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STEVE LOUW Releases New Single + Video ‘Cruel Hand of Fate’ Feat. Joe Bonamassa

Posted by metalshockfinland on September 7, 2024
Posted in: Int. News, News. Tagged: STEVE LOUW. Leave a comment
Photo by Jacqui van Standen

Legendary South African blues rock, roots, Americana, rock guitarist and singer songwriter, Steve Louw released his new double album Between Time on Friday September 6th.

Released as a 2-CD digipack, double vinyl, & digital, the album is available from https://orcd.co/SteveLouwBetweenTime.

To coincide with today’s release of Between Time, Louw has released “Cruel Hand of Fate” featuring Joe Bonamassa; the fourth single taken from the new album.

Watch the official music video “Cruel Hand of Fate” via YouTube HERE.

“Before highways and cars people travelled by foot, horse and then train if you could afford it, or of you could jump on board,” says Louw about the new single “Cruel Hand of Fate.”

Continues Louw, “Trains have a mystery to them, their rhythm coming from way off and then fading into the future. As a kid I used to put coins on the train tracks and feel the warm squashed coin in my hand as the train clacked away.”

“The song is about a traveling musician who feels that his time is running out. He needs to jump a ride to see his love one last time. The song has the rhythm of the train tracks and a nod to the journey we are all on.”

Joe Bonamassa plays a beautiful country style solo which fits right in with the mystery behind “Cruel Hand of Fate.” Using a Fender Telecaster B Bender guitar, an invention which by moving the guitar’s bridge conjures a pedal steel effect, creates a counterpoint to the song’s brooding slide guitar.

“Steve Louw and I have been making records for many years now. When I introduced him to Joe Bonamassa in Vienna more than a decade ago, they got along very well. When Steve had the opportunity to invite Joe to play on his records, Joe was enamoured with Steve’s style and was happy to be a part of it. I think Joe has now played on three or four of Steve’s albums, and it’s always a thrill for us all. It’s a meeting of minds.” –  Producer, Kevin Shirley

“Between Time came out wonderfully. I truly love the album.”  –  14 x Grammy Award winning mastering engineer – Bob Ludwig

Louw’s new album, Between Time, arrives decades into a long career, stretching back to the 1990s, when Louw partnered with South African record producer Kevin Shirleywhile fronting Big Sky, his vehicle to acclaim in his native South Africa.

Louw broke back into the music scene rousingly with his 2021 solo album Headlight Dreams, which Shirley helped push into existence, telling Louw after a decade of silence that it was time for him to make another record. He assembled a crack band, including keyboardist Kevin McKendree (John Hiatt), drummer Greg Morrow (Billy Gibbons), bass player Alison Prestwood (Buddy Miller), guitarists Rob McNelley (Hank Williams Jr), and Doug Lancio (Bob Dylan).

Headlight Dreams received solid reviews and earned him his third South African Music Award nomination. Thunder and Rain followed hot on its heels, a rich and natural album of muscular folk and insistent rock, a blend that Louw has refined throughout his career.

With Between Time, he explores those moments that fall outside the strict constructs of time with songs that have past, present, and future, while using imagery that’s both timeless and present. Cut live in the studio with his same band; the music has a transcendent quality, a chemistry that blends craft and inspiration into something mystical.

The stars align on three songs recorded back-to-back on the same day. The heartfelt “Killers”, where ‘Killers with numbers not names, came killing across the plains’, flows into, ‘In the Badlands, sand turned to dust, outsiders stand, steel turned to rust’, on the driving “Giants Walk The Land” (co-written with Midnight Oil’s Jim Moginie), and to a new beginning on “Time to Get On,” ‘As we face to the sun, it’s time to get on’.

Hearing the band discover the inherent passion and tenderness within the songs is part of the pleasure of Between Time. Their chemistry is evident on the low-down shuffle of “Do Me Good” and the country honk of “Alibi.” They swing hard on “Get Real Gone” and ratchet up the tension on “Flowers on The Graves of Doves,” a ringing, roiling number that conjures the mystery of early R.E.M.

You feel the band as much as you hear them, as on “Highway to the Sun,” the eight-minute exit to the 20-song collection. Louw is as much a member of the band as he is its leader. His steady, propulsive guitar playing providing as much of a connective tissue as his unguarded voice.

Added to that is Jim Moginie, whose eclectic guitar sound and creative force evoke the natural world’s power on “Giants Walk The Land,” and Hammond maestro Lachy Doley, who teases out the reassuring comfort lurking within “Streets of Rain.”

Between Time is a record filled with compassion and heart, a defining album for an artist who has consistently delivered great-sounding music over several decades.

Between Time – Track Listing

CD1
Alibi (4:07)
We Had It All (3:37)
Beggar Tonight (4:40)
Giant’s Walk The Land (4:45)
Killers (4:40)
StreetJanes Dream#3 (5:24)
Do Me Good (4:06)
Flowers From The Graves Of Doves (4:07)
Don’t Leave A Heart Alone (3:22)
Time To Get On (5:38)

CD2
Get Real Gone (3:33)
The Way Your Heart Beats (2:05)
Take Me For A Ride (3:56)
Streets Of Rain (4:07)
Cruel Hand Of Fate (5:19)
Free To Fly (2:10)
You ‘n Me Tonight (3:08)
Cold Cold Rails (3:45)
Ever Be Undone (4:44)
Highway To The Sun (7:59)

Album Credits

Produced by Kevin Shirley.
Recorded and mixed at Ocean Way Studios, Nashville, TN
Tracks 4,14 and 18 mixed at The Cave, Sydney.
Engineered by Austin Atwood
Mixed by Kevin Shirley
Mastered by Bob Ludwig at Gateway Mastering, Portland, ME.

Musicians


Steve Louw: Acoustic Guitar and Vocals
Doug Lancio: Electric Guitar and Mandolin
Kevin McKendree: Keyboards
Alison Prestwood: Bass
Greg Morrow: Drums and Percussion

Additional Musicians

Jim Moginie: Electric guitar, keyboards (Track 4)
Joe Bonamassa: Lead Electric Guitar (Track 15)
Randy Flowers: Electric Guitar (Tracks 6, 7, 9, 11, 12, 19, 20)
Rob McNelley: Electric Guitar (Tracks 2, 3, 5, 8, 10, 13, 15, 16)
Lachy Doley: Hammond Organ (Track 14)

Backing Vocalists

Kim Fleming: Backing Vocals (Tracks 2, 13, 16)
Devonne Fowlkes: Backing Vocals (Tracks 2, 13, 16)
Jade MacRae: Backing Vocals (Track 17)
Danielle DeAndrea: Backing Vocals (Track 17)

Steve Louw – Biography

Steve Louw (born 16 September 1955) is a South African musician and singer-songwriter who specialises in album rock, blues rock, country rock and Americana music. He was born in The Hague and has been active as a musician since 1981. He was inducted in the South African Rock Hall of Fame in 2003.

Louw, who was born Stephen Geoffrey Louw, learnt to play the guitar after being inspired by the music of Bob Dylan, the Rolling Stones, and Neil Young, and formed his first band, Atlantic Rose, while in high school in Cape Town in the late 1960s. While a student at Stellenbosch University in the 1970s he became involved in the local music scene, playing his own songs in various line-ups.

His career as a professional musician began in the early 1980s when he formed the band All Night Radio with fellow former Stellenbosch University students Nico Burger (guitar) and Rob Nagel (bass). The group recorded two albums – The Heart’s the Best Part (1984) with US producer John Rollo, and The Killing Floor (1986), on which Louw began a partnership with producer Kevin Shirley that continues to this day.

Louw then formed the band Big Sky and in 1990 released their debut album, Waiting for the Dawn, again produced by Shirley. The album arrived just as South Africa began moving away from apartheid rule and the group’s music helped soundtrack a decade of positive revolution. The title track is today considered a South African rock classic. Big Sky released another five albums over the next 15 years: Horizon (1995), Going Down with Mr Green (1997), Best of the Decade (1999), Beyond the Blue (2002) and Trancas Canyon (2008); as well as the concert DVD Heart and Soul, filmed at Cape Town’s Little Theatre in 2008.

Louw and Big Sky achieved considerable success in South Africa with sell-out tours and several major radio hits including “Kathleen”, “Mr Green”, “One Cut With A Knife”, “Strange Room” and “Diamonds and Dirt”. In 1996 the band won the FNB South African Music Award for “Best Pop Music Performance” and “Best Rock Album” for the album Horizon.

In 1998 Big Sky opened for US singer-songwriter Rodriguez on his triumphant debut tour of South Africa, with the musicians in the band also backing the US artist. The tour is chronicled in the 2012 Oscar-winning documentary Searching for Sugar Man.

Louw gained an international profile after he collaborated with Brian May (Queen) and Dave Stewart (the Eurythmics) on the track “Amandla”, recorded for the 46664 Aids awareness project inspired by the work of Nelson Mandela.

In 2021 Louw returned with the album Headlight Dreams, produced by Shirley, and recorded in Nashville with crack studio musicians and featuring a guest appearance by US guitar legend Joe Bonamassa. The album has received critical acclaim and the first single, “Wind in Your Hair”, has become a popular Spotify hit.

Louw released his sophomore solo release Thunder and Rain on November 11, 2022, through BFD. The album was produced by Kevin Shirley and features Joe Bonamassa and Doug Lancio.

On September 6th, Louw will release his third solo album Between Time, produced by Kevin Shirley. 

More information: WEBSITE | FACEBOOK | INSTAGRAM | SPOTIFY | YOUTUBE

BENIGHTED’s Kevin Paradis Releases Full Drum Playthrough for ‘Hellfest Warmup Tour’ Set

Posted by metalshockfinland on September 7, 2024
Posted in: Int. News, News. Tagged: BENIGHTED. Leave a comment
Photo by © Anthony Dubois

The hounds of hell have been unleashed, and their name is BENIGHTED. This November, the European continent will tremble under the unholy assault of the Beast Against Beast tour, a grotesque spectacle designed to plunge you into the darkest chasms of your consciousness.

Highlighting the tour’s apocalyptic essence is the technical master himself, Kevin Paradis. This week, Paradis unleashed a diabolical drum playthrough of BENIGHTED‘s set of the Hellfest Warmup Tour 2024—a glimpse into the unrelenting ferocity that awaits. Each blast beat is a hammer to your skull, each drum fill a dagger to your psyche.

Catch BENIGHTED on these dates w/ Baest & Coffin Feeder:

15 November: Poznan, PL @ 2Progi
16 November: Leipzig, DE @ Soltmann
17 November: Warsaw, PL @ Hydrozagadka
18 November: Ostrava, CZ @ Barrak Music Club
19 November: Prague, CZ @ Rock Cafe
20 November: Graz, AT @ Explosiv
21 November: Cham, DE @ L.A. Cham
22 November: Weiher, DE @ Live Music Hall
23 November: Dornbirn, AT @ Schlachthaus
24 November: Aarau, CH @ KiFF Saal
25 November: Kassel, DE @ Goldgrube
26 November: Gent, BE @ Chinastraat
27 November: Tilburg, NL @ O13
28 November: Enschede, NL @ Metropool
29 November: Oberhausen, DE @ Resonanzwerk
30 November: Alkmaar, NL @ Herrie Metal Festival/Hal25

Tickets are available now: [TICKETS]

Ekbom, BENIGHTED‘s tenth full-length studio insanity, plumbs the depths of Ekbom syndrome, taking listeners on a grotesque trip through a world of delusional parasitosis. The album’s relentless brutality, ingenious musicianship, and darkly poetic exploration of psychological horror set the stage for a live experience designed to shatter senses and challenge perceptions.

➤ Order & Stream: https://orcd.co/benightedekbompresave

The sonic assault began with the release of the first single, Scars. Conjured from the darkest depths, Scars is a monstrous ballad of deranged beauty that marks the beginning of the Ekbom nightmare. Its accompanying video, a masterful visualization of horror, is as provocative as it is repulsive.

Cover art: Grindesign (Rob Borbas)

Tracklist
1. Prodrome (1:19)
2. Scars (3:15) [WATCH]
3. Morgue (3:22)
4. Le Vice des Entrailles (3:06)
5. Nothing Left to Fear (2:44) [LISTEN]
6. Ekbom (3:42)
7. Metastasis (3:33) [WATCH]
8. A Reason for Treason (3:18)
9. Fame of the Grotesque (2:20)
10. Scapegoat (2:22)
11. Flesh against Flesh (3:18)
12. Mother Earth, Mother Whore (4:28)
Total runtime: 36:48

Dive into the darkest realms of the human psyche as BENIGHTED, the French purveyors of brutal death metal & grindcore, unleash their tenth full-length album Ekbom in April 2024. The madness that has defined their discography continues with this radical soundtrack to the twisted times we inhabit.

Born from French Death and Black metal bands DISHUMANIZED, DARKNESS FIRE, and OSGILIATH, BENIGHTED emerged in 1998 with a mission to explore a more brutal, heavy, and modern form of musical expression. The impact of their first self-produced and self-titled full-length album in 2000 transformed BENIGHTED from a side-project into a main act, quickly amassing a devoted fan base. Subsequent albums like Psychose (2002), Insane Cephalic Production (2004), Identisick (2006), and Icon (2007) further cemented their visceral, skull-breaking sound into extreme death metal history.

After a detour into the realms of Necrobreed in 2017, BENIGHTED celebrated their 20th anniversary by capturing the live madness with Dogs Always Bite Harder Than Their Master in 2018.

With Obscene Repressed, they once again took sadistic pleasure in pushing the boundaries of brutality, delving into the disturbed mind of little Michael. His relentless battle against demons, fueled by unresolved oedipal issues with his mother, provided a grotesque tableau for BENIGHTED‘s sonic butchery. Not content with merely slaughtering everything in their auditory path, BENIGHTED crafted thematically explorative pieces, each turn in their music revealing new layers of horror and despair.

As the relentless journey continues, BENIGHTED is set to unleash Ekbom in April 2024, an album that draws inspiration from the nightmarish ‘Ekbom syndrome.’ This rare neurological disorder, also known as Delusional Parasitosis, forms the thematic core of the upcoming release. A feeling of having a vile concoction of parasites, worms, and insects crawling under your skin is an apt description of what BENIGHTED have to offer on this newest release. The auditory assault mirrors the repulsive sensations of the syndrome, a visceral and unsettling journey into the abyss of the human mind.

Madness reigns yet again, this time intertwining with the haunting echoes of Ekbom syndrome. Brace yourselves for another mind-shattering chapter in the BENIGHTED saga as they continue to carve their niche in the putrid annals of extreme metal, leaving a trail of sonic disgust in their wake.

Line-up
Julien Truchan – Vocals
Emmanuel Dalle – Guitars
Pierre Arnoux – Bass
Kevin Paradis – Drums

Recording studio
Kohlekeller Studios, Germany (Powerwolf, Aborted, Crematory)Producer, Sound, Mixing & Mastering engineer
Kristian Kohlmannslehner

Guest musicians
Oliver Peters (Archspire) on “Nothing Left to Fear”
Xavier Chevalier (Blockheads) on “Fame of the Grotesque”

Biography: Sébastien Gamez

Follow Benighted:
Official Website: https://www.benighted.fr/
Facebook: https://www.facebook.com/brutalbenighted
Instagram: https://www.instagram.com/benighted_band/
Bandcamp: https://benighted.bandcamp.com/music
SoundCloud: https://soundcloud.com/brutalbenighted
TikTok: https://www.tiktok.com/@benighted_band
Twitter: https://twitter.com/@_BENIGHTED
Spotify: https://open.spotify.com/artist/0dUwIwaPc6UukkCZTaaf7J
Apple Music: https://music.apple.com/us/artist/benighted/267088245
Tidal: https://tidal.com/browse/artist/3919180 

BLESS THE DEAD Unleash New Single ‘Slip Away’

Posted by metalshockfinland on September 7, 2024
Posted in: Int. News, News. Tagged: BLESS THE DEAD. Leave a comment

Get ready to feel the earth shake! Georgia-based metal outfit, BLESS THE DEAD, is back to deliver another sonic assault with their latest single, “Slip Away.” The track, a blistering dose of Southern groove metal, is taken from their album We Create This. “We Create This” is available now on all major streaming platforms: orcd.co/wecreatethis

Known for their thunderous drums, bone-shaking bass, and searing guitar riffs, Bless the Dead once again showcases their signature sound on “Slip Away.” Coupled with raw, gritty vocals, the song delves into the raw chaos and realities of everyday life.

Since their formation in 2013, Bless the Dead has been making waves in the metal scene. Their previous album, Boars Nest, introduced their music to a wide audience. With a growing fanbase and a reputation for high-energy live shows, the band is poised to take their career to new heights.

“Slip Away” is available now on all major streaming platforms.

Stay connected with Bless the Dead and follow their musical journey:
www.blessthedead.com
www.facebook.com/BlessTheDead1
www.instagram.com/blessthedead13
www.youtube.com/user/deadandblessed
BlesstheDeadSpotify

BLOMST Celebrate 14th Band Anniversary with New Album “Stil”, Out Now

Posted by metalshockfinland on September 7, 2024
Posted in: Int. News, News. Tagged: BLOMST. Leave a comment
Photo by Mille Frømyhr

Upbeat, emotional, and energetic – BLOMST celebrate 14 years as a band with their new album STIL (Eng.: Style/mode)

Blomst play garage punk, serving up feisty and honest lyrics in Norwegian. They group is known for their kick-ass tunes and the compellingly passionate front figure Ida.

In recent years the by:Larm (Norway’s biggest showcase festival) ready band has grown to become one of the best and biggest bands in their genre in Norway.

Listen to the album here: https://ffm.to/blomststil

Blomst anno 2024 is a more experienced and mature band, as both individuals and songwriters.
Yet, there is still something honest and vulnerable in Blomst’s apparently light-hearted and energetic music. They’ve stuck together as a band throughout their swinging twenties, and now entering the their thirties they have developed not only as musicians, or grown as people, but also as a band.
Blomst have never been scared to face new challenges or explore new musical inspirations, and their eagerness to progress and explore is definitely reflected in their songs.

Lasse: “I’ve gone from being a pretentious young student aiming to write intellectual and poetic lyrics, to being a tired, grown man who wants to get straight to the point.
Being direct in writing music is hard, but it is worth it when you get it right.
Being older I’ve also found that I tend to reflect more on the past. E.G the 
song “Økernsenteret” is about reminiscing and meeting old friends.”

Ida: “My lyrics have become more daring, I’ve become braver. But at the same time, I’m no longer as hard and “in your face” as I used to be. Maybe it all boils down to being more mature. Now, I dare to address my insecurities and my fears, while at the same time I’m more self-assure, and I demand to be heard!”

Their fourth album “STIL” was recorded in Taakeheimen Lydrike and Globus Music Studio, where Preben Sælid Andersen (Death by Unga Bunga) produced the album. Working with Preben as a producer was a first for Blomst.
This time around they wanted to challenge themselves a little more yet continue to work with someone who understands their sound. The result is perfect – refreshed and new, but true to Blomst.

Ida: “I think we are circling back to where it all started with STIL. We just wanted to write simple, powerful, and catchy songs. We wanted to cultivate the hook and avoid adding too much “stuff”, being the “best skilled musicians” was never our thing anyway!
Whilst writing our songs, we do take into account that the music is made to be played live, to entertain the audience and to get you hooked. We are doing alright and we enjoy our music.
I hope that rubs off on the listener!”

Blomst
Ida Dorthea Horpestad
Teodor Frømyhr-andersen
Stian Fjeld Engen
Lasse Febakke Straum

More information: Facebook | Instagram | YouTube

OPETH Unveil New Single ‘§3’, Touring North America in October + EU in February

Posted by metalshockfinland on September 7, 2024
Posted in: Int. News, News. Tagged: Opeth. Leave a comment
Photo by Terhi Ylimäinen

Swedish prog legends OPETH will be releasing their 14th studio album, ‘The Last Will & Testament’, on October 11, 2024 via via Reigning Phoenix Music / Moderbolaget! Following the critical acclaim of the album’s first single, the band is now revealing the second offering from record, “§3,” which can be heard at THIS LOCATION.

900k Spotify listeners, 500M cross-platform streams, 1M+ albums sold, multiple #1 albums, Swedish Grammy wins and numerous multiple world tours – OPETH are one of the most important bands in metal music. Their unique sound and compelling storytelling made them a genre leader and highly respected artists among musicians and audiences alike.  

OPETH’s frontman Mikael Åkerfeldt comments, “So put yourself in my position for a minute: Your band has this new album. You like it. In fact, you love it! It’s got this elaborate concept running through all 8 songs on there. You’ve written it over the timespan of say 6 months, effective time. You’ve invested a lot of passion into putting it together. You’ve recorded it together with your friends/colleagues. You’ve had a good time in the process. Now, said album is on the verge of being released and you’re expected to talk about it. Prepare your audience for its coming. Talk it up! You do want people to hear it, right? You love the album so it should be easy, right? At this point, all you have to do is put together a few words for the new ‘single.’ But you’re confused with the use of the term ‘single,’ as you connect it to the olden days where ‘singles’ often had the word ‘hit’ next to it. And you know that won’t happen! Still you want people to hear it. Your loving ‘fans’ might think it’s awesome. But you don’t want to come across as a salesman. On top of that you’re not a complete self-absorbed asshole who thinks you’ve got the Midas touch (well….). Also you have a bad case of that inborn Swedish modesty, sprinkled with some impostor syndrome. What do you say? ‘§3′ is out now!’”

Pre-Order ‘The Last Will & Testament’: HERE

Opeth’s fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting “photograph” reminiscent of Stanley Kubrick’s infamous “Overlook Hotel” photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson’s signature notes fly on “§4” and “§7”, he narrates on “§1”, “§2”, “§4”, and “§7”. Joining Anderson, Europe’s Joey Tempest lends a backing vocal hand on “§2”, while Åkerfeldt’s youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in “§1”.

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth’s finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

Artwork by Travis Smith with directions from Mikael Åkerfeldt

‘The Last Will & Testament’ Tracklist:
01 – §1 [LISTEN]
02 – §2
03 – §3 [LISTEN]
04 – §4
05 – §5
06 – §6
07 – §7
08 – A Story Never Told

n addition, OPETH will be celebrating the release of ‘The Last Will and Testament’ with headlining tours in North America, the UK, and Europe! The full itinerary can be found below while tickets are now on sale HERE.

OPETH North American Tour Dates (w/ TRIBULATION):

10/11: Milwaukee, WI @ The Rave / Eagles Club
10/12: Cleveland, OH @ Agora Theater & Ballroom
10/14: Toronto, ON @ Queen Elizabeth Theatre
10/15: Montréal, QC @ L’Olympia
10/16: Worcester, MA @ Palladium
10/18: Brooklyn, NY @ Kings Theatre
10/19: Pittsburgh, PA @ Stage AE
10/20: Washington, DC @ Warner Theatre
10/22: Atlanta, GA @ Tabernacle
10/23: New Orleans, LA @ Fillmore New Orleans
10/24: Austin, TX @ Emo’s Austin
10/25: Dallas, TX @ Majestic Theatre
10/27: Denver, CO @ Mission Ballroom
10/29: Phoenix, AZ @ The Van Buren
10/30: Los Angeles, CA @ YouTube Theater
10/31: San Francisco, CA @ The Warfield

OPETH EU/UK Tour Dates 2025 (w/ Grand Magus):

02/09: Helsinki (FI) @ Ice Hall
02/11: Stockholm (SE) @ Cirkus
02/12: Oslo (NO) @ Sentrum Scene
02/14: Copenhagen (DK) @ DR Koncerthuset
02/15: Hamburg (DE) @ Docks
02/17: Cologne (DE) @ Palladium
02/18: Berlin (DE) @ Tempodrom
02/19: Munich (DE) @ Muffathalle
02/21: Paris (DR) @ L’Olympia
02/22: Amsterdam (NL) @ AFAS Live
02/23: Brussels (BE) @ Ancienne Belgique
02/25: Bristol (UK) @ Bristol Beacon
02/26: London (UK) @ Roundhouse
02/28: Birmingham (UK) @ Symphony Hall
03/01: Manchester (UK) @ Albert Hall
03/02: Glasgow (UK) @ Barrowland

More than three decades into their career, Opeth have trained their admirers to expect the unexpected. But even by their own standards, the Swedish progressive titans have conjured something extraordinary this time around. The band’s 14th studio exploration, The Last Will & Testament, is the darkest and heaviest record they have made in decades, it is also the most fearlessly progressive. A concept album recounting the reading of one recently deceased man’s will to an audience of his surviving family members, it brims with haunting melodrama, shocking revelations and some of the wildest and most unpredictable music that songwriter/frontman Mikael Åkerfeldt has ever written.

“I have become quite interested in family, and the idea that blood is not always thicker than water,” Åkerfeldt explains. “I became interested in how family members can turn on each other. I saw an interview with this guy whose family had all turned against him, over the inheritance, so I wrote a song about that on the last record. The idea stuck with me, and then along came the TV show Succession, and I loved that series. That was in the back of my head too. It felt like an interesting topic that you could twist and turn a little bit.”

The follow-up to 2019’s widely acclaimed In Cauda Venenum; The Last Will & Testament is set in the shadowy, sepia-stained 1920s. It slowly reveals its secrets like some classic thriller from the distant, cobwebbed past, with each successive song shining more light on the stated machinations of our dead (but definitely not harmless) protagonist. The emotional chaos of the story is perfectly matched by Opeth’s vivid but claustrophobic soundtrack, which artfully winds its way towards a crestfallen but sumptuous finale. Masters of their own idiosyncratic musical domain, Opeth have never sounded more unique.

“I knew I could go a bit overboard and wild with the music, a bit heavier and a bit more metal, maybe, because I felt it would fit the concept, which is dark and kind of complex. You might dabble with the occult in your youth and write songs about Satan, but this felt like I could make a story about real evil, and about human behaviour. It felt like the music for this concept should be on the heavier side of things. It’s a pretty heavy topic.”

Proud adherents to a progressive ethos, Opeth have never repeated themselves, and The Last Will & Testament is every bit as revelatory and adventurous as its 13 predecessors. But one thing is undeniable: Mikael Akerfeldt’s peerless death metal growls are back, for the first time since Watershed in 2008.

“I like to be unfashionable, in a way,” grins Åkerfeldt. “So, when it comes to bringing that kind of death metal vocal back, I wanted it to happen when people had stopped caring… and I guess that’s now! Maybe it’s a bit surprising, but we did some anniversary type shows, and we played lots of old songs, and I just thought that my death metal voice sounded good. There’s also been a little push because of our new drummer, Walt. He’s a death metal guy. Mendez (Opeth bassist) has been a bit of a horse whisperer, too, saying ‘Maybe you should do something heavier this time…’ In the end I just thought, yeah, let’s give it a try.”

The Last Will & Testament is destined to be a milestone in Opeth’s illustrious recorded history. The band’s first out-and-out concept record, it features guest cameos from Jethro Tull legend Ian Anderson and Joey Tempest, frontman with Swedish rock gods Europe. Only one of the album’s eight songs has a title: closing ballad A Story Never Told. The rest are simply labelled as numbered chapters in this slowly unfolding saga of deceit, recrimination and betrayal. Enigmatic, unsettling and immersive, The Last Will & Testament is a turbulent, prog metal tale like no other.

To add to an overwhelming sense that The Last Will & Testament is a landmark record for Opeth, its guest stars are of impeccable and legendary quality. Ian Anderson has been making imaginative and influential music for nearly 60 years, both with Jethro Tull and as a solo artist, and remains one of progressive rock’s most revered figures. He joins Opeth here for the first time, performing as the voice of the album’s chief protagonist and contributing some glorious flurries of flute.

“With Ian, it’s about his voice and just how he is. I decided we should have spoken word, and if that was going to happen, the voice should be Ian’s. He’s like a distinguished gentleman. Everything he says has authority. So, it was just perfect. No one else would have been as good. I felt maybe it was a bit too cliched to ask him to play a flute solo too, but instead, he asked me, ‘Do you need a flute solo?’ and so obviously I said, ‘Yes! Yes, we do!’”

Another legend of the rock world to grace the new Opeth album with his presence and talent is Joey Tempest, singer with Europe.

“On the record, Joey does this call and response with Ian, which was another dream come true for me,” Åkerfeldt says. “I love Europe and I love Joey. We’ve become buddies over the years. So that was a big thing for me. He also knows Ian and had met him a few times. He’s a fan of Tull, so it was cool to have them on the same track. You don’t want to have guests that just for the glitter and glamour. You want someone that’s going to add something to the record, and those two guys were perfect.”

Making his recorded debut alongside Opeth’s long-established line-up of Mikael Åkerfeldt, guitarist Fredrik Åkesson, bassist Martin Mendez and keyboard maestro Joakim Svalberg on The Last Will & Testament is new drummer Waltteri Väyrynen, who joined the band in 2022. Åkerfeldt is eager to commend his new comrade’s immense drumming abilities, while observing that recording drums for the new album was a virtually stress-free process.

“I knew Walt was a great drummer, but I didn’t know how good he was. We’re not crappy musicians in this band. We can play. But we sat there at Rockfield Studios, and he just was doing these insane, technical songs in one take. We were almost recording it in real time! [Laughs] He’s amazing.”

After three decades of dazzling the world, Opeth have made their most daring creative leap yet. The Last Will & Testament is a progressive and dramatic triumph, and yet more proof that expecting the unexpected is the only way forward for fans of Sweden’s finest.

“It’s a restless record for me,” concludes Åkerfeldt. “It’s an explosion of ideas, which I like. It’s a bit shorter and snappier. But I definitely didn’t want to rehash anything. The only thing that has come back is some of those death metal screams, but the mindset is still much more forward looking. In typical Opeth fashion, it’s not a direct record that you understand and that you love or hate right away. It takes time and if you put that time into it, you might like it… or hate it! It feels like it was written on a whim. Which it was, in a way! I hear things on this album and think, where the fuck did that come from?”

Lineup:
Mikael Åkerfeldt – Vocals, guitars
Fredrik Åkesson – Guitars, backing vocals
Martin Mendez – Bass guitar
Waltteri Väyrynen – Drums and percussion
Joakim Svalberg – Keyboards, backing vocals

Special Guests:
Ian Anderson (Jethro Tull) – spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)
Joey Tempest (Europe) – backing vocals (track 2)
Mirjam Åkerfeldt – spoken word (track 1)

All Music and Lyrics written by Mikael Åkerfeldt
Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

Produced by Mikael Åkerfeldt
Co-produced by Opeth and Stefan Boman
Engineered by Stefan Boman, Joe Jones and Opeth
Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden
Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

Strings conducted by Dave Stewart at Angel Studios, London, UK
Strings arrangement by Mikael Åkerfeldt and Dave Stewart
Drum technicalities by Kit Cunningham

Biography by Dom Lawson

DEIMOS’ DAWN Release ‘Rise Of The Mutilated’ Single, Announce Vinyl EP “God Of Pain”, Out October 26th

Posted by metalshockfinland on September 7, 2024
Posted in: Int. News, News. Tagged: DEIMOS' DAWN. Leave a comment

After their brilliant show at this year’s Wacken Open Air, Berlin thrashers Deimos’ Dawn with front man Marc Grewe are going one better and are now releasing another new song, “Rise Of The Mutilated”, as a digital single and lyric video on YouTube.

But that’s not all: On October 26th, the quartet will release all three previously released songs, with 2 more, as a 5-track EP “God Of Pain” on vinyl, including “Resistance”, an absolute cult classic by Marc Grewe’s predecessor band MORGOTH, which the Berliners have breathed new life into without further ado! The record release show of the vinyl will take place as part of the Final Cry Anniversary Fest on October 26th at the Subkultur in Hanover! For the time being, the Vinyl is only available directly from the band. All 5 songs will be available on the usual download and streaming platforms the day before.

God Of Pain – Vinyl Tracklist
SIDE A
01. God Of Pain
02. Lamps To The Slaughter
03. Rise Of The Mutilated
SIDE B
04. One Million Bullets
05. Resistance

Livedates
26.10. “God Of Pain” Record Release, Hannover, Subkultur (Final Cry Anniversary Fest)
09.11. Lohr, Stadthalle, Chaos Unity Festival
21.12. Berlin, Badehaus, Thunder And Lighning Anniversary Show

EP VINYL ORDERS
▶  exclusive at: https://deimosdawn.bigcartel.com/ 

ALBUM (2023) ORDERS
▶ MDD: http://mdd-records.de/deimosdawn (CD & VINYL)
▶ AMAZON: https://amzn.to/3KBMOhc (VINYL)
▶ AMAZON: https://amzn.to/3UI68hu (CD)

More information
▶ https://deimos-dawn.com/ 
▶ https://www.facebook.com/Deimosdawn 
▶ https://www.instagram.com/deimosdawn/

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