Drowning Pool, the iconic heavy metal band known for their electrifying performances and chart-topping hits, is thrilled to announce the release of their highly anticipated new single “REVOLUTION (The Final Amen)” dropping September 20th via SBG Records. This release marks a significant moment for the band, as it is their first release with vocalist Ryan McCombs in 13 years!
Sirius XM Octane will premiere the single on September 19th!
In celebration of the new single, Drowning Pool will be at Will Call Bar on September 20th from 4 – 6 PM for “Hard Rock Happy Hour”! Chazz from Power Chords will be interviewing the band. Don’t miss this exclusive event—grab a drink and rock out with the band!”
In support of the new single, Drowning Pool will embark on the No Authority Tour 2024 with special guests A Killer’s Confession,Above Snakes and The Failsafe.! This tour promises to be an adrenaline-fueled journey, featuring Drowning Pool’s dynamic return with lead singer Ryan McCombs. Fans can also look forward to the release of brand new music, including Keep an eye out in the next few weeks for this highly anticipated track!
Drowning Pool will be conducting on-site VIP packages. These VIPs will be sold on a separate platform and WILL NOT include a ticket to the show. All VIPs will need to purchase a show ticket for entrance.
Drowning Pool Tour Dates:
9/27 Shreveport, LA – Strange Brew * 9/28 Memphis, TN – Minglewood Hall * 9/29 Louisville, KY – Louder Than Life * 10/1 Oklahoma City – Beer City Music Hall 10/2 Roswell, NM - The Liberty 10/3 Phoenix, AZ – The Marquee 10/4 Anaheim, CA - Why Worry Fest * 10/5 Las Vegas, NV – Vamp’d 10/6 San Diego, CA – Brick By Brick 10/8 West Hollywood, CA - Whisky Go Go 10/9 Bakersfield, CA – 1933 10/11 Portland, OR - Bossanova Ballroom 10/12 Eugene, OR – John Henry’s 10/13 Sacramento CA – Aftershock * 10/15 Salt Lake City, UT – Leatherheads 10/16 Grand Junction, CO – Mesa Theater 10/17 Cheyenne, WY – The Lincoln 10/18 St Joseph, MO – Time Out Event Center 10/19 Hochatown, OK – Hochatown Saloon
*indicates Drowning Pool only, no support.
In addition, Drowning Pool is thrilled to announce their collaboration with Rollertown Beerworks to brew a special Czech dark lager, aptly named “Revolution,” in honor of the band’s new single.
Drowning Pool, a name etched in the score of modern rock history, roars back into the spotlight with thunderous energy and uncompromising power. The band’s unmistakable sound, synonymous with raw energy and unapologetic attitude, returns to captivate audiences once again.
Known for their iconic anthem “Bodies,” Drowning Pool needs no introduction. This breakout single propelled them to international recognition, leaving an indelible mark on the nu metal landscape. The song’s relentless energy and defiant spirit resonated with a generation, becoming an anthem for moshers, metalheads, and fans of electrifying live performances.
Ryan McCombs played a pivotal role in the band’s evolution, joining their ranks in the aftermath of the tragic loss of beloved frontman Dave Williams. His powerful vocals and charismatic stage presence breathed new life into Drowning Pool, solidifying their status as metal titans. Songs like “37 Stitches,” “Feel Like I Do,” and “Turn So Cold” catapulted them to new heights, earning them a place among the genre’s heavyweights.
Yet, Drowning Pool’s story is not just about music; it’s a testament to enduring friendships and a shared passion for their craft. Ryan’s return to the band in 2023 marks a reunion of kindred spirits, a return to the roots of their musical journey. As he succinctly puts it, “Just being back in the same room together after so many years… was a quick reminder as to why I considered them to be my best friends in the business back in the day.”
Their path has not been without its challenges. “Bodies” faced misinterpretations and controversy, with its lyrics taken out of context. Nevertheless, their music has persisted, embraced by the very culture that birthed it. “Bodies” remains an enduring anthem, not just for Drowning Pool but for metal culture as a whole. Its legacy lives on, inspiring new generations of fans. Guitarist C.J. Pierce captures the essence of their dedication: “I’d play ‘Bodies’ five times a night if people really wanted it that bad!” The song’s timeless appeal transcends generations, resonating with both the seasoned and the fresh-faced.
Drowning Pool’s return is a testament to the enduring power of their music, a reminder that their unapologetic spirit continues to strike chords with audiences worldwide. The band experienced a triumphant resurgence in 2023 and with new music on the horizon, a 2024/25 calendar proving that the demand for the band isn’t about to slow down.., Drowning Pool has a white knuckle grip on their present and future with no plans to slow down.
Ahead of its release this coming Monday on the twisted Time To Kill Records roster, No Clean Singing today presents an exclusive stream of “Purification Through Sacrifice”, the merciless sophomore album from Italian death metal squad HUSQWARNAH.
Stream “Purification Through Sacrifice” at THIS LOCATION.
Tracklist:
01. Intro 02. To Protect And Severe 03. Wheel Of Torture 04. Lawn Mower Massacre 05. Graboids 06. Mass Grave 07. Reincarnation Of Sin Pt. II 08. Soldier 039 09. Tower Of Suicide 10. The Jackal’s Grin 11. Outro
The band was formed in 2019 from an idea of musicians who at the time were part of acts such as Black Rage, In-sight, Atlas Pain and Sojourner. After a debut show supporting Asphyx and some line-up changes, the band entered the studio to record their debut album “Front: Toward Enemy” in 2020. After its release in 2021, HUSQWARNAH kept themselves busy on the live front, sharing stages with acts such as Mortuary Drape, Baest, Discharge, High On Fire and Voivod. The latter show was recorded and then independently released under the title “Live At Bloom” in 2023. HUSQWARNAH‘s death metal is as genuine and convincing as it can possibly get, paying homage to certain traditional formulas dating back to the early nineties, with songs that are particularly compact in structure and dynamics, ideal for being performed live and thus reminiscent of bands such as Asphyx, Bolt Thrower and Benediction.
Helsinki-based doom metal band Denigrate releases their fourth full length album titled To the Goddess Unknown on November 29th 2024via Inverse Records. Now they have released the second single single The Apparition of One from the upcoming album. The song includes the very first tunes of this set of compositions. Mood and speedwise the song is on the higher range on Denigrate’s standard of recent compositions. Lyrically the song hopelessly yearns the unity of two, whether it be in crime or in balance.
Since Denigrate was found back in ’96, the inevitable vibe of the band was to be dark, melancholy, tormented, observative.
The quantity of albums released is really not the thing in this band. From the first released album in 2003 to the latest 4th one in 2024 called “To The Goddess Unknown”, decades has changed and so has the band.
After no more than three albums released, after big-time local momentum with a finnish cover song, after mandatory hiatus, after some line-up changes, Denigrate 2024 introduces their absolutely greatest masterpiece to date and shows what only truely experienced bunch of members can achieve.
DENIGRATE: Galzi Kallio: Vocals Pekka Pyrhönen: Bass, Seppo Nummela: Guitar Teemu Riekki – Guitar Tipi Toivanen: Drums
While they are currently on their first-ever US tour, with first career headline shows as well as in support of ALKALINE TRIO, yesterday, September 13, 2024, Norwegian desert rockers SLOMOSA released their brand new studio album “Tundra Rock” in its entirety! Available via Stickman Records, you can order your copy of this must-have banger at: https://www.stickman-records.com/shop/slomosa-tundra-rock/
A brilliant new music video for the band’s latest single “Red Thundra” is now premiering here:
SLOMOSA were formed in Bergen in 2017. Driven by their passion for catchy songwriting and groovy riffs, the band has embarked on a unique journey that blends stoner rock, grunge and hardcore into their signature blend, dubbed “tundra rock”; a northern twist on California desert rock.
Since their sudden appearance on the scene with the self-titled debut album in 2020, SLOMOSA have hit the ground running with frenetically-acclaimed festival appearances and relentless tours with more than 130 shows in twenty countries alongside bands such as Orange Goblin, Elder, King Buffalo, Sasquatch or Stöner. Their explosive live performances have earned them an enthusiastic fanbase, both nationally and internationally. SLOMOSA‘s music has even captured the attention of rock greats like Tool guitarist Adam Jones, who recently shared his enthusiasm for the band on his social media, or Kyuss legends Brant Bjork and Nick Oliveri, who have expressed their love for SLOMOSA‘s sound and riffs. With a steadily growing fanbase from all over the world, more than 10.000,000 Spotify streams alone, a busy touring schedule throughout the UK and Europe, featuring recent shows with heavy weights Fu Manchu in Oslo, an upcoming European run with GREENLEAF andtheir current US tour, the future is definitely bright for the band between the seven mountains.
Their much-acclaimed new studio offering “Tundra Rock”, out tomorrow on Stickman Records, was produced by Eirik Marinius Sandvik at Polyfon Studio and Marinius Studio, and was mastered by Jørgen Træen. The cover artwork was created by Elsa Enestig. Order“Tundra Rock”HERE!
10 Years and Mascot Records have announced an October 11 street date for the band’s digital EP titled INNER DARKNESS. They have also revealed the lead single 10 Years (feat. Conquer Divide), “The Optimist” to accompany the announcement. Watch the video HERE.
In addition to featuring three previously unreleased songs and three well-received singles, the Inner Darkness EP includes a version of the hit “The Optimist” with guest vocals by Conquer Divide’s Kia Taylor, who skillfully trades off lines with 10 Years singer Jesse Hasek.
The chemistry between the two singers and the bands more broadly was there from the start. When they first met on a Zoom, guitarist and producer Brian Vodinh recalls, “We talked about touring and recording and basically nerded out and hit it off really well. Then, we mentioned the idea of a collaboration, which is where everything started.” Hasek adds, “We thought it would be fun to give it a new twist since it has been out there for a while. Kia’s name came up and I’ve always enjoyed female vocalists and I thought it would be especially cool to inject her voice into our style of music. She had the right vibe and a great attitude and she really went for it. It was a fun, painless process and it came out even better than I expected it to.”
The complete EP track listing includes “The Optimist” (feat. Conquer Divide), “Gravity,” “Rise,” “Speechless,” “I Remember,” “The Trench,” and “The Optimist.” While 10 Years will continue to tour through the end of the year and into 2025, the band has no intention of waiting another four years before releasing the follow-up to Inner Darkness. In fact, there are more than a dozen nearly finished songs waiting for Vodinh in his home studio. With no strict deadline and no studio bills to pay, Vodinh constructed frameworks for about 70 songs over the past two years. The greatest challenge was deciding which six would make the cut for Inner Darkness.
“There was such a massive catalog of built-up material we went through – great demos that have everything on them except the vocals — that it was really hard to come up with the right songs that flowed together in the right way,” Vodinh says. “There are a dozen other songs that are really strong and just need to be finished up, and we kept going back and forth, bouncing from one song to another for all eternity to try to figure out what to use. In the end, we used the ones Jesse felt the best about vocally, but there’s plenty of great stuff left to work with.” A full-length studio album is planned for release in 2025.
The band 10 Years has enriched the musical lives of a global fan base for over a quarter century. And as they approach the release of their 10 th studio album, they celebrate the milestone of surpassing a quarter billion cumulative streams across all platforms. Their repertoire continues to connect, while also being discovered by a new audience of many who were just being born when this career began. 10 Years is Jesse Hasek (Lead Vocals), Brian Vodinh (Guitar, Backing Vocals), Matt Wantland (Guitar), Chad Grennor (Bass) and Luke Narey (Drums).
10 Years released three new singles between late 2022 and early 2024 – “The Optimist,” “I Remember,” and “Rise” – and earned more than 27 million streams for their efforts (“The Optimist” alone garnering 16.5 million plays).
The new repertoire is driven by the inspiration of introspection, aggression, and isolation. Singer Jesse Hasek shares, “I’ve always used music as a tool to express my inner feelings, and I can get dark, especially considering our last album came out right before the pandemic, and then the entire world shut down and everyone was stuck. But I think it’s healthy and to dig deep within to release those feelings of negativity instead of holding onto them. It’s like working out. When you work out, you get sore, but then you get stronger. There’s a soreness and pain that comes from digging into this stuff, but nothing feels better than coming out on the other side.”
Since forming in 1999, 10 Years have quietly pushed themselves and modern rock towards evolution. Building a formidable catalog, the group’s gold-selling 2005 breakthrough The Autumn Effect yielded the hit “Wasteland,” which went gold, infiltrated the Billboard Hot 100, and clinched #1 at Active Rock Radio and #1 on the Billboard Alternative Songs Chart. They landed three Top 30 entries on the Billboard Top 200 with Division [2008], Feeding the Wolves [2010], and Minus the Machine [2012]. In 2017’s (how to live) As Ghosts marked a reunion between Jesse, Brian, and Matt and achieved marked success. Not only did the album bow in the Top 5 of the US Top Hard Rock Albums Chart, but it also yielded the hit “Novacaine.” The single ascended to the Top 5 of the Billboard US Mainstream Rock Songs Chart and has now tallied over 45 million streams, across all DSPs. The cumulative total for all track streams from repertoire on how to live (As Ghosts) exceeds 74 million plays. Along the way, they sold out countless headline shows and toured with everyone from Korn, Three Days Grace. Deftones, and Stone Sour to Chris Cornell and Linkin Park. The band’s most recent studio album is titled Violent Allies, and was recorded with GRAMMY® Award-winning producer Howard Benson [My Chemical Romance, Halestorm, Papa Roach]. The record has amassed over 50 million streams.
Despite the many accolades that they’ve received over the past decade, Oceans of Slumber have never rested on their laurels. The Houston heavies have come to redefine the Southern Gothic by casting their tales of hope and despair against an ever-shifting backdrop of progressive metal. While it was produced by their long-time collaborator and GRAMMY nominee Joel Hamilton, the band’s sixth album and first for Season of Mist expands their vision to dark, cinematic new heights.
“A vengeful prog metal monster that needs to be heard”, Metal Hammer writes in a four-star review.
Where Gods Fear to Speak was released yesterday, Friday, September 13, and you can hear all ten monumental songs by listening to the full album stream on the Season of Mist YouTube channel.
Oceans of Slumber defy any and all conventions. Where Gods Fear to Speak opens with more of the sultry, doom metal headbanging that the band’s long-time acolytes have come to expect, but the album’s spellbinding title track breaks entirely new ground. Punishing blast beats and a blackened torrent of melodic tremolo picking collide with powerhouse cleans, a skyrocketing guitar solo and synths that swirl like the aura of a mystical planet.
So what are we to call this otherworldly occurrence?
“Dark cinematic metal” says the band’s maestro Dobber Beverly. Underground metalheads will always recognize him as the drummer for grindcore legends Insect Warfare, but Dobber is a classically trained pianist who composed every grand note on Where Gods Fear to Speak. “We’ve taken the raw and heavier direction of our last two albums and elevated it to the scale of a blockbuster IMAX movie”.
Staying true to Ocean of Slumber’s irreverent musings, Where Gods Fear to Speak takes more inspiration from The Handmaid’s Tale, The Dark Tower and Cormac McCarthy than it does Opeth. Each song acts as another gripping plot twist along a narrative arc that’s part science fiction, part western gunslinger with a heavy dose of post-apocalyptic romance. Lead single “Poem of Ecstasy” splices together an album’s worth of stand-out moments into its own mini-epic, cutting from a moonlight piano sonata to outlaw country, doom-laden power metal and what can only be described as “dystopian grindcore”.
“I’ll do everything to stay by your side” frontwoman Cammie Beverly belts, her cleans pushing back against the charging blast beats like a force field.
Performing such a radical play on extreme metal requires a talented cast of characters. Dobber’s Necrofier bandmate Semir Ozerkan adds heat with harsh backing vocals and warm but bruising bass fills, while co-guitarists Alex Davis and Chris Kritikos roar through Where Gods Fear to Speak like a sandstorm. The album also gets a lift from two special guests. Moonspell’s Fernando Ribeiro casts his big bad shadow over the chugging, rumbling “Run From the Light”. Amidst a spirited tug of war between distorted tremolo picking and folksy acoustic strumming, “Prayer” is visited by gothic angel Mikael Stanne of Dark Tranquility.
Even with all that talent on display, Oceans of Slumber still cede the spotlight to their leading lady. Cammie has always possessed one of the strongest voices in metal. Even though the album was recorded a cool 8,000 feet above sea level in Bogotá, Colombia, the grueling altitude couldn’t stop her bottomless belt from scaling the slippery crush of “The Given Dream”. But Where Gods Fear to Speak has her flexing a guttural new muscle.
“I’ve always wanted to do death growls”, Cammie says. “Where Gods Fear to Speak presented the perfect opportunity. Mixing harsh vocals in with my cleans speaks to the internal struggle between pleasure and pain that’s at the heart of this album”.
If the Oceans of Slumber’s impromptu cover of Chris Isaak’s “Wicked Game” is the doomed end credits score to Where Gods Fear to Speak, then “Impermanence of Fate” is the album’s climactic finale battle. “I know my name and what it means / and what I have to say”, Cammie sings with all her might as the band rise up behind her with the jaw-dropping magnitude of a tidal wave.
“Every time you make a new record, you think it’s the best”, Cammie and Dobber say, “but Where Gods Fear to Speak easily has some of the best songs we’ve ever written. It sounds like an energetic, pissed-off band, with enigmatic storytelling and all those magical things”.
On Where Gods Fear to Speak, Oceans of Slumber remake progressive metal in their own dark, cinematic image.
Tracklist 1. Where Gods Fear to Speak (6:25) [WATCH] 2. Run From the Light (5:15) 3. Don’t Come Back From Hell Empty Handed (8:28) 4. Wish (3:53) 5. Poem of Ecstasy (6:33) [WATCH] 6. The Given Dream (3:36) [LISTEN] 7. I Will Break the Pride of Your Will (5:27) 8. Prayer (5:03) 9. The Impermanence of Fate (6:20) 10. Wicked Game (5:26) [LISTEN]
To celebrate Where Gods Fear to Speak, Oceans of Slumber are playing an album release show for their hometown fans. They’ll be joined at Houston’s Scout Bar by their friends in Anova Skyway, Dyer Infernum and Metropolis Burning.
“Crowds really took to the new songs when we were on tour earlier this year with New Years Day and Lacuna Coil”, Dobber says. “We’re excited to play more songs off the album for the very first time during what’ll be our final show of the year”.
Where Gods Fear to Speak Record Release Show Saturday, October 19 – Houston, TX @ Scout Bar [TICKETS]
Later this month, the band are saddling up with their fellow Houston heavies in Necrofier for a fiery performance at Metal Injection Festival.
“We are thrilled to celebrate Metal Injection’s 20th anniversary at this year’s festival”, says Cammie. “We’ll be sharing the stage with amazing bands like Jinjer, Converge, God Forbid, 3 Inches of Blood, Hanabie, Cave In, Rivers of Nihil and our good friends in Necrofier. We can’t wait to rock out with you and hit the streets of New York City”.
Metal Injection Festival Sunday, September 22 – Brooklyn, NY @ Brooklyn Monarch & Meadows [TICKETS]
More than a decade has passed since the release of Oceans of Slumber’s Aetherial debut album, and a lot has changed. After recruiting Cammie Gilbert (now Beverly) in 2014, the Houston, Texas crew’s trajectory took a natural, upward tilt, fueled by the hugely positive response received by second album, Winter (2016). Masters of dark-hearted brutality and gritty, melancholic song craft, Oceans of Slumber transcended the usual genre limitations, favoring a progressive and boundary-less approach. With each successive record, the combination of founder, drummer, pianist and chief songwriter Dobber Beverly’s brooding, dynamic onslaughts with Cammie’s charismatic presence and elegant, sonorous vocals garnered widespread acclaim and an international fan base. Monuments to a restless creative spirit, the band’s third and fourth albums, The Banished Heart (2018) and Oceans of Slumber (2020) raised the stakes ever higher.
Nobody said it was going to be easy, however. Buoyed by the praise of critics and the love of increasingly rabid admirers, Oceans of Slumber proved true to their progressive reputation when they released fifth full-length Starlight & Ash in 2022. Although still palpably drawn from the same well of dark and daring influences that had informed previous records, the new songs were pointedly bereft of the crushing metal tropes and elaborate song structures of old. Instead, Oceans of Slumber stripped things to an ornate and earthy take on gothically-inclined songwriting and melancholy modern prog. Starlight & Ash was praised in metal and prog media, but drew the ire of the band’s big label paymasters, who were rather unimaginatively hoping for more of the same. Reaching an impasse, band and label parted ways, leading to Oceans of Slumber’s newly-forged relationship with the notoriously open-minded Season of Mist. Now armed with a brand new studio album, Where Gods Fear To Speak, these intuitive radicals have gone where they will be understood.
“The thing is, we never said we’re never going to do something heavy again,” shrugs Cammie. “People panic when a band puts out an album that does something different. It was a weird time. It came during a time when our music was different from everything else, and I think the record was a bit lost on some people – people that mattered in our realm. The fans got it, and it was received really well, just not by the label!”
“Starlight should’ve been an easier way for us to branch out to a different audience,” adds Dobber. “But the label didn’t care and we didn’t try to capitalize on it. With Where Gods Fear To Speak, every time you make a new record, you think it’s the best, but there’s a couple of songs on this record that are definitely the best songs we’ve ever written, easily. There’s an energy to them that’s palpable. It sounds like an energetic, pissed-off band, with enigmatic storytelling and all those magical things.”
Recorded in Bogota, Colombia, in 2023, Where Gods Fear To Speak is a multi-faceted entry into Oceans of Slumber’s burgeoning legacy. Many of the melodic and textural elements that made Starlight & Ash such a revelation are still present, but scabrous brutality and complex, cultured arrangements are back with a vengeance. With Cammie’s astonishing vocal blend of vulnerability and abominable power, these songs are the best possible showcase for a band on an unerring mission to win the world over.
“I think Cammie is the best singer in America by far, but if she’s at such a top level and we still can’t break through, that just means that if we want to stay where we are, we’ve got to work harder!” Dobber admits, candidly. “We know how good we are, and how good the music is, but it doesn’t pay off for us all the time and the new record reflects that. It’s aggressive, it’s aggravated, but it tells a story. The closing song, “Impermanence Of Fate” – that’s the tag. It means that what you have it isn’t a fatal flaw or a mortal wound, and you can change things and work around these setbacks. So a lot of this record is fight songs.”
A colossus in both conception and execution, Where Gods Fear To Speak eschews the usual modern metal sounds in favor of an overwhelming, wall-of-sound production. As songs like the thunderous title track and the grim and sprawling “Don’t Come Back From Hell Empty Handed” cast their meandering, malevolent spells, every instrument leaps out with laser-like clarity, and the vast, emotional heft underpinning Dobber and Cammie’s lyrics is brought rivetingly to the fore. Meanwhile, standout gems like “The Given Dream” and “Poem of Ecstasy” showcase Oceans of Slumber’s still-evolving core sound, with soaring melodies and jaw-dropping dynamics that casually blur the boundary between the accessible and the avant-garde, while basking in the brooding glow of Cammie’s unique voice. Produced in collaboration with esteemed studio guru Joel Hamilton at Audovision Studios in Bogota, it emerges as a self-evident labor of love for all of those involved.
“We did the most extensive pre-production demoing that we’ve ever done for this record. Everything was finished, the vocal lines were 98% done in advance,” Dobber notes. “Then we got into the studio and I threw curveballs at Cammie to piss her off and get her to land these certain vocal sections. There has to be some element of this that is created in the moment. It’s not magical otherwise. I did all the synthesizers and orchestrations at home, but then we recorded the rest of it at the studio in Colombia. Joel’s done a lot of work with big hitters, but also with Neurosis and bands like Sleepytime Gorilla Museum. So when I said we were going to make a heavy record, I wanted it to sound like all hell’s breaking loose. We wanted a very natural production and for everything to be as organic as it could be.”
From the doom-laden opening chords of “Where Gods Fear To Speak” – released as the album’s first preview single, and revealing Cammie’s feral death growls for the first time – to the dying, desolate embers of grand finale “Impermanence Of Fate”, the new Oceans of Slumber album is simply the most immersive and fascinating piece of work the band have made. As added intrigue, guest stars Mikael Stanne of Swedish melo-death legends Dark Tranquillity, and Moonspell’s iconic frontman Fernando Ribeiro lend their vocal talents to “Run From The Light” and “Prayer” respectively. Steeped in the oppressive atmospheres of doom, death and gothic metal, but rendered using a spinning kaleidoscope of progressive musical shades, Where The Gods Fear To Speak idly defies categorization, while strenuously redefining the artistic formula that Oceans of Slumber have spent so many years refining. Meanwhile, these songs paint such vivid pictures that it comes as little surprise that Where Gods Fear to Speak is a certified concept work, with a cinematic streak a mile wide.
“This album is a dystopian western or a post-apocalyptic survival movie, somewhere between The Handmaid’s Tale, The Dark Tower and Cormac McCarthy,” states Dobber. “The whole idea is that Where The Gods Fear To Speak is a movie, and we’ve written the soundtrack. If the world was taken over, like in movie The Book Of Eli, and Gary Oldman had found the Bible and the true power of it, and he was wielding the power of the lord over everybody, those people that were maybe just into their traditional spiritualism or people that were not religious at all, they would be the defectors, so the record is written from the viewpoint of the defectors. The ending credits are our version of “Wicked Game” by Chris Isaak. We wanted to take it back to when the music in movies set the tone for everything.”
Wildly evocative and bulging under the weight of its countless razor-sharp melodies, Where Gods Fear To Speak proves that Oceans of Slumber will not let the occasional setback put them off their creative stride. Both the heaviest and the most sophisticated record they have made yet, it covers all bases to deliver an emotional, life-affirming musical journey like no other. Some people will love it. Others may not. But what is abundantly clear is that Oceans of Slumber remain a formidable force to be reckoned with, and When Gods Fear To Speak may be their masterpiece.
“We just hope to grow the band. We’ve had a problem with reaching the next level, but I’m hoping this record makes the difference, and people just give us a shot,” Dobber concludes. “The band is great and it’s tight, and Cammie is such a great performer. When people really get to see the real thing in front of them, which they don’t a lot of the time, it just works, intrinsically. There’s just a natural response to it. So if we can get in front of the audiences we should, then we’ll win them over and the band will grow. That’s all we want. It’s a mechanism for survival at this point.”
Lineup Cammie Beverly – vocals Dobber Beverly- drums, piano Semir Ozerkan – bass Alex Davis – guitar Chris Kritikos – guitar, synth
Recording Audiovision Studios in Bogotá, Columbia Assistant engineering at Audiovision by Deyra Castillo and David Dueñas Piña
Production Produced and engineered by Joel Hamilton Mixed by Joel Hamilton at Studio G in Brooklyn, New York Additional engineering by Chris Kritikos Assistant engineering by Justin Termotto
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
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