Mahan Abdollahi returns with his new song “Form No.3” combining progressive rock with Iranian folk elements. What makes Mahan’s musical style unique, is his use of traditional Iranian melodies in his songs and the fact that his songs contain vocals but don’t contain any lyrics. He vocalizes melodies on top of his music to add a much-needed human touch while telling a story without using any words. V13media originally premiered the song on June 11th.
Tranquil, yet bold, Mahan Abdollahi‘s multi-instrumental prowess highlights a side of progressive rock that has never been tried in his home country Iran. Mahan Abdollahi is a multi-instrumentalist and vocalist from Mashhad, Iran, and started his musical journey in 2011. He began to write original music in 2020. He is also the guitarist of the metalcore band One Missing Link. Mahan‘s primary influences are well-known metal bands such as Metallica, System of a Down, Opeth, and Tool. Still, he borrows elements from various musical genres, notably Iranian folk music. Mahan‘s work differs from his contemporaries because of his use of vocals without lyrics. Music fans who are open to new musical experiences, and those with unorthodox views on music will enjoy Mahan’s unique musical expressions.
Credits: Written, Recorded, and Performed by Mahan Abdollahi Cover art : Narges Pourbadakhshan Press shot: Narges Pourbadakhshan Record: Javad Rahmani – Farhang Emrani (Studio Panjereh) Max and Master: Dorin Falconeri (The Metalkrypt Studio)
“The passage to atonement has vanished True repentance was never in reach Stricken down through compulsion Starved of the world Cutting the Throat of God” (‘Cutting the Throat of God‘)
In follow up to 2020’s lauded “Stare Into Death and Be Still“, New Zealand unorthodox Death Metal legends ULCERATE up the ante even further with their mind-bending 7th album. “Cutting the Throat of God“, a conflagration of inventively visceral Death/Black Metal where dizzying experimentation meets head-nodding abandon. The album is now officially released and may be listened to directly via Bandcamp or via DMP’s YouTube channel:
The record has deservedly received high praise from music enthusiasts and the worldwide metal press:
“As a statement of these aggressors’ ongoing uniqueness and a meticulous opus of Death Metal, it deserves to put everyone in heavy music on high alert. This inventive, infectious and nauseating experience is what every brutal band should be gunning to outdo in 2024.” (Loudersound)
““Cutting the Throat of God” is a highly evolved, militantly creative and endlessly fascinating piece of work that merely confirms what sensible folk already know about this band. ULCERATE are astonishing.” (Blabbermouth)
“A blissfully dark melting pot of the savagery, authenticity, and more recently, beauty that makes this icon of the dissonant Death Metal world who they are.” (Angry Metal Guy)
“ULCERATE have made a name for themselves by challenging the conventions of death metal and heavy music as a whole and this album is absolutely no exception. A 2024 highlight for sure.” (Lambgoat)
“Cutting the Throat of God” is released on CD, vinyl and digital formats. Accompanying the launch are specially designed t-shirts (men/women) and hoodies. Orders are possible via the label’s EU, US (no women shirts) and Bandcamp shops.
ULCERATE will embark on a tour of Australasia in June and August, before hitting the road throughout Europe together with DMP‘s very own SELBST and the French sludge band FANGE. This European tour will also see ULCERATE play an exclusive set for DMP‘s very own Servants of Chaos festival on October 18th.
Check all dates below:
Starved of the World – Australasia Tour 2024:
28.06.2024 AUCKLAND, NZ @ Galatos 29.06.2024 WELLINGTON, NZ @ San Fran 01.08.2024 MELBOURNE, AUS @ The Espy 02.08.2024 BRISBANE, AUS @ The Triffid 03.08.2024 SYDNEY, AUS @ Factory Floor
Eclipse Death – European Tour 2024:
12.10.2024 SOULCRUSHER FEST, NL 13.10.2024 MAMMOTHFEST, GR 14.10.2024 ATHENS, GR @ Kyttaro 15.10.2024 BERLIN, DE @ Urban Spree 16.10.2024 WEIHER, DE @ Live Music Hall 17.10.2024 DRESDEN, DE @ Kulturzentrum Strasse E 18.10.2024 SERVANTS OF CHAOS FEST, DE 19.10.2024 LEEUWARDEN, NL @ Neushoorn ++ 20.10.2024 PARIS, FR @ Petit Bain ++ 21.10.2024 LONDON, UK @ Oslo ++ 22.10.2024 WASQUEHAL, FR @ The Black Lab ++ 23.10.2024 NILVANGE, FR @ Le Gueulard Plus ++ 24.10.2024 LYON, FR @ Le Warm Audio ++ 25.10.2024 EX TENEBRIS LUX FESTIVAL, FR ++ 26.10.2024 CASTELLON, ES @ Sala Tal ++ 27.10.2024 PORTUGALETE, ES @ Estudios Groove ++ 28.10.2024 VALENCIA, ES @ 16 Toneladas ++ 30.10.2024 MURCIA, ES @ Garaje Beat Club ++ 31.10.2024 GRANADA, ES @ Sala Riff ++ 01.11.2024 MADRID, ES @ Sala Silikona ++ 02.11.2024 ZARAGOZA, ES @ Sala Lo Intento ++ 03.11.2024 BARCELONA, ES @ Sala Boveda ++ 05.11.2024 MILANO, IT @ Legend — 06.11.2024 BOLOGNA, IT @ Alchemica — 07.11.2024 LJUBLJANA, SI @ Menza pri Koritu — 08.11.2024 ZAGREB, HR @ Mocvara — 09.11.2024 NITRA, SK @ Nova Pekaren — 10.11.2024 PRAGUE, CZ @ Black Pes — 11.11.2024 VIENNA, AT @ Viper Room — 12.11.2024 ISTANBUL, TR @ TBA 13.11.2024 BUDAPEST, HU @ Dürer Kert — 14.11.2024 KRAKOW, PL @ Hype Park — 15.11.2024 BIELSKO-BIALA, PL @ RudeBoy — 16.11.2024 WARSAW, PL @ Hydrozagadka —
++ with FANGE — with SELBST
Originating from Auckland, New Zealand, the unorthodox Death Metal ensemble ULCERATE was conceived in 2000 by guitarist Michael Hoggard and drummer Jamie Saint Merat. Their initial intention was to craft dark, oppressive Death Metal – a vision that subsequently evolved into an innovative, nuanced approach embracing atmospheric and mood-rich elements. This progression was significantly influenced by the addition of bassist/vocalist Paul Kelland, pushing the band’s will for constant development even further.
ULCERATE‘s artistry is characterized by a whirlwind of scything art-metal guitars, thunderous, intricate drumming, and guttural vocal roars which create an overwhelming sense of impending doom. This signature sound was perfectly executed on their first three groundbreaking and highly dissonant albums: “Of Fracture And Failure” (2007), “Everything Is Fire” (2009), and “The Destroyers Of All” (2011), each of which have become milestones.
Recognition from fans/critics and extensive touring brought about a partnership with the esteemed label Relapse Records. The resulting two albums “Vermis” (2013) and “Shrines Of Paralysis” (2016) found the band heading to deeper and darker climes, proving ULCERATE to be at the vanguard of modern Death Metal.
In 2020 ULCERATE joined pioneering French Extreme Metal label Debemur Morti Productions due to a shared artistic vision. The same year marked the release of the band’s sixth album, “Stare Into Death And Be Still,” a groundbreaking exploration of melody, harmony, and power. Despite the challenges posed by the Covid-19 pandemic and limited touring opportunities due to travel restrictions, “Stare Into Death And Be Still” garnered widespread acclaim, noted for its unique mixture of emotive melodicism and crushing darkness.
In 2022 and 2023, ULCERATE were finally able to triumphantly tour Europe, Australasia and the United States, showcasing their unparalleled technical skill and creative vigor as they presented the compositions of “Stare Into Death And Be Still” on stage.
The year 2024 will herald the arrival of “Cutting the Throat of God“, a mind-bending seventh album from these unparalleled Death Metal titans.
Australian singer-songwriter JEREMY HARRY HARRIS has released his highly anticipated single, “The Falling,” accompanied by a thought-provoking music video. The track is taken from his recently released concept album, “Walking With My Darkness,” under the Epictronic label and distributed by The Orchard Sony.
“The Falling” delves into the disintegration of a once civil and organized society, showcasing the unconscious breakdown and its profound impact on both a collective and individual level. Through the lens of the global pandemic and its associated emotions, Harris offers a raw insight into that decline.
Harris’s lyrical commentary reflects his frustration with society’s downward spiral. Embracing a sense of darkness that overcame him during contemplation, Harris skilfully captures the inevitable descent into emotions of distrust, hurt, shame, anger, hopelessness, loss, grief, and pain, ultimately leading to a resigned acceptance of the darkness that lurks within us all.
Complementing the single, the music video for “The Falling” uses a mixture of hand-drawn and AI animation in a post-apocalyptic setting”. This visually striking representation portrays the destruction of physical and personal environments while following the isolated journey of the protagonist navigating a world shaped by recent global events.
“The Falling” is aggressive and challenging, as Harris’s fierce vocals and uncomfortable lyrics demand attention. The song’s intense melodies and evocative instrumentation align perfectly with the anger and frustration expressed throughout the track, providing a powerful and immersive sonic experience.
Prepare to be captivated by the uncompromising energy and powerful message of “The Falling.” As the opening chapter of the album “Walking With My Darkness,” this release sets the tone for an introspective journey through the depths of human emotions.
Jeremy Harry Harris is an Australian artist known for his fearless and impactful music. With his latest album, “Walking With My Darkness,” Harris dives deep into the complexities of the human experience, pushing boundaries with his introspective compositions and innovative storytelling. Through his powerful voice and thought-provoking lyrics, Harris continues to captivate audiences and cement his status as a visionary artist in the industry.
Be sure to follow Jeremy Harry Harris on his official website and social media channels for the latest updates and exclusive content.
Hot on the heels of their successful debut single “Digital Deity,” emerging rock sensation Eyes Like Midnight announced the release of their second single, “Bad Love.” Following the April 18th release of “Digital Deity” to streaming platforms globally, the track has been in full rotation on Sirius XM’s Octane and has garnered significant airplay on FM radio. The track has also received notable placements on both the Decibel and New Rock Pandora playlists further cementing Eyes Like Midnight’s place in the modern rock landscape.
“Bad Love” takes a different approach sonically, incorporating elements of synthwave and modern pop with a brutal metalcore breakdown. The track shows the diversity and range the band is capable of.
In addition, Eyes Like Midnight will take the stage at Rock Fest in Cadott, WI, on July 20th.
WATCH the Official Music Video for “Digital Deity”HERE
Welcome to the new world.
In this age of artificial intelligence, rapid change and dynamic evolution are inevitable.
Trends and bands come and go with the hyper-speed of information flow. After 10+ years and nearly 700 live shows all across America, the dissolution of vocalist/songwriter Robert Cosgrove’s band Sleep Signals in 2023 gave birth to something new and noteworthy – and in 2024, it emerged as a fully evolved idea.
EYES LIKE MIDNIGHT signifies the dawn of a new era, where his seemingly-limitless ability to create is no longer bound by the constraints of staying within formula. “Starting over has allowed me to be much more dynamic and to incorporate different sounds into the framework of my music”, explains Cosgrove.
Recording 15 new songs in three multi-week, intense sessions at producer Chris Dawson’s Aphiotic Studios in rural Kansas, Robert and his co-writers spent eight weeks writing and tracking the music that would ultimately encapsulate the beginning of EYES LIKE MIDNIGHT.
As the first phase of the band’s live WATCHES are confirmed, more new music and content will be unveiled. Even in the darkest of nights, there is always a glimmer of hope to be found. EYES LIKE MIDNIGHT are cutting through the darkness with a beacon of clarity.
Eyes Like Midnight Show Dates: 7.19.24 Davenport, IA @ The Village Theatre 7.20.24 Cadott, WI @ Rock Fest w/ Jelly Roll, Chevelle
Eyes Like Midnight: Robert Cosgrove – Vocals Tristin Paz – Bass Kaylynn Sammy – Guitar
Norwegian singer-songwriter Chris Wicked released, “Northern Heart,” a hauntingly atmospheric track that delves deep into the realms of Nordic nature, culture, and mythology, on June 14th.
As Chris Wicked’s first solo release in a few years, “Northern Heart” marks another milestone in his musical journey. It showcases his growth as an artist and his unwavering commitment to crafting authentic and evocative music.
“This song is very close to my heart,” says the former Malice In Wonderland singer. “It’s one of the first songs I wrote as a solo artist nearly a decade ago, but it’s taken until now to finally record and release it. With ‘Northern Heart,’ I wanted to create a sonic experience that reflects the raw beauty and untamed spirit of the North,” says Chris. “It’s a tribute to the landscapes that have shaped me and the stories that have inspired me.”
From its atmospheric opening to its powerful crescendo, “Northern Heart” captivates listeners with its evocative sound and emotive lyrics. With each note, Chris Wicked invites audiences to join him on a journey of introspection and discovery, where echoes of the past merge seamlessly with visions of the future.
Creating the backdrop for Chris’ soulful vocals are regular band members and multi-instrumentalists Marius Mathisen and Eskil Sæter.
2022 seen EMBRYONIC AUTOPSY taking the death metal scene by storm with their brutal banger of a debut Prophecies Of The Conjoined. Now, the US act unleashes its sophomore studio album Origins Of The Deformed, out today on Massacre Records! Available as CD Digipak, Ltd. Vinyl LP and Digital formats, you can order your copy here: https://lnk.to/originsofthedeformed
In support of today’s record release, EMBRYONIC AUTOPSY have shared a music video for final single “Cleopatra’s Spawn”! Vocalist Tim King reveals: “This song is based off the theory that the pyramids of Egypt were built in part by help from an alien culture. Diving further into that theory are the lyrics to the song that Cleopatra herself gave birth to alien babies upon breeding with the aliens that visited Egypt during those times. Musically the song has a very melodic and dark atmosphere to it, using clean guitar and spoken word vocals at times. The song features a fantastic solo by legendary guitarist James Murphy (ex-Death, ex-Obituary, ex-Testament).”
The band’s new material follows the sick and twisted lyrical style from Prophecies Of The Conjoined, and continues the story of the alien/human hybrid theory. Diving into more guts and gore than ever before, Origins Of The Deformed does not hold back lyrically. With song titles such as “Dissolving In Acidic Afterbirth”, “Orgies Of The Inseminated”, or “Dripping In The Vaginal Nectar”, EMBRYONIC AUTOPSY takes you on a grotesque filled journey of the senses. Musically, the band continues to bring the listener the raw and powerful sound they are known for, while adding in some extra twists and turns with elements of grindcore, Swedish death metal, brutal American death metal, and even moments using the vocal fry register.
EMBRYONIC AUTOPSY‘s new rager was produced and mixed by Scott Roberts, and was mastered by Ulrich Wild at the Wilderness Studios. Origins Of The Deformed features high class guest musicians, such as James Murphy, Jack Owen (Six Feet Under, ex-Cannibal Corpse, ex-Deicide) and Terrance Hobbs of Suffocation. The album artwork was designed by Cutting Edge Metal Studios.
Origins Of The Deformed track listing:
Dripping In The Vaginal Nectar
Orgies Of The Inseminated
Human Vessel Of Alien Hybrids
Dissolving In Acidic Afterbirth
Spewed Forth Into Chunks
Self-Inflicted C-Section
The Conjoined Must Perish
Cleopatra’s Spawn
Carnivorous Abortion
The Curse Of Madame Pele
Album Line-Up: Tim King – Vocals Scott Roberts – Guitars, Keyboards Kenxi Dupey – Bass Marco Fimbres – Drums
Guest Musicians:
James Murphy (ex-Death, ex-Obituary, ex-Testament):
Guest guitar solos on “Orgies Of The Inseminated”, “Cleopatra’s Spawn” and “Carnivorous Abortion”
Jack Owen (Six Feet Under, ex-Cannibal Corpse, ex-Deicide):
Guest guitar solos on “Dissolving In Acidic Afterbirth” and “Dripping In The Vaginal Nectar”
Terrance Hobbs (Suffocation): Guest guitar solo on “Carnivorous Abortion”
Next EMBRYONIC AUTOPSY Live: 02.08.2024 DE Wacken – Wacken Open Air
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video
Click image to watch the video
Metal Shock Finland (World Assault ) 