE stands for. Contemporary heavy metal with significant references to some of the big old masters: straight, hard, riff-orientated, but never missing catchiness and hook lines.

The reptile that is GODSNAKE has been up to mischief in the heavy music scene since 2015 and has successfully established itself in the metallic jungle. Torger (vocals), Stevo (guitar), The Walt (bass) and Sidney (drums), who were already involved in the album Poison Thorn, were reinforced in 2022 by guitar wizard Pepe (Ancient Curse, Sons Of Seasons).

GODSNAKE is:
Torger – Vocals
Stevo – Guitar
Pepe – Guitar
The Walt – Bass
Sidney – Drums

For More Info Visit:
https://godsnake.de
https://www.facebook.com/godsnakemetal
https://www.instagram.com/godsnakemetal
https://www.youtube.com/@godsnake

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